Written by
Victor Hugo |
I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.
Oh, gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flame a pale levin through,
As if some giant of the air amid the vapors drew
A sudden elemental sword.
The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizon joins his battle with the haze;
Or pools the blooming fields about with inter-isolate blaze,
Great moveless meres of radiance.
Then mark you how there hangs athwart the firmament's swept track,
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds in tenebrous side
With scales of golden mail ensheathe.
Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack;
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.
These vapors, with their leaden, golden, iron, bronzèd glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,--
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!
All vanishes! The Sun, from topmost heaven precipitated,
Like a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflamèd spaume.
O contemplate the heavens! Whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil?
With love that has not speech for need!
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall, or if the summer night
Fantasy them starre brede.
|
Written by
T S (Thomas Stearns) Eliot |
Thou hast committed—
Fornication: but that was in another country,
And besides, the wench is dead.
The Jew of Malta.
I
AMONG the smoke and fog of a December afternoon
You have the scene arrange itself—as it will seem to do—
With “I have saved this afternoon for you”;
And four wax candles in the darkened room,
Four rings of light upon the ceiling overhead,
An atmosphere of Juliet’s tomb
Prepared for all the things to be said, or left unsaid.
We have been, let us say, to hear the latest Pole
Transmit the Preludes, through his hair and fingertips.
“So intimate, this Chopin, that I think his soul
Should be resurrected only among friends
Some two or three, who will not touch the bloom
That is rubbed and questioned in the concert room.”
—And so the conversation slips
Among velleities and carefully caught regrets
Through attenuated tones of violins
Mingled with remote cornets
And begins.
“You do not know how much they mean to me, my friends,
And how, how rare and strange it is, to find
In a life composed so much, so much of odds and ends,
[For indeed I do not love it ... you knew? you are not blind!
How keen you are!]
To find a friend who has these qualities,
Who has, and gives
Those qualities upon which friendship lives.
How much it means that I say this to you—
Without these friendships—life, what cauchemar!”
Among the windings of the violins
And the ariettes
Of cracked cornets
Inside my brain a dull tom-tom begins
Absurdly hammering a prelude of its own,
Capricious monotone
That is at least one definite “false note.”
—Let us take the air, in a tobacco trance,
Admire the monuments,
Discuss the late events,
Correct our watches by the public clocks.
Then sit for half an hour and drink our bocks.
II
Now that lilacs are in bloom
She has a bowl of lilacs in her room
And twists one in his fingers while she talks.
“Ah, my friend, you do not know, you do not know
What life is, you who hold it in your hands”;
(Slowly twisting the lilac stalks)
“You let it flow from you, you let it flow,
And youth is cruel, and has no remorse
And smiles at situations which it cannot see.”
I smile, of course,
And go on drinking tea.
“Yet with these April sunsets, that somehow recall
My buried life, and Paris in the Spring,
I feel immeasurably at peace, and find the world
To be wonderful and youthful, after all.”
The voice returns like the insistent out-of-tune
Of a broken violin on an August afternoon:
“I am always sure that you understand
My feelings, always sure that you feel,
Sure that across the gulf you reach your hand.
You are invulnerable, you have no Achilles’ heel.
You will go on, and when you have prevailed
You can say: at this point many a one has failed.
But what have I, but what have I, my friend,
To give you, what can you receive from me?
Only the friendship and the sympathy
Of one about to reach her journey’s end.
I shall sit here, serving tea to friends...”
I take my hat: how can I make a cowardly amends
For what she has said to me?
You will see me any morning in the park
Reading the comics and the sporting page.
Particularly I remark
An English countess goes upon the stage.
A Greek was murdered at a Polish dance,
Another bank defaulter has confessed.
I keep my countenance,
I remain self-possessed
Except when a street piano, mechanical and tired
Reiterates some worn-out common song
With the smell of hyacinths across the garden
Recalling things that other people have desired.
Are these ideas right or wrong?
III
The October night comes down; returning as before
Except for a slight sensation of being ill at ease
I mount the stairs and turn the handle of the door
And feel as if I had mounted on my hands and knees.
“And so you are going abroad; and when do you return?
But that’s a useless question.
You hardly know when you are coming back,
You will find so much to learn.”
My smile falls heavily among the bric-à-brac.
“Perhaps you can write to me.”
My self-possession flares up for a second;
This is as I had reckoned.
“I have been wondering frequently of late
(But our beginnings never know our ends!)
Why we have not developed into friends.”
I feel like one who smiles, and turning shall remark
Suddenly, his expression in a glass.
My self-possession gutters; we are really in the dark.
“For everybody said so, all our friends,
They all were sure our feelings would relate
So closely! I myself can hardly understand.
We must leave it now to fate.
You will write, at any rate.
Perhaps it is not too late.
I shall sit here, serving tea to friends.”
And I must borrow every changing shape
To find expression ... dance, dance
Like a dancing bear,
Cry like a parrot, chatter like an ape.
Let us take the air, in a tobacco trance—
Well! and what if she should die some afternoon,
Afternoon grey and smoky, evening yellow and rose;
Should die and leave me sitting pen in hand
With the smoke coming down above the housetops;
Doubtful, for a while
Not knowing what to feel or if I understand
Or whether wise or foolish, tardy or too soon...
Would she not have the advantage, after all?
This music is successful with a “dying fall”
Now that we talk of dying—
And should I have the right to smile?
|
Written by
Alfred Lord Tennyson |
Once more the gate behind me falls;
Once more before my face
I see the moulder'd Abbey-walls,
That stand within the chace.
Beyond the lodge the city lies,
Beneath its drift of smoke;
And ah! with what delighted eyes
I turn to yonder oak.
For when my passion first began,
Ere that, which in me burn'd,
The love, that makes me thrice a man,
Could hope itself return'd;
To yonder oak within the field
I spoke without restraint,
And with a larger faith appeal'd
Than Papist unto Saint.
For oft I talk'd with him apart
And told him of my choice,
Until he plagiarized a heart,
And answer'd with a voice.
Tho' what he whisper'd under Heaven
None else could understand;
I found him garrulously given,
A babbler in the land.
But since I heard him make reply
Is many a weary hour;
'Twere well to question him, and try
If yet he keeps the power.
Hail, hidden to the knees in fern,
Broad Oak of Sumner-chace,
Whose topmost branches can discern
The roofs of Sumner-place!
Say thou, whereon I carved her name,
If ever maid or spouse,
As fair as my Olivia, came
To rest beneath thy boughs.---
"O Walter, I have shelter'd here
Whatever maiden grace
The good old Summers, year by year
Made ripe in Sumner-chace:
"Old Summers, when the monk was fat,
And, issuing shorn and sleek,
Would twist his girdle tight, and pat
The girls upon the cheek,
"Ere yet, in scorn of Peter's-pence,
And number'd bead, and shrift,
Bluff Harry broke into the spence
And turn'd the cowls adrift:
"And I have seen some score of those
Fresh faces that would thrive
When his man-minded offset rose
To chase the deer at five;
"And all that from the town would stroll,
Till that wild wind made work
In which the gloomy brewer's soul
Went by me, like a stork:
"The slight she-slips of royal blood,
And others, passing praise,
Straight-laced, but all-too-full in bud
For puritanic stays:
"And I have shadow'd many a group
Of beauties, that were born
In teacup-times of hood and hoop,
Or while the patch was worn;
"And, leg and arm with love-knots gay
About me leap'd and laugh'd
The modish Cupid of the day,
And shrill'd his tinsel shaft.
"I swear (and else may insects prick
Each leaf into a gall)
This girl, for whom your heart is sick,
Is three times worth them all.
"For those and theirs, by Nature's law,
Have faded long ago;
But in these latter springs I saw
Your own Olivia blow,
"From when she gamboll'd on the greens
A baby-germ, to when
The maiden blossoms of her teens
Could number five from ten.
"I swear, by leaf, and wind, and rain,
(And hear me with thine ears,)
That, tho' I circle in the grain
Five hundred rings of years---
"Yet, since I first could cast a shade,
Did never creature pass
So slightly, musically made,
So light upon the grass:
"For as to fairies, that will flit
To make the greensward fresh,
I hold them exquisitely knit,
But far too spare of flesh."
Oh, hide thy knotted knees in fern,
And overlook the chace;
And from thy topmost branch discern
The roofs of Sumner-place.
But thou, whereon I carved her name,
That oft hast heard my vows,
Declare when last Olivia came
To sport beneath thy boughs.
"O yesterday, you know, the fair
Was holden at the town;
Her father left his good arm-chair,
And rode his hunter down.
"And with him Albert came on his.
I look'd at him with joy:
As cowslip unto oxlip is,
So seems she to the boy.
"An hour had past---and, sitting straight
Within the low-wheel'd chaise,
Her mother trundled to the gate
Behind the dappled grays.
"But as for her, she stay'd at home,
And on the roof she went,
And down the way you use to come,
She look'd with discontent.
"She left the novel half-uncut
Upon the rosewood shelf;
She left the new piano shut:
She could not please herseif
"Then ran she, gamesome as the colt,
And livelier than a lark
She sent her voice thro' all the holt
Before her, and the park.
"A light wind chased her on the wing,
And in the chase grew wild,
As close as might be would he cling
About the darling child:
"But light as any wind that blows
So fleetly did she stir,
The flower, she touch'd on, dipt and rose,
And turn'd to look at her.
"And here she came, and round me play'd,
And sang to me the whole
Of those three stanzas that you made
About my Ôgiant bole;'
"And in a fit of frolic mirth
She strove to span my waist:
Alas, I was so broad of girth,
I could not be embraced.
"I wish'd myself the fair young beech
That here beside me stands,
That round me, clasping each in each,
She might have lock'd her hands.
"Yet seem'd the pressure thrice as sweet
As woodbine's fragile hold,
Or when I feel about my feet
The berried briony fold."
O muffle round thy knees with fern,
And shadow Sumner-chace!
Long may thy topmost branch discern
The roofs of Sumner-place!
But tell me, did she read the name
I carved with many vows
When last with throbbing heart I came
To rest beneath thy boughs?
"O yes, she wander'd round and round
These knotted knees of mine,
And found, and kiss'd the name she found,
And sweetly murmur'd thine.
"A teardrop trembled from its source,
And down my surface crept.
My sense of touch is something coarse,
But I believe she wept.
"Then flush'd her cheek with rosy light,
She glanced across the plain;
But not a creature was in sight:
She kiss'd me once again.
"Her kisses were so close and kind,
That, trust me on my word,
Hard wood I am, and wrinkled rind,
But yet my sap was stirr'd:
"And even into my inmost ring
A pleasure I discern'd,
Like those blind motions of the Spring,
That show the year is turn'd.
"Thrice-happy he that may caress
The ringlet's waving balm---
The cushions of whose touch may press
The maiden's tender palm.
"I, rooted here among the groves
But languidly adjust
My vapid vegetable loves
With anthers and with dust:
"For ah! my friend, the days were brief
Whereof the poets talk,
When that, which breathes within the leaf,
Could slip its bark and walk.
"But could I, as in times foregone,
From spray, and branch, and stem,
Have suck'd and gather'd into one
The life that spreads in them,
"She had not found me so remiss;
But lightly issuing thro',
I would have paid her kiss for kiss,
With usury thereto."
O flourish high, with leafy towers,
And overlook the lea,
Pursue thy loves among the bowers
But leave thou mine to me.
O flourish, hidden deep in fern,
Old oak, I love thee well;
A thousand thanks for what I learn
And what remains to tell.
" ÔTis little more: the day was warm;
At last, tired out with play,
She sank her head upon her arm
And at my feet she lay.
"Her eyelids dropp'd their silken eaves
I breathed upon her eyes
Thro' all the summer of my leaves
A welcome mix'd with sighs.
"I took the swarming sound of life---
The music from the town---
The murmurs of the drum and fife
And lull'd them in my own.
"Sometimes I let a sunbeam slip,
To light her shaded eye;
A second flutter'd round her lip
Like a golden butterfly;
"A third would glimmer on her neck
To make the necklace shine;
Another slid, a sunny fleck,
From head to ankle fine,
"Then close and dark my arms I spread,
And shadow'd all her rest---
Dropt dews upon her golden head,
An acorn in her breast.
"But in a pet she started up,
And pluck'd it out, and drew
My little oakling from the cup,
And flung him in the dew.
"And yet it was a graceful gift---
I felt a pang within
As when I see the woodman lift
His axe to slay my kin.
"I shook him down because he was
The finest on the tree.
He lies beside thee on the grass.
O kiss him once for me.
"O kiss him twice and thrice for me,
That have no lips to kiss,
For never yet was oak on lea
Shall grow so fair as this.'
Step deeper yet in herb and fern,
Look further thro' the chace,
Spread upward till thy boughs discern
The front of Sumner-place.
This fruit of thine by Love is blest,
That but a moment lay
Where fairer fruit of Love may rest
Some happy future day.
I kiss it twice, I kiss it thrice,
The warmth it thence shall win
To riper life may magnetise
The baby-oak within.
But thou, while kingdoms overset,
Or lapse from hand to hand,
Thy leaf shall never fail, nor yet
Thine acorn in the land.
May never saw dismember thee,
Nor wielded axe disjoint,
That art the fairest-spoken tree
From here to Lizard-point.
O rock upon thy towery-top
All throats that gurgle sweet!
All starry culmination drop
Balm-dews to bathe thy feet!
All grass of silky feather grow---
And while he sinks or swells
The full south-breeze around thee blow
The sound of minster bells.
The fat earth feed thy branchy root,
That under deeply strikes!
The northern morning o'er thee shoot,
High up, in silver spikes!
Nor ever lightning char thy grain,
But, rolling as in sleep,
Low thunders bring the mellow rain,
That makes thee broad and deep!
And hear me swear a solemn oath,
That only by thy side
Will I to Olive plight my troth,
And gain her for my bride.
And when my marriage morn may fall,
She, Dryad-like, shall wear
Alternate leaf and acorn-ball
In wreath about her hair.
And I will work in prose and rhyme,
And praise thee more in both
Than bard has honour'd beech or lime,
Or that Thessalian growth,
In which the swarthy ringdove sat,
And mystic sentence spoke;
And more than England honours that,
Thy famous brother-oak,
Wherein the younger Charles abode
Till all the paths were dim,
And far below the Roundhead rode,
And humm'd a surly hymn.
|
Written by
John Ashbery |
Something strange is creeping across me.
La Celestina has only to warble the first few bars
Of "I Thought about You" or something mellow from
Amadigi di Gaula for everything--a mint-condition can
Of Rumford's Baking Powder, a celluloid earring, Speedy
Gonzales, the latest from Helen Topping Miller's fertile
Escritoire, a sheaf of suggestive pix on greige, deckle-edged
Stock--to come clattering through the rainbow trellis
Where Pistachio Avenue rams the 2300 block of Highland
Fling Terrace. He promised he'd get me out of this one,
That mean old cartoonist, but just look what he's
Done to me now! I scarce dare approach me mug's attenuated
Reflection in yon hubcap, so jaundiced, so déconfit
Are its lineaments--fun, no doubt, for some quack phrenologist's
Fern-clogged waiting room, but hardly what you'd call
Companionable. But everything is getting choked to the point of
Silence. Just now a magnetic storm hung in the swatch of sky
Over the Fudds' garage, reducing it--drastically--
To the aura of a plumbago-blue log cabin on
A Gadsden Purchase commemorative cover. Suddenly all is
Loathing. I don't want to go back inside any more. You meet
Enough vague people on this emerald traffic-island--no,
Not people, comings and goings, more: mutterings, splatterings,
The bizarrely but effectively equipped infantries of
happy-go-nutty
Vegetal jacqueries, plumed, pointed at the little
White cardboard castle over the mill run. "Up
The lazy river, how happy we could be?"
How will it end? That geranium glow
Over Anaheim's had the riot act read to it by the
Etna-size firecracker that exploded last minute into
A carte du Tendre in whose lower right-hand corner
(Hard by the jock-itch sand-trap that skirts
The asparagus patch of algolagnic nuits blanches) Amadis
Is cozening the Princesse de Cleves into a midnight
micturition spree
On the Tamigi with the Wallets (Walt, Blossom, and little
Sleezix) on a lamé barge "borrowed" from Ollie
Of the Movies' dread mistress of the robes. Wait!
I have an announcement! This wide, tepidly meandering,
Civilized Lethe (one can barely make out the maypoles
And châlets de nécessitê on its sedgy shore)
leads to Tophet, that
Landfill-haunted, not-so-residential resort from which
Some travellers return! This whole moment is the groin
Of a borborygmic giant who even now
Is rolling over on us in his sleep. Farewell bocages,
Tanneries, water-meadows. The allegory comes unsnarled
Too soon; a shower of pecky acajou harpoons is
About all there is to be noted between tornadoes. I have
Only my intermittent life in your thoughts to live
Which is like thinking in another language. Everything
Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times"
Are in fact the silences of the soul, picked out in
Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them
We live in one dimension, they in ours. While I
Abroad through all the coasts of dark destruction seek
Deliverance for us all, think in that language: its
Grammar, though tortured, offers pavillions
At each new parting of the ways. Pastel
Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing
Stands alone. What happened to creative evolution?"
Sighed Aglavaine. Then to her Sélysette: "If his
Achievement is only to end up less boring than the others,
What's keeping us here? Why not leave at once?
I have to stay here while they sit in there,
Laugh, drink, have fine time. In my day
One lay under the tough green leaves,
Pretending not to notice how they bled into
The sky's aqua, the wafted-away no-color of regions supposed
Not to concern us. And so we too
Came where the others came: nights of physical endurance,
Or if, by day, our behavior was anarchically
Correct, at least by New Brutalism standards, all then
Grew taciturn by previous agreement. We were spirited
Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness
Of the finished product. True, to ask less were folly, yet
If he is the result of himself, how much the better
For him we ought to be! And how little, finally,
We take this into account! Is the puckered garance satin
Of a case that once held a brace of dueling pistols our
Only acknowledging of that color? I like not this,
Methinks, yet this disappointing sequel to ourselves
Has been applauded in London and St. Petersburg. Somewhere
Ravens pray for us." The storm finished brewing. And thus
She questioned all who came in at the great gate, but none
She found who ever heard of Amadis,
Nor of stern Aureng-Zebe, his first love. Some
They were to whom this mattered not a jot: since all
By definition is completeness (so
In utter darkness they reasoned), why not
Accept it as it pleases to reveal itself? As when
Low skyscrapers from lower-hanging clouds reveal
A turret there, an art-deco escarpment here, and last perhaps
The pattern that may carry the sense, but
Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's
Alike, the same, and we greet him who announces
The change as we would greet the change itself.
All life is but a figment; conversely, the tiny
Tome that slips from your hand is not perhaps the
Missing link in this invisible picnic whose leverage
Shrouds our sense of it. Therefore bivouac we
On this great, blond highway, unimpeded by
Veiled scruples, worn conundrums. Morning is
Impermanent. Grab sex things, swing up
Over the horizon like a boy
On a fishing expedition. No one really knows
Or cares whether this is the whole of which parts
Were vouchsafed--once--but to be ambling on's
The tradition more than the safekeeping of it. This mulch for
Play keeps them interested and busy while the big,
Vaguer stuff can decide what it wants--what maps, what
Model cities, how much waste space. Life, our
Life anyway, is between. We don't mind
Or notice any more that the sky is green, a parrot
One, but have our earnest where it chances on us,
Disingenuous, intrigued, inviting more,
Always invoking the echo, a summer's day.
|
Written by
Thomas Hood |
One more Unfortunate,
Weary of breath,
Rashly importunate,
Gone to her death!
Take her up tenderly,
Lift her with care;
Fashion'd so slenderly
Young, and so fair!
Look at her garments
Clinging like cerements;
Whilst the wave constantly
Drips from her clothing;
Take her up instantly,
Loving, not loathing.
Touch her not scornfully;
Think of her mournfully,
Gently and humanly;
Not of the stains of her,
All that remains of her
Now is pure womanly.
Make no deep scrutiny
Into her mutiny
Rash and undutiful:
Past all dishonour,
Death has left on her
Only the beautiful.
Still, for all slips of hers,
One of Eve's family—
Wipe those poor lips of hers
Oozing so clammily.
Loop up her tresses
Escaped from the comb,
Her fair auburn tresses;
Whilst wonderment guesses
Where was her home?
Who was her father?
Who was her mother?
Had she a sister?
Had she a brother?
Or was there a dearer one
Still, and a nearer one
Yet, than all other?
Alas! for the rarity
Of Christian charity
Under the sun!
O, it was pitiful!
Near a whole city full,
Home she had none.
Sisterly, brotherly,
Fatherly, motherly
Feelings had changed:
Love, by harsh evidence,
Thrown from its eminence;
Even God's providence
Seeming estranged.
Where the lamps quiver
So far in the river,
With many a light
From window and casement,
From garret to basement,
She stood, with amazement,
Houseless by night.
The bleak wind of March
Made her tremble and shiver;
But not the dark arch,
Or the black flowing river:
Mad from life's history,
Glad to death's mystery,
Swift to be hurl'd—
Anywhere, anywhere
Out of the world!
In she plunged boldly—
No matter how coldly
The rough river ran—
Over the brink of it,
Picture it—think of it,
Dissolute Man!
Lave in it, drink of it,
Then, if you can!
Take her up tenderly,
Lift her with care;
Fashion'd so slenderly,
Young, and so fair!
Ere her limbs frigidly
Stiffen too rigidly,
Decently, kindly,
Smooth and compose them;
And her eyes, close them,
Staring so blindly!
Dreadfully staring
Thro' muddy impurity,
As when with the daring
Last look of despairing
Fix'd on futurity.
Perishing gloomily,
Spurr'd by contumely,
Cold inhumanity,
Burning insanity,
Into her rest.—
Cross her hands humbly
As if praying dumbly,
Over her breast!
Owning her weakness,
Her evil behaviour,
And leaving, with meekness,
Her sins to her Saviour!
|
Written by
Louise Gluck |
The stars are soft as flowers, and as near;
The hills are webs of shadow, slowly spun;
No separate leaf or single blade is here-
All blend to one.
No moonbeam cuts the air; a sapphire light
Rolls lazily. and slips again to rest.
There is no edged thing in all this night,
Save in my breast.
|
Written by
Robert Browning |
I.
Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were grey,
II.
Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.
III.
Dearest, three months ago!
When we lived blocked-up with snow,---
When the wind would edge
In and in his wedge,
In, as far as the point could go---
Not to our ingle, though,
Where we loved each the other so!
IV.
Laughs with so little cause!
We devised games out of straws.
We would try and trace
One another's face
In the ash, as an artist draws;
Free on each other's flaws,
How we chattered like two church daws!
V.
What's in the `Times''?---a scold
At the Emperor deep and cold;
He has taken a bride
To his gruesome side,
That's as fair as himself is bold:
There they sit ermine-stoled,
And she powders her hair with gold.
VI.
Fancy the Pampas' sheen!
Miles and miles of gold and green
Where the sunflowers blow
In a solid glow,
And---to break now and then the screen---
Black neck and eyeballs keen,
Up a wild horse leaps between!
VII.
Try, will our table turn?
Lay your hands there light, and yearn
Till the yearning slips
Thro' the finger-tips
In a fire which a few discern,
And a very few feel burn,
And the rest, they may live and learn!
VIII.
Then we would up and pace,
For a change, about the place,
Each with arm o'er neck:
'Tis our quarter-deck,
We are seamen in woeful case.
Help in the ocean-space!
Or, if no help, we'll embrace.
IX.
See, how she looks now, dressed
In a sledging-cap and vest!
'Tis a huge fur cloak---
Like a reindeer's yoke
Falls the lappet along the breast:
Sleeves for her arms to rest,
Or to hang, as my Love likes best.
X.
Teach me to flirt a fan
As the Spanish ladies can,
Or I tint your lip
With a burnt stick's tip
And you turn into such a man!
Just the two spots that span
Half the bill of the young male swan.
XI.
Dearest, three months ago
When the mesmerizer Snow
With his hand's first sweep
Put the earth to sleep:
'Twas a time when the heart could show
All---how was earth to know,
'Neath the mute hand's to-and-fro?
XII.
Dearest, three months ago
When we loved each other so,
Lived and loved the same
Till an evening came
When a shaft from the devil's bow
Pierced to our ingle-glow,
And the friends were friend and foe!
XIII.
Not from the heart beneath---
'Twas a bubble born of breath,
Neither sneer nor vaunt,
Nor reproach nor taunt.
See a word, how it severeth!
Oh, power of life and death
In the tongue, as the Preacher saith!
XIV.
Woman, and will you cast
For a word, quite off at last
Me, your own, your You,---
Since, as truth is true,
I was You all the happy past---
Me do you leave aghast
With the memories We amassed?
XV.
Love, if you knew the light
That your soul casts in my sight,
How I look to you
For the pure and true
And the beauteous and the right,---
Bear with a moment's spite
When a mere mote threats the white!
XVI.
What of a hasty word?
Is the fleshly heart not stirred
By a worm's pin-prick
Where its roots are quick?
See the eye, by a fly's foot blurred---
Ear, when a straw is heard
Scratch the brain's coat of curd!
XVII.
Foul be the world or fair
More or less, how can I care?
'Tis the world the same
For my praise or blame,
And endurance is easy there.
Wrong in the one thing rare---
Oh, it is hard to bear!
XVIII.
Here's the spring back or close,
When the almond-blossom blows:
We shall have the word
In a minor third
There is none but the cuckoo knows:
Heaps of the guelder-rose!
I must bear with it, I suppose.
XIX.
Could but November come,
Were the noisy birds struck dumb
At the warning slash
Of his driver's-lash---
I would laugh like the valiant Thumb
Facing the castle glum
And the giant's fee-faw-fum!
XX.
Then, were the world well stripped
Of the gear wherein equipped
We can stand apart,
Heart dispense with heart
In the sun, with the flowers unnipped,---
Oh, the world's hangings ripped,
We were both in a bare-walled crypt!
XXI.
Each in the crypt would cry
``But one freezes here! and why?
``When a heart, as chill,
``At my own would thrill
``Back to life, and its fires out-fly?
``Heart, shall we live or die?
``The rest. . . . settle by-and-by!''
XXII.
So, she'd efface the score,
And forgive me as before.
It is twelve o'clock:
I shall hear her knock
In the worst of a storm's uproar,
I shall pull her through the door,
I shall have her for evermore!
|
Written by
Charlotte Bronte |
What is she writing? Watch her now,
How fast her fingers move !
How eagerly her youthful brow
Is bent in thought above !
Her long curls, drooping, shade the light,
She puts them quick aside,
Nor knows, that band of crystals bright,
Her hasty touch untied.
It slips adown her silken dress,
Falls glittering at her feet;
Unmarked it falls, for she no less
Pursues her labour sweet.
The very loveliest hour that shines,
Is in that deep blue sky;
The golden sun of June declines,
It has not caught her eye.
The cheerful lawn, and unclosed gate,
The white road, far away,
In vain for her light footsteps wait,
She comes not forth to-day.
There is an open door of glass
Close by that lady's chair,
From thence, to slopes of mossy grass,
Descends a marble stair.
Tall plants of bright and spicy bloom
Around the threshold grow;
Their leaves and blossoms shade the room,
From that sun's deepening glow.
Why does she not a moment glance
Between the clustering flowers,
And mark in heaven the radiant dance
Of evening's rosy hours ?
O look again ! Still fixed her eye,
Unsmiling, earnest, still,
And fast her pen and fingers fly,
Urged by her eager will.
Her soul is in th' absorbing task;
To whom, then, doth she write ?
Nay, watch her still more closely, ask
Her own eyes' serious light;
Where do they turn, as now her pen
Hangs o'er th' unfinished line ?
Whence fell the tearful gleam that then
Did in their dark spheres shine ?
The summer-parlour looks so dark,
When from that sky you turn,
And from th' expanse of that green park,
You scarce may aught discern.
Yet o'er the piles of porcelain rare,
O'er flower-stand, couch, and vase,
Sloped, as if leaning on the air,
One picture meets the gaze.
'Tis there she turns; you may not see
Distinct, what form defines
The clouded mass of mystery
Yon broad gold frame confines.
But look again; inured to shade
Your eyes now faintly trace
A stalwart form, a massive head,
A firm, determined face.
Black Spanish locks, a sunburnt cheek,
A brow high, broad, and white,
Where every furrow seems to speak
Of mind and moral might.
Is that her god ? I cannot tell;
Her eye a moment met
Th' impending picture, then it fell
Darkened and dimmed and wet.
A moment more, her task is done,
And sealed the letter lies;
And now, towards the setting sun
She turns her tearful eyes.
Those tears flow over, wonder not,
For by the inscription, see
In what a strange and distant spot
Her heart of hearts must be !
Three seas and many a league of land
That letter must pass o'er,
E'er read by him to whose loved hand
'Tis sent from England's shore.
Remote colonial wilds detain
Her husband, loved though stern;
She, 'mid that smiling English scene,
Weeps for his wished return.
|
Written by
T S (Thomas Stearns) Eliot |
TWELVE o’clock.
Along the reaches of the street
Held in a lunar synthesis,
Whispering lunar incantations
Dissolve the floors of memory
And all its clear relations
Its divisions and precisions,
Every street lamp that I pass
Beats like a fatalistic drum,
And through the spaces of the dark
Midnight shakes the memory
As a madman shakes a dead geranium.
Half-past one,
The street-lamp sputtered,
The street-lamp muttered,
The street-lamp said, “Regard that woman
Who hesitates toward you in the light of the door
Which opens on her like a grin.
You see the border of her dress
Is torn and stained with sand,
And you see the corner of her eye
Twists like a crooked pin.”
The memory throws up high and dry
A crowd of twisted things;
A twisted branch upon the beach
Eaten smooth, and polished
As if the world gave up
The secret of its skeleton,
Stiff and white.
A broken spring in a factory yard,
Rust that clings to the form that the strength has left
Hard and curled and ready to snap.
Half-past two,
The street-lamp said,
“Remark the cat which flattens itself in the gutter,
Slips out its tongue
And devours a morsel of rancid butter.”
So the hand of the child, automatic,
Slipped out and pocketed a toy that was running along the quay.
I could see nothing behind that child’s eye.
I have seen eyes in the street
Trying to peer through lighted shutters,
And a crab one afternoon in a pool,
An old crab with barnacles on his back,
Gripped the end of a stick which I held him.
Half-past three,
The lamp sputtered,
The lamp muttered in the dark.
The lamp hummed:
“Regard the moon,
La lune ne garde aucune rancune,
She winks a feeble eye,
She smiles into corners.
She smooths the hair of the grass.
The moon has lost her memory.
A washed-out smallpox cracks her face,
Her hand twists a paper rose,
That smells of dust and eau de Cologne,
She is alone
With all the old nocturnal smells
That cross and cross across her brain.”
The reminiscence comes
Of sunless dry geraniums
And dust in crevices,
Smells of chestnuts in the streets,
And female smells in shuttered rooms,
And cigarettes in corridors
And cocktail smells in bars.
The lamp said,
“Four o’clock,
Here is the number on the door.
Memory!
You have the key,
The little lamp spreads a ring on the stair.
Mount.
The bed is open; the tooth-brush hangs on the wall,
Put your shoes at the door, sleep, prepare for life.”
The last twist of the knife.
|
Written by
Henry Wadsworth Longfellow |
OFTEN I think of the beautiful town
That is seated by the sea;
Often in thought go up and down
The pleasant streets of that dear old town,
And my youth comes back to me. 5
And a verse of a Lapland song
Is haunting my memory still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I can see the shadowy lines of its trees, 10
And catch, in sudden gleams,
The sheen of the far-surrounding seas,
And islands that were the Hesperides
Of all my boyish dreams.
And the burden of that old song, 15
It murmurs and whispers still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the black wharves and the slips,
And the sea-tides tossing free; 20
And Spanish sailors with bearded lips,
And the beauty and mystery of the ships,
And the magic of the sea.
And the voice of that wayward song
Is singing and saying still: 25
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the bulwarks by the shore,
And the fort upon the hill;
The sunrise gun, with its hollow roar, 30
The drum-beat repeated o'er and o'er,
And the bugle wild and shrill.
And the music of that old song
Throbs in my memory still:
"A boy's will is the wind's will, 35
And the thoughts of youth are long, long thoughts."
I remember the sea-fight far away,
How it thundered o'er the tide!
And the dead captains, as they lay
In their graves, o'erlooking the tranquil bay, 40
Where they in battle died.
And the sound of that mournful song
Goes through me with a thrill:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts." 45
I can see the breezy dome of groves,
The shadows of Deering's Woods;
And the friendships old and the early loves
Come back with a Sabbath sound, as of doves
In quiet neighborhoods. 50
And the verse of that sweet old song,
It flutters and murmurs still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
I remember the gleams and glooms that dart 55
Across the school-boy's brain;
The song and the silence in the heart,
That in part are prophecies, and in part
Are longings wild and vain.
And the voice of that fitful song 60
Sings on, and is never still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
There are things of which I may not speak;
There are dreams that cannot die; 65
There are thoughts that make the strong heart weak,
And bring a pallor into the cheek,
And a mist before the eye.
And the words of that fatal song
Come over me like a chill: 70
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts."
Strange to me now are the forms I meet
When I visit the dear old town;
But the native air is pure and sweet, 75
And the trees that o'ershadow each well-known street,
As they balance up and down,
Are singing the beautiful song,
Are sighing and whispering still:
"A boy's will is the wind's will, 80
And the thoughts of youth are long, long thoughts."
And Deering's Woods are fresh and fair,
And with joy that is almost pain
My heart goes back to wander there,
And among the dreams of the days that were, 85
I find my lost youth again.
And the strange and beautiful song,
The groves are repeating it still:
"A boy's will is the wind's will,
And the thoughts of youth are long, long thoughts." 90
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