Written by
Anne Sexton |
It is in the small things we see it.
The child's first step,
as awesome as an earthquake.
The first time you rode a bike,
wallowing up the sidewalk.
The first spanking when your heart
went on a journey all alone.
When they called you crybaby
or poor or fatty or crazy
and made you into an alien,
you drank their acid
and concealed it.
Later,
if you faced the death of bombs and bullets
you did not do it with a banner,
you did it with only a hat to
comver your heart.
You did not fondle the weakness inside you
though it was there.
Your courage was a small coal
that you kept swallowing.
If your buddy saved you
and died himself in so doing,
then his courage was not courage,
it was love; love as simple as shaving soap.
Later,
if you have endured a great despair,
then you did it alone,
getting a transfusion from the fire,
picking the scabs off your heart,
then wringing it out like a sock.
Next, my kinsman, you powdered your sorrow,
you gave it a back rub
and then you covered it with a blanket
and after it had slept a while
it woke to the wings of the roses
and was transformed.
Later,
when you face old age and its natural conclusion
your courage will still be shown in the little ways,
each spring will be a sword you'll sharpen,
those you love will live in a fever of love,
and you'll bargain with the calendar
and at the last moment
when death opens the back door
you'll put on your carpet slippers
and stride out.
|
Written by
Anne Sexton |
You always read about it:
the plumber with the twelve children
who wins the Irish Sweepstakes.
From toilets to riches.
That story.
Or the nursemaid,
some luscious sweet from Denmark
who captures the oldest son's heart.
from diapers to Dior.
That story.
Or a milkman who serves the wealthy,
eggs, cream, butter, yogurt, milk,
the white truck like an ambulance
who goes into real estate
and makes a pile.
From homogenized to martinis at lunch.
Or the charwoman
who is on the bus when it cracks up
and collects enough from the insurance.
From mops to Bonwit Teller.
That story.
Once
the wife of a rich man was on her deathbed
and she said to her daughter Cinderella:
Be devout.
Be good.
Then I will smile
down from heaven in the seam of a cloud.
The man took another wife who had
two daughters, pretty enough
but with hearts like blackjacks.
Cinderella was their maid.
She slept on the sooty hearth each night
and walked around looking like Al Jolson.
Her father brought presents home from town,
jewels and gowns for the other women
but the twig of a tree for Cinderella.
She planted that twig on her mother's grave
and it grew to a tree where a white dove sat.
Whenever she wished for anything the dove
would drop it like an egg upon the ground.
The bird is important, my dears, so heed him.
Next came the ball, as you all know.
It was a marriage market.
The prince was looking for a wife.
All but Cinderella were preparing
and gussying up for the event.
Cinderella begged to go too.
Her stepmother threw a dish of lentils
into the cinders and said: Pick them
up in an hour and you shall go.
The white dove brought all his friends;
all the warm wings of the fatherland came,
and picked up the lentils in a jiffy.
No, Cinderella, said the stepmother,
you have no clothes and cannot dance.
That's the way with stepmothers.
Cinderella went to the tree at the grave
and cried forth like a gospel singer:
Mama! Mama! My turtledove,
send me to the prince's ball!
The bird dropped down a golden dress
and delicate little slippers.
Rather a large package for a simple bird.
So she went.
Which is no surprise.
Her stepmother and sisters didn't
recognize her without her cinder face
and the prince took her hand on the spot
and danced with no other the whole day.
As nightfall came she thought she'd better
get home.
The prince walked her home
and she disappeared into the pigeon house
and although the prince took an axe and broke
it open she was gone.
Back to her cinders.
These events repeated themselves for three days.
However on the third day the prince
covered the palace steps with cobbler's wax
and Cinderella's gold shoe stuck upon it.
Now he would find whom the shoe fit
and find his strange dancing girl for keeps.
He went to their house and the two sisters
were delighted because they had lovely feet.
The eldest went into a room to try the slipper on
but her big toe got in the way so she simply
sliced it off and put on the slipper.
The prince rode away with her until the white dove
told him to look at the blood pouring forth.
That is the way with amputations.
They just don't heal up like a wish.
The other sister cut off her heel
but the blood told as blood will.
The prince was getting tired.
He began to feel like a shoe salesman.
But he gave it one last try.
This time Cinderella fit into the shoe
like a love letter into its envelope.
At the wedding ceremony
the two sisters came to curry favor
and the white dove pecked their eyes out.
Two hollow spots were left
like soup spoons.
Cinderella and the prince
lived, they say, happily ever after,
like two dolls in a museum case
never bothered by diapers or dust,
never arguing over the timing of an egg,
never telling the same story twice,
never getting a middle-aged spread,
their darling smiles pasted on for eternity.
Regular Bobbsey Twins.
That story.
|
Written by
Christopher Marlowe |
COME live with me and be my Love,
And we will all the pleasures prove
That hills and valleys, dale and field,
And all the craggy mountains yield.
There will we sit upon the rocks
And see the shepherds feed their flocks,
By shallow rivers, to whose falls
Melodious birds sing madrigals.
There will I make thee beds of roses
And a thousand fragrant posies,
A cap of flowers, and a kirtle
Embroider'd all with leaves of myrtle.
A gown made of the finest wool
Which from our pretty lambs we pull,
Fair linèd slippers for the cold,
With buckles of the purest gold.
A belt of straw and ivy buds
With coral clasps and amber studs:
And if these pleasures may thee move,
Come live with me and be my Love.
Thy silver dishes for thy meat
As precious as the gods do eat,
Shall on an ivory table be
Prepared each day for thee and me.
The shepherd swains shall dance and sing
For thy delight each May-morning:
If these delights thy mind may move,
Then live with me and be my Love.
|
Written by
Barry Tebb |
Sorry, Neil Oram (with an orange in my pocket)
I can’t make ,your loch-side commune by bonny Drummadrochit.
Sorry Brenda Williams, I can’t share your park bench protest near the Royal Free
At sixty I need a fire and slippers, -4 outside just isn’t me.
Sorry, Chris Torrance, I can’t make your Welsh eyrie
Just spelling Gymmercher Isaf Pontneathvaughan quite fazes me.
Sorry, Seamus Famous, your hide away in Dublin Bay
No doubt is bloody grand but I can’t face the journey to a far off foreign land.
Sorry James Kirkup, your Andorran niche
Is just too complicated for me to ever reach.
Apologies especially to Emily Bronte’s ghost -
You are the mostest hostess that I could ever boast
Your heather moor and cobbled street’s allure
Are something I’ve put off until the braw New Year.
|
Written by
Li Po |
There was wine in a cup of gold
and a girl of fifteen from Wu,
her eyebrows painted dark
and with slippers of red brocade.
If her conversation was poor,
how beautifully she could sing!
Together we dined and drank
until she settled in my arms.
Behind her curtains
embroidered with lotuses,
how could I refuse
the temptation of her advances?
|
Written by
Robert William Service |
I love the cheery bustle
Of children round the house,
The tidy maids a-hustle,
The chatter of my spouse;
The laughter and the singing,
The joy on every face:
With frequent laughter ringing,
O, Home's a happy place!
Aye, Home's a bit of heaven;
I love it every day;
My line-up of eleven
Combine to make it gay;
Yet when in June they're leaving
For Sandport by the sea,
By rights I should be grieving,
But gosh! I just fell free.
I'm left with parting kisses,
The guardian of the house;
The romp, it's true, one misses,
I'm quiet as a mouse.
In carpet slippers stealing
From room to room alone
I get the strangest feeling
The place is all my own.
It seems to nestle near me,
It whispers in my ear;
My books and pictures cheer me,
Hearth never was so dear.
In peace profound I lap me,
I take no stock of time,
And from the dreams that hap me,
I make (like this) a rhyme.
Oh, I'm ashamed of saying
(And think it's mean of me),
That when the kids are staying
At Sandspot on the sea,
And I evoke them clearly
Disporting in the spray,
I love them still more dearly
Because .
.
.
they're far away.
|
Written by
Matthew Prior |
Releas'd from the noise of the butcher and baker
Who, my old friends be thanked, did seldom forsake her,
And from the soft duns of my landlord the Quaker,
From chiding the footmen and watching the lasses,
From Nell that burn'd milk, and Tom that broke glasses
(Sad mischiefs thro' which a good housekeeper passes!)
From some real care but more fancied vexation,
From a life parti-colour'd half reason half passion,
Here lies after all the best wench in the nation.
From the Rhine to the Po, from the Thames to the Rhone,
Joanna or Janneton, Jinny or Joan,
'Twas all one to her by what name she was known.
For the idiom of words very little she heeded,
Provided the matter she drove at succeeded,
She took and gave languages just as she needed.
So for kitchen and market, for bargain and sale,
She paid English or Dutch or French down on the nail,
But in telling a story she sometimes did fail;
Then begging excuse as she happen'd to stammer,
With respect to her betters but none to her grammar,
Her blush helped her out and her jargon became her.
Her habit and mien she endeavor'd to frame
To the different gout of the place where she came;
Her outside still chang'd, but her inside the same:
At the Hague in her slippers and hair as the mode is,
At Paris all falbalow'd fine as a goddess,
And at censuring London in smock sleeves and bodice.
She order'd affairs that few people could tell
In what part about her that mixture did dwell
Of Frow, or Mistress, or Mademoiselle.
For her surname and race let the herald's e'en answer;
Her own proper worth was enough to advance her,
And he who liked her, little value her grandsire.
But from what house so ever her lineage may come
I wish my own Jinny but out of her tomb,
Tho' all her relations were there in her room.
Of such terrible beauty she never could boast
As with absolute sway o'er all hearts rules the roast
When J___ bawls out to the chair for a toast;
But of good household features her person was made,
Nor by faction cried up nor of censure afraid,
And her beauty was rather for use than parade.
Her blood so well mix't and flesh so well pasted
That, tho' her youth faded, her comeliness lasted;
The blue was wore off, but the plum was well tasted.
Less smooth than her skin and less white than her breast
Was this polished stone beneath which she lies pressed:
Stop, reader, and sigh while thou thinkst on the rest.
With a just trim of virtue her soul was endued,
Not affectedly pious nor secretly lewd
She cut even between the coquette and the prude.
Her will with her duty so equally stood
That, seldom oppos'd, she was commonly good,
And did pretty well, doing just what she would.
Declining all power she found means to persuade,
Was then most regarded when most she obey'd,
The mistress in truth when she seem'd but the maid.
Such care of her own proper actions she took
That on other folk's lives she had not time to look,
So censure and praise were struck out of her book.
Her thought still confin'd to its own little sphere,
She minded not who did excel or did err
But just as the matter related to her.
Then too when her private tribunal was rear'd
Her mercy so mix'd with her judgment appear'd
That her foes were condemn'd and her friends always clear'd.
Her religion so well with her learning did suit
That in practice sincere, and in controverse mute,
She showed she knew better to live than dispute.
Some parts of the Bible by heart she recited,
And much in historical chapters delighted,
But in points about Faith she was something short sighted;
So notions and modes she refer'd to the schools,
And in matters of conscience adher'd to two rules,
To advise with no bigots, and jest with no fools.
And scrupling but little, enough she believ'd,
By charity ample small sins she retriev'd,
And when she had new clothes she always receiv'd.
Thus still whilst her morning unseen fled away
In ord'ring the linen and making the tea
That scarce could have time for the psalms of the day;
And while after dinner the night came so soon
That half she propos'd very seldom was done;
With twenty God bless me's, how this day is gone! --
While she read and accounted and paid and abated,
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated,
As answer'd the end of her being created:
In the midst of her age came a cruel disease
Which neither her juleps nor receipts could appease;
So down dropp'd her clay -- may her Soul be at peace!
Retire from this sepulchre all the profane,
You that love for debauch, or that marry for gain,
Retire lest ye trouble the Manes of J___.
But thou that know'st love above int'rest or lust,
Strew the myrle and rose on this once belov'd dust,
And shed one pious tear upon Jinny the Just.
Tread soft on her grave, and do right to her honor,
Let neither rude hand nor ill tongue light upon her,
Do all the small favors that now can be done her.
And when what thou lik'd shall return to her clay,
For so I'm persuaded she must do one day
-- Whatever fantastic John Asgill may say --
When as I have done now, thou shalt set up a stone
For something however distinguished or known,
May some pious friend the misfortune bemoan,
And make thy concern by reflexion his own.
|
Written by
Edgar Albert Guest |
To wed, or not to wed; that is the question;
Whether 'tis nobler in the mind to suffer
The bills and house rent of a wedded fortune,
Or to say "nit" when she proposes,
And by declining cut her.
To wed; to smoke
No more; And have a wife at home to mend
The holes in socks and shirts
And underwear and so forth.
'Tis a consummation
Devoutly to be wished.
To wed for life;
To wed; perchance to fight; ay, there's the rub;
For in that married life what fights may come,
When we have honeymooning ceased
Must give us pause; there's the respect
That makes the joy of single life.
For who would bear her mother's scornful tongue,
Canned goods for tea, the dying furnace fire;
The pangs of sleepless nights when baby cries;
The pain of barking shins upon a chair and
Closing waists that button down the back,
When he himself might all these troubles shirk
With a bare refusal? Who would bundles bear,
And grunt and sweat under a shopping load?
Who would samples match; buy rats for hair,
Cart cheese and crackers home to serve at night
For lunch to feed your friends; play pedro
After tea; sing rag time songs, amusing
Friendly neighbors.
Buy garden tools
To lend unto the same.
Stay home at nights
In smoking coat and slippers and slink to bed
At ten o'clock to save the light bills?
Thus duty does make cowards of us all,
And thus the native hue of matrimony
Is sicklied o'er with the pale cast of chores;
And thus the gloss of marriage fades away,
And loses its attraction.
|
Written by
T S (Thomas Stearns) Eliot |
The river's tent is broken: the last fingers of leaf
Clutch and sink into the wet bank.
The wind
Crosses the brown land, unheard.
The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights.
The nymphs are departed.
And their friends, the loitering heirs of city directors; 180
Departed, have left no addresses.
Line 161 ALRIGHT.
This spelling occurs also in
the Hogarth Press edition— Editor.
By the waters of Leman I sat down and wept .
.
.
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.
A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse 190
Musing upon the king my brother's wreck
And on the king my father's death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat's foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs.
Porter in the spring.
O the moon shone bright on Mrs.
Porter
And on her daughter 200
They wash their feet in soda water
Et O ces voix d'enfants, chantant dans la coupole!
Twit twit twit
Jug jug jug jug jug jug
So rudely forc'd.
Tereu
Unreal City
Under the brown fog of a winter noon
Mr.
Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants 210
C.
i.
f.
London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.
At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female breasts, can see
At the violet hour, the evening hour that strives 220
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
230
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence; 240
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.
)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit .
.
.
She turns and looks a moment in the glass,
Hardly aware of her departed lover; 250
Her brain allows one half-formed thought to pass:
"Well now that's done: and I'm glad it's over.
"
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.
"This music crept by me upon the waters"
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street, 260
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.
The river sweats
Oil and tar
The barges drift
With the turning tide
Red sails 270
Wide
To leeward, swing on the heavy spar.
The barges wash
Drifting logs
Down Greenwich reach
Past the Isle of Dogs.
Weialala leia
Wallala leialala
Elizabeth and Leicester
Beating oars 280
The stern was formed
A gilded shell
Red and gold
The brisk swell
Rippled both shores
Southwest wind
Carried down stream
The peal of bells
White towers
Weialala leia 290
Wallala leialala
"Trams and dusty trees.
Highbury bore me.
Richmond and Kew
Undid me.
By Richmond I raised my knees
Supine on the floor of a narrow canoe.
"
"My feet are at Moorgate, and my heart
Under my feet.
After the event
He wept.
He promised 'a new start'.
I made no comment.
What should I resent?"
"On Margate Sands.
300
I can connect
Nothing with nothing.
The broken fingernails of dirty hands.
My people humble people who expect
Nothing.
"
la la
To Carthage then I came
Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest 310
burning
|
Written by
Jenny Joseph |
When I am an old woman I shall wear purple
With a red hat which doesn't go, and doesn't suit me.
And I shall spend my pension on brandy and summer gloves
And satin sandles, and say we've no money for butter.
I shall sit down on the pavement when I'm tired
And gobble up samples in shops and press alarm bells
And run my stick along the public railings
And make up for the sobriety of my youth.
I shall go out in my slippers in the rain
And pick flowers in other people's gardens
And learn to spit.
You can wear terrible shirts and grow more fat
And eat three pounds of sausages at a go
Or only bread and pickle for a week
And hoard pens and pencils and beermats and things in boxes.
But now we must have clothes that keep us dry
And pay our rent and not swear in the street
And set a good example for the children.
We must have friends to dinner and read the papers.
But maybe I ought to practice a little now?
So people who know me are not too shocked and surprised
When suddenly I am old, and start to wear purple.
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