Written by
Carl Sandburg |
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign
all smokes
know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.”
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
They cross on the sky and count our years.
Smoke of a brick-red dust
Winds on a spiral
Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
Stammer at the slang of this—
Let us understand half of it.
In the rolling mills and sheet mills,
In the harr and boom of the blast fires,
The smoke changes its shadow
And men change their shadow;
A ******, a wop, a bohunk changes.
A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone
in the blue; it is steel
a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
“Since you know all
and I know nothing,
tell me what I dreamed last night.”
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
|
Written by
Robert Browning |
I.
Oh, what a dawn of day!
How the March sun feels like May!
All is blue again
After last night's rain,
And the South dries the hawthorn-spray.
Only, my Love's away!
I'd as lief that the blue were grey,
II.
Runnels, which rillets swell,
Must be dancing down the dell,
With a foaming head
On the beryl bed
Paven smooth as a hermit's cell;
Each with a tale to tell,
Could my Love but attend as well.
III.
Dearest, three months ago!
When we lived blocked-up with snow,---
When the wind would edge
In and in his wedge,
In, as far as the point could go---
Not to our ingle, though,
Where we loved each the other so!
IV.
Laughs with so little cause!
We devised games out of straws.
We would try and trace
One another's face
In the ash, as an artist draws;
Free on each other's flaws,
How we chattered like two church daws!
V.
What's in the `Times''?---a scold
At the Emperor deep and cold;
He has taken a bride
To his gruesome side,
That's as fair as himself is bold:
There they sit ermine-stoled,
And she powders her hair with gold.
VI.
Fancy the Pampas' sheen!
Miles and miles of gold and green
Where the sunflowers blow
In a solid glow,
And---to break now and then the screen---
Black neck and eyeballs keen,
Up a wild horse leaps between!
VII.
Try, will our table turn?
Lay your hands there light, and yearn
Till the yearning slips
Thro' the finger-tips
In a fire which a few discern,
And a very few feel burn,
And the rest, they may live and learn!
VIII.
Then we would up and pace,
For a change, about the place,
Each with arm o'er neck:
'Tis our quarter-deck,
We are seamen in woeful case.
Help in the ocean-space!
Or, if no help, we'll embrace.
IX.
See, how she looks now, dressed
In a sledging-cap and vest!
'Tis a huge fur cloak---
Like a reindeer's yoke
Falls the lappet along the breast:
Sleeves for her arms to rest,
Or to hang, as my Love likes best.
X.
Teach me to flirt a fan
As the Spanish ladies can,
Or I tint your lip
With a burnt stick's tip
And you turn into such a man!
Just the two spots that span
Half the bill of the young male swan.
XI.
Dearest, three months ago
When the mesmerizer Snow
With his hand's first sweep
Put the earth to sleep:
'Twas a time when the heart could show
All---how was earth to know,
'Neath the mute hand's to-and-fro?
XII.
Dearest, three months ago
When we loved each other so,
Lived and loved the same
Till an evening came
When a shaft from the devil's bow
Pierced to our ingle-glow,
And the friends were friend and foe!
XIII.
Not from the heart beneath---
'Twas a bubble born of breath,
Neither sneer nor vaunt,
Nor reproach nor taunt.
See a word, how it severeth!
Oh, power of life and death
In the tongue, as the Preacher saith!
XIV.
Woman, and will you cast
For a word, quite off at last
Me, your own, your You,---
Since, as truth is true,
I was You all the happy past---
Me do you leave aghast
With the memories We amassed?
XV.
Love, if you knew the light
That your soul casts in my sight,
How I look to you
For the pure and true
And the beauteous and the right,---
Bear with a moment's spite
When a mere mote threats the white!
XVI.
What of a hasty word?
Is the fleshly heart not stirred
By a worm's pin-prick
Where its roots are quick?
See the eye, by a fly's foot blurred---
Ear, when a straw is heard
Scratch the brain's coat of curd!
XVII.
Foul be the world or fair
More or less, how can I care?
'Tis the world the same
For my praise or blame,
And endurance is easy there.
Wrong in the one thing rare---
Oh, it is hard to bear!
XVIII.
Here's the spring back or close,
When the almond-blossom blows:
We shall have the word
In a minor third
There is none but the cuckoo knows:
Heaps of the guelder-rose!
I must bear with it, I suppose.
XIX.
Could but November come,
Were the noisy birds struck dumb
At the warning slash
Of his driver's-lash---
I would laugh like the valiant Thumb
Facing the castle glum
And the giant's fee-faw-fum!
XX.
Then, were the world well stripped
Of the gear wherein equipped
We can stand apart,
Heart dispense with heart
In the sun, with the flowers unnipped,---
Oh, the world's hangings ripped,
We were both in a bare-walled crypt!
XXI.
Each in the crypt would cry
``But one freezes here! and why?
``When a heart, as chill,
``At my own would thrill
``Back to life, and its fires out-fly?
``Heart, shall we live or die?
``The rest. . . . settle by-and-by!''
XXII.
So, she'd efface the score,
And forgive me as before.
It is twelve o'clock:
I shall hear her knock
In the worst of a storm's uproar,
I shall pull her through the door,
I shall have her for evermore!
|
Written by
T S (Thomas Stearns) Eliot |
S’io credesse che mia risposta fosse
A persona che mai tornasse al mondo,
Questa fiamma staria senza piu scosse.
Ma perciocche giammai di questo fondo
Non torno vivo alcun, s’i’odo il vero,
Senza tema d’infamia ti rispondo.
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question...
Oh, do not ask, "What is it?"
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes,
Licked its tongue into the corners of the evening
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
And indeed there will be time
For the yellow smoke that slides along the street
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate,
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
In the room the women come and go
Talking of Michelangelo.
And indeed there will be time
To wonder, "Do I dare?" and, "Do I dare?"
Time to turn back and descend the stair,
With a bald spot in the middle of my hair—
(They will say: "How his hair is growing thin!")
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin—
(They will say: "But how his arms and legs are thin!")
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute win reverse.
For I have known them all already, known them all—
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
So how should I presume?
And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
And how should I presume?
And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
And should I then presume?
And how should I begin?
Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows?
I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
. . . . .
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep ... tired ... or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in
upon a platter,
I am no prophet-and here's no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it towards some overwhelming question,
To say: "I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all"—
If one, settling a pillow by her head,
Should say: "That is not what I meant at all.
That is not it, at all."
And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along
the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a
screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
"That is not it at all,
That is not what I meant, at all."
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
I grow old ... I grow old ...
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind? Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
|
Written by
Henry Wadsworth Longfellow |
Oft have I seen at some cathedral door
.
A laborer, pausing in the dust and heat,
.
Lay down his burden, and with reverent feet
.
Enter, and cross himself, and on the floor
.
Kneel to repeat his paternoster o'er;
.
Far off the noises of the world retreat;
.
The loud vociferations of the street
.
Become an undistinguishable roar.
.
So, as I enter here from day to day,
.
And leave my burden at this minster gate,
.
Kneeling in prayer, and not ashamed to pray,
.
The tumult of the time disconsolate
.
To inarticulate murmurs dies away,
.
While the eternal ages watch and wait.II.2.
How strange the sculptures that adorn these towers!
.
This crowd of statues, in whose folded sleeves
.
Birds build their nests; while canopied with leaves
.
Parvis and portal bloom like trellised bowers,
.
And the vast minster seems a cross of flowers!
.
But fiends and dragons on the gargoyled eaves
.
Watch the dead Christ between the living thieves,
.
And, underneath, the traitor Judas lowers!
.
Ah! from what agonies of heart and brain,
.
What exultations trampling on despair,
.
What tenderness, what tears, what hate of wrong,
.
What passionate outcry of a soul in pain,
.
Uprose this poem of the earth and air,
.
This medi?val miracle of song!
III.Written December 22, 1865.3.
I enter, and I see thee in the gloom
.
Of the long aisles, O poet saturnine!
.
And strive to make my steps keep pace with thine.
.
The air is filled with some unknown perfume;
.
The congregation of the dead make room
.
For thee to pass; the votive tapers shine;
.
Like rooks that haunt Ravenna's groves of pine
.
The hovering echoes fly from tomb to tomb.
.
From the confessionals I hear arise
.
Rehearsals of forgotten tragedies,
.
And lamentations from the crypts below;
.
And then a voice celestial that begins
.
With the pathetic words, "Although your sins
.
As scarlet be," and ends with "as the snow."
IV.Written May 5, 1867.4.
With snow-white veil and garments as of flame,
.
She stands before thee, who so long ago
.
Filled thy young heart with passion and the woe
.
From which thy song and all its splendors came;
.
And while with stern rebuke she speaks thy name,
.
The ice about thy heart melts as the snow
.
On mountain heights, and in swift overflow
.
Comes gushing from thy lips in sobs of shame.
.
Thou makest full confession; and a gleam,
.
As of the dawn on some dark forest cast,
.
Seems on thy lifted forehead to increase;
.
Lethe and Euno? -- the remembered dream
.
And the forgotten sorrow -- bring at last
.
That perfect pardon which is perfect peace.
V.Written January 16, 1866.5.
I lift mine eyes, and all the windows blaze
.
With forms of Saints and holy men who died,
.
Here martyred and hereafter glorified;
.
And the great Rose upon its leaves displays
.
Christ's Triumph, and the angelic roundelays,
.
With splendor upon splendor multiplied;
.
And Beatrice again at Dante's side
.
No more rebukes, but smiles her words of praise.
.
And then the organ sounds, and unseen choirs
.
Sing the old Latin hymns of peace and love
.
And benedictions of the Holy Ghost;
.
And the melodious bells among the spires
.
O'er all the house-tops and through heaven above
.
Proclaim the elevation of the Host!
VI.Written March 7, 1866.6.
O star of morning and of liberty!
.
O bringer of the light, whose splendor shines
.
Above the darkness of the Apennines,
.
Forerunner of the day that is to be!
.
The voices of the city and the sea,
.
The voices of the mountains and the pines,
.
Repeat thy song, till the familiar lines
.
Are footpaths for the thought of Italy!
.
Thy fame is blown abroad from all the heights,
.
Through all the nations, and a sound is heard,
.
As of a mighty wind, and men devout,
.
Strangers of Rome, and the new proselytes,
.
In their own language hear thy wondrous word,
.
And many are amazed and many doubt.
|
Written by
Barry Tebb |
Would ‘any woman’ find me difficult to live with?
My tastes are simple: space for several thousand books,
The smoke from my pipe stuffed with aromatic Balkan Sobranie,
A leftover from the Sixties, frequent brief absences to fulfil
My duties as a carer, unending phone calls
And the unenviable reputation as England’s worst or best complainer,
"Treading on toes or keeping people on their toes"
Also a warm and welcoming vagina, an insatiable need
For ******** and cunnilingus, a bed with clean sheets
I can retire to by five with a hot water bottle
To calm my churning viscera while I read
Endless analytic texts, tomes of French poems to translate,
A notorious weekly newsletter to edit, a quarterly to write reviews for
And – I must confess – cable TV so I can access Starsky and Hutch.
I need a cottage in Haworth to go with the wife,
Companion or whatever, to see with me the changing
Seasons of heather from purple September glory
To the browns of winter and wisps of summer green
And meet with Michael Haslam, fellow poet,
Maestro of the moors and shape-shifter supreme.
I write these verses sitting in the marble hall
Of City Station’s restored art deco glory,
The rats and debris of decades swept away,
How much I need the kindness of strangers,
The welcome from my son’s nurses on the
Ward with the highest security rating Leeds possesses,
A magnificent rotunda among lawns and wooded glades,
Air conditioned with more staff than patients-
When visiting times are readily extended to encompass
My moorland walks and journeys to the capital
When I visit Brenda Williams, England’s leading protest poet.
In an Eden garden which spreads its lawned sleeves
To envelop my tobacco smoke which irritates everyone
Or is it a displacement onto the smoker
As I ecstasise the red and yellow splendour of the red hot poker
Defiantly erect among the flowering robes of magnolia?
Here we reminisce of long ago days when our children
Blossomed with talent and showed no signs
Of the unending torment of their adult years,
Depot injections, Red clouds which whirl as in end-on sections, absconding,
Liasing, losing and finding…
|
Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing. It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological...Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world....
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds... But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 ... Oaks: the organization of this tree is difficult. Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd. roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points. But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces. And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end. However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh. it is possible to see composition in dips, etc.
But I shall study them further. It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry. What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe."
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
John Wilmot |
Nothing, thou elder brother even to shade,
That hadst a being ere the world was made,
And (well fixed) art alone of ending not afraid.
Ere time and place were, time and place were not,
When primitive Nothing Something straight begot,
Then all proceeded from the great united--What?
Something, the general attribute of all,
Severed from thee, its sole original,
Into thy boundless self must undistinguished fall.
Yet Something did thy mighty power command,
And from thy fruitful emptiness's hand,
Snatched men, beasts, birds, fire, air, and land.
Matter, the wickedest offspring of thy race,
By Form assisted, flew from thy embrace,
And rebel Light obscured thy reverend dusky face.
With Form and Matter, Time and Place did join,
Body, thy foe, with these did leagues combine
To spoil thy peaceful realm, and ruin all thy line.
But turncoat Time assists the foe in vain,
And, bribed by thee, assists thy short-lived reign,
And to thy hungry womb drives back thy slaves again.
Though mysteries are barred from laic eyes,
And the Divine alone with warrant pries
Into thy bosom, where thy truth in private lies,
Yet this of thee the wise may freely say,
Thou from the virtuous nothing takest away,
And to be part of thee the wicked wisely pray.
Great Negative, how vainly would the wise
Inquire, define, distinguish, teach, devise?
Didst thou not stand to point their dull philosophies.
Is, or is not, the two great ends of Fate,
And true or false, the subject of debate,
That perfects, or destroys, the vast designs of Fate,
When they have racked the politician's breast,
Within thy bosom most securely rest,
And, when reduced to thee, are least unsafe and best.
But Nothing, why does Something still permit
That sacred monarchs should at council sit
With persons highly thought at best for nothing fit?
Whist weighty Something modestly abstains
From princes' coffers, and from statesmen's brains,
And Nothing there like stately Nothing reigns,
Nothing, who dwellest with fools in grave disguise,
For whom they reverend shapes and forms devise,
Lawn sleeves, and furs, and gowns, when they like thee look wise.
French truth, Dutch prowess, British policy,
Hibernian learning, Scotch civility,
Spaniard's dispatch, Dane's wit are mainly seen in thee.
The great man's gratitude to his best friend,
King's promises, whore's vows, towards thee they bend,
Flow swiftly to thee, and in thee never end.
|
Written by
Matthew Prior |
Releas'd from the noise of the butcher and baker
Who, my old friends be thanked, did seldom forsake her,
And from the soft duns of my landlord the Quaker,
From chiding the footmen and watching the lasses,
From Nell that burn'd milk, and Tom that broke glasses
(Sad mischiefs thro' which a good housekeeper passes!)
From some real care but more fancied vexation,
From a life parti-colour'd half reason half passion,
Here lies after all the best wench in the nation.
From the Rhine to the Po, from the Thames to the Rhone,
Joanna or Janneton, Jinny or Joan,
'Twas all one to her by what name she was known.
For the idiom of words very little she heeded,
Provided the matter she drove at succeeded,
She took and gave languages just as she needed.
So for kitchen and market, for bargain and sale,
She paid English or Dutch or French down on the nail,
But in telling a story she sometimes did fail;
Then begging excuse as she happen'd to stammer,
With respect to her betters but none to her grammar,
Her blush helped her out and her jargon became her.
Her habit and mien she endeavor'd to frame
To the different gout of the place where she came;
Her outside still chang'd, but her inside the same:
At the Hague in her slippers and hair as the mode is,
At Paris all falbalow'd fine as a goddess,
And at censuring London in smock sleeves and bodice.
She order'd affairs that few people could tell
In what part about her that mixture did dwell
Of Frow, or Mistress, or Mademoiselle.
For her surname and race let the herald's e'en answer;
Her own proper worth was enough to advance her,
And he who liked her, little value her grandsire.
But from what house so ever her lineage may come
I wish my own Jinny but out of her tomb,
Tho' all her relations were there in her room.
Of such terrible beauty she never could boast
As with absolute sway o'er all hearts rules the roast
When J___ bawls out to the chair for a toast;
But of good household features her person was made,
Nor by faction cried up nor of censure afraid,
And her beauty was rather for use than parade.
Her blood so well mix't and flesh so well pasted
That, tho' her youth faded, her comeliness lasted;
The blue was wore off, but the plum was well tasted.
Less smooth than her skin and less white than her breast
Was this polished stone beneath which she lies pressed:
Stop, reader, and sigh while thou thinkst on the rest.
With a just trim of virtue her soul was endued,
Not affectedly pious nor secretly lewd
She cut even between the coquette and the prude.
Her will with her duty so equally stood
That, seldom oppos'd, she was commonly good,
And did pretty well, doing just what she would.
Declining all power she found means to persuade,
Was then most regarded when most she obey'd,
The mistress in truth when she seem'd but the maid.
Such care of her own proper actions she took
That on other folk's lives she had not time to look,
So censure and praise were struck out of her book.
Her thought still confin'd to its own little sphere,
She minded not who did excel or did err
But just as the matter related to her.
Then too when her private tribunal was rear'd
Her mercy so mix'd with her judgment appear'd
That her foes were condemn'd and her friends always clear'd.
Her religion so well with her learning did suit
That in practice sincere, and in controverse mute,
She showed she knew better to live than dispute.
Some parts of the Bible by heart she recited,
And much in historical chapters delighted,
But in points about Faith she was something short sighted;
So notions and modes she refer'd to the schools,
And in matters of conscience adher'd to two rules,
To advise with no bigots, and jest with no fools.
And scrupling but little, enough she believ'd,
By charity ample small sins she retriev'd,
And when she had new clothes she always receiv'd.
Thus still whilst her morning unseen fled away
In ord'ring the linen and making the tea
That scarce could have time for the psalms of the day;
And while after dinner the night came so soon
That half she propos'd very seldom was done;
With twenty God bless me's, how this day is gone! --
While she read and accounted and paid and abated,
Eat and drank, play'd and work'd, laugh'd and cried, lov'd and hated,
As answer'd the end of her being created:
In the midst of her age came a cruel disease
Which neither her juleps nor receipts could appease;
So down dropp'd her clay -- may her Soul be at peace!
Retire from this sepulchre all the profane,
You that love for debauch, or that marry for gain,
Retire lest ye trouble the Manes of J___.
But thou that know'st love above int'rest or lust,
Strew the myrle and rose on this once belov'd dust,
And shed one pious tear upon Jinny the Just.
Tread soft on her grave, and do right to her honor,
Let neither rude hand nor ill tongue light upon her,
Do all the small favors that now can be done her.
And when what thou lik'd shall return to her clay,
For so I'm persuaded she must do one day
-- Whatever fantastic John Asgill may say --
When as I have done now, thou shalt set up a stone
For something however distinguished or known,
May some pious friend the misfortune bemoan,
And make thy concern by reflexion his own.
|
Written by
William Morris |
It is the longest night in all the year,
Near on the day when the Lord Christ was born;
Six hours ago I came and sat down here,
And ponder'd sadly, wearied and forlorn.
The winter wind that pass'd the chapel door,
Sang out a moody tune, that went right well
With mine own thoughts: I look'd down on the floor,
Between my feet, until I heard a bell
Sound a long way off through the forest deep,
And toll on steadily; a drowsiness
Came on me, so that I fell half asleep,
As I sat there not moving: less and less
I saw the melted snow that hung in beads
Upon my steel-shoes; less and less I saw
Between the tiles the bunches of small weeds:
Heartless and stupid, with no touch of awe
Upon me, half-shut eyes upon the ground,
I thought: O Galahad! the days go by,
Stop and cast up now that which you have found,
So sorely you have wrought and painfully.
Night after night your horse treads down alone
The sere damp fern, night after night you sit
Holding the bridle like a man of stone,
Dismal, unfriended: what thing comes of it?
And what if Palomydes also ride,
And over many a mountain and bare heath
Follow the questing beast with none beside?
Is he not able still to hold his breath
With thoughts of Iseult? doth he not grow pale
With weary striving, to seem best of all
To her, "as she is best," he saith? to fail
Is nothing to him, he can never fall.
For unto such a man love-sorrow is
So dear a thing unto his constant heart,
That even if he never win one kiss,
Or touch from Iseult, it will never part.
And he will never know her to be worse
Than in his happiest dreams he thinks she is:
Good knight, and faithful, you have 'scaped the curse
In wonderful-wise; you have great store of bliss.
Yea, what if Father Launcelot ride out,
Can he not think of Guenevere's arms, round
Warm and lithe, about his neck, and shout
Till all the place grows joyful with the sound?
And when he lists can often see her face,
And think, "Next month I kiss you, or next week,
And still you think of me": therefore the place
Grows very pleasant, whatsoever he seek.
But me, who ride alone, some carle shall find
Dead in my arms in the half-melted snow,
When all unkindly with the shifting wind,
The thaw comes on at Candlemas: I know
Indeed that they will say: "This Galahad
If he had lived had been a right good knight;
Ah! poor chaste body!" but they will be glad,
Not most alone, but all, when in their sight
That very evening in their scarlet sleeves
The gay-dress'd minstrels sing; no maid will talk
Of sitting on my tomb, until the leaves,
Grown big upon the bushes of the walk,
East of the Palace-pleasaunce, make it hard
To see the minster therefrom: well-a-day!
Before the trees by autumn were well bared,
I saw a damozel with gentle play,
Within that very walk say last farewell
To her dear knight, just riding out to find
(Why should I choke to say it?) the Sangreal,
And their last kisses sunk into my mind,
Yea, for she stood lean'd forward on his breast,
Rather, scarce stood; the back of one dear hand,
That it might well be kiss'd, she held and press'd
Against his lips; long time they stood there, fann'd
By gentle gusts of quiet frosty wind,
Till Mador de la porte a-going by,
And my own horsehoofs roused them; they untwined,
And parted like a dream. In this way I,
With sleepy face bent to the chapel floor,
Kept musing half asleep, till suddenly
A sharp bell rang from close beside the door,
And I leapt up when something pass'd me by,
Shrill ringing going with it, still half blind
I stagger'd after, a great sense of awe
At every step kept gathering on my mind,
Thereat I have no marvel, for I saw
One sitting on the altar as a throne,
Whose face no man could say he did not know,
And though the bell still rang, he sat alone,
With raiment half blood-red, half white as snow.
Right so I fell upon the floor and knelt,
Not as one kneels in church when mass is said,
But in a heap, quite nerveless, for I felt
The first time what a thing was perfect dread.
But mightily the gentle voice came down:
"Rise up, and look and listen, Galahad,
Good knight of God, for you will see no frown
Upon my face; I come to make you glad.
"For that you say that you are all alone,
I will be with you always, and fear not
You are uncared for, though no maiden moan
Above your empty tomb; for Launcelot,
"He in good time shall be my servant too,
Meantime, take note whose sword first made him knight,
And who has loved him alway, yea, and who
Still trusts him alway, though in all men's sight,
"He is just what you know, O Galahad,
This love is happy even as you say,
But would you for a little time be glad,
To make ME sorry long, day after day?
"Her warm arms round his neck half throttle ME,
The hot love-tears burn deep like spots of lead,
Yea, and the years pass quick: right dismally
Will Launcelot at one time hang his head;
"Yea, old and shrivell'd he shall win my love.
Poor Palomydes fretting out his soul!
Not always is he able, son, to move
His love, and do it honour: needs must roll
"The proudest destrier sometimes in the dust,
And then 'tis weary work; he strives beside
Seem better than he is, so that his trust
Is always on what chances may betide;
"And so he wears away, my servant, too,
When all these things are gone, and wretchedly
He sits and longs to moan for Iseult, who
Is no care now to Palomydes: see,
"O good son, Galahad, upon this day,
Now even, all these things are on your side,
But these you fight not for; look up, I say,
And see how I can love you, for no pride
"Closes your eyes, no vain lust keeps them down.
See now you have ME always; following
That holy vision, Galahad, go on,
Until at last you come to ME to sing
"In Heaven always, and to walk around
The garden where I am." He ceased, my face
And wretched body fell upon the ground;
And when I look'd again, the holy place
Was empty; but right so the bell again
Came to the chapel-door, there entered
Two angels first, in white, without a stain,
And scarlet wings, then, after them, a bed
Four ladies bore, and set it down beneath
The very altar-step, and while for fear
I scarcely dared to move or draw my breath,
Those holy ladies gently came a-near,
And quite unarm'd me, saying: "Galahad,
Rest here awhile and sleep, and take no thought
Of any other thing than being glad;
Hither the Sangreal will be shortly brought,
"Yet must you sleep the while it stayeth here."
Right so they went away, and I, being weary,
Slept long and dream'd of Heaven: the bell comes near,
I doubt it grows to morning. Miserere!
[Enter Two Angels in white, with scarlet wings; also, Four Ladies in gowns of red and green; also an Angel, bearing in his hands a surcoat of white, with a red cross.]
AN ANGEL
O servant of the high God, Galahad!
Rise and be arm'd: the Sangreal is gone forth
Through the great forest, and you must be had
Unto the sea that lieth on the north:
There shall you find the wondrous ship wherein
The spindles of King Solomon are laid,
And the sword that no man draweth without sin,
But if he be most pure: and there is stay'd,
Hard by, Sir Launcelot, whom you will meet
In some short space upon that ship: first, though,
Will come here presently that lady sweet,
Sister of Percival, whom you well know,
And with her Bors and Percival: stand now,
These ladies will to arm you.
[FIRST LADY, putting on the hauberk]
Galahad,
That I may stand so close beneath your brow,
Margaret of Antioch, am glad.
[SECOND LADY, girding him with the sword.]
That I may stand and touch you with my hand,
O Galahad, I, Cecily, am glad.
[THIRD LADY, buckling on the spurs.]
That I may kneel while up above you stand,
And gaze at me, O holy Galahad,
I, Lucy, am most glad.
[FOURTH LADY, putting on the basnet.]
O gentle knight,
That you bow down to us in reverence,
We are most glad, I, Katherine, with delight
Must needs fall trembling.
[ANGEL, putting on the crossed surcoat.]
Galahad, we go hence,
For here, amid the straying of the snow,
Come Percival's sister, Bors, and Percival.
[The Four Ladies carry out the bed, and all go but Galahad.]
GALAHAD.
How still and quiet everything seems now:
They come, too, for I hear the horsehoofs fall.
[Enter Sir Bors, Sir Percival and his Sister.]
Fair friends and gentle lady, God you save!
A many marvels have been here to-night;
Tell me what news of Launcelot you have,
And has God's body ever been in sight?
SIR BORS.
Why, as for seeing that same holy thing,
As we were riding slowly side by side,
An hour ago, we heard a sweet voice sing,
And through the bare twigs saw a great light glide,
With many-colour'd raiment, but far off;
And so pass'd quickly: from the court nought good;
Poor merry Dinadan, that with jape and scoff
Kept us all merry, in a little wood
Was found all hack'd and dead: Sir Lionel
And Gauwaine have come back from the great quest,
Just merely shamed; and Lauvaine, who loved well
Your father Launcelot, at the king's behest
Went out to seek him, but was almost slain,
Perhaps is dead now; everywhere
The knights come foil'd from the great quest, in vain;
In vain they struggle for the vision fair.
|
Written by
Mark Doty |
Glassmakers,
at century's end,
compounded metallic lusters
in reference
to natural sheens (dragonfly
and beetle wings,
marbled light on kerosene)
and invented names
as coolly lustrous
as their products'
scarab-gleam: Quetzal,
Aurene, Favrile.
Suggesting,
respectively, the glaze
of feathers,
that sun-shot fog
of which halos
are composed,
and -- what?
What to make of Favrile,
Tiffany's term
for his coppery-rose
flushed with gold
like the alchemized
atmosphere of sunbeams
in a Flemish room?
Faux Moorish,
fake Japanese,
his lamps illumine
chiefly themselves,
copying waterlilies'
bronzy stems,
wisteria or trout scales;
surfaces burnished
like a tidal stream
on which an excitation
of minnows boils
and blooms, artifice
made to show us
the lavish wardrobe
of things, the world's
glaze of appearances
worked into the thin
and gleaming stuff
of craft. A story:
at the puppet opera
--where one man animated
the entire cast
while another ghosted
the voices, basso
to coloratura -- Jimmy wept
at the world of tiny gestures,
forgot, he said,
these were puppets,
forgot these wire
and plaster fabrications
were actors at all,
since their pretense
allowed the passions
released to be--
well, operatic.
It's too much,
to be expected to believe;
art's a mercuried sheen
in which we may discern,
because it is surface,
clear or vague
suggestions of our depths,
Don't we need a word
for the luster
of things which insist
on the fact they're made,
which announce
their maker's bravura?
Favrile, I'd propose,
for the perfect lamp,
too dim and strange
to help us read.
For the kimono woven,
dipped in dyes, unraveled
and loomed again
that the pattern might take on
a subtler shading
For the sonnet's
blown-glass sateen,
for bel canto,
for Faberge
For everything
which begins in limit
(where else might our work
begin?) and ends in grace,
or at least extravagance.
For the silk sleeves
of the puppet queen,
held at a ravishing angle
over her puppet lover slain,
for her lush vowels
mouthed by the plain man
hunched behind the stage.
|