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Best Famous Slants Poems

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Written by Charles Baudelaire | Create an image from this poem

Beauty

 WHAT does it mean? Tired, angry, and ill at ease, 
No man, woman, or child alive could please 
Me now. And yet I almost dare to laugh 
Because I sit and frame an epitaph-- 
"Here lies all that no one loved of him 
And that loved no one." Then in a trice that whim 
Has wearied. But, though I am like a river 
At fall of evening when it seems that never 
Has the sun lighted it or warmed it, while 
Cross breezes cut the surface to a file, 
This heart, some fraction of me, hapily 
Floats through a window even now to a tree 
Down in the misting, dim-lit, quiet vale; 
Not like a pewit that returns to wail 
For something it has lost, but like a dove 
That slants unanswering to its home and love. 
There I find my rest, and through the dusk air 
Flies what yet lives in me. Beauty is there


Written by Lascelles Abercrombie | Create an image from this poem

The Voices in the Dream (Ryton Firs)

Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.

I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. —
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills
And stumbling forward spilt over his shoulders
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.

For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply
Their shovelling hands in earth
As nimbly as the strokes
Of a swimmer in a long dive under water.
The meadows in the sun are twice as green
For all the scatter of fresh red mounded earth,
The mischief of the moles:
No dullish red, Glostershire earth new-delved
In April! And I think shows fairest where
These rummaging small rogues have been at work.
If you will look the way the sunlight slants
Making the grass one great green gem of light,
Bright earth, crimson and even
Scarlet, everywhere tracks
The rambling underground affairs of moles:
Though 'tis but kestrel-bay
Looking against the sun.

But here's the happiest light can lie on ground,
Grass sloping under trees
Alive with yellow shine of daffodils!
If quicksilver were gold,
And troubled pools of it shaking in the sun
It were not such a fancy of bickering gleam
As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland
The spring makes golden ways,
Lead here, for here the gold
Grows brightest for our eyes,
And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.

How smooth and quick the year
Spins me the seasons round!
How many days have slid across my mind
Since we had snow pitying the frozen ground!
Then winter sunshine cheered
The bitter skies; the snow,
Reluctantly obeying lofty winds,
Drew off in shining clouds,
Wishing it still might love
With its white mercy the cold earth beneath.
But when the beautiful ground
Lights upward all the air,
Noon thaws the frozen eaves,
And makes the rime on post and paling steam
Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods
The snows slip thudding down,
Scattering in their trail
Bright icy sparkles through the glittering air;
And the fir-branches, patiently bent so long,
Sigh as they lift themselves to rights again.
Then warm moist hours steal in,
Such as can draw the year's
First fragrance from the sap of cherry wood
Or from the leaves of budless violets;
And travellers in lanes
Catch the hot tawny smell
Reynard's damp fur left as he sneakt marauding

Across from gap to gap:
And in the larch woods on the highest boughs
The long-eared owls like grey cats sitting still
Peer down to quiz the passengers below.

Light has killed the winter and all dark dreams.
Now winds live all in light,
Light has come down to earth and blossoms here,
And we have golden minds.
From out the long shade of a road high-bankt,
I came on shelving fields;
And from my feet cascading,
Streaming down the land,
Flickering lavish of daffodils flowed and fell;
Like sunlight on a water thrill'd with haste,
Such clear pale quivering flame,
But a flame even more marvellously yellow.
And all the way to Ryton here I walkt
Ankle-deep in light.
It was as if the world had just begun;
And in a mind new-made
Of shadowless delight
My spirit drank my flashing senses in,
And gloried to be made
Of young mortality.
No darker joy than this
Golden amazement now
Shall dare intrude into our dazzling lives:
Stain were it now to know
Mists of sweet warmth and deep delicious colour,
Those lovable accomplices that come
Befriending languid hours.
Written by Jean Ingelow | Create an image from this poem

Honors - Part I

A Scholar is musing on his want of success.)

To strive—and fail. Yes, I did strive and fail;
  I set mine eyes upon a certain night
To find a certain star—and could not hail
      With them its deep-set light.
Fool that I was! I will rehearse my fault:
  I, wingless, thought myself on high to lift
Among the winged—I set these feet that halt
      To run against the swift.
And yet this man, that loved me so, can write—
  That loves me, I would say, can let me see;
Or fain would have me think he counts but light
      These Honors lost to me.
         (The letter of his friend.)
"What are they? that old house of yours which gave
  Such welcome oft to me, the sunbeams fall
Yet, down the squares of blue and white which pave
      Its hospitable hall.
"A brave old house! a garden full of bees,
  Large dropping poppies, and Queen hollyhocks,
With butterflies for crowns—tree peonies
      And pinks and goldilocks.
"Go, when the shadow of your house is long
  Upon the garden—when some new-waked bird.
Pecking and fluttering, chirps a sudden song,
      And not a leaf is stirred;
"But every one drops dew from either edge
  Upon its fellow, while an amber ray
Slants up among the tree-tops like a wedge
      Of liquid gold—to play
"Over and under them, and so to fall
  Upon that lane of water lying below—
That piece of sky let in, that you do call
      A pond, but which I know
"To be a deep and wondrous world; for I
  Have seen the trees within it—marvellous things
So thick no bird betwixt their leaves could fly
      But she would smite her wings;—
"Go there, I say; stand at the water's brink,
  And shoals of spotted barbel you shall see
Basking between the shadows—look, and think
      'This beauty is for me;
"'For me this freshness in the morning hours,
  For me the water's clear tranquillity;
For me the soft descent of chestnut flowers;
      The cushat's cry for me.
"'The lovely laughter of the wind-swayed wheat
  The easy slope of yonder pastoral hill;
The sedgy brook whereby the red kine meet
      And wade and drink their fill.'
"Then saunter down that terrace whence the sea
  All fair with wing-like sails you may discern;
Be glad, and say 'This beauty is for me—
      A thing to love and learn.
"'For me the bounding in of tides; for me
  The laying bare of sands when they retreat;
The purple flush of calms, the sparkling glee
      When waves and sunshine meet.'
"So, after gazing, homeward turn, and mount
  To that long chamber in the roof; there tell
Your heart the laid-up lore it holds to count
      And prize and ponder well.
"The lookings onward of the race before
  It had a past to make it look behind;
Its reverent wonder, and its doubting sore,
      Its adoration blind.
"The thunder of its war-songs, and the glow
  Of chants to freedom by the old world sung;
The sweet love cadences that long ago
      Dropped from the old-world tongue.
"And then this new-world lore that takes account
  Of tangled star-dust; maps the triple whirl
Of blue and red and argent worlds that mount
      And greet the IRISH EARL;
"Or float across the tube that HERSCHEL sways,
  Like pale-rose chaplets, or like sapphire mist;
Or hang or droop along the heavenly ways,
      Like scarves of amethyst.
"O strange it is and wide the new-world lore,
  For next it treateth of our native dust!
Must dig out buried monsters, and explore
      The green earth's fruitful crust;
"Must write the story of her seething youth—
  How lizards paddled in her lukewarm seas;
Must show the cones she ripened, and forsooth
      Count seasons on her trees;
"Must know her weight, and pry into her age,
  Count her old beach lines by their tidal swell;
Her sunken mountains name, her craters gauge,
      Her cold volcanoes tell;
"And treat her as a ball, that one might pass
  From this hand to the other—such a ball
As he could measure with a blade of grass,
      And say it was but small!
"Honors! O friend, I pray you bear with me:
  The grass hath time to grow in meadow lands,
And leisurely the opal murmuring sea
      Breaks on her yellow sands;
"And leisurely the ring-dove on her nest
  Broods till her tender chick will peck the shell
And leisurely down fall from ferny crest
      The dew-drops on the well;
"And leisurely your life and spirit grew,
  With yet the time to grow and ripen free:
No judgment past withdraws that boon from you,
      Nor granteth it to me.
"Still must I plod, and still in cities moil;
  From precious leisure, learned leisure far,
Dull my best self with handling common soil;
      Yet mine those honors are.
"Mine they are called; they are a name which means,
  'This man had steady pulses, tranquil nerves:
Here, as in other fields, the most he gleans
      Who works and never swerves.
"We measure not his mind; we cannot tell
  What lieth under, over, or beside
The test we put him to; he doth excel,
    We know, where he is tried;
"But, if he boast some farther excellence—
  Mind to create as well as to attain;
To sway his peers by golden eloquence,
    As wind doth shift a fane;
"'To sing among the poets—we are nought:
  We cannot drop a line into that sea
And read its fathoms off, nor gauge a thought,
    Nor map a simile.
"'It may be of all voices sublunar
  The only one he echoes we did try;
We may have come upon the only star
    That twinkles in his sky,'
"And so it was with me."
                         O false my friend!
  False, false, a random charge, a blame undue;
Wrest not fair reasoning to a crooked end:
    False, false, as you are true!
But I read on: "And so it was with me;
  Your golden constellations lying apart
They neither hailed nor greeted heartily,
    Nor noted on their chart.
"And yet to you and not to me belong
  Those finer instincts that, like second sight
And hearing, catch creation's undersong,
      And see by inner light.
"You are a well, whereon I, gazing, see
  Reflections of the upper heavens—a well
From whence come deep, deep echoes up to me—
      Some underwave's low swell.
"I cannot soar into the heights you show,
  Nor dive among the deeps that you reveal;
But it is much that high things ARE to know,
      That deep things ARE to feel.
"'Tis yours, not mine, to pluck out of your breast
  Some human truth, whose workings recondite
Were unattired in words, and manifest
      And hold it forth to light
"And cry, 'Behold this thing that I have found,'
  And though they knew not of it till that day,
Nor should have done with no man to expound
      Its meaning, yet they say,
"'We do accept it: lower than the shoals
  We skim, this diver went, nor did create,
But find it for us deeper in our souls
      Than we can penetrate.'
"You were to me the world's interpreter,
  The man that taught me Nature's unknown tongue,
And to the notes of her wild dulcimer
      First set sweet words, and sung.
"And what am I to you? A steady hand
  To hold, a steadfast heart to trust withal;
Merely a man that loves you, and will stand
      By you, whatever befall.
"But need we praise his tendance tutelar
  Who feeds a flame that warms him? Yet 'tis true
I love you for the sake of what you are,
      And not of what you do:—
"As heaven's high twins, whereof in Tyrian blue
  The one revolveth: through his course immense
Might love his fellow of the damask hue,
      For like, and difference.
"For different pathways evermore decreed
  To intersect, but not to interfere;
For common goal, two aspects, and one speed,
      One centre and one year;
"For deep affinities, for drawings strong,
  That by their nature each must needs exert;
For loved alliance, and for union long,
      That stands before desert.
"And yet desert makes brighter not the less,
  For nearest his own star he shall not fail
To think those rays unmatched for nobleness,
      That distance counts but pale.
"Be pale afar, since still to me you shine,
  And must while Nature's eldest law shall hold;"—
Ah, there's the thought which makes his random line
      Dear as refinèd gold!
Then shall I drink this draft of oxymel,
  Part sweet, part sharp? Myself o'erprized to know
Is sharp; the cause is sweet, and truth to tell
      Few would that cause forego,
Which is, that this of all the men on earth
  Doth love me well enough to count me great—
To think my soul and his of equal girth—
      O liberal estimate!
And yet it is so; he is bound to me,
  For human love makes aliens near of kin;
By it I rise, there is equality:
      I rise to thee, my twin.
"Take courage"—courage! ay, my purple peer
  I will take courage; for thy Tyrian rays
Refresh me to the heart, and strangely dear
      And healing is thy praise.
"Take courage," quoth he, "and respect the mind
  Your Maker gave, for good your fate fulfil;
The fate round many hearts your own to wind."
      Twin soul, I will! I will!
Written by Lascelles Abercrombie | Create an image from this poem

Ryton Firs

The Dream
All round the knoll, on days of quietest air,
Secrets are being told; and if the trees
Speak out — let them make uproar loud as drums — 
'Tis secrets still, shouted instead of whisper'd.

There must have been a warning given once:
No tree, on pain of withering and sawfly,
To reach the slimmest of his snaky toes
Into this mounded sward and rumple it;
All trees stand back: taboo is on this soil. — 

The trees have always scrupulously obeyed.
The grass, that elsewhere grows as best it may
Under the larches, countable long nesh blades,
Here in clear sky pads the ground thick and close
As wool upon a Southdown wether's back;
And as in Southdown wool, your hand must sink
Up to the wrist before it find the roots.
A bed for summer afternoons, this grass;
But in the Spring, not too softly entangling
For lively feet to dance on, when the green
Flashes with daffodils. From Marcle way,
From Dymock, Kempley, Newent, Bromesberrow,
Redmarley, all the meadowland daffodils seem
Running in golden tides to Ryton Firs,
To make the knot of steep little wooded hills
Their brightest show: O bella età de l'oro!
Now I breathe you again, my woods of Ryton:
Not only golden with your daffodil-fires
Lying in pools on the loose dusky ground
Beneath the larches, tumbling in broad rivers
Down sloping grass under the cherry trees
And birches: but among your branches clinging
A mist of that Ferrara-gold I first
Loved in the easy hours then green with you;
And as I stroll about you now, I have
Accompanying me — like troops of lads and lasses
Chattering and dancing in a shining fortune — 
Those mornings when your alleys of long light
And your brown rosin-scented shadows were
Enchanted with the laughter of my boys.

The Voices in the Dream
Follow my heart, my dancing feet,
Dance as blithe as my heart can beat.
Only can dancing understand
What a heavenly way we pass
Treading the green and golden land,
Daffodillies and grass.

I had a song, too, on my road,
But mine was in my eyes;
For Malvern Hills were with me all the way,
Singing loveliest visible melodies
Blue as a south-sea bay;
And ruddy as wine of France
Breadths of new-turn'd ploughland under them glowed.
'Twas my heart then must dance
To dwell in my delight;
No need to sing when all in song my sight
Moved over hills so musically made
And with such colour played. — 
And only yesterday it was I saw
Veil'd in streamers of grey wavering smoke
My shapely Malvern Hills.
That was the last hail-storm to trouble spring:
He came in gloomy haste,
Pusht in front of the white clouds quietly basking,
In such a hurry he tript against the hills 
And stumbling forward spilt over his shoulders 
All his black baggage held,
Streaking downpour of hail.
Then fled dismayed, and the sun in golden glee
And the high white clouds laught down his dusky ghost.

For all that's left of winter
Is moisture in the ground.
When I came down the valley last, the sun
Just thawed the grass and made me gentle turf,
But still the frost was bony underneath.
Now moles take burrowing jaunts abroad, and ply
Their shovelling hands in earth
As nimbly as the strokes
Of a swimmer in a long dive under water.
The meadows in the sun are twice as green
For all the scatter of fresh red mounded earth,
The mischief of the moles:
No dullish red, Glostershire earth new-delved
In April! And I think shows fairest where
These rummaging small rogues have been at work.
If you will look the way the sunlight slants
Making the grass one great green gem of light,
Bright earth, crimson and even
Scarlet, everywhere tracks
The rambling underground affairs of moles:
Though 'tis but kestrel-bay
Looking against the sun.

But here's the happiest light can lie on ground,
Grass sloping under trees
Alive with yellow shine of daffodils!
If quicksilver were gold,
And troubled pools of it shaking in the sun
It were not such a fancy of bickering gleam
As Ryton daffodils when the air but stirs.
And all the miles and miles of meadowland
The spring makes golden ways,
Lead here, for here the gold
Grows brightest for our eyes,
And for our hearts lovelier even than love.
So here, each spring, our daffodil festival.

How smooth and quick the year
Spins me the seasons round!
How many days have slid across my mind
Since we had snow pitying the frozen ground!
Then winter sunshine cheered
The bitter skies; the snow,
Reluctantly obeying lofty winds,
Drew off in shining clouds,
Wishing it still might love
With its white mercy the cold earth beneath.
But when the beautiful ground
Lights upward all the air,
Noon thaws the frozen eaves,
And makes the rime on post and paling steam
Silvery blue smoke in the golden day.
And soon from loaded trees in noiseless woods
The snows slip thudding down,
Scattering in their trail
Bright icy sparkles through the glittering air;
And the fir-branches, patiently bent so long,
Sigh as they lift themselves to rights again.
Then warm moist hours steal in,
Such as can draw the year's
First fragrance from the sap of cherry wood
Or from the leaves of budless violets;
And travellers in lanes
Catch the hot tawny smell 
Reynard's damp fur left as he sneakt marauding 

Across from gap to gap:
And in the larch woods on the highest boughs
The long-eared owls like grey cats sitting still
Peer down to quiz the passengers below.

Light has killed the winter and all dark dreams.
Now winds live all in light,
Light has come down to earth and blossoms here,
And we have golden minds.
From out the long shade of a road high-bankt,
I came on shelving fields;
And from my feet cascading,
Streaming down the land,
Flickering lavish of daffodils flowed and fell;
Like sunlight on a water thrill'd with haste,
Such clear pale quivering flame,
But a flame even more marvellously yellow.
And all the way to Ryton here I walkt
Ankle-deep in light.
It was as if the world had just begun;
And in a mind new-made
Of shadowless delight
My spirit drank my flashing senses in,
And gloried to be made
Of young mortality.
No darker joy than this
Golden amazement now
Shall dare intrude into our dazzling lives:
Stain were it now to know
Mists of sweet warmth and deep delicious colour,
Those lovable accomplices that come
Befriending languid hours.
Written by Carl Sandburg | Create an image from this poem

Omaha

 RED barns and red heifers spot the green
grass circles around Omaha—the farmers
haul tanks of cream and wagon loads of cheese.

Shale hogbacks across the river at Council
Bluffs—and shanties hang by an eyelash to
the hill slants back around Omaha.

A span of steel ties up the kin of Iowa and
Nebraska across the yellow, big-hoofed Missouri River.
Omaha, the roughneck, feeds armies,
Eats and swears from a dirty face.
Omaha works to get the world a breakfast.


Written by Du Fu | Create an image from this poem

Autumn Meditations (2)

Kui prefecture lonely wall set sun slant Every rely Southern Dipper gaze capital city Hear ape real fall three sound tear Sent on mission vain follow eight month raft Picture ministry incense stove apart hidden pillow Mountain tower white battlements hide sad reed whistle Ask look stone on creeper moon Already reflect islet before rushes reeds flowers
Over Kuizhou's lonely wall, the setting sun slants, Every day I follow the Plough to look to the capital city. I hear an ape; the third call really makes tears fall, Undertaking a mission, in vain I follow the eighth month raft. The muralled ministry's incense stove is far from my hidden pillow, The mountain tower's white battlements hide the sad reed flutes. Just look at the moonlight on the creepers that cover the stones, Already in front of the islet, the rushes and reed flowers shine!
Written by Carl Sandburg | Create an image from this poem

Flux

 SAND of the sea runs red
Where the sunset reaches and quivers.
Sand of the sea runs yellow
Where the moon slants and wavers.
Written by Vita Sackville-West | Create an image from this poem

Moonlight

 What time the meanest brick and stone
Take on a beauty not their own,
And past the flaw of builded wood
Shines the intention whole and good,
And all the little homes of man
Rise to a dimmer, nobler span;
When colour's absence gives escape
To the deeper spirit of the shape,

-- Then earth's great architecture swells
Among her mountains and her fells
Under the moon to amplitude
Massive and primitive and rude:

-- Then do the clouds like silver flags
Stream out above the tattered crags,
And black and silver all the coast
Marshalls its hunched and rocky host,
And headlands striding sombrely
Buttress the land against the sea,
-- The darkened land, the brightening wave --
And moonlight slants through Merlin's cave.
Written by Emily Dickinson | Create an image from this poem

We do not play on Graves

 We do not play on Graves --
Because there isn't Room --
Besides -- it isn't even -- it slants
And People come --

And put a Flower on it --
And hang their faces so --
We're fearing that their Hearts will drop --
And crush our pretty play --

And so we move as far
As Enemies -- away --
Just looking round to see how far
It is -- Occasionally --
Written by Edna St. Vincent Millay | Create an image from this poem

She is Overheard Singing

 OH, Prue she has a patient man,
And Joan a gentle lover,
And Agatha's Arth' is a hug-the-hearth,­
But my true love's a rover! 

Mig, her man's as good as cheese
And honest as a briar,
Sue tells her love what he's thinking of,­
But my dear lad's a liar! 

Oh, Sue and Prue and Agatha
Are thick with Mig and Joan!
They bite their threads and shake their heads
And gnaw my name like a bone; 

And Prue says, "Mine's a patient man,
As never snaps me up," 
And Agatha, "Arth' is a hug-the-hearth,
Could live content in a cup," 

Sue's man's mind is like good jell­
All one color, and clear­
And Mig's no call to think at all
What's to come next year, 

While Joan makes boast of a gentle lad,
That's troubled with that and this;­
But they all would give the life they live
For a look from the man I kiss! 

Cold he slants his eyes about,
And few enough's his choice,­
Though he'd slip me clean for a nun, or a queen,
Or a beggar with knots in her voice,­ 

And Agatha will turn awake
While her good man sleeps sound,
And Mig and Sue and Joan and Prue
Will hear the clock strike round, 

For Prue she has a patient man,
As asks not when or why, 
And Mig and Sue have naught to do
But peep who's passing by, 

Joan is paired with a putterer
That bastes and tastes and salts,
And Agatha's Arth' is a hug-the-hearth,­
But my true love is false!

Book: Reflection on the Important Things