Written by
Carl Sandburg |
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign
all smokes
know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: “I know you.”
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from—
You and I and our heads of smoke.
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
Smoke of a city sunset skyline,
Smoke of a country dusk horizon—
They cross on the sky and count our years.
Smoke of a brick-red dust
Winds on a spiral
Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
Stammer at the slang of this—
Let us understand half of it.
In the rolling mills and sheet mills,
In the harr and boom of the blast fires,
The smoke changes its shadow
And men change their shadow;
A ******, a wop, a bohunk changes.
A bar of steel—it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left—smoke and the blood of a man
And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone
in the blue; it is steel
a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up—
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go:
Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.”
One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.”
One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.”
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is:
Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors—
Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
“Since you know all
and I know nothing,
tell me what I dreamed last night.”
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
|
Written by
Walt Whitman |
1
COME, said the Muse,
Sing me a song no poet yet has chanted,
Sing me the Universal.
In this broad Earth of ours,
Amid the measureless grossness and the slag,
Enclosed and safe within its central heart,
Nestles the seed Perfection.
By every life a share, or more or less,
None born but it is born—conceal’d or unconceal’d, the seed is waiting.
2
Lo! keen-eyed, towering Science!
As from tall peaks the Modern overlooking,
Successive, absolute fiats issuing.
Yet again, lo! the Soul—above all science;
For it, has History gather’d like a husk around the globe;
For it, the entire star-myriads roll through the sky.
In spiral roads, by long detours,
(As a much-tacking ship upon the sea,)
For it, the partial to the permanent flowing,
For it, the Real to the Ideal tends.
For it, the mystic evolution;
Not the right only justified—what we call evil also justified.
Forth from their masks, no matter what,
From the huge, festering trunk—from craft and guile and tears,
Health to emerge, and joy—joy universal.
Out of the bulk, the morbid and the shallow,
Out of the bad majority—the varied, countless frauds of men and States,
Electric, antiseptic yet—cleaving, suffusing all,
Only the good is universal.
3
Over the mountain growths, disease and sorrow,
An uncaught bird is ever hovering, hovering,
High in the purer, happier air.
From imperfection’s murkiest cloud,
Darts always forth one ray of perfect light,
One flash of Heaven’s glory.
To fashion’s, custom’s discord,
To the mad Babel-din, the deafening orgies,
Soothing each lull, a strain is heard, just heard,
From some far shore, the final chorus sounding.
4
O the blest eyes! the happy hearts!
That see—that know the guiding thread so fine,
Along the mighty labyrinth!
5
And thou, America!
For the Scheme’s culmination—its Thought, and its Reality,
For these, (not for thyself,) Thou hast arrived.
Thou too surroundest all;
Embracing, carrying, welcoming all, Thou too, by pathways broad and new,
To the Ideal tendest.
The measur’d faiths of other lands—the grandeurs of the past,
Are not for Thee—but grandeurs of Thine own;
Deific faiths and amplitudes, absorbing, comprehending all,
All eligible to all.
All, all for Immortality!
Love, like the light, silently wrapping all!
Nature’s amelioration blessing all!
The blossoms, fruits of ages—orchards divine and certain;
Forms, objects, growths, humanities, to spiritual Images ripening.
6
Give me, O God, to sing that thought!
Give me—give him or her I love, this quenchless faith
In Thy ensemble. Whatever else withheld, withhold not from us,
Belief in plan of Thee enclosed in Time and Space;
Health, peace, salvation universal.
Is it a dream?
Nay, but the lack of it the dream,
And, failing it, life’s lore and wealth a dream,
And all the world a dream.
|
Written by
Barry Tebb |
As soon as we crossed into Yorkshire
Hughes’ voice assailed me, unmistakable
Gravel and honey, a raw celebration of rain
Like a tattered lacework window;
Black glisten on roof slates,
Tarmac turned to shining ice,
Blusters of naked wind whipping
The wavelets of shifting water
To imaginary floating islets
On the turbulent river
Glumly he asked, "Where are the mills?"
Knowing their goneness in his lonely heart.
"Where are the mines with their turning spokes,
Lurking slag heaps, bolts of coal split with
Shimmering fools’ gold tumbling into waiting wagons?
Mostly what I came for was a last glimpse
Of the rock hanging over my cot, that towering
Sheerness fifty fathoms high screed with ferns
And failing tree roots, crumbling footholds
And dour smile. A monument needs to be known
For what it is, not a tourist slot or geological stratum
But the dark mentor loosing wolf’s bane
At my sleeping head."
When the coach lurches over the county boundary,
If not Hughes’ voice then Heaney’s or Hill’s
Ringing like miners’ boots flinging sparks
From the flagstones, piercing the lens of winter,
Jutting like tongues of crooked rock
Lapping a mossed slab, an altar outgrown,
Dumped when the trumpeting hosannas
Had finally riven the air of the valley.
And I, myself, what did I make of it?
The voices coming into my head
Welcoming kin, alive or dead, my eyes
Jerking to the roadside magpie,
Its white tail-bar doing a hop, skip and jump.
|
Written by
Rainer Maria Rilke |
That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely
surrender myself to your loosened hair? We, squanderers of
gazing beyond them to judge the end of their duration.
They are only our winter's foliage, our sombre evergreen,
one of the seasons of our interior year, -not only season,
but place, settlement, camp, soil and dwelling.
How woeful, strange, are the alleys of the City of Pain,
where in the false silence created from too much noise,
a thing cast out from the mold of emptiness
swaggers that gilded hubbub, the bursting memorial.
Oh, how completely an angel would stamp out their market
of solace, bounded by the church, bought ready for use:
as clean, disappointing and closed as a post office on Sunday.
Farther out, though, there are always the rippling edges
of the fair. Seasaws of freedom! High-divers and jugglers of zeal!
And the shooting-gallery's targets of bedizened happiness:
targets tumbling in tinny contortions whenever some better
marksman happens to hit one. From cheers to chance he goes
staggering on, as booths that can please the most curious tastes
are drumming and bawling. For adults ony there is something
special to see: how money multiplies. Anatomy made amusing!
Money's organs on view! Nothing concealed! Instructive,
and guaranteed to increase fertility!...
Oh, and then outside,
behind the farthest billboard, pasted with posters for 'Deathless,'
that bitter beer tasting quite sweet to drinkers,
if they chew fresh diversions with it..
Behind the billboard, just in back of it, life is real.
Children play, and lovers hold each other, -aside,
earnestly, in the trampled grass, and dogs respond to nature.
The youth continues onward; perhaps he is in love with
a young Lament....he follows her into the meadows.
She says: the way is long. We live out there....
Where? And the youth
follows. He is touched by her gentle bearing. The shoulders,
the neck, -perhaps she is of noble ancestry?
Yet he leaves her, turns around, looks back and waves...
What could come of it? She is a Lament.
Only those who died young, in their first state of
timeless serenity, while they are being weaned,
follow her lovingly. She waits for girls
and befriends them. Gently she shows them
what she is wearing. Pearls of grief
and the fine-spun veils of patience.-
With youths she walks in silence.
But there, where they live, in the valley,
an elderly Lament responds to the youth as he asks:-
We were once, she says, a great race, we Laments.
Our fathers worked the mines up there in the mountains;
sometimes among men you will find a piece of polished
primeval pain, or a petrified slag from an ancient volcano.
Yes, that came from there. Once we were rich.-
And she leads him gently through the vast landscape
of Lamentation, shows him the columns of temples,
the ruins of strongholds from which long ago
the princes of Lament wisely governed the country.
Shows him the tall trees of tears,
the fields of flowering sadness,
(the living know them only as softest foliage);
show him the beasts of mourning, grazing-
and sometimes a startled bird, flying straight through
their field of vision, far away traces the image of its
solitary cry.-
At evening she leads him to the graves of elders
of the race of Lamentation, the sybils and prophets.
With night approaching, they move more softly,
and soon there looms ahead, bathed in moonlight,
the sepulcher, that all-guarding ancient stone,
Twin-brother to that on the Nile, the lofty Sphinx-:
the silent chamber's countenance.
They marvel at the regal head that has, forever silent,
laid the features of manking upon the scales of the stars.
His sight, still blinded by his early death,
cannot grasp it. But the Sphinx's gaze
frightens an owl from the rim of the double-crown.
The bird, with slow down-strokes, brushes
along the cheek, that with the roundest curve,
and faintly inscribes on the new death-born hearing,
as though on the double page of an opened book,
the indescribable outline.
And higher up, the stars. New ones. Stars
of the land of pain. Slowly she names them:
"There, look: the Rider ,the Staff,and that
crowded constellation they call the the Garland of Fruit.
Then farther up toward the Pole:
Cradle, Way, the Burning Book, Doll, Window.
And in the Southern sky, pure as lines
on the palm of a blessed hand, the clear sparkling M,
standing for Mothers....."
Yet the dead youth must go on alone.
In silence the elder Lament brings him
as far as the gorge where it shimmers in the moonlight:
The Foutainhead of Joy. With reverance she names it,
saying: "In the world of mankind it is a life-bearing stream."
They reach the foothills of the mountain,
and there she embraces him, weeping.
Alone, he climbs the mountains of primeval pain.
Not even his footsteps ring from this soundless fate.
But were these timeless dead to awaken an image for us,
see, they might be pointing to th catkins, hanging
from the leafless hazels, or else they might mean
the rain that falls upon the dark earth in early Spring.
And we, who always think
of happiness as rising feel the emotion
that almost overwhelms us
whenever a happy thing falls.
|
Written by
Rudyard Kipling |
Now Tomlinson gave up the ghost in his house in Berkeley Square,
And a Spirit came to his bedside and gripped him by the hair --
A Spirit gripped him by the hair and carried him far away,
Till he heard as the roar of a rain-fed ford the roar of the Milky Way:
Till he heard the roar of the Milky Way die down and drone and cease,
And they came to the Gate within the Wall where Peter holds the keys.
"Stand up, stand up now, Tomlinson, and answer loud and high
The good that ye did for the sake of men or ever ye came to die --
The good that ye did for the sake of men in little earth so lone!"
And the naked soul of Tomlinson grew white as a rain-washed bone.
"O I have a friend on earth," he said, "that was my priest and guide,
And well would he answer all for me if he were by my side."
-- "For that ye strove in neighbour-love it shall be written fair,
But now ye wait at Heaven's Gate and not in Berkeley Square:
Though we called your friend from his bed this night, he could not speak for you,
For the race is run by one and one and never by two and two."
Then Tomlinson looked up and down, and little gain was there,
For the naked stars grinned overhead, and he saw that his soul was bare:
The Wind that blows between the worlds, it cut him like a knife,
And Tomlinson took up his tale and spoke of his good in life.
"This I have read in a book," he said, "and that was told to me,
And this I have thought that another man thought of a Prince in Muscovy."
The good souls flocked like homing doves and bade him clear the path,
And Peter twirled the jangling keys in weariness and wrath.
"Ye have read, ye have heard, ye have thought," he said, "and the tale is yet to run:
By the worth of the body that once ye had, give answer -- what ha' ye done?"
Then Tomlinson looked back and forth, and little good it bore,
For the Darkness stayed at his shoulder-blade and Heaven's Gate before: --
"O this I have felt, and this I have guessed, and this I have heard men say,
And this they wrote that another man wrote of a carl in Norroway."
-- "Ye have read, ye have felt, ye have guessed, good lack! Ye have hampered Heaven's Gate;
There's little room between the stars in idleness to prate!
O none may reach by hired speech of neighbour, priest, and kin
Through borrowed deed to God's good meed that lies so fair within;
Get hence, get hence to the Lord of Wrong, for doom has yet to run,
And. . .the faith that ye share with Berkeley Square uphold you, Tomlinson!"
. . . . .
The Spirit gripped him by the hair, and sun by sun they fell
Till they came to the belt of Naughty Stars that rim the mouth of Hell:
The first are red with pride and wrath, the next are white with pain,
But the third are black with clinkered sin that cannot burn again:
They may hold their path, they may leave their path, with never a soul to mark,
They may burn or freeze, but they must not cease in the Scorn of the Outer Dark.
The Wind that blows between the worlds, it nipped him to the bone,
And he yearned to the flare of Hell-Gate there as the light of his own hearth-stone.
The Devil he sat behind the bars, where the desperate legions drew,
But he caught the hasting Tomlinson and would not let him through.
"Wot ye the price of good pit-coal that I must pay?" said he,
"That ye rank yoursel' so fit for Hell and ask no leave of me?
I am all o'er-sib to Adam's breed that ye should give me scorn,
For I strove with God for your First Father the day that he was born.
Sit down, sit down upon the slag, and answer loud and high
The harm that ye did to the Sons of Men or ever you came to die."
And Tomlinson looked up and up, and saw against the night
The belly of a tortured star blood-red in Hell-Mouth light;
And Tomlinson looked down and down, and saw beneath his feet
The frontlet of a tortured star milk-white in Hell-Mouth heat.
"O I had a love on earth," said he, "that kissed me to my fall,
And if ye would call my love to me I know she would answer all."
-- "All that ye did in love forbid it shall be written fair,
But now ye wait at Hell-Mouth Gate and not in Berkeley Square:
Though we whistled your love from her bed to-night, I trow she would not run,
For the sin ye do by two and two ye must pay for one by one!"
The Wind that blows between the worlds, it cut him like a knife,
And Tomlinson took up the tale and spoke of his sin in life: --
"Once I ha' laughed at the power of Love and twice at the grip of the Grave,
And thrice I ha' patted my God on the head that men might call me brave."
The Devil he blew on a brandered soul and set it aside to cool: --
"Do ye think I would waste my good pit-coal on the hide of a brain-sick fool?
I see no worth in the hobnailed mirth or the jolthead jest ye did
That I should waken my gentlemen that are sleeping three on a grid."
Then Tomlinson looked back and forth, and there was little grace,
For Hell-Gate filled the houseless Soul with the Fear of Naked Space.
"Nay, this I ha' heard," quo' Tomlinson, "and this was noised abroad,
And this I ha' got from a Belgian book on the word of a dead French lord."
-- "Ye ha' heard, ye ha' read, ye ha' got, good lack! and the tale begins afresh --
Have ye sinned one sin for the pride o' the eye or the sinful lust of the flesh?"
Then Tomlinson he gripped the bars and yammered, "Let me in --
For I mind that I borrowed my neighbour's wife to sin the deadly sin."
The Devil he grinned behind the bars, and banked the fires high:
"Did ye read of that sin in a book?" said he; and Tomlinson said, "Ay!"
The Devil he blew upon his nails, and the little devils ran,
And he said: "Go husk this whimpering thief that comes in the guise of a man:
Winnow him out 'twixt star and star, and sieve his proper worth:
There's sore decline in Adam's line if this be spawn of earth."
Empusa's crew, so naked-new they may not face the fire,
But weep that they bin too small to sin to the height of their desire,
Over the coal they chased the Soul, and racked it all abroad,
As children rifle a caddis-case or the raven's foolish hoard.
And back they came with the tattered Thing, as children after play,
And they said: "The soul that he got from God he has bartered clean away.
We have threshed a stook of print and book, and winnowed a chattering wind
And many a soul wherefrom he stole, but his we cannot find:
We have handled him, we have dandled him, we have seared him to the bone,
And sure if tooth and nail show truth he has no soul of his own."
The Devil he bowed his head on his breast and rumbled deep and low: --
"I'm all o'er-sib to Adam's breed that I should bid him go.
Yet close we lie, and deep we lie, and if I gave him place,
My gentlemen that are so proud would flout me to my face;
They'd call my house a common stews and me a careless host,
And -- I would not anger my gentlemen for the sake of a shiftless ghost."
The Devil he looked at the mangled Soul that prayed to feel the flame,
And he thought of Holy Charity, but he thought of his own good name: --
"Now ye could haste my coal to waste, and sit ye down to fry:
Did ye think of that theft for yourself?" said he; and Tomlinson said, "Ay!"
The Devil he blew an outward breath, for his heart was free from care: --
"Ye have scarce the soul of a louse," he said, "but the roots of sin are there,
And for that sin should ye come in were I the lord alone.
But sinful pride has rule inside -- and mightier than my own.
Honour and Wit, fore-damned they sit, to each his priest and whore:
Nay, scarce I dare myself go there, and you they'd torture sore.
Ye are neither spirit nor spirk," he said; "ye are neither book nor brute --
Go, get ye back to the flesh again for the sake of Man's repute.
I'm all o'er-sib to Adam's breed that I should mock your pain,
But look that ye win to worthier sin ere ye come back again.
Get hence, the hearse is at your door -- the grim black stallions wait --
They bear your clay to place to-day. Speed, lest ye come too late!
Go back to Earth with a lip unsealed -- go back with an open eye,
And carry my word to the Sons of Men or ever ye come to die:
That the sin they do by two and two they must pay for one by one --
And. . .the God that you took from a printed book be with you, Tomlinson!"
|
Written by
Rudyard Kipling |
Yearly, with tent and rifle, our careless white men go
By the Pass called Muttianee, to shoot in the vale below.
Yearly by Muttianee he follows our white men in --
Matun, the old blind beggar, bandaged from brow to chin.
Eyeless, noseless, and lipless -- toothless, broken of speech,
Seeking a dole at the doorway he mumbles his tale to each;
Over and over the story, ending as he began:
"Make ye no truce with Adam-zad -- the Bear that walks like a Man!
"There was a flint in my musket -- pricked and primed was the pan,
When I went hunting Adam-zad -- the Bear that stands like a Man.
I looked my last on the timber, I looked my last on the snow,
When I went hunting Adam-zad fifty summers ago!
"I knew his times and his seasons, as he knew mine, that fed
By night in the ripened maizefield and robbed my house of bread.
I knew his strength and cunning, as he knew mine, that crept
At dawn to the crowded goat-pens and plundered while I slept.
"Up from his stony playground -- down from his well-digged lair --
Out on the naked ridges ran Adam-zad the Bear --
Groaning, grunting, and roaring, heavy with stolen meals,
Two long marches to northward, and I was at his heels!
"Two long marches to northward, at the fall of the second night,
I came on mine enemy Adam-zad all panting from his flight.
There was a charge in the musket -- pricked and primed was the pan --
My finger crooked on the trigger -- when he reared up like a man.
"Horrible, hairy, human, with paws like hands in prayer,
Making his supplication rose Adam-zad the Bear!
I looked at the swaying shoulders, at the paunch's swag and swing,
And my heart was touched with pity for the monstrous, pleading thing.
"Touched witth pity and wonder, I did not fire then . . .
I have looked no more on women -- I have walked no more with men.
Nearer he tottered and nearer, with paws like hands that pray --
From brow to jaw that steel-shod paw, it ripped my face away!
"Sudden, silent, and savage, searing as flame the blow --
Faceless I fell before his feet, fifty summers ago.
I heard him grunt and chuckle -- I heard him pass to his den.
He left me blind to the darkened years and the little mercy of men.
"Now ye go down in the morning with guns of the newer style,
That load (I have felt) in the middle and range (I have heard) a mile?
Luck to the white man's rifle, that shoots so fast and true,
But -- pay, and I lift my bandage and show what the Bear can do!"
(Flesh like slag in the furnace, knobbed and withered and grey --
Matun, the old blind beggar, he gives good worth for his pay.)
"Rouse him at noon in the bushes, follow and press him hard --
Not for his ragings and roarings flinch ye from Adam-zad.
"But (pay, and I put back the bandage) this is the time to fear,
When he stands up like a tired man, tottering near and near;
When he stands up as pleading, in wavering, man-brute guise,
When he veils the hate and cunning of his little, swinish eyes;
"When he shows as seeking quarter, with paws like hands in prayer
That is the time of peril -- the time of the Truce of the Bear!"
Eyeless, noseless, and lipless, asking a dole at the door,
Matun, the old blind beggar, he tells it o'er and o'er;
Fumbling and feeling the rifles, warming his hands at the flame,
Hearing our careless white men talk of the morrow's game;
Over and over the story, ending as he began: --
"There is no trnce with Adam-zad, the Bear that looks like a Man!"
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Written by
Kenneth Patchen |
The Orange bears with soft friendly eyes
Who played with me when I was ten,
Christ, before I'd left home they'd had
Their paws smashed in the rolls, their backs
Seared by hot slag, their soft trusting
Bellies kicked in, their tongues ripped
Out, and I went down through the woods
To the smelly crick with Whitman
In the Haldeman-Julius edition,
And I just sat there worrying my thumbnail
Into the cover---What did he know about
Orange bears with their coats all stunk up with soft coal
And the National Guard coming over
From Wheeling to stand in front of the millgates
With drawn bayonets jeering at the strikers?
I remember you would put daisies
On the windowsill at night and in
The morning they'd be so covered with soot
You couldn't tell what they were anymore.
A hell of a fat chance my orange bears had!
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Written by
Philip Levine |
3-foot blue cannisters of nitro
along a conveyor belt, slow fish
speaking the language of silence.
On the roof, I in my respirator
patching the asbestos gas lines
as big around as the thick waist
of an oak tree. "These here are
the veins of the place, stuff
inside's the blood." We work in rain,
heat, snow, sleet. First warm
spring winds up from Ohio, I
pause at the top of the ladder
to take in the wide world reaching
downriver and beyond. Sunlight
dumped on standing and moving
lines of freight cars, new fields
of bright weeds blowing, scoured
valleys, false mountains of coke
and slag. At the ends of sight
a rolling mass of clouds as dark
as money brings the weather in.
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Written by
Robert William Service |
In youth I gnawed life's bitter rind
And shared the rugged lot
Of fellows rude and unrefined,
Frustrated and forgot;
And now alas! it is too late
My sorry ways to mend,
So sadly I accept my fate,
A Roughneck to the end.
Profanity is in my voice
And slag is in my rhyme,
For I have mucked with men who curse
And grovel in the grime;
My fingers were not formed, I fear,
To frame a pretty pen,
So please forgive me if I veer
From Virtue now and then.
For I would be the living voice,
Though raucous is its tone,
Of men who rarely may rejoice,
Yet barely ever moan:
The rovers of the raw-ribbed lands,
The lads of lowly worth,
The scallywags with scaley hands
Who weld the ends of earth.
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