Written by
Emily Dickinson |
Within my Garden, rides a Bird
Upon a single Wheel --
Whose spokes a dizzy Music make
As 'twere a travelling Mill --
He never stops, but slackens
Above the Ripest Rose --
Partakes without alighting
And praises as he goes,
Till every spice is tasted --
And then his Fairy Gig
Reels in remoter atmospheres --
And I rejoin my Dog,
And He and I, perplex us
If positive, 'twere we --
Or bore the Garden in the Brain
This Curiosity --
But He, the best Logician,
Refers my clumsy eye --
To just vibrating Blossoms!
An Exquisite Reply!
|
Written by
Carl Sandburg |
BY day the skyscraper looms in the smoke and sun and
has a soul.
Prairie and valley, streets of the city, pour people into
it and they mingle among its twenty floors and are
poured out again back to the streets, prairies and
valleys.
It is the men and women, boys and girls so poured in and
out all day that give the building a soul of dreams
and thoughts and memories.
(Dumped in the sea or fixed in a desert, who would care
for the building or speak its name or ask a policeman
the way to it?)
Elevators slide on their cables and tubes catch letters and
parcels and iron pipes carry gas and water in and
sewage out.
Wires climb with secrets, carry light and carry words,
and tell terrors and profits and loves--curses of men
grappling plans of business and questions of women
in plots of love.
Hour by hour the caissons reach down to the rock of the
earth and hold the building to a turning planet.
Hour by hour the girders play as ribs and reach out and
hold together the stone walls and floors.
Hour by hour the hand of the mason and the stuff of the
mortar clinch the pieces and parts to the shape an
architect voted.
Hour by hour the sun and the rain, the air and the rust,
and the press of time running into centuries, play
on the building inside and out and use it.
Men who sunk the pilings and mixed the mortar are laid
in graves where the wind whistles a wild song
without words
And so are men who strung the wires and fixed the pipes
and tubes and those who saw it rise floor by floor.
Souls of them all are here, even the hod carrier begging
at back doors hundreds of miles away and the brick-
layer who went to state's prison for shooting another
man while drunk.
(One man fell from a girder and broke his neck at the
end of a straight plunge--he is here--his soul has
gone into the stones of the building.)
On the office doors from tier to tier--hundreds of names
and each name standing for a face written across
with a dead child, a passionate lover, a driving
ambition for a million dollar business or a lobster's
ease of life.
Behind the signs on the doors they work and the walls
tell nothing from room to room.
Ten-dollar-a-week stenographers take letters from
corporation officers, lawyers, efficiency engineers,
and tons of letters go bundled from the building to all
ends of the earth.
Smiles and tears of each office girl go into the soul of
the building just the same as the master-men who
rule the building.
Hands of clocks turn to noon hours and each floor
empties its men and women who go away and eat
and come back to work.
Toward the end of the afternoon all work slackens and
all jobs go slower as the people feel day closing on
them.
One by one the floors are emptied. . . The uniformed
elevator men are gone. Pails clang. . . Scrubbers
work, talking in foreign tongues. Broom and water
and mop clean from the floors human dust and spit,
and machine grime of the day.
Spelled in electric fire on the roof are words telling
miles of houses and people where to buy a thing for
money. The sign speaks till midnight.
Darkness on the hallways. Voices echo. Silence
holds. . . Watchmen walk slow from floor to floor
and try the doors. Revolvers bulge from their hip
pockets. . . Steel safes stand in corners. Money
is stacked in them.
A young watchman leans at a window and sees the lights
of barges butting their way across a harbor, nets of
red and white lanterns in a railroad yard, and a span
of glooms splashed with lines of white and blurs of
crosses and clusters over the sleeping city.
By night the skyscraper looms in the smoke and the stars
and has a soul.
|
Written by
Algernon Charles Swinburne |
I.
Years upon years, as a course of clouds that thicken
Thronging the ways of the wind that shifts and veers,
Pass, and the flames of remembered fires requicken
Years upon years.
Surely the thought in a man's heart hopes or fears
Now that forgetfulness needs must here have stricken
Anguish, and sweetened the sealed-up springs of tears.
Ah, but the strength of regrets that strain and sicken,
Yearning for love that the veil of death endears,
Slackens not wing for the wings of years that quicken -
Years upon years.
II.
Years upon years, and the flame of love's high altar
Trembles and sinks, and the sense of listening ears
Heeds not the sound that it heard of love's blithe psalter
Years upon years.
Only the sense of a heart that hearkens hears,
Louder than dreams that assail and doubts that palter,
Sorrow that slept and that wakes ere sundawn peers.
Wakes, that the heart may behold, and yet not falter,
Faces of children as stars unknown of, spheres
Seen but of love, that endures though all things alter,
Years upon years.
III.
Years upon years, as a watch by night that passes,
Pass, and the light of their eyes is fire that sears
Slowly the hopes of the fruit that life amasses
Years upon years.
Pale as the glimmer of stars on moorland meres
Lighten the shadows reverberate from the glasses
Held in their hands as they pass among their peers.
Lights that are shadows, as ghosts on graveyard grasses,
Moving on paths that the moon of memory cheers,
Shew but as mists over cloudy mountain passes
Years upon years.
|
Written by
Amy Levy |
To B. T.
Dead-tired, dog-tired, as the vivid day
Fails and slackens and fades away.--
The sky that was so blue before
With sudden clouds is shrouded o'er.
Swiftly, stilly the mists uprise,
Till blurred and grey the landscape lies.
* * * * * * *
All day we have plied the oar; all day
Eager and keen have said our say
On life and death, on love and art,
On good or ill at Nature's heart.
Now, grown so tired, we scarce can lift
The lazy oars, but onward drift.
And the silence is only stirred
Here and there by a broken word.
* * * * * * *
O, sweeter far than strain and stress
Is the slow, creeping weariness.
And better far than thought I find
The drowsy blankness of the mind.
More than all joys of soul or sense
Is this divine indifference;
Where grief a shadow grows to be,
And peace a possibility.
|
Written by
Rudyard Kipling |
1902
Who hath desired the Sea? -- the sight of salt wind-hounded --
The heave and the halt and the hurl and the crash of the comber win hounded?
The sleek-barrelled swell before storm, grey, foamless, enormous, and growing --
Stark calm on the lap of the Line or the crazy-eyed hurricane blowing --
His Sea in no showing the same his Sea and the same 'neath each showing:
His Sea as she slackens or thrills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills!
Who hath desired the Sea? -- the immense and contemptuous surges?
The shudder, the stumble, the swerve, as the star-stabbing bow-sprit emerges?
The orderly clouds of the Trades, the ridged, roaring sapphire thereunder --
Unheralded cliff-haunting flaws and the headsail's low-volleying thunder --
His Sea in no wonder the same his Sea and the same through each wonder:
His Sea as she rages or stills?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
Who hath desired the Sea? Her menaces swift as her mercies?
The in-rolling walls of the fog and the silver-winged breeze that disperses?
The unstable mined berg going South and the calvings and groans that de clare it --
White water half-guessed overside and the moon breaking timely to bare it --
His Sea as his fathers have dared -- his Sea as his children shall dare it:
His Sea as she serves him or kills?
So and no otherwise -- so and no otherwisc -- hillmen desire their Hills.
Who hath desired the Sea? Her excellent loneliness rather
Than forecourts of kings, and her outermost pits than the streets where men gather
Inland, among dust, under trees -- inland where the slayer may slay him --
Inland, out of reach of her arms, and the bosom whereon he must lay him
His Sea from the first that betrayed -- at the last that shall never betray him:
His Sea that his being fulfils?
So and no otherwise -- so and no otherwise -- hillmen desire their Hills.
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