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Best Famous Skulks Poems

Here is a collection of the all-time best famous Skulks poems. This is a select list of the best famous Skulks poetry. Reading, writing, and enjoying famous Skulks poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of skulks poems.

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Written by John Ashbery | Create an image from this poem

Into the Dusk-Charged Air

 Far from the Rappahannock, the silent
Danube moves along toward the sea.
The brown and green Nile rolls slowly Like the Niagara's welling descent.
Tractors stood on the green banks of the Loire Near where it joined the Cher.
The St.
Lawrence prods among black stones And mud.
But the Arno is all stones.
Wind ruffles the Hudson's Surface.
The Irawaddy is overflowing.
But the yellowish, gray Tiber Is contained within steep banks.
The Isar Flows too fast to swim in, the Jordan's water Courses over the flat land.
The Allegheny and its boats Were dark blue.
The Moskowa is Gray boats.
The Amstel flows slowly.
Leaves fall into the Connecticut as it passes Underneath.
The Liffey is full of sewage, Like the Seine, but unlike The brownish-yellow Dordogne.
Mountains hem in the Colorado And the Oder is very deep, almost As deep as the Congo is wide.
The plain banks of the Neva are Gray.
The dark Saône flows silently.
And the Volga is long and wide As it flows across the brownish land.
The Ebro Is blue, and slow.
The Shannon flows Swiftly between its banks.
The Mississippi Is one of the world's longest rivers, like the Amazon.
It has the Missouri for a tributary.
The Harlem flows amid factories And buildings.
The Nelson is in Canada, Flowing.
Through hard banks the Dubawnt Forces its way.
People walk near the Trent.
The landscape around the Mohawk stretches away; The Rubicon is merely a brook.
In winter the Main Surges; the Rhine sings its eternal song.
The Rhône slogs along through whitish banks And the Rio Grande spins tales of the past.
The Loir bursts its frozen shackles But the Moldau's wet mud ensnares it.
The East catches the light.
Near the Escaut the noise of factories echoes And the sinuous Humboldt gurgles wildly.
The Po too flows, and the many-colored Thames.
Into the Atlantic Ocean Pours the Garonne.
Few ships navigate On the Housatonic, but quite a few can be seen On the Elbe.
For centuries The Afton has flowed.
If the Rio ***** Could abandon its song, and the Magdalena The jungle flowers, the Tagus Would still flow serenely, and the Ohio Abrade its slate banks.
The tan Euphrates would Sidle silently across the world.
The Yukon Was choked with ice, but the Susquehanna still pushed Bravely along.
The Dee caught the day's last flares Like the Pilcomayo's carrion rose.
The Peace offered eternal fragrance Perhaps, but the Mackenzie churned livid mud Like tan chalk-marks.
Near where The Brahmaputra slapped swollen dikes And the Pechora? The São Francisco Skulks amid gray, rubbery nettles.
The Liard's Reflexes are slow, and the Arkansas erodes Anthracite hummocks.
The Paraná stinks.
The Ottawa is light emerald green Among grays.
Better that the Indus fade In steaming sands! Let the Brazos Freeze solid! And the Wabash turn to a leaden Cinder of ice! The Marañón is too tepid, we must Find a way to freeze it hard.
The Ural Is freezing slowly in the blasts.
The black Yonne Congeals nicely.
And the Petit-Morin Curls up on the solid earth.
The Inn Does not remember better times, and the Merrimack's Galvanized.
The Ganges is liquid snow by now; The Vyatka's ice-gray.
The once-molten Tennessee s Curdled.
The Japurá is a pack of ice.
Gelid The Columbia's gray loam banks.
The Don's merely A giant icicle.
The Niger freezes, slowly.
The interminable Lena plods on But the Purus' mercurial waters are icy, grim With cold.
The Loing is choked with fragments of ice.
The Weser is frozen, like liquid air.
And so is the Kama.
And the beige, thickly flowing Tocantins.
The rivers bask in the cold.
The stern Uruguay chafes its banks, A mass of ice.
The Hooghly is solid Ice.
The Adour is silent, motionless.
The lovely Tigris is nothing but scratchy ice Like the Yellowstone, with its osier-clustered banks.
The Mekong is beginning to thaw out a little And the Donets gurgles beneath the Huge blocks of ice.
The Manzanares gushes free.
The Illinois darts through the sunny air again.
But the Dnieper is still ice-bound.
Somewhere The Salado propels irs floes, but the Roosevelt's Frozen.
The Oka is frozen solider Than the Somme.
The Minho slumbers In winter, nor does the Snake Remember August.
Hilarious, the Canadian Is solid ice.
The Madeira slavers Across the thawing fields, and the Plata laughs.
The Dvina soaks up the snow.
The Sava's Temperature is above freezing.
The Avon Carols noiselessly.
The Drôme presses Grass banks; the Adige's frozen Surface is like gray pebbles.
Birds circle the Ticino.
In winter The Var was dark blue, unfrozen.
The Thwaite, cold, is choked with sandy ice; The Ardèche glistens feebly through the freezing rain.


Written by Robert Burns | Create an image from this poem

454. Epistle from Esopus to Maria

 FROM those drear solitudes and frowsy cells,
Where Infamy with sad Repentance dwells;
Where turnkeys make the jealous portal fast,
And deal from iron hands the spare repast;
Where truant ’prentices, yet young in sin,
Blush at the curious stranger peeping in;
Where strumpets, relics of the drunken roar,
Resolve to drink, nay, half, to whore, no more;
Where tiny thieves not destin’d yet to swing,
Beat hemp for others, riper for the string:
From these dire scenes my wretched lines I date,
To tell Maria her Esopus’ fate.
“Alas! I feel I am no actor here!” ’Tis real hangmen real scourges bear! Prepare Maria, for a horrid tale Will turn thy very rouge to deadly pale; Will make thy hair, tho’ erst from gipsy poll’d, By barber woven, and by barber sold, Though twisted smooth with Harry’s nicest care, Like hoary bristles to erect and stare.
The hero of the mimic scene, no more I start in Hamlet, in Othello roar; Or, haughty Chieftain, ’mid the din of arms In Highland Bonnet, woo Malvina’s charms; While sans-culottes stoop up the mountain high, And steal from me Maria’s prying eye.
Blest Highland bonnet! once my proudest dress, Now prouder still, Maria’s temples press; I see her wave thy towering plumes afar, And call each coxcomb to the wordy war: I see her face the first of Ireland’s sons, And even out-Irish his Hibernian bronze; The crafty Colonel leaves the tartan’d lines, For other wars, where he a hero shines: The hopeful youth, in Scottish senate bred, Who owns a Bushby’s heart without the head, Comes ’mid a string of coxcombs, to display That veni, vidi, vici, is his way: The shrinking Bard adown the alley skulks, And dreads a meeting worse than Woolwich hulks: Though there, his heresies in Church and State Might well award him Muir and Palmer’s fate: Still she undaunted reels and rattles on, And dares the public like a noontide sun.
What scandal called Maria’s jaunty stagger The ricket reeling of a crooked swagger? Whose spleen (e’en worse than Burns’ venom, when He dips in gall unmix’d his eager pen, And pours his vengeance in the burning line,)— Who christen’d thus Maria’s lyre-divine The idiot strum of Vanity bemus’d, And even the abuse of Poesy abus’d?— Who called her verse a Parish Workhouse, made For motley foundling Fancies, stolen or strayed? A Workhouse! ah, that sound awakes my woes, And pillows on the thorn my rack’d repose! In durance vile here must I wake and weep, And all my frowsy couch in sorrow steep; That straw where many a rogue has lain of yore, And vermin’d gipsies litter’d heretofore.
Why, Lonsdale, thus thy wrath on vagrants pour? Must earth no rascal save thyself endure? Must thou alone in guilt immortal swell, And make a vast monopoly of hell? Thou know’st the Virtues cannot hate thee worse; The Vices also, must they club their curse? Or must no tiny sin to others fall, Because thy guilt’s supreme enough for all? Maria, send me too thy griefs and cares; In all of thee sure thy Esopus shares.
As thou at all mankind the flag unfurls, Who on my fair one Satire’s vengeance hurls— Who calls thee, pert, affected, vain coquette, A wit in folly, and a fool in wit! Who says that fool alone is not thy due, And quotes thy treacheries to prove it true! Our force united on thy foes we’ll turn, And dare the war with all of woman born: For who can write and speak as thou and I? My periods that deciphering defy, And thy still matchless tongue that conquers all reply!
Written by Thomas Gray | Create an image from this poem

Ode On A Distant Prospect Of Eton College

 Ye distant spires, ye antique towers,
That crown the watery glade,
Where grateful Science still adores
Her Henry's holy shade;
And ye, that from the stately brow
Of Windsor's heights th' expanse below
Of grove, of lawn, of mead survey,
Whose turf, whose shade, whose flowers among
Wanders the hoary Thames along
His silver-winding way.
Ah happy hills, ah pleasing shade, Ah fields beloved in vain, Where once my careless childhood strayed, A stranger yet to pain! I feel the gales, that from ye blow, A momentary bliss bestow, As waving fresh their gladsome wing My weary soul they seem to soothe, And, redolent of joy and youth, To breathe a second spring.
Say, Father Thames, for thou hast seen Full many a sprightly race Disporting on thy margent green The paths of pleasure trace, Who foremost now delight to cleave With pliant arm thy glassy wave? The captive linnet which enthral? What idle progeny succeed To chase the rolling circle's speed, Or urge the flying ball? While some on earnest business bent Their murm'ring labours ply 'Gainst graver hours, that bring constraint To sweeten liberty: Some bold adventurers disdain The limits of their little reign, And unknown regions dare descry: Still as they run they look behind, They hear a voice in every wind, And snatch a fearful joy.
Gay hope is theirs by fancy fed, Less pleasing when possest; The tear forgot as soon as shed, The sunshine of the breast: Theirs buxom health of rosy hue, Wild wit, invention ever-new, And lively cheer of vigour born; The thoughtless day, the easy night, The spirits pure, the slumbers light, That fly th' approach of morn.
Alas! regardless of their doom The little victims play! No sense have they of ills to come, Nor care beyond today: Yet see how all around 'em wait The Ministers of human fate, And black Misfortune's baleful train! Ah, show them where in ambush stand, To seize their prey, the murd'rous band! Ah, tell them they are men! These shall the fury Passions tear, The vultures of the mind, Disdainful Anger, pallid Fear, And Shame that skulks behind; Or pining Love shall waste their youth, Or Jealousy with rankling tooth, That inly gnaws the secret heart, And Envy wan, and faded Care, Grim-visaged comfortless Despair, And Sorrow's piercing dart.
Ambition this shall tempt to rise, Then whirl the wretch from high, To bitter Scorn a sacrifice, And grinning Infamy.
The stings of Falsehood those shall try, And hard Unkindness' altered eye, That mocks the tear it forced to flow; And keen Remorse with blood defiled, And moody Madness laughing wild Amid severest woe.
Lo, in the vale of years beneath A grisly troop are seen, The painful family of Death, More hideous than their Queen: This racks the joints, this fires the veins, That every labouring sinew strains, Those in the deeper vitals rage: Lo, Poverty, to fill the band, That numbs the soul with icy hand, And slow-consuming Age.
To each his suff'rings: all are men, Condemned alike to groan; The tender for another's pain, Th' unfeeling for his own.
Yet ah! why should they know their fate? Since sorrow never comes too late, And happiness too swiftly flies.
Thought would destroy their paradise.
No more;—where ignorance is bliss, 'Tis folly to be wise.
Written by Horace | Create an image from this poem

Lydia, by all above (LYDIA, DIC PER OMNES)

         Lydia, by all above,
     Why bear so hard on Sybaris, to ruin him with love?
         What change has made him shun
     The playing-ground, who once so well could bear the dust and sun?
         Why does he never sit
     On horseback in his company, nor with uneven bit
         His Gallic courser tame?
     Why dreads he yellow Tiber, as 'twould sully that fair frame?
         Like poison loathes the oil,
     His arms no longer black and blue with honourable toil,
         He who erewhile was known
     For quoit or javelin oft and oft beyond the limit thrown?
         Why skulks he, as they say
     Did Thetis' son before the dawn of Ilion's fatal day,
         For fear the manly dress
     Should fling him into danger's arms, amid the Lycian press?

Book: Reflection on the Important Things