Written by
John Greenleaf Whittier |
In the outskirts of the village
On the river's winding shores
Stand the Occidental plane-trees,
Stand the ancient sycamores.
One long century hath been numbered,
And another half-way told
Since the rustic Irish gleeman
Broke for them the virgin mould.
Deftly set to Celtic music
At his violin's sound they grew,
Through the moonlit eves of summer,
Making Amphion's fable true.
Rise again, thou poor Hugh Tallant!
Pass in erkin green along
With thy eyes brim full of laughter,
And thy mouth as full of song.
Pioneer of Erin's outcasts
With his fiddle and his pack-
Little dreamed the village Saxons
Of the myriads at his back.
How he wrought with spade and fiddle,
Delved by day and sang by night,
With a hand that never wearied
And a heart forever light,---
Still the gay tradition mingles
With a record grave and drear
Like the rollic air of Cluny
With the solemn march of Mear.
When the box-tree, white with blossoms,
Made the sweet May woodlands glad,
And the Aronia by the river
Lighted up the swarming shad,
And the bulging nets swept shoreward
With their silver-sided haul,
Midst the shouts of dripping fishers,
He was merriest of them all.
When, among the jovial huskers
Love stole in at Labor's side
With the lusty airs of England
Soft his Celtic measures vied.
Songs of love and wailing lyke-wake
And the merry fair's carouse;
Of the wild Red Fox of Erin
And the Woman of Three Cows,
By the blazing hearths of winter
Pleasant seemed his simple tales,
Midst the grimmer Yorkshire legends
And the mountain myths of Wales.
How the souls in Purgatory
Scrambled up from fate forlorn
On St. Keven's sackcloth ladder
Slyly hitched to Satan's horn.
Of the fiddler who at Tara
Played all night to ghosts of kings;
Of the brown dwarfs, and the fairies
Dancing in their moorland rings!
Jolliest of our birds of singing
Best he loved the Bob-o-link.
"Hush!" he'd say, "the tipsy fairies!
Hear the little folks in drink!"
Merry-faced, with spade and fiddle,
Singing through the ancient town,
Only this, of poor Hugh Tallant
Hath Tradtion handed down.
Not a stone his grave discloses;
But if yet his spirit walks
Tis beneath the trees he planted
And when Bob-o-Lincoln talks.
Green memorials of the gleeman!
Linking still the river-shores,
With their shadows cast by sunset
Stand Hugh Tallant's sycamores!
When the Father of his Country
Through the north-land riding came
And the roofs were starred with banners,
And the steeples rang acclaim,---
When each war-scarred Continental
Leaving smithy, mill,.and farm,
Waved his rusted sword in welcome,
And shot off his old king's-arm,---
Slowly passed that august Presence
Down the thronged and shouting street;
Village girls as white as angels
Scattering flowers around his feet.
Midway, where the plane-tree's shadow
Deepest fell, his rein he drew:
On his stately head, uncovered,
Cool and soft the west-wind blew.
And he stood up in his stirrups,
Looking up and looking down
On the hills of Gold and Silver
Rimming round the little town,---
On the river, full of sunshine,
To the lap of greenest vales
Winding down from wooded headlands,
Willow-skirted, white with sails.
And he said, the landscape sweeping
Slowly with his ungloved hand
"I have seen no prospect fairer
In this goodly Eastern land."
Then the bugles of his escort
Stirred to life the cavalcade:
And that head, so bare and stately
Vanished down the depths of shade.
Ever since, in town and farm-house,
Life has had its ebb and flow;
Thrice hath passed the human harvest
To its garner green and low.
But the trees the gleeman planted,
Through the changes, changeless stand;
As the marble calm of Tadmor
Mocks the deserts shifting sand.
Still the level moon at rising
Silvers o'er each stately shaft;
Still beneath them, half in shadow,
Singing, glides the pleasure craft;
Still beneath them, arm-enfolded,
Love and Youth together stray;
While, as heart to heart beats faster,
More and more their feet delay.
Where the ancient cobbler, Keezar,
On the open hillside justice wrought,
Singing, as he drew his stitches,
Songs his German masters taught.
Singing, with his gray hair floating
Round a rosy ample face,---
Now a thousand Saxon craftsmen
Stitch and hammer in his place.
All the pastoral lanes so grassy
Now are Traffic's dusty streets;
From the village, grown a city,
Fast the rural grace retreats.
But, still green and tall and stately,
On the river's winding shores,
Stand the occidental plane-trees,
Stand Hugh Tallant's sycamores.
|
Written by
Ralph Waldo Emerson |
Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright,
All were foreign in their light.
It was ever the self-same tale,
The old experience will not fail,—
Only two in the garden walked,
And with snake and seraph talked.
But God said;
I will have a purer gift,
There is smoke in the flame;
New flowerets bring, new prayers uplift,
And love without a name.
Fond children, ye desire
To please each other well;
Another round, a higher,
Ye shall climb on the heavenly stair,
And selfish preference forbear;
And in right deserving,
And without a swerving
Each from your proper state,
Weave roses for your mate.
Deep, deep are loving eyes,
Flowed with naphtha fiery sweet,
And the point is Paradise
Where their glances meet:
Their reach shall yet be more profound,
And a vision without bound:
The axis of those eyes sun-clear
Be the axis of the sphere;
Then shall the lights ye pour amain
Go without check or intervals,
Through from the empyrean walls,
Unto the same again.
Close, close to men,
Like undulating layer of air,
Right above their heads,
The potent plain of Dæmons spreads.
Stands to each human soul its own,
For watch, and ward, and furtherance
In the snares of nature's dance;
And the lustre and the grace
Which fascinate each human heart,
Beaming from another part,
Translucent through the mortal covers,
Is the Dæmon's form and face.
To and fro the Genius hies,
A gleam which plays and hovers
Over the maiden's head,
And dips sometimes as low as to her eyes.
Unknown, — albeit lying near, —
To men the path to the Dæmon sphere,
And they that swiftly come and go,
Leave no track on the heavenly snow.
Sometimes the airy synod bends,
And the mighty choir descends,
And the brains of men thenceforth,
In crowded and in still resorts,
Teem with unwonted thoughts.
As when a shower of meteors
Cross the orbit of the earth,
And, lit by fringent air,
Blaze near and far.
Mortals deem the planets bright
Have slipped their sacred bars,
And the lone seaman all the night
Sails astonished amid stars.
Beauty of a richer vein,
Graces of a subtler strain,
Unto men these moon-men lend,
And our shrinking sky extend.
So is man's narrow path
By strength and terror skirted,
Also (from the song the wrath
Of the Genii be averted!
The Muse the truth uncolored speaking),
The Dæmons are self-seeking;
Their fierce and limitary will
Draws men to their likeness still.
The erring painter made Love blind,
Highest Love who shines on all;
Him radiant, sharpest-sighted god
None can bewilder;
Whose eyes pierce
The Universe,
Path-finder, road-builder,
Mediator, royal giver,
Rightly-seeing, rightly-seen,
Of joyful and transparent mien.
'Tis a sparkle passing
From each to each, from me to thee,
Perpetually,
Sharing all, daring all,
Levelling, misplacing
Each obstruction, it unites
Equals remote, and seeming opposites.
And ever and forever Love
Delights to build a road;
Unheeded Danger near him strides,
Love laughs, and on a lion rides.
But Cupid wears another face
Born into Dæmons less divine,
His roses bleach apace,
His nectar smacks of wine.
The Dæmon ever builds a wall,
Himself incloses and includes,
Solitude in solitudes:
In like sort his love doth fall.
He is an oligarch,
He prizes wonder, fame, and mark,
He loveth crowns,
He scorneth drones;
He doth elect
The beautiful and fortunate,
And the sons of intellect,
And the souls of ample fate,
Who the Future's gates unbar,
Minions of the Morning Star.
In his prowess he exults,
And the multitude insults.
His impatient looks devour
Oft the humble and the poor,
And, seeing his eye glare,
They drop their few pale flowers
Gathered with hope to please
Along the mountain towers,
Lose courage, and despair.
He will never be gainsaid,
Pitiless, will not be stayed.
His hot tyranny
Burns up every other tie;
Therefore comes an hour from Jove
Which his ruthless will defies,
And the dogs of Fate unties.
Shiver the palaces of glass,
Shrivel the rainbow-colored walls
Where in bright art each god and sibyl dwelt
Secure as in the Zodiack's belt;
And the galleries and halls
Wherein every Siren sung,
Like a meteor pass.
For this fortune wanted root
In the core of God's abysm,
Was a weed of self and schism:
And ever the Dæmonic Love
Is the ancestor of wars,
And the parent of remorse.
|
Written by
D. H. Lawrence |
You know what it is to be born alone,
Baby tortoise!
The first day to heave your feet little by little from the shell,
Not yet awake,
And remain lapsed on earth,
Not quite alive.
A tiny, fragile, half-animate bean.
To open your tiny beak-mouth, that looks as if it would never open,
Like some iron door;
To lift the upper hawk-beak from the lower base
And reach your skinny little neck
And take your first bite at some dim bit of herbage,
Alone, small insect,
Tiny bright-eye,
Slow one.
To take your first solitary bite
And move on your slow, solitary hunt.
Your bright, dark little eye,
Your eye of a dark disturbed night,
Under its slow lid, tiny baby tortoise,
So indomitable.
No one ever heard you complain.
You draw your head forward, slowly, from your little wimple
And set forward, slow-dragging, on your four-pinned toes, Rowing slowly forward.
Whither away, small bird?
Rather like a baby working its limbs,
Except that you make slow, ageless progress
And a baby makes none.
The touch of sun excites you,
And the long ages, and the lingering chill
Make you pause to yawn,
Opening your impervious mouth,
Suddenly beak-shaped, and very wide, like some suddenly gaping pincers;
Soft red tongue, and hard thin gums,
Then close the wedge of your little mountain front,
Your face, baby tortoise.
Do you wonder at the world, as slowly you turn your head in its wimple
And look with laconic, black eyes?
Or is sleep coming over you again,
The non-life?
You are so hard to wake.
Are you able to wonder?
Or is it just your indomitable will and pride of the first life
Looking round
And slowly pitching itself against the inertia
Which had seemed invincible?
The vast inanimate,
And the fine brilliance of your so tiny eye,
Challenger.
Nay, tiny shell-bird,
What a huge vast inanimate it is, that you must row against,
What an incalculable inertia.
Challenger,
Little Ulysses, fore-runner,
No bigger than my thumb-nail,
Buon viaggio.
All animate creation on your shoulder,
Set forth, little Titan, under your battle-shield.
The ponderous, preponderate,
Inanimate universe;
And you are slowly moving, pioneer, you alone.
How vivid your travelling seems now, in the troubled sunshine,
Stoic, Ulyssean atom;
Suddenly hasty, reckless, on high toes.
Voiceless little bird,
Resting your head half out of your wimple
In the slow dignity of your eternal pause.
Alone, with no sense of being alone,
And hence six times more solitary;
Fulfilled of the slow passion of pitching through immemorial ages
Your little round house in the midst of chaos.
Over the garden earth,
Small bird,
Over the edge of all things.
Traveller,
With your tail tucked a little on one side
Like a gentleman in a long-skirted coat.
All life carried on your shoulder,
Invincible fore-runner.
|
Written by
Percy Bysshe Shelley |
MANY a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on
Day and night, and night and day, 5
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel's track;
Whilst above, the sunless sky
Big with clouds, hangs heavily, 10
And behind the tempest fleet
Hurries on with lightning feet,
Riving sail, and cord, and plank,
Till the ship has almost drank
Death from the o'er-brimming deep, 15
And sinks down, down, like that sleep
When the dreamer seems to be
Weltering through eternity;
And the dim low line before
Of a dark and distant shore 20
Still recedes, as ever still
Longing with divided will,
But no power to seek or shun,
He is ever drifted on
O'er the unreposing wave, 25
To the haven of the grave.
Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led
My bark, by soft winds piloted. 30
¡ª'Mid the mountains Euganean
I stood listening to the p?an
With which the legion'd rooks did hail
The Sun's uprise majestical:
Gathering round with wings all hoar, 35
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts; and then¡ªas clouds of even
Fleck'd with fire and azure, lie
In the unfathomable sky¡ª 40
So their plumes of purple grain
Starr'd with drops of golden rain
Gleam above the sunlight woods,
As in silent multitudes
On the morning's fitful gale 45
Through the broken mist they sail;
And the vapours cloven and gleaming
Follow down the dark steep streaming,
Till all is bright, and clear, and still
Round the solitary hill. 50
Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath day's azure eyes, 55
Ocean's nursling, Venice lies,¡ª
A peopled labyrinth of walls,
Amphitrite's destined halls,
Which her hoary sire now paves
With his blue and beaming waves. 60
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light, 65
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean 70
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise
As to pierce the dome of gold
Where Apollo spoke of old. 75
Sun-girt City! thou hast been
Ocean's child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here 80
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne among the waves 85
Wilt thou be¡ªwhen the sea-mew
Flies, as once before it flew,
O'er thine isles depopulate,
And all is in its ancient state,
Save where many a palace-gate 90
With green sea-flowers overgrown,
Like a rock of ocean's own,
Topples o'er the abandon'd sea
As the tides change sullenly.
The fisher on his watery way, 95
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep,
Bursting o'er the starlight deep, 100
Lead a rapid masque of death
O'er the waters of his path.
Noon descends around me now:
'Tis the noon of autumn's glow,
When a soft and purple mist 105
Like a vaporous amethyst,
Or an air-dissolv¨¨d star
Mingling light and fragrance, far
From the curved horizon's bound
To the point of heaven's profound, 110
Fills the overflowing sky,
And the plains that silent lie
Underneath; the leaves unsodden
Where the infant Frost has trodden
With his morning-wing¨¨d feet 115
Whose bright print is gleaming yet;
And the red and golden vines
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less, 120
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandall'd Apennine
In the south dimly islanded; 125
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit, which so long
Darken'd this swift stream of song,¡ª 130
Interpenetrated lie
By the glory of the sky;
Be it love, light, harmony,
Odour, or the soul of all
Which from heaven like dew doth fall, 135
Or the mind which feeds this verse,
Peopling the lone universe.
Noon descends, and after noon
Autumn's evening meets me soon,
Leading the infantine moon 140
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset's radiant springs:
And the soft dreams of the morn 145
(Which like wing¨¨d winds had borne
To that silent isle, which lies
'Mid remember'd agonies,
The frail bark of this lone being),
Pass, to other sufferers fleeing, 150
And its ancient pilot, Pain,
Sits beside the helm again.
Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee 155
O'er that gulf: ev'n now, perhaps,
On some rock the wild wave wraps,
With folding wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove, 160
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell 'mid lawny hills
Which the wild sea-murmur fills, 165
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine.
¡ªWe may live so happy there, 170
That the Spirits of the Air
Envying us, may ev'n entice
To our healing paradise
The polluting multitude:
But their rage would be subdued 175
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval 180
In their whisperings musical
The inspir¨¨d soul supplies
With its own deep melodies;
And the Love which heals all strife
Circling, like the breath of life, 185
All things in that sweet abode
With its own mild brotherhood:¡ª
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain, 190
And the Earth grow young again!
|
Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing. It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological...Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world....
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds... But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 ... Oaks: the organization of this tree is difficult. Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd. roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points. But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces. And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end. However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh. it is possible to see composition in dips, etc.
But I shall study them further. It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry. What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe."
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
John Betjeman |
Bells are booming down the bohreens,
White the mist along the grass,
Now the Julias, Maeves and Maureens
Move between the fields to Mass.
Twisted trees of small green apple
Guard the decent whitewashed chapel,
Gilded gates and doorway grained,
Pointed windows richly stained
With many-coloured Munich glass.
See the black-shawled congregations
On the broidered vestment gaze
Murmer past the painted stations
As Thy Sacred Heart displays
Lush Kildare of scented meadows,
Roscommon, thin in ash-tree shadows,
And Westmeath the lake-reflected,
Spreading Leix the hill-protected,
Kneeling all in silver haze?
In yews and woodbine, walls and guelder,
Nettle-deep the faithful rest,
Winding leagues of flowering elder,
Sycamore with ivy dressed,
Ruins in demesnes deserted,
Bog-surrounded bramble-skirted -
Townlands rich or townlands mean as
These, oh, counties of them screen us
In the Kingdom of the West.
Stony seaboard, far and foreign,
Stony hills poured over space,
Stony outcrop of the Burren,
Stones in every fertile place,
Little fields with boulders dotted,
Grey-stone shoulders saffron-spotted,
Stone-walled cabins thatched with reeds,
Where a Stone Age people breeds
The last of Europe's stone age race.
Has it held, the warm June weather?
Draining shallow sea-pools dry,
When we bicycled together
Down the bohreens fuchsia-high.
Till there rose, abrupt and lonely,
A ruined abbey, chancel only,
Lichen-crusted, time-befriended,
Soared the arches, splayed and splendid,
Romanesque against the sky.
There in pinnacled protection,
One extinguished family waits
A Church of Ireland resurrection
By the broken, rusty gates.
Sheepswool, straw and droppings cover,
Graves of spinster, rake and lover,
Whose fantastic mausoleum,
Sings its own seablown Te Deum,
In and out the slipping slates.
|
Written by
Seamus Heaney |
The piper coming from far away is you
With a whitewash brush for a sporran
Wobbling round you, a kitchen chair
Upside down on your shoulder, your right arm
Pretending to tuck the bag beneath your elbow,
Your pop-eyes and big cheeks nearly bursting
With laughter, but keeping the drone going on
Interminably, between catches of breath.
*
The whitewash brush. An old blanched skirted thing
On the back of the byre door, biding its time
Until spring airs spelled lime in a work-bucket
And a potstick to mix it in with water.
Those smells brought tears to the eyes, we inhaled
A kind of greeny burning and thought of brimstone.
But the slop of the actual job
Of brushing walls, the watery grey
Being lashed on in broad swatches, then drying out
Whiter and whiter, all that worked like magic.
Where had we come from, what was this kingdom
We knew we'd been restored to? Our shadows
Moved on the wall and a tar border glittered
The full length of the house, a black divide
Like a freshly opened, pungent, reeking trench.
*
Piss at the gable, the dead will congregate.
But separately. The women after dark,
Hunkering there a moment before bedtime,
The only time the soul was let alone,
The only time that face and body calmed
In the eye of heaven.
Buttermilk and urine,
The pantry, the housed beasts, the listening bedroom.
We were all together there in a foretime,
In a knowledge that might not translate beyond
Those wind-heaved midnights we still cannot be sure
Happened or not. It smelled of hill-fort clay
And cattle dung. When the thorn tree was cut down
You broke your arm. I shared the dread
When a strange bird perched for days on the byre roof.
*
That scene, with Macbeth helpless and desperate
In his nightmare--when he meets the hags agains
And sees the apparitions in the pot--
I felt at home with that one all right. Hearth,
Steam and ululation, the smoky hair
Curtaining a cheek. 'Don't go near bad boys
In that college that you're bound for. Do you hear me?
Do you hear me speaking to you? Don't forget!'
And then the postick quickening the gruel,
The steam crown swirled, everything intimate
And fear-swathed brightening for a moment,
Then going dull and fatal and away.
*
Grey matter like gruel flecked with blood
In spatters on the whitewash. A clean spot
Where his head had been, other stains subsumed
In the parched wall he leant his back against
That morning like any other morning,
Part-time reservist, toting his lunch-box.
A car came slow down Castle Street, made the halt,
Crossed the Diamond, slowed again and stopped
Level with him, although it was not his lift.
And then he saw an ordinary face
For what it was and a gun in his own face.
His right leg was hooked back, his sole and heel
Against the wall, his right knee propped up steady,
So he never moved, just pushed with all his might
Against himself, then fell past the tarred strip,
Feeding the gutter with his copious blood.
*
My dear brother, you have good stamina.
You stay on where it happens. Your big tractor
Pulls up at the Diamond, you wave at people,
You shout and laugh about the revs, you keep
old roads open by driving on the new ones.
You called the piper's sporrans whitewash brushes
And then dressed up and marched us through the kitchen,
But you cannot make the dead walk or right wrong.
I see you at the end of your tether sometimes,
In the milking parlour, holding yourself up
Between two cows until your turn goes past,
Then coming to in the smell of dung again
And wondering, is this all? As it was
In the beginning, is now and shall be?
Then rubbing your eyes and seeing our old brush
Up on the byre door, and keeping going.
|
Written by
Jane Taylor |
On the cheerful village green,
Skirted round with houses small,
All the boys and girls are seen,
Playing there with hoop and ball.
Now they frolic hand in hand,
Making many a merry chain;
Then they form a warlike band,
Marching o'er the level plain.
Now ascends the worsted ball,
High it rises in the air,
Or against the cottage wall,
Up and down it bounces there.
Then the hoop, with even pace,
Runs before the merry throngs;
Joy is seen in every face,
Joy is heard in cheerful songs.
Rich array, and mansions proud,
Gilded toys, and costly fare,
Would not make the little crowd
Half so happy as they are.
Then, contented with my state,
Where true pleasure may be seen,
Let me envy not the great,
On a cheerful village green.
|
Written by
Emily Dickinson |
The Loneliness One dare not sound --
And would as soon surmise
As in its Grave go plumbing
To ascertain the size --
The Loneliness whose worst alarm
Is lest itself should see --
And perish from before itself
For just a scrutiny --
The Horror not to be surveyed --
But skirted in the Dark --
With Consciousness suspended --
And Being under Lock --
I fear me this -- is Loneliness --
The Maker of the soul
Its Caverns and its Corridors
Illuminate -- or seal --
|
Written by
John Milton |
IT was the Winter wilde,
While the Heav'n-born-childe,
All meanly wrapt in the rude manger lies;
Nature in aw to him
Had doff't her gawdy trim,
With her great Master so to sympathize:
It was no season then for her
To wanton with the Sun her lusty Paramour.
Only with speeches fair
She woo's the gentle Air
To hide her guilty front with innocent Snow,
And on her naked shame,
Pollute with sinfull blame,
The Saintly Vail of Maiden white to throw,
Confounded, that her Makers eyes
Should look so neer upon her foul deformities.
But he her fears to cease,
Sent down the meek-eyd Peace,
She crown'd with Olive green, came softly sliding
Down through the turning sphear
His ready Harbinger,
With Turtle wing the amorous clouds dividing,
And waving wide her mirtle wand,
She strikes a universall Peace through Sea and Land.
No War, or Battails sound
Was heard the World around,
The idle spear and shield were high up hung;
The hooked Chariot stood
Unstain'd with hostile blood,
The Trumpet spake not to the armed throng,
And Kings sate still with awfull eye,
As if they surely knew their sovran Lord was by.
But peacefull was the night
Wherin the Prince of light
His raign of peace upon the earth began:
The Windes with wonder whist,
Smoothly the waters kist,
Whispering new joyes to the milde Ocean,
Who now hath quite forgot to rave,
While Birds of Calm sit brooding on the charmeed wave.
The Stars with deep amaze
Stand fixt in stedfast gaze,
Bending one way their pretious influence,
And will not take their flight,
For all the morning light,
Or Lucifer that often warn'd them thence;
But in their glimmering Orbs did glow,
Untill their Lord himself bespake, and bid them go.
And though the shady gloom
Had given day her room,
The Sun himself with-held his wonted speed,
And hid his head for shame,
As his inferiour flame,
The new enlightn'd world no more should need;
He saw a greater Sun appear
Then his bright Throne, or burning Axletree could bear.
The Shepherds on the Lawn,
Or ere the point of dawn,
Sate simply chatting in a rustick row;
Full little thought they than,
That the mighty Pan
Was kindly com to live with them below;
Perhaps their loves, or els their sheep,
Was all that did their silly thoughts so busie keep.
When such musick sweet
Their hearts and ears did greet,
As never was by mortall finger strook,
Divinely-warbled voice
Answering the stringed noise,
As all their souls in blisfull rapture took
The Air such pleasure loth to lose,
With thousand echo's still prolongs each heav'nly close.
Nature that heard such sound
Beneath the hollow round
Of Cynthia's seat, the Airy region thrilling,
Now was almost won
To think her part was don,
And that her raign had here its last fulfilling;
She knew such harmony alone
Could hold all Heav'n and Earth in happier union.
At last surrounds their sight
A Globe of circular light,
That with long beams the shame-fac't night array'd,
The helmed Cherubim
And sworded Seraphim,
Are seen in glittering ranks with wings displaid,
Harping in loud and solemn quire,
With unexpressive notes to Heav'ns new-born Heir.
Such musick (as 'tis said)
Before was never made,
But when of old the sons of morning sung,
While the Creator Great
His constellations set,
And the well-ballanc't world on hinges hung,
And cast the dark foundations deep,
And bid the weltring waves their oozy channel keep.
Ring out ye Crystall sphears,
Once bless our human ears,
(If ye have power to touch our senses so)
And let your silver chime
Move in melodious time;
And let the Base of Heav'ns deep Organ blow
And with your ninefold harmony
Make up full consort to th'Angelike symphony.
For if such holy Song
Enwrap our fancy long,
Time will run back, and fetch the age of gold,
And speckl'd vanity
Will sicken soon and die,
And leprous sin will melt from earthly mould,
And Hell it self will pass away,
And leave her dolorous mansions to the peering day.
Yea Truth, and Justice then
Will down return to men,
Th'enameld Arras of the Rain-bow wearing,
And Mercy set between,
Thron'd in Celestiall sheen,
With radiant feet the tissued clouds down stearing,
And Heav'n as at som festivall,
Will open wide the Gates of her high Palace Hall.
But wisest Fate sayes no,
This must not yet be so,
The Babe lies yet in smiling Infancy,
That on the bitter cross
Must redeem our loss;
So both himself and us to glorifie:
Yet first to those ychain'd in sleep,
The wakefull trump of doom must thunder through the deep,
With such a horrid clang
As on mount Sinai rang
While the red fire, and smouldring clouds out brake:
The aged Earth agast
With terrour of that blast,
Shall from the surface to the center shake;
When at the worlds last session,
The dreadfull Judge in middle Air shall spread his throne.
And then at last our bliss
Full and perfect is,
But now begins; for from this happy day
Th'old Dragon under ground
In straiter limits bound,
Not half so far casts his usurped sway,
And wrath to see his Kingdom fail,
Swindges the scaly Horrour of his foulded tail.
The Oracles are dumm,
No voice or hideous humm
Runs through the arched roof in words deceiving.
Apollo from his shrine
Can no more divine,
With hollow shreik the steep of Delphos leaving.
No nightly trance, or breathed spell,
Inspire's the pale-ey'd Priest from the prophetic cell.
The lonely mountains o're,
And the resounding shore,
A voice of weeping heard, and loud lament;
From haunted spring, and dale
Edg'd with poplar pale,
The parting Genius is with sighing sent,
With flowre-inwov'n tresses torn
The Nimphs in twilight shade of tangled thickets mourn.
In consecrated Earth,
And on the holy Hearth,
The Lars, and Lemures moan with midnight plaint,
In Urns, and Altars round,
A drear, and dying sound
Affrights the Flamins at their service quaint;
And the chill Marble seems to sweat,
While each peculiar power forgoes his wonted seat
Peor, and Baalim,
Forsake their Temples dim,
With that twise-batter'd god of Palestine,
And mooned Ashtaroth,
Heav'ns Queen and Mother both,
Now sits not girt with Tapers holy shine,
The Libyc Hammon shrinks his horn,
In vain the Tyrian Maids their wounded Thamuz mourn.
And sullen Moloch fled,
Hath left in shadows dred,
His burning Idol all of blackest hue,
In vain with Cymbals ring,
They call the grisly king,
In dismall dance about the furnace blue;
The brutish gods of Nile as fast,
Isis and Orus, and the Dog Anubis hast.
Nor is Osiris seen
In Memphian Grove, or Green,
Trampling the unshowr'd Grasse with lowings loud:
Nor can he be at rest
Within his sacred chest,
Naught but profoundest Hell can be his shroud,
In vain with Timbrel'd Anthems dark
The sable-stoled Sorcerers bear his worshipt Ark.
He feels from Juda's Land
The dredded Infants hand,
The rayes of Bethlehem blind his dusky eyn;
Nor all the gods beside,
Longer dare abide,
Not Typhon huge ending in snaky twine:
Our Babe to shew his Godhead true,
Can in his swadling bands controul the damned crew.
So when the Sun in bed,
Curtain'd with cloudy red,
Pillows his chin upon an Orient wave,
The flocking shadows pale,
Troop to th'infernall jail,
Each fetter'd Ghost slips to his severall grave,
And the yellow-skirted Fayes,
Fly after the Night-steeds, leaving their Moon-lov'd maze.
But see the Virgin blest,
Hath laid her Babe to rest.
Time is our tedious Song should here have ending,
Heav'ns youngest teemed Star,
Hath fixt her polisht Car,
Her sleeping Lord with Handmaid Lamp attending:
And all about the Courtly Stable,
Bright-harnest Angels sit in order serviceable.
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