Written by
Lewis Carroll |
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.
All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.
Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.
Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.
Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.
Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.
'
Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.
Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.
Nor in this was he mistaken,
As the picture failed completely.
So in turn the other sisters.
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.
'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.
Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.
Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.
But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
|
Written by
Robert Burns |
ORTHODOX! orthodox, who believe in John Knox,
Let me sound an alarm to your conscience:
A heretic blast has been blown in the West,
That what is no sense must be nonsense,
Orthodox! That what is no sense must be nonsense.
Doctor Mac! Doctor Mac, you should streek on a rack,
To strike evil-doers wi’ terror:
To join Faith and Sense, upon any pretence,
Was heretic, damnable error,
Doctor Mac! 1 ’Twas heretic, damnable error.
Town of Ayr! town of Ayr, it was mad, I declare,
To meddle wi’ mischief a-brewing, 2
Provost John 3 is still deaf to the Church’s relief,
And Orator Bob 4 is its ruin,
Town of Ayr! Yes, Orator Bob is its ruin.
D’rymple mild! D’rymple mild, tho’ your heart’s like a child,
And your life like the new-driven snaw,
Yet that winna save you, auld Satan must have you,
For preaching that three’s ane an’ twa,
D’rymple mild! 5 For preaching that three’s ane an’ twa.
Rumble John! rumble John, mount the steps with a groan,
Cry the book is with heresy cramm’d;
Then out wi’ your ladle, deal brimstone like aidle,
And roar ev’ry note of the D—’d.
Rumble John! 6 And roar ev’ry note of the D—’d.
Simper James! simper James, leave your fair Killie dames,
There’s a holier chase in your view:
I’ll lay on your head, that the pack you’ll soon lead,
For puppies like you there’s but few,
Simper James! 7 For puppies like you there’s but few.
Singet Sawnie! singet Sawnie, are ye huirdin the penny,
Unconscious what evils await?
With a jump, yell, and howl, alarm ev’ry soul,
For the foul thief is just at your gate.
Singet Sawnie! 8 For the foul thief is just at your gate.
Poet Willie! poet Willie, gie the Doctor a volley,
Wi’ your “Liberty’s Chain” and your wit;
O’er Pegasus’ side ye ne’er laid a stride,
Ye but smelt, man, the place where he sh-t.
Poet Willie! 9 Ye but smelt man, the place where he sh-t.
Barr Steenie! Barr Steenie, what mean ye, what mean ye?
If ye meddle nae mair wi’ the matter,
Ye may hae some pretence to havins and sense,
Wi’ people that ken ye nae better,
Barr Steenie! 10 Wi’people that ken ye nae better.
Jamie Goose! Jamie Goose, ye made but toom roose,
In hunting the wicked Lieutenant;
But the Doctor’s your mark, for the Lord’s holy ark,
He has cooper’d an’ ca’d a wrang pin in’t,
Jamie Goose! 11 He has cooper’d an’ ca’d a wrang pin in’t.
Davie Bluster! Davie Bluster, for a saint ye do muster,
The core is no nice o’ recruits;
Yet to worth let’s be just, royal blood ye might boast,
If the Ass were the king o’ the brutes,
Davie Bluster! 12 If the Ass were the king o’ the brutes.
Cessnock-side! Cessnock-side, wi’ your turkey-cock pride
Of manhood but sma’ is your share:
Ye’ve the figure, ’tis true, ev’n your foes will allow,
And your friends they dare grant you nae mair,
Cessnock-side! 13 And your friends they dare grant you nae mair.
Muirland Jock! muirland Jock, when the L—d makes a rock,
To crush common-sense for her sins;
If ill-manners were wit, there’s no mortal so fit
To confound the poor Doctor at ance,
Muirland Jock! 14 To confound the poor Doctor at ance.
Andro Gowk! Andro Gowk, ye may slander the Book,
An’ the Book nought the waur, let me tell ye;
Tho’ ye’re rich, an’ look big, yet, lay by hat an’ wig,
An’ ye’ll hae a calf’s-had o’ sma’ value,
Andro Gowk! 15 Ye’ll hae a calf’s head o’ sma value.
Daddy Auld! daddy Auld, there’a a tod in the fauld,
A tod meikle waur than the clerk;
Tho’ ye do little skaith, ye’ll be in at the death,
For gif ye canna bite, ye may bark,
Daddy Auld! 16 Gif ye canna bite, ye may bark.
Holy Will! holy Will, there was wit in your skull,
When ye pilfer’d the alms o’ the poor;
The timmer is scant when ye’re taen for a saunt,
Wha should swing in a rape for an hour,
Holy Will! 17 Ye should swing in a rape for an hour.
Calvin’s sons! Calvin’s sons, seize your spiritual guns,
Ammunition you never can need;
Your hearts are the stuff will be powder enough,
And your skulls are a storehouse o’ lead,
Calvin’s sons! Your skulls are a storehouse o’ lead.
Poet Burns! poet Burns, wi” your priest-skelpin turns,
Why desert ye your auld native shire?
Your muse is a gipsy, yet were she e’en tipsy,
She could ca’us nae waur than we are,
Poet Burns! She could ca’us nae waur than we are.
PRESENTATION STANZAS TO CORRESPONDENTSFactor John! Factor John, whom the Lord made alone,
And ne’er made anither, thy peer,
Thy poor servant, the Bard, in respectful regard,
He presents thee this token sincere,
Factor John! He presents thee this token sincere.
Afton’s Laird! Afton’s Laird, when your pen can be spared,
A copy of this I bequeath,
On the same sicker score as I mention’d before,
To that trusty auld worthy, Clackleith,
Afton’s Laird! To that trusty auld worthy, Clackleith.
Note 1.
Dr.
M’Gill, Ayr.
—R.
B.
[back]
Note 2.
See the advertisement.
—R.
B.
[back]
Note 3.
John Ballantine,—R.
B.
[back]
Note 4.
Robert Aiken.
—R.
B.
[back]
Note 5.
Dr.
Dalrymple, Ayr.
—R.
B.
[back]
Note 6.
John Russell, Kilmarnock.
—R.
B.
[back]
Note 7.
James Mackinlay, Kilmarnock.
—R.
B.
[back]
Note 8.
Alexander Moodie of Riccarton.
—R.
B.
[back]
Note 9.
William Peebles, in Newton-upon-Ayr, a poetaster, who, among many other things, published an ode on the “Centenary of the Revolution,” in which was the line: “And bound in Liberty’s endering chain.
”—R.
B.
[back]
Note 10.
Stephen Young of Barr.
—R.
B.
[back]
Note 11.
James Young, in New Cumnock, who had lately been foiled in an ecclesiastical prosecution against a Lieutenant Mitchel—R.
B.
[back]
Note 12.
David Grant, Ochiltree.
—R.
B.
[back]
Note 13.
George Smith, Galston.
—R.
B.
[back]
Note 14.
John Shepherd Muirkirk.
—R.
B.
[back]
Note 15.
Dr.
Andrew Mitchel, Monkton.
—R.
B.
[back]
Note 16.
William Auld, Mauchline; for the clerk, see “Holy Willie”s Prayer.
”—R.
B.
[back]
Note 17.
Vide the “Prayer” of this saint.
—R.
B.
[back]
|
Written by
Lewis Carroll |
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.
All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.
Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.
Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.
Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.
Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.
'
Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.
Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.
Nor in this was he mistaken,
As the picture failed completely.
So in turn the other sisters.
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.
'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.
Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.
Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.
But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
|