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Best Famous Silt Up Poems

Here is a collection of the all-time best famous Silt Up poems. This is a select list of the best famous Silt Up poetry. Reading, writing, and enjoying famous Silt Up poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of silt up poems.

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Written by Philip Larkin | Create an image from this poem

Church Going

Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone 
and little books; sprawlings of flowers cut
For Sunday brownish now; some brass and stuff
Up at the holy end; the small neat organ;
And a tense musty unignorable silence 
Brewed God knows how long. Hatless I take off
My cylce-clips in awkward revrence 

Move forward run my hand around the font.
From where i stand the roof looks almost new--
Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few
hectoring large-scale verses and pronouce
Here endeth much more loudly than I'd meant
The echoes snigger briefly. Back at the door
I sign the book donate an Irish sixpence 
Reflect the place was not worth stopping for.

Yet stop I did: in fact I often do 
And always end much at a loss like this 
Wondering what to look for; wondering too
When churches fall completely out of use
What we shall turn them into if we shall keep
A few cathedrals chronically on show 
Their parchment plate and pyx in locked cases 
And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places?

Or after dark will dubious women come
To make their children touvh a particular stone;
Pick simples for a cancer; or on some
Advised night see walking a dead one?
Power of some sort or other will go on
In games in riddles seemingly at random;
But superstition like belief must die 
And what remains when disbelief has gone?
Grass weedy pavement brambles butress sky.

A shape less recognisable each week 
A purpose more obscure. I wonder who
Will be the last the very last to seek
This place for whta it was; one of the crew
That tap and jot and know what rood-lofts were?
Some ruin-bibber randy for antique 
Or Christmas-addict counting on a whiff
Of grown-and-bands and organ-pipes and myrrh?
Or will he be my representative 

Bored uninformed knowing the ghostly silt
Dispersed yet tending to this cross of ground
Through suburb scrub because it held unspilt
So long and equably what since is found
Only in separation--marriage and birth 
And death and thoughts of these--for which was built
This special shell? For though I've no idea
What this accoutred frowsty barn is worth 
It pleases me to stand in silence here;

A serious house on serious earth it is 
In whose blent air all our compulsions meet 
Are recognisd and robed as destinies.
And that much never can be obsolete 
Since someone will forever be surprising
A hunger in himself to be more serious 
And gravitating with it to this ground 
Which he once heard was proper to grow wise in 
If only that so many dead lie round.

1955


Written by Rudyard Kipling | Create an image from this poem

A Tale of Two Cities

 Where the sober-colored cultivator smiles
 On his byles;
Where the cholera, the cyclone, and the crow
 Come and go;
Where the merchant deals in indigo and tea,
 Hides and ghi;
Where the Babu drops inflammatory hints
 In his prints;
Stands a City -- Charnock chose it -- packed away
 Near a Bay --
By the Sewage rendered fetid, by the sewer
 Made impure,
By the Sunderbunds unwholesome, by the swamp
 Moist and damp;
And the City and the Viceroy, as we see,
 Don't agree.
Once, two hundered years ago, the trader came
 Meek and tame.
Where his timid foot first halted, there he stayed,
 Till mere trade
Grew to Empire, and he sent his armies forth
 South and North
Till the country from Peshawur to Ceylon
 Was his own.
Thus the midday halt of Charnock -- more's the pity!
 Grew a City.
As the fungus sprouts chaotic from its bed,
 So it spread --
Chance-directed, chance-erected, laid and built
 On the silt --
Palace, byre, hovel -- poverty and pride --
 Side by side;
And, above the packed and pestilential town,
 Death looked down.
But the Rulers in that City by the Sea
 Turned to flee --
Fled, with each returning spring-tide from its ills
 To the Hills.
From the clammy fogs of morning, from the blaze
 Of old days,
From the sickness of the noontide, from the heat,
 Beat retreat;
For the country from Peshawur to Ceylon
 Was their own.
But the Merchant risked the perils of the Plain
 For his gain.
Now the resting-place of Charnock, 'neath the palms,
 Asks an alms,
And the burden of its lamentation is, Briefly, this:
"Because for certain months, we boil and stew,
 So should you.
Cast the Viceroy and his Council, to perspire
 In our fire!"
And for answer to the argument, in vain
 We explain
That an amateur Saint Lawrence cannot fry:
 "All must fry!"
That the Merchant risks the perils of the Plain
 For gain.
Nor can Rulers rule a house that men grow rich in,
 From its kitchen.
Let the Babu drop inflammatory hints
 In his prints;
And mature -- consistent soul -- his plan for stealing
 To Darjeeling:
Let the Merchant seek, who makes his silver pile,
 England's isle;
Let the City Charnock pitched on -- evil day!
 Go Her way.
Though the argosies of Asia at Her doors
 Heap their stores,
Though Her enterprise and energy secure
 Income sure,
Though "out-station orders punctually obeyed"
 Swell Her trade --
Still, for rule, administration, and the rest,
 Simla's best.
Written by Adrienne Rich | Create an image from this poem

Shattered Head

 A life hauls itself uphill
through hoar-mist steaming
the sun's tongue licking
leaf upon leaf into stricken liquid
When? When? cry the soothseekers
but time is a bloodshot eye
seeing its last of beauty its own
foreclosure
a bloodshot mind
finding itself unspeakable
What is the last thought?
Now I will let you know?
or, Now I know?
(porridge of skull-splinters, brain tissue
mouth and throat membrane, cranial fluid) 

Shattered head on the breast
of a wooded hill
Laid down there endlessly so
tendrils soaked into matted compose
became a root
torqued over the faint springhead
groin whence illegible
matter leaches: worm-borings, spurts of silt
volumes of sporic changes
hair long blown into far follicles
blasted into a chosen place 

Revenge on the head (genitals, breast, untouched)
revenge on the mouth
packed with its inarticulate confessions
revenge on the eyes
green-gray and restless
revenge on the big and searching lips
the tender tongue
revenge on the sensual, on the nose the
carrier of history
revenge on the life devoured
in another incineration

You can walk by such a place, the earth is 
made of them
where the stretched tissue of a field or woods 
is humid
with beloved matter
the soothseekers have withdrawn
you feel no ghost, only a sporic chorus
when that place utters its worn sigh
let us have peace

And the shattered head answers back

And I believed I was loved, I believed I loved
Who did this to us?
Written by Thomas Lux | Create an image from this poem

Marine Snow At Mid-Depths And Down

 As you descend, slowly, falling faster past
you this snow,
ghostly, some flakes bio-
luminescent (you plunge,
and this lit snow doesn't land
at your feet but keeps falling below
you): single-cell-plant chains, shreds
of zooplankton's mucus food traps,
fish fecal pellets, radioactive fallouts,
sand grains, pollen....And inside
these jagged falling islands
live more microlives,
which feed creatures
on the way down
and all the way down. And you,
in your sinking isolation
booth, you go down, too,
through this food-snow, these shards,
bits of planet, its flora
and flesh, you
slip straight down, unreeled,
until the bottom's oozy silt, the sucking
baby-soft muck,
welcomes you
to the deep sea's bed,
a million anvils per square inch
pressing on your skull.
How silent here, how much life,
few places deeper on earth,
none with more width.
Written by Rudyard Kipling | Create an image from this poem

The Song of the Cities

 BOMBAY

Royal and Dower-royal, I the Queen
 Fronting thy richest sea with richer hands --
A thousand mills roar through me where I glean
 All races from all lands.


 CALCUTTA

Me the Sea-captain loved, the River built,
 Wealth sought and Kings adventured life to hold.
Hail, England! I am Asia -- Power on silt,
 Death in my hands, but Gold!


 MADRAS

Clive kissed me on the mouth and eyes and brow,
 Wonderful kisses, so that I became
Crowned above Queens -- a withered beldame now,
 Brooding on ancient fame.


 RANGOON

Hail, Mother! Do they call me rich in trade?
 Little care I, but hear the shorn priest drone,
And watch my silk-clad lovers, man by maid,
 Laugh 'neath my Shwe Dagon.


 SINGAPORE

Hail, Mother! East and West must seek my aid
 Ere the spent gear may dare the ports afar.
The second doorway of the wide world's trade
 Is mine to loose or bar.


 HONG-KONG

Hail, Mother! Hold me fast; my Praya sleeps
 Under innumerable keels to-day.
Yet guard (and landward), or to-morrow sweeps
 Thy war-ships down the bay!


 HALIFAX

Into the mist my guardian prows put forth,
 Behind the mist my virgin ramparts lie,
The Warden of the Honour of the North,
 Sleepless and veiled am I!


 QUEBEC AND MONTREAL

Peace is our portion. Yet a whisper rose,
 Foolish and causeless, half in jest, half hate.
Now wake we and remember mighty blows,
 And, fearing no man, wait!


 VICTORIA

From East to West the circling word has passed,
 Till West is East beside our land-locked blue;
From East to West the tested chain holds fast,
 The well-forged link rings true!


 CAPE TOWN

Hail! Snatched and bartered oft from hand to hand,
 I dream my dream, by rock and heath and pine,
Of Empire to the northward. Ay, one land
 From Lion's Head to Line!


 MELBOURNE

Greeting! Nor fear nor favour won us place,
 Got between greed of gold and dread of drouth,
Loud-voiced and reckless as the wild tide-race
 That whips our harbour-mouth!


 SYDNEY

Greeting! My birth-stain have I turned to good;
 Forcing strong wills perverse to steadfastness:
The first flush of the tropics in my blood,
 And at my feet Success!


 BRISBANE

The northern stirp beneath the southern skies --
 I build a Nation for an Empire's need,
Suffer a little, and my land shall rise,
 Queen over lands indeed!


 HOBART

Man's love first found me; man's hate made me Hell;
 For my babes' sake I cleansed those infamies.
Earnest for leave to live and labour well,
 God flung me peace and ease.


 AUCKLAND

Last, loneliest, loveliest, exquisite, apart --
 On us, on us the unswerving season smiles,
Who wonder 'mid our fern why men depart
 To seek the Happy Isles!


Written by Theodore Roethke | Create an image from this poem

The Far Field

 I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken. 

II

At the field's end, in the corner missed by the mower,
Where the turf drops off into a grass-hidden culvert,
Haunt of the cat-bird, nesting-place of the field-mouse,
Not too far away from the ever-changing flower-dump,
Among the tin cans, tires, rusted pipes, broken machinery, --
One learned of the eternal;
And in the shrunken face of a dead rat, eaten by rain and ground-beetles
(I found in lying among the rubble of an old coal bin)
And the tom-cat, caught near the pheasant-run,
Its entrails strewn over the half-grown flowers,
Blasted to death by the night watchman.

I suffered for young birds, for young rabbits caught in the mower,
My grief was not excessive.
For to come upon warblers in early May
Was to forget time and death:
How they filled the oriole's elm, a twittering restless cloud, all one morning,
And I watched and watched till my eyes blurred from the bird shapes, -- 
Cape May, Blackburnian, Cerulean, -- 
Moving, elusive as fish, fearless, 
Hanging, bunched like young fruit, bending the end branches,
Still for a moment,
Then pitching away in half-flight,
Lighter than finches,
While the wrens bickered and sang in the half-green hedgerows,
And the flicker drummed from his dead tree in the chicken-yard.

-- Or to lie naked in sand,
In the silted shallows of a slow river,
Fingering a shell,
Thinking:
Once I was something like this, mindless,
Or perhaps with another mind, less peculiar;
Or to sink down to the hips in a mossy quagmire;
Or, with skinny knees, to sit astride a wet log,
Believing:
I'll return again,
As a snake or a raucous bird,
Or, with luck, as a lion.

I learned not to fear infinity,
The far field, the windy cliffs of forever,
The dying of time in the white light of tomorrow,
The wheel turning away from itself,
The sprawl of the wave,
The on-coming water.


II
The river turns on itself,
The tree retreats into its own shadow.
I feel a weightless change, a moving forward
As of water quickening before a narrowing channel
When banks converge, and the wide river whitens;
Or when two rivers combine, the blue glacial torrent
And the yellowish-green from the mountainy upland, -- 
At first a swift rippling between rocks,
Then a long running over flat stones
Before descending to the alluvial plane,
To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water
Dropping a fine yellow silt where the sun stays;
And the crabs bask near the edge,
The weedy edge, alive with small snakes and bloodsuckers, -- 
I have come to a still, but not a deep center,
A point outside the glittering current;
My eyes stare at the bottom of a river,
At the irregular stones, iridescent sandgrains,
My mind moves in more than one place,
In a country half-land, half-water.

I am renewed by death, thought of my death,
The dry scent of a dying garden in September,
The wind fanning the ash of a low fire.
What I love is near at hand,
Always, in earth and air. 


IV

The lost self changes,
Turning toward the sea,
A sea-shape turning around, -- 
An old man with his feet before the fire,
In robes of green, in garments of adieu.
A man faced with his own immensity
Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why
Of being born falls on his naked ears.
His spirit moves like monumental wind
That gentles on a sunny blue plateau.
He is the end of things, the final man.

All finite things reveal infinitude: 
The mountain with its singular bright shade
Like the blue shine on freshly frozen snow, 
The after-light upon ice-burdened pines;
Odor of basswood on a mountain-slope,
A scent beloved of bees;
Silence of water above a sunken tree : 
The pure serene of memory in one man, --
A ripple widening from a single stone
Winding around the waters of the world.
Written by Henry Lawson | Create an image from this poem

In the Storm that is to come

 By our place in the midst of the furthest seas we were fated to stand alone -
When the nations fly at each other's throats let Australia look to her own;
Let her spend her gold on the barren west, let her keep her men at home;
For the South must look to the South for strength in the storm that is to come.

Now who shall gallop from cape to cape, and who shall defend our shores - 
The crowd that stand on the kerb agape and glares at the cricket scores?
And who will hold the invader back when the shells tear up the ground - 
The weeds that yelp by the cycling track while a ****** scorches round?

There may be many to man the forts in the big towns beside the sea - 
But the East will call to the West for scouts in the storm that is to be:
The West cries out to the East in drought, but the coastal towns are dumb;
And the East must look to the West for food in the war that is to come.

The rain comes down on the Western land and the rivers run to waste,
When the city folk rush for the special tram in their childless, senseless haste,
And never a pile of a lock we drive - but a few mean tanks we scratch - 
For the fate of a nation is nought compared with the turn of a cricket match!

There's a gutter of mud where there spread a flood from the land-long western creeks,
There is dust and drought on the plains far out where the water lay for weeks,
There's a pitiful dam where a dyke should stretch and a tank where a lake should be,
And the rain goes down through the silt and sand and the floods waste into the seas.

We'll fight for Britain or for Japan, we will fling the land's wealth out;
While every penny and every man should be used to fight the drought.
God helps the nation that helps itself, and the water brings the rain,
And a deadlier foe than the world could send is loose on the western plain.

I saw a vision in days gone by and would dream that dream again
Of the days when the Darling shall not back her billabongs up in vain.
There were reservoirs and grand canals where the Dry Country had been,
And a glorious network of aqueducts, and the fields were always green.

I have seen so long in the land I love what the land I love might be,
Where the Darling rises from Queensland rains and the floods run into the sea.
And it is our fate that we'll wake to late to the truth that we were blind,
With a foreign foe at our harbour gate and a blazing drought behind!
Written by Sylvia Plath | Create an image from this poem

The Colossus

 I shall never get you put together entirely,
Pieced, glued, and properly jointed.
Mule-bray, pig-grunt and bawdy cackles
Proceed from your great lips.
It's worse than a barnyard.

Perhaps you consider yourself an oracle,
Mouthpiece of the dead, or of some god or other.
Thirty years now I have labored
To dredge the silt from your throat.
I am none the wiser.

Scaling little ladders with glue pots and pails of Lysol
I crawl like an ant in mourning
Over the weedy acres of your brow
To mend the immense skull-plates and clear
The bald, white tumuli of your eyes.

A blue sky out of the Oresteia
Arches above us. O father, all by yourself
You are pithy and historical as the Roman Forum.
I open my lunch on a hill of black cypress.
Your fluted bones and acanthine hair are littered

In their old anarchy to the horizon-line.
It would take more than a lightning-stroke
To create such a ruin.
Nights, I squat in the cornucopia
Of your left ear, out of the wind,

Counting the red stars and those of plum-color.
The sun rises under the pillar of your tongue.
My hours are married to shadow.
No longer do I listen for the scrape of a keel
On the blank stones of the landing.
Written by Henry Van Dyke | Create an image from this poem

The Proud Lady

 When Stiivoren town was in its prime
And queened the Zuyder Zee,
Its ships went out to every clime
With costly merchantry. 

A lady dwelt in that rich town,
The fairest in all the land;
She walked abroad in a velvet gown,
With many rings on her hand. 

Her hair was bright as the beaten gold,
Her lips as coral red,
Her roving eyes were blue and bold,
And her heart with pride was fed. 

For she was proud of her father's ships,
As she watched them gayly pass;
And pride looked out of her eyes and lips
When she saw herself in the glass. 

"Now come," she said to the captains ten,
Who were ready to put to sea,
"Ye are all my men and my father's men,
And what will ye do for me?" 

"Go north and south, go east and west,
And get me gifts," she said.
"And he who bringeth me home the best,
With that man will I wed." 

So they all fared forth, and sought with care
In many a famous mart,
For satins and silks and jewels rare,
To win that lady's heart. 

She looked at them all with never a thought,
And careless put them by;
"I am not fain of the things ye brought,
Enough of these have I." 

The last that came was the head of the fleet,
His name was Jan Borel;
He bent his knee at the lady's feet,--
In truth he loved her well. 

"I've brought thee home the best i' the world,
A shipful of Danzig corn!"
She stared at him long; her red lips curled,
Her blue eyes filled with scorn. 

"Now out on thee, thou feckless kerl,
A loon thou art," she said.
"Am I a starving beggar girl?
Shall I ever lack for bread?" 

"Go empty all thy sacks of grain
Into the nearest sea,
And never show thy face again
To make a mock of me." 

Then Jan Borel, he hoisted sail,
And out to sea he bore;
He passed the Helder in a gale
And came again no more. 

But the grains of corn went drifting down
Like devil-scattered seed,
To sow the harbor of the town
With a wicked growth of weed. 

The roots were thick and the silt and sand
Were gathered day by day,
Till not a furlong out from land
A shoal had barred the way. 

Then Stavoren town saw evil years,
No ships could out or in,
The boats lay rotting at the piers,
And the mouldy grain in the bin. 

The grass-grown streets were all forlorn,
The town in ruin stood,
The lady's velvet gown was torn,
Her rings were sold for food. 

Her father had perished long ago,
But the lady held her pride,
She walked with a scornful step and slow,
Till at last in her rags she died. 

Yet still on the crumbling piers of the town,
When the midnight moon shines free,
woman walks in a velvet gown
And scatters corn in the sea.
Written by Robert William Service | Create an image from this poem

The Wood-Cutter

 The sky is like an envelope,
 One of those blue official things;
 And, sealing it, to mock our hope,
 The moon, a silver wafer, clings.
 What shall we find when death gives leave
 To read--our sentence or reprieve?

I'm holding it down on God's scrap-pile, up on the ***-end of earth;
 O'er me a menace of mountains, a river that grits at my feet;
Face to face with my soul-self, weighing my life at its worth;
 Wondering what I was made for, here in my last retreat.

Last! Ah, yes, it's the finish. Have ever you heard a man cry?
 (Sobs that rake him and rend him, right from the base of the chest.)
That's how I've cried, oh, so often; and now that my tears are dry,
 I sit in the desolate quiet and wait for the infinite Rest.

Rest! Well, it's restful around me; it's quiet clean to the core.
 The mountains pose in their ermine, in golden the hills are clad;
The big, blue, silt-freighted Yukon seethes by my cabin door,
 And I think it's only the river that keeps me from going mad.

By day it's a ruthless monster, a callous, insatiate thing,
 With oily bubble and eddy, with sudden swirling of breast;
By night it's a writhing Titan, sullenly murmuring,
 Ever and ever goaded, and ever crying for rest.

It cries for its human tribute, but me it will never drown.
 I've learned the lore of my river; my river obeys me well.
I hew and I launch my cordwood, and raft it to Dawson town,
 Where wood means wine and women, and, incidentally, hell.

Hell and the anguish thereafter. Here as I sit alone
 I'd give the life I have left me to lighten some load of care:
(The bitterest part of the bitter is being denied to atone;
 Lips that have mocked at Heaven lend themselves ill to prayer.)

Impotent as a beetle pierced on the needle of Fate;
 A wretch in a cosmic death-cell, peaks for my prison bars;
'Whelmed by a world stupendous, lonely and listless I wait,
 Drowned in a sea of silence, strewn with confetti of stars.

See! from far up the valley a rapier pierces the night,
 The white search-ray of a steamer. Swiftly, serenely it nears;
A proud, white, alien presence, a glittering galley of light,
 Confident-poised, triumphant, freighted with hopes and fears.

I look as one looks on a vision; I see it pulsating by;
 I glimpse joy-radiant faces; I hear the thresh of the wheel.
Hoof-like my heart beats a moment; then silence swoops from the sky.
 Darkness is piled upon darkness. God only knows how I feel.

Maybe you've seen me sometimes; maybe you've pitied me then--
 The lonely waif of the wood-camp, here by my cabin door.
Some day you'll look and see not; futile and outcast of men,
 I shall be far from your pity, resting forevermore.

My life was a problem in ciphers, a weary and profitless sum.
 Slipshod and stupid I worked it, dazed by negation and doubt.
Ciphers the total confronts me. Oh, Death, with thy moistened thumb,
 Stoop like a petulant schoolboy, wipe me forever out!

Book: Reflection on the Important Things