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Best Famous Sideways Poems

Here is a collection of the all-time best famous Sideways poems. This is a select list of the best famous Sideways poetry. Reading, writing, and enjoying famous Sideways poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sideways poems.

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Written by Ogden Nash | Create an image from this poem

The Boy Who Laughed At Santa Claus

 In Baltimore there lived a boy.
He wasn't anybody's joy.
Although his name was Jabez Dawes, His character was full of flaws.
In school he never led his classes, He hid old ladies' reading glasses, His mouth was open when he chewed, And elbows to the table glued.
He stole the milk of hungry kittens, And walked through doors marked NO ADMITTANCE.
He said he acted thus because There wasn't any Santa Claus.
Another trick that tickled Jabez Was crying 'Boo' at little babies.
He brushed his teeth, they said in town, Sideways instead of up and down.
Yet people pardoned every sin, And viewed his antics with a grin, Till they were told by Jabez Dawes, 'There isn't any Santa Claus!' Deploring how he did behave, His parents swiftly sought their grave.
They hurried through the portals pearly, And Jabez left the funeral early.
Like whooping cough, from child to child, He sped to spread the rumor wild: 'Sure as my name is Jabez Dawes There isn't any Santa Claus!' Slunk like a weasel of a marten Through nursery and kindergarten, Whispering low to every tot, 'There isn't any, no there's not!' The children wept all Christmas eve And Jabez chortled up his sleeve.
No infant dared hang up his stocking For fear of Jabez' ribald mocking.
He sprawled on his untidy bed, Fresh malice dancing in his head, When presently with scalp-a-tingling, Jabez heard a distant jingling; He heard the crunch of sleigh and hoof Crisply alighting on the roof.
What good to rise and bar the door? A shower of soot was on the floor.
What was beheld by Jabez Dawes? The fireplace full of Santa Claus! Then Jabez fell upon his knees With cries of 'Don't,' and 'Pretty Please.
' He howled, 'I don't know where you read it, But anyhow, I never said it!' 'Jabez' replied the angry saint, 'It isn't I, it's you that ain't.
Although there is a Santa Claus, There isn't any Jabez Dawes!' Said Jabez then with impudent vim, 'Oh, yes there is, and I am him! Your magic don't scare me, it doesn't' And suddenly he found he wasn't! From grimy feet to grimy locks, Jabez became a Jack-in-the-box, An ugly toy with springs unsprung, Forever sticking out his tongue.
The neighbors heard his mournful squeal; They searched for him, but not with zeal.
No trace was found of Jabez Dawes, Which led to thunderous applause, And people drank a loving cup And went and hung their stockings up.
All you who sneer at Santa Claus, Beware the fate of Jabez Dawes, The saucy boy who mocked the saint.
Donner and Blitzen licked off his paint.


Written by Robert Frost | Create an image from this poem

The Star-Splitter

 `You know Orion always comes up sideways.
Throwing a leg up over our fence of mountains, And rising on his hands, he looks in on me Busy outdoors by lantern-light with something I should have done by daylight, and indeed, After the ground is frozen, I should have done Before it froze, and a gust flings a handful Of waste leaves at my smoky lantern chimney To make fun of my way of doing things, Or else fun of Orion's having caught me.
Has a man, I should like to ask, no rights These forces are obliged to pay respect to?' So Brad McLaughlin mingled reckless talk Of heavenly stars with hugger-mugger farming, Till having failed at hugger-mugger farming He burned his house down for the fire insurance And spent the proceeds on a telescope To satisfy a lifelong curiosity About our place among the infinities.
`What do you want with one of those blame things?' I asked him well beforehand.
`Don't you get one!' `Don't call it blamed; there isn't anything More blameless in the sense of being less A weapon in our human fight,' he said.
`I'll have one if I sell my farm to buy it.
' There where he moved the rocks to plow the ground And plowed between the rocks he couldn't move, Few farms changed hands; so rather than spend years Trying to sell his farm and then not selling, He burned his house down for the fire insurance And bought the telescope with what it came to.
He had been heard to say by several: `The best thing that we're put here for's to see; The strongest thing that's given us to see with's A telescope.
Someone in every town Seems to me owes it to the town to keep one.
In Littleton it might as well be me.
' After such loose talk it was no surprise When he did what he did and burned his house down.
Mean laughter went about the town that day To let him know we weren't the least imposed on, And he could wait---we'd see to him tomorrow.
But the first thing next morning we reflected If one by one we counted people out For the least sin, it wouldn't take us long To get so we had no one left to live with.
For to be social is to be forgiving.
Our thief, the one who does our stealing from us, We don't cut off from coming to church suppers, But what we miss we go to him and ask for.
He promptly gives it back, that is if still Uneaten, unworn out, or undisposed of.
It wouldn't do to be too hard on Brad About his telescope.
Beyond the age Of being given one for Christmas gift, He had to take the best way he knew how To find himself in one.
Well, all we said was He took a strange thing to be roguish over.
Some sympathy was wasted on the house, A good old-timer dating back along; But a house isn't sentient; the house Didn't feel anything.
And if it did, Why not regard it as a sacrifice, And an old-fashioned sacrifice by fire, Instead of a new-fashioned one at auction? Out of a house and so out of a farm At one stroke (of a match), Brad had to turn To earn a living on the Concord railroad, As under-ticket-agent at a station Where his job, when he wasn't selling tickets, Was setting out, up track and down, not plants As on a farm, but planets, evening stars That varied in their hue from red to green.
He got a good glass for six hundred dollars.
His new job gave him leisure for stargazing.
Often he bid me come and have a look Up the brass barrel, velvet black inside, At a star quaking in the other end.
I recollect a night of broken clouds And underfoot snow melted down to ice, And melting further in the wind to mud.
Bradford and I had out the telescope.
We spread our two legs as we spread its three, Pointed our thoughts the way we pointed it, And standing at our leisure till the day broke, Said some of the best things we ever said.
That telescope was christened the Star-Splitter, Because it didn't do a thing but split A star in two or three, the way you split A globule of quicksilver in your hand With one stroke of your finger in the middle.
It's a star-splitter if there ever was one, And ought to do some good if splitting stars 'Sa thing to be compared with splitting wood.
We've looked and looked, but after all where are we? Do we know any better where we are, And how it stands between the night tonight And a man with a smoky lantern chimney? How different from the way it ever stood?
Written by Billy Collins | Create an image from this poem

Man Listening To Disc

 This is not bad --
ambling along 44th Street
with Sonny Rollins for company,
his music flowing through the soft calipers
of these earphones,

as if he were right beside me
on this clear day in March,
the pavement sparkling with sunlight,
pigeons fluttering off the curb,
nodding over a profusion of bread crumbs.
In fact, I would say my delight at being suffused with phrases from his saxophone -- some like honey, some like vinegar -- is surpassed only by my gratitude to Tommy Potter for taking the time to join us on this breezy afternoon with his most unwieldy bass and to the esteemed Arthur Taylor who is somehow managing to navigate this crowd with his cumbersome drums.
And I bow deeply to Thelonious Monk for figuring out a way to motorize -- or whatever -- his huge piano so he could be with us today.
This music is loud yet so confidential.
I cannot help feeling even more like the center of the universe than usual as I walk along to a rapid little version of "The Way You Look Tonight," and all I can say to my fellow pedestrians, to the woman in the white sweater, the man in the tan raincoat and the heavy glasses, who mistake themselves for the center of the universe -- all I can say is watch your step, because the five of us, instruments and all, are about to angle over to the south side of the street and then, in our own tightly knit way, turn the corner at Sixth Avenue.
And if any of you are curious about where this aggregation, this whole battery-powered crew, is headed, let us just say that the real center of the universe, the only true point of view, is full of hope that he, the hub of the cosmos with his hair blown sideways, will eventually make it all the way downtown.
Written by Barry Tebb | Create an image from this poem

SORRY I MISSED YOU

 (or ‘Huddersfield the Second Poetry Capital of England Re-visited’)



What was it Janice Simmons said to me as James lay dying in Ireland?

“Phone Peter Pegnall in Leeds, an ex-pupil of Jimmy’s.
He’s organising A benefit reading, he’d love to hear from you and have your help.
” ‘Like hell he would’ I thought but I phoned him all the same At his converted farmhouse at Barswill, a Lecturer in Creative Writing At the uni.
But what’s he written, I wondered, apart from his CV? “Well I am organising a reading but only for the big people, you understand, Hardman, Harrison, Doughty, Duhig, Basher O’Brien, you know the kind, The ones that count, the ones I owe my job to.
” We nattered on and on until by way of adieu I read the final couplet Of my Goodbye poem, the lines about ‘One Leeds Jimmy who could fix the world’s.
Duhigs once and for all/Write them into the ground and still have a hundred Lyrics in his quiver.
’ Pete Stifled a cough which dipped into a gurgle and sank into a mire Of strangulated affect which almost became a convulsion until finally He shrieked, “I have to go, the cat’s under the Christmas tree, ripping Open all the presents, the central heating boiler’s on the blink, The house is on fucking fire!” So I was left with the offer of being raffle-ticket tout as a special favour, Some recompense for giving over two entire newsletters to Jimmy’s work: The words of the letter before his stroke still burned.
“I don’t know why They omitted me, Armitage and Harrison were my best mates once.
You and I Must meet.
” A whole year’s silence until the card with its cryptic message ‘Jimmy’s recovering slowly but better than expected’.
I never heard from Pegnall about the reading, the pamphlets he asked for Went unacknowledged.
Whalebone, the fellow-tutor he commended, also stayed silent.
Had the event been cancelled? Happening to be in Huddersfield on Good Friday I staggered up three flights of stone steps in the Byram Arcade to the Poetry Business Where, next to the ‘closed’ sign an out-of-date poster announced the reading in Leeds At a date long gone.
I peered through the slats at empty desks, at brimming racks of books, At overflowing bin-bags and the yellowing poster.
Desperately I tried to remember What Janice had said.
“We were sat up in bed, planning to take the children For a walk when Jimmy stopped looking at me, the pupils of his eyes rolled sideways, His head lolled and he keeled over.
” The title of the reading was from Jimmy’s best collection ‘With Energy To Burn’ with energy to burn.
Written by Andrew Barton Paterson | Create an image from this poem

Old Schooldays

 Awake, of Muse, the echoes of a day 
Long past, the ghosts of mem'ries manifold -- 
Youth's memories that once were green and gold 
But now, alas, are grim and ashen grey.
The drowsy schoolboy wakened up from sleep, First stays his system with substantial food, Then off for school with tasks half understood, Alas, alas, that cribs should be so cheap! The journey down to town -- 'twere long to tell The storm and riot of the rabble rout; The wild Walpurgis revel in and out That made the ferry boat a floating hell.
What time the captive locusts fairly roared: And bulldog ants, made stingless with a knife, Climbed up the seats and scared the very life From timid folk, who near jumped overboard.
The hours of lessons -- hours with feet of clay Each hour a day, each day more like a week: While hapless urchins heard with blanched cheek The words of doom "Come in on Saturday".
The master gowned and spectacled, precise, Trying to rule by methods firm and kind But always just a little bit behind The latest villainy, the last device, Born of some smoothfaced urchin's fertile brain To irritate the hapless pedagogue, And first involve him in a mental fog Then "have" him with the same old tale again.
The "bogus" fight that brought the sergeant down To that dark corner by the old brick wall, Where mimic combat and theatric brawl Made noise enough to terrify the town.
But on wet days the fray was genuine, When small boys pushed each other in the mud And fought in silence till thin streams of blood Their dirty faces would incarnadine.
The football match or practice in the park With rampant hoodlums joining in the game Till on one famous holiday there came A gang that seized the football for a lark.
Then raged the combat without rest or pause, Till one, a hero, Hawkins unafraid Regained the ball, and later on displayed His nose knocked sideways in his country's cause.
Before the mind quaint visions rise and fall, Old jokes, old students dead and gone: And some that lead us still, while some toil on As rank and file, but "Grammar" children all.
And he, the pilot, who has laid the course For all to steer by, honest, unafraid -- Truth is his beacon light, so he has made The name of the old School a living force.


Written by Henry Wadsworth Longfellow | Create an image from this poem

Hiawathas Lamentation

 In those days the Evil Spirits,
All the Manitos of mischief,
Fearing Hiawatha's wisdom,
And his love for Chibiabos,
Jealous of their faithful friendship,
And their noble words and actions,
Made at length a league against them,
To molest them and destroy them.
Hiawatha, wise and wary, Often said to Chibiabos, "O my brother! do not leave me, Lest the Evil Spirits harm you!" Chibiabos, young and heedless, Laughing shook his coal-black tresses, Answered ever sweet and childlike, "Do not fear for me, O brother! Harm and evil come not near me!" Once when Peboan, the Winter, Roofed with ice the Big-Sea-Water, When the snow-flakes, whirling downward, Hissed among the withered oak-leaves, Changed the pine-trees into wigwams, Covered all the earth with silence, Armed with arrows, shod with snow-shoes, Heeding not his brother's warning, Fearing not the Evil Spirits, Forth to hunt the deer with antlers All alone went Chibiabos.
Right across the Big-Sea-Water Sprang with speed the deer before him.
With the wind and snow he followed, O'er the treacherous ice he followed, Wild with all the fierce commotion And the rapture of the hunting.
But beneath, the Evil Spirits Lay in ambush, waiting for him, Broke the treacherous ice beneath him, Dragged him downward to the bottom, Buried in the sand his body.
Unktahee, the god of water, He the god of the Dacotahs, Drowned him in the deep abysses Of the lake of Gitche Gumee.
From the headlands Hiawatha Sent forth such a wail of anguish, Such a fearful lamentation, That the bison paused to listen, And the wolves howled from the prairies, And the thunder in the distance Starting answered "Baim-wawa!" Then his face with black he painted, With his robe his head he covered, In his wigwam sat lamenting, Seven long weeks he sat lamenting, Uttering still this moan of sorrow: "He is dead, the sweet musician! He the sweetest of all singers! He has gone from us forever, He has moved a little nearer To the Master of all music, To the Master of all singing! O my brother, Chibiabos!" And the melancholy fir-trees Waved their dark green fans above him, Waved their purple cones above him, Sighing with him to console him, Mingling with his lamentation Their complaining, their lamenting.
Came the Spring, and all the forest Looked in vain for Chibiabos; Sighed the rivulet, Sebowisha, Sighed the rushes in the meadow.
From the tree-tops sang the bluebird, Sang the bluebird, the Owaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician!" From the wigwam sang the robin, Sang the robin, the Opechee, "Chibiabos! Chibiabos! He is dead, the sweetest singer!" And at night through all the forest Went the whippoorwill complaining, Wailing went the Wawonaissa, "Chibiabos! Chibiabos! He is dead, the sweet musician! He the sweetest of all singers!" Then the Medicine-men, the Medas, The magicians, the Wabenos, And the Jossakeeds, the Prophets, Came to visit Hiawatha; Built a Sacred Lodge beside him, To appease him, to console him, Walked in silent, grave procession, Bearing each a pouch of healing, Skin of beaver, lynx, or otter, Filled with magic roots and simples, Filled with very potent medicines.
When he heard their steps approaching~, Hiawatha ceased lamenting, Called no more on Chibiabos; Naught he questioned, naught he answered, But his mournful head uncovered, From his face the mourning colors Washed he slowly and in silence, Slowly and in silence followed Onward to the Sacred Wigwam.
There a magic drink they gave him, Made of Nahma-wusk, the spearmint, And Wabeno-wusk, the yarrow, Roots of power, and herbs of healing; Beat their drums, and shook their rattles; Chanted singly and in chorus, Mystic songs like these, they chanted.
"I myself, myself! behold me! `T Is the great Gray Eagle talking; Come, ye white crows, come and hear him! The loud-speaking thunder helps me; All the unseen spirits help me; I can hear their voices calling, All around the sky I hear them! I can blow you strong, my brother, I can heal you, Hiawatha!" "Hi-au-ha!" replied the chorus, "Wayha-way!" the mystic chorus.
Friends of mine are all the serpents! Hear me shake my skin of hen-hawk! Mahng, the white loon, I can kill him; I can shoot your heart and kill it! I can blow you strong, my brother, I can heal you, Hiawatha !" "Hi-au-ha!" replied the chorus, "Wayhaway!" the mystic chorus.
"I myself, myself! the prophet! When I speak the wigwam trembles, Shakes the Sacred Lodge with terror, Hands unseen begin to shake it! When I walk, the sky I tread on Bends and makes a noise beneath me! I can blow you strong, my brother! Rise and speak, O Hiawatha!" "Hi-au-ha!" replied the chorus, "Way-ha-way!" the mystic chorus.
Then they shook their medicine-pouches O'er the head of Hiawatha, Danced their medicine-dance around him; And upstarting wild and haggard, Like a man from dreams awakened, He was healed of all his madness.
As the clouds are swept from heaven, Straightway from his brain departed All his moody melancholy; As the ice is swept from rivers, Straightway from his heart departed All his sorrow and affliction.
Then they summoned Chibiabos From his grave beneath the waters, From the sands of Gitche Gumee Summoned Hiawatha's brother.
And so mighty was the magic Of that cry and invocation, That he heard it as he lay there Underneath the Big-Sea-Water; From the sand he rose and listened, Heard the music and the singing, Came, obedient to the summons, To the doorway of the wigwam, But to enter they forbade him.
Through a chink a coal they gave him, Through the door a burning fire-brand; Ruler in the Land of Spirits, Ruler o'er the dead, they made him, Telling him a fire to kindle For all those that died thereafter, Camp-fires for their night encampments On their solitary journey To the kingdom of Ponemah, To the land of the Hereafter.
From the village of his childhood, From the homes of those who knew him, Passing silent through the forest, Like a smoke-wreath wafted sideways, Slowly vanished Chibiabos! Where he passed, the branches moved not, Where he trod, the grasses bent not, And the fallen leaves of last year Made no sound beneath his footstep.
Four whole days he journeyed onward Down the pathway of the dead men; On the dead-man's strawberry feasted, Crossed the melancholy river, On the swinging log he crossed it, Came unto the Lake of Silver, In the Stone Canoe was carried To the Islands of the Blessed, To the land of ghosts and shadows.
On that journey, moving slowly, Many weary spirits saw he, Panting under heavy burdens, Laden with war-clubs, bows and arrows, Robes of fur, and pots and kettles, And with food that friends had given For that solitary journey.
"Ay! why do the living," said they, "Lay such heavy burdens on us! Better were it to go naked, Better were it to go fasting, Than to bear such heavy burdens On our long and weary journey!" Forth then issued Hiawatha, Wandered eastward, wandered westward, Teaching men the use of simples And the antidotes for poisons, And the cure of all diseases.
Thus was first made known to mortals All the mystery of Medamin, All the sacred art of healing.
Written by Rudyard Kipling | Create an image from this poem

The Female of the Species

 1911

When the Himalayan peasant meets the he-bear in his pride,
He shouts to scare the monster, who will often turn aside.
But the she-bear thus accosted rends the peasant tooth and nail.
For the female of the species is more deadly than the male.
When Nag the basking cobra hears the careless foot of man, He will sometimes wriggle sideways and avoid it if he can.
But his mate makes no such motion where she camps beside the trail.
For the female of the species is more deadly than the male.
When the early Jesuit fathers preached to Hurons and Choctaws, They prayed to be delivered from the vengeance of the squaws.
'Twas the women, not the warriors, turned those stark enthusiasts pale.
For the female of the species is more deadly than the male.
Man's timid heart is bursting with the things he must not say, For the Woman that God gave him isn't his to give away; But when hunter meets with husbands, each confirms the other's tale -- The female of the species is more deadly than the male.
Man, a bear in most relations-worm and savage otherwise, -- Man propounds negotiations, Man accepts the compromise.
Very rarely will he squarely push the logic of a fact To its ultimate conclusion in unmitigated act.
Fear, or foolishness, impels him, ere he lay the wicked low, To concede some form of trial even to his fiercest foe.
Mirth obscene diverts his anger --- Doubt and Pity oft perplex Him in dealing with an issue -- to the scandal of The Sex! But the Woman that God gave him, every fibre of her frame Proves her launched for one sole issue, armed and engined for the same, And to serve that single issue, lest the generations fail, The female of the species must be deadlier than the male.
She who faces Death by torture for each life beneath her breast May not deal in doubt or pity -- must not swerve for fact or jest.
These be purely male diversions -- not in these her honour dwells.
She the Other Law we live by, is that Law and nothing else.
She can bring no more to living than the powers that make her great As the Mother of the Infant and the Mistress of the Mate.
And when Babe and Man are lacking and she strides unchained to claim Her right as femme (and baron), her equipment is the same.
She is wedded to convictions -- in default of grosser ties; Her contentions are her children, Heaven help him who denies! -- He will meet no suave discussion, but the instant, white-hot, wild, Wakened female of the species warring as for spouse and child.
Unprovoked and awful charges -- even so the she-bear fights, Speech that drips, corrodes, and poisons -- even so the cobra bites, Scientific vivisection of one nerve till it is raw And the victim writhes in anguish -- like the Jesuit with the squaw! So it cames that Man, the coward, when he gathers to confer With his fellow-braves in council, dare nat leave a place for her Where, at war with Life and Conscience, he uplifts his erring hands To some God of Abstract Justice -- which no woman understands.
And Man knows it! Knows, moreover, that the Woman that God gave him Must command but may not govern -- shall enthral but not enslave him.
And She knows, because She warns him, and Her instincts never fail, That the Female of Her Species is more deadly than the Male.
Written by John Keats | Create an image from this poem

La Belle Dame sans Merci

'O WHAT can ail thee knight-at-arms  
Alone and palely loitering? 
The sedge is wither'd from the lake  
And no birds sing.
'O what can ail thee knight-at-arms 5 So haggard and so woe-begone? The squirrel's granary is full And the harvest 's done.
'I see a lily on thy brow With anguish moist and fever dew; 10 And on thy cheeks a fading rose Fast withereth too.
' 'I met a lady in the meads Full beautiful¡ªa faery's child Her hair was long her foot was light 15 And her eyes were wild.
'I made a garland for her head And bracelets too and fragrant zone; She look'd at me as she did love And made sweet moan.
20 'I set her on my pacing steed And nothing else saw all day long For sideways would she lean and sing A faery's song.
'She found me roots of relish sweet 25 And honey wild and manna dew And sure in language strange she said I love thee true! 'She took me to her elfin grot And there she wept and sigh'd fill sore; 30 And there I shut her wild wild eyes With kisses four.
'And there she lull¨¨d me asleep And there I dream'd¡ªAh! woe betide! The latest dream I ever dream'd 35 On the cold hill's side.
'I saw pale kings and princes too Pale warriors death-pale were they all; They cried¡ª"La belle Dame sans Merci Hath thee in thrall!" 40 'I saw their starved lips in the gloam With horrid warning gap¨¨d wide And I awoke and found me here On the cold hill's side.
'And this is why I sojourn here 45 Alone and palely loitering Though the sedge is wither'd from the lake And no birds sing.
'
Written by Robert Browning | Create an image from this poem

Aix In Provence

 Christ God who savest man, save most
Of men Count Gismond who saved me!
Count Gauthier, when he chose his post,
Chose time and place and company
To suit it; when he struck at length
My honour, 'twas with all his strength.
II.
And doubtlessly ere he could draw All points to one, he must have schemed! That miserable morning saw Few half so happy as I seemed, While being dressed in queen's array To give our tourney prize away.
III.
I thought they loved me, did me grace To please themselves; 'twas all their deed; God makes, or fair or foul, our face; If showing mine so caused to bleed My cousins' hearts, they should have dropped A word, and straight the play had stopped.
IV.
They, too, so beauteous! Each a queen By virtue of her brow and breast; Not needing to be crowned, I mean, As I do.
E'en when I was dressed, Had either of them spoke, instead Of glancing sideways with still head! V.
But no: they let me laugh, and sing My birthday song quite through, adjust The last rose in my garland, fling A last look on the mirror, trust My arms to each an arm of theirs, And so descend the castle-stairs--- VI.
And come out on the morning-troop Of merry friends who kissed my cheek, And called me queen, and made me stoop Under the canopy---(a streak That pierced it, of the outside sun, Powdered with gold its gloom's soft dun)--- VII.
And they could let me take my state And foolish throne amid applause Of all come there to celebrate My queen's-day---Oh I think the cause Of much was, they forgot no crowd Makes up for parents in their shroud! VIII.
However that be, all eyes were bent Upon me, when my cousins cast Theirs down; 'twas time I should present The victor's crown, but .
.
.
there, 'twill last No long time .
.
.
the old mist again Blinds me as then it did.
How vain! IX, See! Gismond's at the gate, in talk With his two boys: I can proceed.
Well, at that moment, who should stalk Forth boldly---to my face, indeed--- But Gauthier, and he thundered ``Stay!'' And all stayed.
``Bring no crowns, I say! X.
``Bring torches! Wind the penance-sheet ``About her! Let her shun the chaste, ``Or lay herself before their feet! ``Shall she whose body I embraced ``A night long, queen it in the day? ``For honour's sake no crowns, I say!'' XI.
I? What I answered? As I live, I never fancied such a thing As answer possible to give.
What says the body when they spring Some monstrous torture-engine's whole Strength on it? No more says the soul.
XII.
Till out strode Gismond; then I knew That I was saved.
I never met His face before, but, at first view, I felt quite sure that God had set Himself to Satan; who would spend A minute's mistrust on the end? XIII.
He strode to Gauthier, in his throat Gave him the lie, then struck his mouth With one back-handed blow that wrote In blood men's verdict there.
North, South, East, West, I looked.
The lie was dead, And damned, and truth stood up instead.
XIV.
This glads me most, that I enjoyed The heart of the joy, with my content In watching Gismond unalloyed By any doubt of the event: God took that on him---I was bid Watch Gismond for my part: I did.
XV.
Did I not watch him while he let His armourer just brace his greaves, Rivet his hauberk, on the fret The while! His foot .
.
.
my memory leaves No least stamp out, nor how anon He pulled his ringing gauntlets on.
XVI.
And e'en before the trumpet's sound Was finished, prone lay the false knight, Prone as his lie, upon the ground: Gismond flew at him, used no sleight O' the sword, but open-breasted drove, Cleaving till out the truth he clove.
XVII.
Which done, he dragged him to my feet And said ``Here die, but end thy breath ``In full confession, lest thou fleet ``From my first, to God's second death! ``Say, hast thou lied?'' And, ``I have lied ``To God and her,'' he said, and died.
XVIII.
Then Gismond, kneeling to me, asked ---What safe my heart holds, though no word Could I repeat now, if I tasked My powers forever, to a third Dear even as you are.
Pass the rest Until I sank upon his breast.
XIX.
Over my head his arm he flung Against the world; and scarce I felt His sword (that dripped by me and swung) A little shifted in its belt: For he began to say the while How South our home lay many a mile.
XX.
So 'mid the shouting multitude We two walked forth to never more Return.
My cousins have pursued Their life, untroubled as before I vexed them.
Gauthier's dwelling-place God lighten! May his soul find grace! XXI.
Our elder boy has got the clear Great brow; tho' when his brother's black Full eye slows scorn, it .
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Gismond here? And have you brought my tercel*1 back? I just was telling Adela How many birds it struck since May.
*1 A male of the peregrine falcon.
Written by Seamus Heaney | Create an image from this poem

Casualty

 I

He would drink by himself
And raise a weathered thumb
Towards the high shelf,
Calling another rum
And blackcurrant, without
Having to raise his voice,
Or order a quick stout
By a lifting of the eyes
And a discreet dumb-show
Of pulling off the top;
At closing time would go
In waders and peaked cap
Into the showery dark,
A dole-kept breadwinner
But a natural for work.
I loved his whole manner, Sure-footed but too sly, His deadpan sidling tact, His fisherman's quick eye And turned observant back.
Incomprehensible To him, my other life.
Sometimes on the high stool, Too busy with his knife At a tobacco plug And not meeting my eye, In the pause after a slug He mentioned poetry.
We would be on our own And, always politic And shy of condescension, I would manage by some trick To switch the talk to eels Or lore of the horse and cart Or the Provisionals.
But my tentative art His turned back watches too: He was blown to bits Out drinking in a curfew Others obeyed, three nights After they shot dead The thirteen men in Derry.
PARAS THIRTEEN, the walls said, BOGSIDE NIL.
That Wednesday Everyone held His breath and trembled.
II It was a day of cold Raw silence, wind-blown Surplice and soutane: Rained-on, flower-laden Coffin after coffin Seemed to float from the door Of the packed cathedral Like blossoms on slow water.
The common funeral Unrolled its swaddling band, Lapping, tightening Till we were braced and bound Like brothers in a ring.
But he would not be held At home by his own crowd Whatever threats were phoned, Whatever black flags waved.
I see him as he turned In that bombed offending place, Remorse fused with terror In his still knowable face, His cornered outfaced stare Blinding in the flash.
He had gone miles away For he drank like a fish Nightly, naturally Swimming towards the lure Of warm lit-up places, The blurred mesh and murmur Drifting among glasses In the gregarious smoke.
How culpable was he That last night when he broke Our tribe's complicity? 'Now, you're supposed to be An educated man,' I hear him say.
'Puzzle me The right answer to that one.
' III I missed his funeral, Those quiet walkers And sideways talkers Shoaling out of his lane To the respectable Purring of the hearse.
.
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They move in equal pace With the habitual Slow consolation Of a dawdling engine, The line lifted, hand Over fist, cold sunshine On the water, the land Banked under fog: that morning I was taken in his boat, The screw purling, turning Indolent fathoms white, I tasted freedom with him.
To get out early, haul Steadily off the bottom, Dispraise the catch, and smile As you find a rhythm Working you, slow mile by mile, Into your proper haunt Somewhere, well out, beyond.
.
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Dawn-sniffing revenant, Plodder through midnight rain, Question me again.

Book: Shattered Sighs