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Best Famous Sidestep Poems

Here is a collection of the all-time best famous Sidestep poems. This is a select list of the best famous Sidestep poetry. Reading, writing, and enjoying famous Sidestep poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sidestep poems.

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Written by Margaret Atwood | Create an image from this poem

The City Planners

 Cruising these residential Sunday
streets in dry August sunlight:
what offends us is
the sanities:
the houses in pedantic rows, the planted
sanitary trees, assert
levelness of surface like a rebuke
to the dent in our car door.
No shouting here, or
shatter of glass; nothing more abrupt
than the rational whine of a power mower
cutting a straight swath in the discouraged grass.

But though the driveways neatly
sidestep hysteria
by being even, the roofs all display
the same slant of avoidance to the hot sky,
certain things:
the smell of spilled oil a faint
sickness lingering in the garages,
a splash of paint on brick surprising as a bruise,
a plastic hose poised in a vicious
coil; even the too-fixed stare of the wide windows


give momentary access to
the landscape behind or under
the future cracks in the plaster


when the houses, capsized, will slide
obliquely into the clay seas, gradual as glaciers
that right now nobody notices.


That is where the City Planners
with the insane faces of political conspirators
are scattered over unsurveyed
territories, concealed from each other,
each in his own private blizzard;


guessing directions, they sketch
transitory lines rigid as wooden borders
on a wall in the white vanishing air


tracing the panic of suburb
order in a bland madness of snows


Written by Hart Crane | Create an image from this poem

Chaplinesque

 We will make our meek adjustments,
Contented with such random consolations
As the wind deposits
In slithered and too ample pockets.

For we can still love the world, who find
A famished kitten on the step, and know
Recesses for it from the fury of the street,
Or warm torn elbow coverts.

We will sidestep, and to the final smirk
Dally the doom of that inevitable thumb
That slowly chafes its puckered index toward us,
Facing the dull squint with what innocence
And what surprise!

And yet these fine collapses are not lies
More than the pirouettes of any pliant cane;
Our obsequies are, in a way, no enterprise.
We can evade you, and all else but the heart:
What blame to us if the heart live on.

The game enforces smirks; but we have seen
The moon in lonely alleys make
A grail of laughter of an empty ash can,
And through all sound of gaiety and quest
Have heard a kitten in the wilderness.
Written by Ruth Stone | Create an image from this poem

The Trade-off

Words make the thoughts.
Severe tyrants, like the scrubbers
and guardians of your cells.
They herd your visions
down the ramp to nexus
waiting with sledge hammer
to knock what is the knowing
without knowing into knowledge.
Yes, the tight bag of grammar,
syntax, the clever sidestep
from babble, is a comfortable
prison. A mirror of the mirror.
And all that is uttered in its chains
is locked out from the secret.
Written by Razvan Tupa | Create an image from this poem

pain is a foreign language

a romanian body knows how to sidestep decisions it feels
that in such cases it can no longer justify its comfortable suffering
for this with your entire body you must stay here until it’s very late
you can be a keychain or a gummed sticker
but one day the music of breathing will disappear
all on its own

or conversely

my hands ready to receive silence
like a sandwich I waited in the bus station
until I was on the verge of tears
the air had the freshness of new leaves
I’d prepared everything; men had taken their places
I just had to watch out for the arrow-swift hordes of evening
they were debating what part of me should be devoured first

they couldn’t believe it when I arose with easy strides
to take charge of matters
in my native language as on a skateboard

(translated from the Romanian by Adam J. Sorkin with the poet, published in elimae, 10, 2010)

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