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Best Famous Shut Down Poems

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Written by Joy Harjo | Create an image from this poem

Deer Dancer

 Nearly everyone had left that bar in the middle of winter except the
hardcore.It was the coldest night of the year, every place shut down, but
not us.Of course we noticed when she came in.We were Indian ruins.She
was the end of beauty.No one knew her, the stranger whose tribe we
recognized, her family related to deer, if that's who she was, a people
accustomed to hearing songs in pine trees, and making them hearts.

The woman inside the woman who was to dance naked in the bar of misfits
blew deer magic.Henry jack, who could not survive a sober day, thought she
was Buffalo Calf Woman come back, passed out, his head by the toilet.All
night he dreamed a dream he could not say.The next day he borrowed
money, went home, and sent back the money I lent.Now that's a miracle.
Some people see vision in a burned tortilla, some in the face of a woman.

This is the bar of broken survivors, the club of the shotgun, knife wound, of
poison by culture.We who were taught not to stare drank our beer.The
players gossiped down their cues.Someone put a quarter in the jukebox to
relive despair.Richard's wife dove to kill her.We had to keep her
still, while Richard secretly bought the beauty a drink.

How do I say it?In this language there are no words for how the real world
collapses.I could say it in my own and the sacred mounds would come into 
focus, but I couldn't take it in this dingy envelope.So I look at the stars in 
this strange city, frozen to the back of the sky, the only promises that ever
make sense.

My brother-in-law hung out with white people, went to law school with a
perfect record, quit.Says you can keep your laws, your words.And
practiced law on the street with his hands.He jimmied to the proverbial
dream girl, the face of the moon, while the players racked a new game.
He bragged to us, he told her magic words and that when she broke,
became human.
But we all heard his voice crack:

What's a girl like you doing in a place like this?

That's what I'd like to know, what are we all doing in a place like this?


You would know she could hear only what she wanted to; don't we all?Left
the drink of betrayal Richard bought her, at the bar.What was she on?We all
wanted some.Put a quarter in the juke.We all take risks stepping into thin
air.Our ceremonies didn't predict this.or we expected more.

I had to tell you this, for the baby inside the girl sealed up with a lick of
hope and swimming into the praise of nations.This is not a rooming house, but
a dream of winter falls and the deer who portrayed the relatives of 
strangers.The way back is deer breath on icy windows.

The next dance none of us predicted.She borrowed a chair for the stairway
to heaven and stood on a table of names.And danced in the room of children 
without shoes.

You picked a fine time to leave me, Lucille With four hungry children and a
crop in the field.

And then she took off her clothes.She shook loose memory, waltzed with the
empty lover we'd all become.

She was the myth slipped down through dreamtime.The promise of feast we
all knew was coming.The deer who crossed through knots of a curse to find
us.She was no slouch, and neither were we, watching.

The music ended.And so does the story.I wasn't there.But I imagined her
like this, not a stained red dress with tape on her heels but the deer who
entered our dream in white dawn, breathed mist into pine trees, her fawn a 
blessing of meat, the ancestors who never left.


Written by William Topaz McGonagall | Create an image from this poem

A Tale of the Sea

 A pathetic tale of the sea I will unfold,
Enough to make one's blood run cold;
Concerning four fishermen cast adrift in a dory.
As I've been told I'll relate the story.
T'was on the 8th April on the afternoon of that day
That the village of Louisburg was thrown into a wild state or dismay, 

And the villagers flew to the beach in a state of wild uproar
And in a dory they found four men were cast ashore.
Then the villagers, in surprise assembled about the dory,
And they found that the bottom of the boat was gory;
Then their hearts were seized with sudden dread,
when they discovered that two of the men were dead. 

And the two survivors were exhausted from exposure, hunger, and cold,
Which used the spectators to shudder when them they did behold;
And with hunger the poor men couldn't stand on their feet,
They felt so weakly on their legs for want of meat. 

They were carried to a boarding-house without delay,
But those that were looking on were stricken with dismay,
When the remains of James and Angus McDonald were found in the boat,
Likewise three pieces or flesh in a pool or blood afloat. 

Angus McDonald's right arm was missing from the elbow,
and the throat was cut in a sickening manner which filled the villagers hearts with woe,
Especially when they saw two pieces of flesh had been cut from each thigh,
'Twas then the kind-hearted villagers did murmur and sigh. 

Angus McDonald must have felt the pangs of hunger before he did try
to cut two pieces of fiesh from James McDonald's thigh,
But, Oh heaven! the pangs of hunger are very hard to thole,
And anything that's eatable is precious unto an hungry soul. 

Alas it is most pitiful and horrible to think
That with hunger christians will each other's blood drink
And eat each other's flesh to save themselves from starvation;
But the pangs or hunger makes them mad, and drives them to desperation. 

An old American soldier that had passed through the Civil War,
Declared the scene surpassed anything he's seen by far,
And at the sight, the crowd in horror turned away,
which no doubt they will remember for many a day. 

Colin Chisholm, one of the survivors was looking very pale,
Stretched on a sofa at the boarding-house, making his wail:
Poor fellow! his feet was greatly swollen, and with a melancholy air,
He gave the following account of the distressing affair: 

We belonged to the American fishing schooner named "Cicely",
And our captain was a brave man, called McKenzie;
And the vessel had fourteen hands altogether
And during the passage we had favourable weather. 

'Twas on March the 17th we sailed from Gloucester on the Wednesday
And all our hearts felt buoyant and gay;
And we arrived on the Western banks on the succeeding Tuesday,
While the time unto us seemed to pass merrily away. 

About eight O'clock in the morning, we left the vessel in a dory,
And I hope all kind christians will take heed to my story;
Well, while we were at our work, the sky began to frown,
And with a dense fog we were suddenly shut down 

Then we hunted and shouted, and every nerve did strain,
Thinking to find our schooner but, alas! it was all in vain:
Because the thick fog hid the vessel from our view,
And to keep ourselves warm we closely to each other drew. 

We had not one drop of water , nor provisions of any kind,
Which, alas soon began to tell on our mind;
Especially upon James McDonald who was very thinly clad,
And with the cold and hunger he felt almost mad. 

And looking from the stern where he was lying,
he said Good bye, mates, Oh! I am dying!
Poor fellow we kept his body thinking the rest of us would be saved,
Then, with hunger, Angus McDonald began to cry and madly raved. 

And he cried, Oh, God! send us some kind of meat,
Because I'm resolved to have something to eat;
Oh! do not let us starve on the briny flood
Or else I will drink of poor Jim's blood. 

Then he suddenly seized his knife and cut off poor Jim's arm,
Not thinking in his madness he'd done any harm;
Then poor Jim's blood he did drink and his flesh did eat,
Declaring that the blood tasted like cream, and was a treat. 

Then he asked me to taste it, saying It was good without doubt,
Then I tasted it, but in disgust I instantly spat it out;
Saying, if I was to die within an hour on the briny flood,
I would neither eat the flesh nor drink the blood. 

Then in the afternoon again he turned to me,
Saying, I'm going to cut Jim's throat for more blood d'ye see;
Then I begged of him, for God's sake not to cut the throat of poor Jim,
But he cried, Ha! ha! to save my own life I consider it no sin. 

I tried to prevent him but he struck me without dismay
And cut poor Jim's throat in defiance of me, or all I could say,
Also a piece of flesh from each thigh, and began to eat away,
But poor fellow he sickened about noon, and died on the Sunday. 

Now it is all over and I will thank all my life,
Who has preserved me and my mate, McEachern, in the midst of danger and strife;
And I hope that all landsmen of low and high degree,
Will think of the hardships of poor mariners while at sea.
Written by Robert William Service | Create an image from this poem

The Ballad Of The Brand

 'Twas up in a land long famed for gold, where women were far and rare,
Tellus, the smith, had taken to wife a maiden amazingly fair;
Tellus, the brawny worker in iron, hairy and heavy of hand,
Saw her and loved her and bore her away from the tribe of a Southern land;
Deeming her worthy to queen his home and mother him little ones,
That the name of Tellus, the master smith, might live in his stalwart sons.

Now there was little of law in the land, and evil doings were rife,
And every man who joyed in his home guarded the fame of his wife;
For there were those of the silver tongue and the honeyed art to beguile,
Who would cozen the heart from a woman's breast and damn her soul with a smile.
And there were women too quick to heed a look or a whispered word,
And once in a while a man was slain, and the ire of the King was stirred;
So far and wide he proclaimed his wrath, and this was the law he willed:
"That whosoever killeth a man, even shall he be killed."

Now Tellus, the smith, he trusted his wife; his heart was empty of fear.
High on the hill was the gleam of their hearth, a beacon of love and cheer.
High on the hill they builded their bower, where the broom and the bracken meet;
Under a grave of oaks it was, hushed and drowsily sweet.
Here he enshrined her, his dearest saint, his idol, the light of his eye;
Her kisses rested upon his lips as brushes a butterfly.
The weight of her arms around his neck was light as the thistle down;
And sweetly she studied to win his smile, and gently she mocked his frown.
And when at the close of the dusty day his clangorous toil was done,
She hastened to meet him down the way all lit by the amber sun.

Their dove-cot gleamed in the golden light, a temple of stainless love;
Like the hanging cup of a big blue flower was the topaz sky above.
The roses and lilies yearned to her, as swift through their throng she pressed;
A little white, fragile, fluttering thing that lay like a child on his breast.
Then the heart of Tellus, the smith, was proud, and sang for the joy of life,
And there in the bronzing summertide he thanked the gods for his wife.

Now there was one called Philo, a scribe, a man of exquisite grace,
Carved like the god Apollo in limb, fair as Adonis in face;
Eager and winning in manner, full of such radiant charm,
Womenkind fought for his favor and loved to their uttermost harm.
Such was his craft and his knowledge, such was his skill at the game,
Never was woman could flout him, so be he plotted her shame.
And so he drank deep of pleasure, and then it fell on a day
He gazed on the wife of Tellus and marked her out for his prey.

Tellus, the smith, was merry, and the time of the year it was June,
So he said to his stalwart helpers: "Shut down the forge at noon.
Go ye and joy in the sunshine, rest in the coolth of the grove,
Drift on the dreamy river, every man with his love."
Then to himself: "Oh, Beloved, sweet will be your surprise;
To-day will we sport like children, laugh in each other's eyes;
Weave gay garlands of poppies, crown each other with flowers,
Pull plump carp from the lilies, rifle the ferny bowers.
To-day with feasting and gladness the wine of Cyprus will flow;
To-day is the day we were wedded only a twelvemonth ago."

The larks trilled high in the heavens; his heart was lyric with joy;
He plucked a posy of lilies; he sped like a love-sick boy.
He stole up the velvety pathway--his cottage was sunsteeped and still;
Vines honeysuckled the window; softly he peeped o'er the sill.
The lilies dropped from his fingers; devils were choking his breath;
Rigid with horror, he stiffened; ghastly his face was as death.
Like a nun whose faith in the Virgin is met with a prurient jibe,
He shrank--'twas the wife of his bosom in the arms of Philo, the scribe.

Tellus went back to his smithy; he reeled like a drunken man;
His heart was riven with anguish; his brain was brooding a plan.
Straight to his anvil he hurried; started his furnace aglow;
Heated his iron and shaped it with savage and masterful blow.
Sparks showered over and round him; swiftly under his hand
There at last it was finished--a hideous and infamous Brand.

That night the wife of his bosom, the light of joy in her eyes,
Kissed him with words of rapture; but he knew that her words were lies.
Never was she so beguiling, never so merry of speech
(For passion ripens a woman as the sunshine ripens a peach).
He clenched his teeth into silence; he yielded up to her lure,
Though he knew that her breasts were heaving from the fire of her paramour.
"To-morrow," he said, "to-morrow"--he wove her hair in a strand,
Twisted it round his fingers and smiled as he thought of the Brand.

The morrow was come, and Tellus swiftly stole up the hill.
Butterflies drowsed in the noon-heat; coverts were sunsteeped and still.
Softly he padded the pathway unto the porch, and within
Heard he the low laugh of dalliance, heard he the rapture of sin.
Knew he her eyes were mystic with light that no man should see,
No man kindle and joy in, no man on earth save he.
And never for him would it kindle. The bloodlust surged in his brain;
Through the senseless stone could he see them, wanton and warily fain.
Horrible! Heaven he sought for, gained it and gloried and fell--
Oh, it was sudden--headlong into the nethermost hell. . . .

Was this he, Tellus, this marble? Tellus . . . not dreaming a dream?
Ah! sharp-edged as a javelin, was that a woman's scream?
Was it a door that shattered, shell-like, under his blow?
Was it his saint, that strumpet, dishevelled and cowering low?
Was it her lover, that wild thing, that twisted and gouged and tore?
Was it a man he was crushing, whose head he beat on the floor?
Laughing the while at its weakness, till sudden he stayed his hand--
Through the red ring of his madness flamed the thought of the Brand.

Then bound he the naked Philo with thongs that cut in the flesh,
And the wife of his bosom, fear-frantic, he gagged with a silken mesh,
Choking her screams into silence; bound her down by the hair;
Dragged her lover unto her under her frenzied stare.
In the heat of the hearth-fire embers he heated the hideous Brand;
Twisting her fingers open, he forced its haft in her hand.
He pressed it downward and downward; she felt the living flesh sear;
She saw the throe of her lover; she heard the scream of his fear.
Once, twice and thrice he forced her, heedless of prayer and shriek--
Once on the forehead of Philo, twice in the soft of his cheek.
Then (for the thing was finished) he said to the woman: "See
How you have branded your lover! Now will I let him go free."
He severed the thongs that bound him, laughing: "Revenge is sweet",
And Philo, sobbing in anguish, feebly rose to his feet.
The man who was fair as Apollo, god-like in woman's sight,
Hideous now as a satyr, fled to the pity of night.

Then came they before the Judgment Seat, and thus spoke the Lord of the Land:
"He who seeketh his neighbor's wife shall suffer the doom of the Brand.
Brutish and bold on his brow be it stamped, deep in his cheek let it sear,
That every man may look on his shame, and shudder and sicken and fear.
He shall hear their mock in the market-place, their fleering jibe at the feast;
He shall seek the caves and the shroud of night, and the fellowship of the beast.
Outcast forever from homes of men, far and far shall he roam.
Such be the doom, sadder than death, of him who shameth a home."
Written by Lisel Mueller | Create an image from this poem

Five For Country Music

 I. Insomnia

The bulb at the front door burns and burns.
If it were a white rose it would tire of blooming
through another endless night. 

The moon knows the routine;
it beats the bushes from east to west
and sets empty-handed. Again the one
she is waiting for has outrun the moon. 

II. Old Money

The spotted hands shake as they polish the coins. 

The shiny penny goes under the tongue,
the two silver pieces
weighted by pyramids
will shut down the eyes. 

All the rest is paper,
useless in any world but this. 

III. Home Movie

She knows that walk, that whistle, that knock. 

It's the black wolf who sticks
his floured paw underneath the door. 

She tries not to open. One look at his face
and she'll drop the gun. He will pick it up
and turn it on her where she waits,
her eyes shining, her hands over her head. 

IV. Golden Boy

Whitewashed, the eyes refuse you. 

And so the mouth must be serene,
the muscles play, the body
take an easy stance 

to divert you from the two
boarded-up chambers
where someone has died. 

V. Washing Day

Each year her laundry line gets lighter.
One by one they disappear,
ten little Indians. They take their socks,
their jeans, their stiff plaid shirts. 

Above the Ford on its concrete blocks,
striped and zippered,
her cotton dress flutters on and on.
Written by Rudyard Kipling | Create an image from this poem

The Destroyers

 The strength of twice three thousand horse
 That seeks the single goal;
The line that holds the rending course,
 The hate that swings the whole;
The stripped hulls, slinking through the gloom,
 At gaze and gone again --
The Brides of Death that wait the groom --
 The Choosers of the Slain!

Offshore where sea and skyline blend
 In rain, the daylight dies;
The sullen, shouldering sweels attend
 Night and our sacrifice.
Adown the stricken capes no flare --
 No mark on spit or bar, --
Birdled and desperate we dare
 The blindfold game of war.

Nearer the up-flung beams that spell
 The council of our foes;
Clearer the barking guns that tell
 Their scattered flank to close.
Sheer to the trap they crowd their way
 From ports for this unbarred.
Quiet, and count our laden prey,
 The convoy and her guard!

On shoal with carce a foot below,
 Where rock and islet throng,
Hidden and hushed we watch them throw
 Their anxious lights along.
Not here, not here your danger lies --
 (Stare hard, O hooded eyne!)
Save were the dazed rock-pigeons rise
 The lit cliffs give no sign.

Therefore -- to break the rest ye seek,
 The Narrow Seas to clear --
Hark to the siren's whimpering shriek --
 The driven death is here!
Look to your van a league away, --
 What midnight terror stays
The bulk that checks against the spray
 Her crackling tops ablaze?

Hit, and hard hit! The blow went home,
 The muffled, knocking stroke --
The steam that overruns the foam --
 The foam that thins to smoke --
The smoke that clokes the deep aboil --
 The deep that chokes her throes
Till, streaked with ash and sleeked with oil,
 The lukewarm whirlpools close!

A shadow down the sickened wave
 Long since her slayer fled:
But hear their chattering quick-fires rave
 Astern, abeam, ahead!
Panic that shells the drifting spar --
 Loud waste with none to check --
Mad fear that rakes a scornful star
 Or sweeps a consort's deck.

Now, while their silly smoke hangs thick,
 Now ere their wits they find,
Lay in and lance them to the quick --
 Our gallied whales are blind!
Good luck to those that see end end,
 Good-bye to those that drown --
For each his chance as chance shall send --
 And God for all! Shut down!

The strength of twice three thousand horse
 That serve the one command;
The hand that heaves the headlong force,
 The hate that backs the hand:
The doom-bolt in the darkness freed,
 The mine that splits the main;
The white-hot wake, the 'wildering speed --
 The Choosers of the Slain!


Written by Anne Sexton | Create an image from this poem

The Nude Swim

 On the southwest side of Capri
we found a little unknown grotto
where no people were and we
entered it completely
and let our bodies lose all
their loneliness.

All the fish in us
had escaped for a minute.
The real fish did not mind.
We did not disturb their personal life.
We calmly trailed over them
and under them, shedding
air bubbles, little white
balloons that drifted up
into the sun by the boat
where the Italian boatman slept
with his hat over his face.

Water so clear you could
read a book through it.
Water so buoyant you could
float on your elbow.
I lay on it as on a divan.
I lay on it just like
Matisse's Red Odalisque.
Water was my strange flower,
one must picture a woman
without a toga or a scarf
on a couch as deep as a tomb.

The walls of that grotto
were everycolor blue and
you said, "Look! Your eyes
are seacolor. Look! Your eyes
are skycolor." And my eyes
shut down as if they were
suddenly ashamed.
Written by Robert Frost | Create an image from this poem

The Vanishing Red

 He is said to have been the last Red man
In Action. And the Miller is said to have laughed--
If you like to call such a sound a laugh.
But he gave no one else a laugher's license.
For he turned suddenly grave as if to say,
'Whose business,--if I take it on myself,
Whose business--but why talk round the barn?--
When it's just that I hold with getting a thing done with.'
You can't get back and see it as he saw it.
It's too long a story to go into now.
You'd have to have been there and lived it.
They you wouldn't have looked on it as just a matter
Of who began it between the two races.

Some guttural exclamation of surprise
The Red man gave in poking about the mill
Over the great big thumping shuffling millstone
Disgusted the Miller physically as coming
From one who had no right to be heard from.
'Come, John,' he said, 'you want to see the wheel-pint?'

He took him down below a cramping rafter,
And showed him, through a manhole in the floor,
The water in desperate straits like frantic fish,
Salmon and sturgeon, lashing with their tails.
The he shut down the trap door with a ring in it
That jangled even above the general noise,
And came upstairs alone--and gave that laugh,
And said something to a man with a meal-sack
That the man with the meal-sack didn't catch--then.
Oh, yes, he showed John the wheel-pit all right.
Written by Philip Levine | Create an image from this poem

Then

 A solitary apartment house, the last one 
before the boulevard ends and a dusty road 
winds its slow way out of town. On the third floor 
through the dusty windows Karen beholds 
the elegant couples walking arm in arm 
in the public park. It is Saturday afternoon, 
and she is waiting for a particular young man 
whose name I cannot now recall, if name 
he ever had. She runs the thumb of her left hand 
across her finger tips and feels the little tags 
of flesh the needle made that morning at work 
and wonders if he will feel them. She loves her work, 
the unspooling of the wide burgundy ribbons 
that tumble across her lap, the delicate laces, 
the heavy felts for winter, buried now that spring 
is rising in the trees. She recalls a black hat 
hidden in a deep drawer in the back of the shop. 
She made it in February when the snows piled 
as high as her waist, and the river stopped at noon, 
and she thought she would die. She had tried it on, 
a small, close-fitting cap, almost nothing, 
pinned down at front and back. Her hair tumbled 
out at the sides in dark rags. When she turned 
it around, the black felt cupped her forehead 
perfectly, the teal feathers trailing out behind, 
twin cool jets of flame. Suddenly he is here. 
As she goes to the door, the dark hat falls back 
into the closed drawer of memory to wait 
until the trees are bare and the days shut down 
abruptly at five. They touch, cheek to cheek, 
and only there, both bodies stiffly arched apart. 
As she draws her white gloves on, she can smell 
the heat rising from his heavy laundered shirt, 
she can almost feel the weight of the iron 
hissing across the collar. It's cool out, he says, 
cooler than she thinks. There are tiny dots 
of perspiration below his hairline. What a day 
for strolling in the park! Refusing the chair 
by the window, he seems to have no time, 
as though this day were passing forever, 
although it is barely after two of a late May 
afternoon a whole year before the modern era. 
Of course she'll take a jacket, she tells him, 
of course she was planning to, and she opens her hands, 
the fingers spread wide to indicate the enormity 
of his folly, for she has on only a blouse, 
protection against nothing. In the bedroom 
she considers a hat, something dull and proper 
as a rebuke, but shaking out her glowing hair 
she decides against it. The jacket is there, 
the arms spread out on the bed, the arms 
of a dressed doll or a soldier at attention 
or a boy modelling his first suit, my own arms 
when at six I stood beside my sister waiting 
to be photographed. She removes her gloves 
to feel her balled left hand pass through the silk 
of the lining, and then her right, fingers open. 
As she buttons herself in, she watches 
a slow wind moving through the planted fields 
behind the building. She stops and stares. 
What was that dark shape she saw a moment 
trembling between the sheaves? The sky lowers, 
the small fat cypresses by the fields' edge 
part, and something is going. Is that the way 
she too must take? The world blurs before her eyes 
or her sight is failing. I cannot take her hand, 
then or now, and lead her to a resting place 
where our love matters. She stands frozen 
before the twenty-third summer of her life, 
someone I know, someone I will always know.
Written by Edgar Lee Masters | Create an image from this poem

Adam Weirauch

 I was crushed between Altgeld and Armour.
I lost many friends, much time and money
Fighting for Altgeld whom Editor Whedon
Denounced as the candidate of gamblers and anarchists.
Then Armour started to ship dressed meat to Spoon River,
Forcing me to shut down my slaughter-house,
And my butcher shop went all to pieces.
The new forces of Altgeld and Armour caught me
At the same time.
I thought it due me, to recoup the money I lost
And to make good the friends that left me,
For the Governor to appoint me Canal Commissioner.
Instead he appointed Whedon of the Spoon River Argus,
So I ran for the legislature and was elected.
I said to hell with principle and sold my vote
On Charles T. Yerkes' street-car franchise.
Of course I was one of the fellows they caught.
Who was it, Armour, Altgeld or myself
That ruined me?
Written by Rudyard Kipling | Create an image from this poem

The Egg-Shell

 The wind took off with the sunset--
The fog came up with the tide,
When the Witch of the North took an Egg-shell
With a little Blue Devil inside.
"Sink," she said, "or swim," she said,
"It's all you will bet from me.
And that is the finish of him!" she said
And the Egg-shell went to sea.

The wind fell dead with the midnight--
The fog shut down like a sheet,
When the Witch of the North heard the Egg-shell
Feeling by hand for a fleet.
"Get!" she said, "or you're gone," she said.,
But the little Blue Devil said "No!
"The sights are just coming on," he said,
And he let the Whitehead go.

The wind got up with the morning--
The fog blew off with the rain,
When the Witch of the North saw the Egg-shell
And the little Blue Devil again.
"Did you swim?" she said. "Did you sink:" she said,
And the little Blue Devil replied:
"For myself I swam, but I think," he said,
"There's somebody sinking outside."

Book: Reflection on the Important Things