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Best Famous Shrilling(A) Poems

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Written by Lucy Maud Montgomery | Create an image from this poem

By an Autumn Fire

 Now at our casement the wind is shrilling, 
Poignant and keen 
And all the great boughs of the pines between 
It is harping a lone and hungering strain 
To the eldritch weeping of the rain; 
And then to the wild, wet valley flying 
It is seeking, sighing, 
Something lost in the summer olden. 
When night was silver and day was golden; 
But out on the shore the waves are moaning 
With ancient and never fulfilled desire, 
And the spirits of all the empty spaces, 
Of all the dark and haunted places, 
With the rain and the wind on their death-white faces, 
Come to the lure of our leaping fire. 

But we bar them out with this rose-red splendor 
From our blithe domain, 
And drown the whimper of wind and rain 
With undaunted laughter, echoing long, 
Cheery old tale and gay old song; 
Ours is the joyance of ripe fruition, 
Attained ambition. 
Ours is the treasure of tested loving, 
Friendship that needs no further proving; 

No more of springtime hopes, sweet and uncertain,
Here we have largess of summer in fee­
Pile high the logs till the flame be leaping,
At bay the chill of the autumn keeping,
While pilgrim-wise, we may go a-reaping
In the fairest meadow of memory!


Written by Robert William Service | Create an image from this poem

The Ballad Of How Macpherson Held The Floor

 Said President MacConnachie to Treasurer MacCall:
"We ought to have a piper for our next Saint Andrew's Ball.
Yon squakin' saxophone gives me the syncopated gripes.
I'm sick of jazz, I want to hear the skirling of the pipes."
"Alas! it's true," said Tam MacCall. "The young folk of to-day
Are fox-trot mad and dinna ken a reel from Strathspey.
Now, what we want's a kiltie lad, primed up wi' mountain dew,
To strut the floor at supper time, and play a lilt or two.
In all the North there's only one; of him I've heard them speak:
His name is Jock MacPherson, and he lives on Boulder Creek;
An old-time hard-rock miner, and a wild and wastrel loon,
Who spends his nights in glory, playing pibrochs to the moon.
I'll seek him out; beyond a doubt on next Saint Andrew's night
We'll proudly hear the pipes to cheer and charm our appetite.

Oh lads were neat and lassies sweet who graced Saint Andrew's Ball;
But there was none so full of fun as Treasurer MacCall.
And as Maloney's rag-time bank struck up the newest hit,
He smiled a smile behind his hand, and chuckled: "Wait a bit."
And so with many a Celtic snort, with malice in his eye,
He watched the merry crowd cavort, till supper time drew nigh.
Then gleefully he seemed to steal, and sought the Nugget Bar,
Wherein there sat a tartaned chiel, as lonely as a star;
A huge and hairy Highlandman as hearty as a breeze,
A glass of whisky in his hand, his bag-pipes on his knees.
"Drink down your doch and doris, Jock," cried Treasurer MacCall;
"The time is ripe to up and pipe; they wait you in the hall.
Gird up your loins and grit your teeth, and here's a pint of hooch
To mind you of your native heath - jist pit it in your pooch.
Play on and on for all you're worth; you'll shame us if you stop.
Remember you're of Scottish birth - keep piping till you drop.
Aye, though a bunch of Willie boys should bluster and implore,
For the glory of the Highlands, lad, you've got to hold the floor."
The dancers were at supper, and the tables groaned with cheer,
When President MacConnachie exclaimed: "What do I hear?
Methinks it's like a chanter, and its coming from the hall."
"It's Jock MacPherson tuning up," cried Treasurer MacCall.
So up they jumped with shouts of glee, and gaily hurried forth.
Said they: "We never thought to see a piper in the North."
Aye, all the lads and lassies braw went buzzing out like bees,
And Jock MacPherson there they saw, with red and rugged knees.
Full six foot four he strode the floor, a grizzled son of Skye,
With glory in his whiskers and with whisky in his eye.
With skelping stride and Scottish pride he towered above them all:
"And is he no' a bonny sight?" said Treasurer MacCall.
While President MacConnachie was fairly daft with glee,
And there was jubilation in the Scottish Commy-tee.
But the dancers seemed uncertain, and they signified their doubt,
By dashing back to eat as fast as they had darted out.
And someone raised the question 'twixt the coffee and the cakes:
"Does the Piper walk to get away from all the noise he makes?"
Then reinforced with fancy food they slowly trickled forth,
And watching in patronizing mood the Piper of the North.

Proud, proud was Jock MacPherson, as he made his bag-pipes skirl,
And he set his sporran swinging, and he gave his kilts a whirl.
And President MacConnachie was jumping like a flea,
And there was joy and rapture in the Scottish Commy-tee.
"Jist let them have their saxophones wi' constipated squall;
We're having Heaven's music now," said Treasurer MacCall.
But the dancers waxed impatient, and they rather seemed to fret
For Maloney and the jazz of his Hibernian Quartette.
Yet little recked the Piper, as he swung with head on high,
Lamenting with MacCrimmon on the heather hills of Skye.
With Highland passion in his heart he held the centre floor;
Aye, Jock MacPherson played as he had never played before.

Maloney's Irish melodists were sitting in their place,
And as Maloney waited, there was wonder in his face.
'Twas sure the gorgeous music - Golly! wouldn't it be grand
If he could get MacPherson as a member of his band?
But the dancers moped and mumbled, as around the room they sat:
"We paid to dance," they grumbled; "But we cannot dance to that.
Of course we're not denying that it's really splendid stuff;
But it's mighty satisfying - don't you think we've had enough?"
"You've raised a pretty problem," answered Treasurer MacCall;
"For on Saint Andrew's Night, ye ken, the Piper rules the Ball."
Said President MacConnachie: "You've said a solemn thing.
Tradition holds him sacred, and he's got to have his fling.
But soon, no doubt, he'll weary out. Have patience; bide a wee."
"That's right. Respect the Piper," said the Scottish Commy-tee.

And so MacPherson stalked the floor, and fast the moments flew,
Till half an hour went past, as irritation grew and grew.
Then the dancers held a council, and with faces fiercely set,
They hailed Maloney, heading his Hibernian Quartette:
"It's long enough, we've waited. Come on, Mike, play up the Blues."
And Maloney hesitated, but he didn't dare refuse.
So banjo and piano, and guitar and saxophone
Contended with the shrilling of the chanter and the drone;
And the women's ears were muffled, so infernal was the din,
But MacPherson was unruffled, for he knew that he would win.
Then two bright boys jazzed round him, and they sought to play the clown,
But MacPherson jolted sideways, and the Sassenachs went down.
And as if it was a signal, with a wild and angry roar,
The gates of wrath were riven - yet MacPherson held the floor.

Aye, amid the rising tumult, still he strode with head on high,
With ribbands gaily streaming, yet with battle in his eye.
Amid the storm that gathered, still he stalked with Highland pride,
While President and Treasurer sprang bravely to his side.
And with ire and indignation that was glorious to see,
Around him in a body ringed the Scottish Commy-tee.
Their teeth were clenched with fury; their eyes with anger blazed:
"Ye manna touch the Piper," was the slogan that they raised.
Then blows were struck, and men went down; yet 'mid the rising fray
MacPherson towered in triumph - and he never ceased to play.

Alas! his faithful followers were but a gallant few,
And faced defeat, although they fought with all the skill they knew.
For President MacConnachie was seen to slip and fall,
And o'er his prostrate body stumbled Treasurer MacCall.
And as their foes with triumph roared, and leagured them about,
It looked as if their little band would soon be counted out.
For eyes were black and noses red, yet on that field of gore,
As resolute as Highland rock - MacPherson held the floor.

Maloney watched the battle, and his brows were bleakly set,
While with him paused and panted his Hibernian Quartette.
For sure it is an evil spite, and breaking to the heart,
For Irishman to watch a fight and not be taking part.
Then suddenly on high he soared, and tightened up his belt:
"And shall we see them crush," he roared, "a brother and a Celt?
A fellow artiste needs our aid. Come on, boys, take a hand."
Then down into the mêlée dashed Maloney and his band.

Now though it was Saint Andrew's Ball, yet men of every race,
That bow before the Great God Jazz were gathered in that place.
Yea, there were those who grunt: "Ya! Ya!" and those who squeak: "We! We!"
Likewise Dutch, Dago, Swede and Finn, Polack and Portugee.
Yet like ripe grain before the gale that national hotch-potch
Went down before the fury of the Irish and the Scotch.
Aye, though they closed their gaping ranks and rallied to the fray,
To the Shamrock and the Thistle went the glory of the day.

You should have seen the carnage in the drooling light of dawn,
Yet 'mid the scene of slaughter Jock MacPherson playing on.
Though all lay low about him, yet he held his head on high,
And piped as if he stood upon the caller crags of Skye.
His face was grim as granite, and no favour did he ask,
Though weary were his mighty lungs and empty was his flask.
And when a fallen foe wailed out: "Say! when will you have done?"
MacPherson grinned and answered: "Hoots! She's only ha'f begun."
Aye, though his hands were bloody, and his knees were gay with gore,
A Grampian of Highland pride - MacPherson held the floor.

And still in Yukon valleys where the silent peaks look down,
They tell of how the Piper was invited up to town,
And he went in kilted glory, and he piped before them all,
But wouldn't stop his piping till he busted up the Ball.
Of that Homeric scrap they speak, and how the fight went on,
With sally and with rally till the breaking of the dawn.
And how the Piper towered like a rock amid the fray,
And the battle surged about him, but he never ceased to play.
Aye, by the lonely camp-fires, still they tell the story o'er-
How the Sassenach was vanquished and - MacPherson held the floor.
Written by Elizabeth Bishop | Create an image from this poem

Song For The Rainy Season

 Hidden, oh hidden 
in the high fog 
the house we live in, 
beneath the magnetic rock, 
rain-, rainbow-ridden, 
where blood-black 
bromelias, lichens, 
owls, and the lint 
of the waterfalls cling, 
familiar, unbidden. 

In a dim age 
of water 
the brook sings loud 
from a rib cage 
of giant fern; vapor 
climbs up the thick growth 
effortlessly, turns back, 
holding them both, 
house and rock, 
in a private cloud. 

At night, on the roof, 
blind drops crawl 
and the ordinary brown 
owl gives us proof 
he can count: 
five times--always five-- 
he stamps and takes off 
after the fat frogs that, 
shrilling for love, 
clamber and mount. 

House, open house 
to the white dew 
and the milk-white sunrise 
kind to the eyes, 
to membership 
of silver fish, mouse, 
bookworms, 
big moths; with a wall 
for the mildew's 
ignorant map; 

darkened and tarnished 
by the warm touch 
of the warm breath, 
maculate, cherished; 
rejoice! For a later 
era will differ. 
(O difference that kills 
or intimidates, much 
of all our small shadowy 
life!) Without water 

the great rock will stare 
unmagnetized, bare, 
no longer wearing 
rainbows or rain, 
the forgiving air 
and the high fog gone; 
the owls will move on 
and the several 
waterfalls shrivel 
in the steady sun.
Written by Rupert Brooke | Create an image from this poem

Blue Evening

 My restless blood now lies a-quiver,
Knowing that always, exquisitely,
This April twilight on the river
Stirs anguish in the heart of me.

For the fast world in that rare glimmer
Puts on the witchery of a dream,
The straight grey buildings, richly dimmer,
The fiery windows, and the stream

With willows leaning quietly over,
The still ecstatic fading skies . . .
And all these, like a waiting lover,
Murmur and gleam, lift lustrous eyes,

Drift close to me, and sideways bending
Whisper delicious words.
But I
Stretch terrible hands, uncomprehending,
Shaken with love; and laugh; and cry.

My agony made the willows quiver;
I heard the knocking of my heart
Die loudly down the windless river,
I heard the pale skies fall apart,

And the shrill stars' unmeaning laughter,
And my voice with the vocal trees
Weeping. And Hatred followed after,
Shrilling madly down the breeze.

In peace from the wild heart of clamour,
A flower in moonlight, she was there,
Was rippling down white ways of glamour
Quietly laid on wave and air.

Her passing left no leaf a-quiver.
Pale flowers wreathed her white, white brows.
Her feet were silence on the river;
And 'Hush!' she said, between the boughs.
Written by Sylvia Plath | Create an image from this poem

Sow

 God knows how our neighbor managed to breed
His great sow:
Whatever his shrewd secret, he kept it hid

In the same way
He kept the sow--impounded from public stare,
Prize ribbon and pig show.

But one dusk our questions commended us to a tour
Through his lantern-lit
Maze of barns to the lintel of the sunk sty door

To gape at it:
This was no rose-and-larkspurred china suckling
With a penny slot

For thrift children, nor dolt pig ripe for heckling,
About to be
Glorified for prime flesh and golden crackling

In a parsley halo;
Nor even one of the common barnyard sows,
Mire-smirched, blowzy,

Maunching thistle and knotweed on her snout-
cruise--
Bloat tun of milk
On the move, hedged by a litter of feat-foot ninnies

Shrilling her hulk
To halt for a swig at the pink teats. No. This vast
Brobdingnag bulk

Of a sow lounged belly-bedded on that black
compost,
Fat-rutted eyes
Dream-filmed. What a vision of ancient hoghood
must

Thus wholly engross
The great grandam!--our marvel blazoned a knight,
Helmed, in cuirass,

Unhorsed and shredded in the grove of combat
By a grisly-bristled
Boar, fabulous enough to straddle that sow's heat.

But our farmer whistled,
Then, with a jocular fist thwacked the barrel nape,
And the green-copse-castled

Pig hove, letting legend like dried mud drop,
Slowly, grunt
On grunt, up in the flickering light to shape

A monument
Prodigious in gluttonies as that hog whose want
Made lean Lent

Of kitchen slops and, stomaching no constraint,
Proceeded to swill
The seven troughed seas and every earthquaking
continent.


Written by Ralph Waldo Emerson | Create an image from this poem

Uriel

IT fell in the ancient periods 
Which the brooding soul surveys  
Or ever the wild Time coin'd itself 
Into calendar months and days. 

This was the lapse of Uriel 5 
Which in Paradise befell. 
Once among the Pleiads walking  
Sayd overheard the young gods talking; 
And the treason too long pent  
To his ears was evident. 10 
The young deities discuss'd 
Laws of form and metre just  
Orb quintessence and sunbeams  
What subsisteth and what seems. 
One with low tones that decide 15 
And doubt and reverend use defied  
With a look that solved the sphere  
And stirr'd the devils everywhere  
Gave his sentiment divine 
Against the being of a line. 20 
'Line in nature is not found; 
Unit and universe are round; 
In vain produced all rays return; 
Evil will bless and ice will burn.' 
As Uriel spoke with piercing eye 25 
A shudder ran around the sky; 
The stern old war-gods shook their heads; 
The seraphs frown'd from myrtle-beds; 
Seem'd to the holy festival 
The rash word boded ill to all; 30 
The balance-beam of Fate was bent; 
The bounds of good and ill were rent; 
Strong Hades could not keep his own  
But all slid to confusion. 

A sad self-knowledge withering fell 35 
On the beauty of Uriel; 
In heaven once eminent the god 
Withdrew that hour into his cloud; 
Whether doom'd to long gyration 
In the sea of generation 40 
Or by knowledge grown too bright 
To hit the nerve of feebler sight. 
Straightway a forgetting wind 
Stole over the celestial kind  
And their lips the secret kept 45 
If in ashes the fire-seed slept. 
But now and then truth-speaking things 
Shamed the angels' veiling wings; 
And shrilling from the solar course  
Or from fruit of chemic force 50 
Procession of a soul in matter  
Or the speeding change of water  
Or out of the good of evil born  
Came Uriel's voice of cherub scorn  
And a blush tinged the upper sky 55 
And the gods shook they knew not why. 
Written by Robert Seymour Bridges | Create an image from this poem

Low Barometer

 The south-wind strengthens to a gale,
Across the moon the clouds fly fast,
The house is smitten as with a flail,
The chimney shudders to the blast.

On such a night, when Air has loosed
Its guardian grasp on blood and brain,
Old terrors then of god or ghost
Creep from their caves to life again;

And Reason kens he herits in
A haunted house. Tenants unknown
Assert their squalid lease of sin
With earlier title than his own.

Unbodied presences, the packed
Pollution and remorse of Time,
Slipped from oblivion re-enact
The horrors of unhousehold crime.

Some men would quell the thing with prayer
Whose sightless footsteps pad the floor,
Whose fearful trespass mounts the stair
Or burst the locked forbidden door.

Some have seen corpses long interred
Escape from hallowing control,
Pale charnel forms - nay even have heard
The shrilling of a troubled soul,

That wanders till the dawn has crossed
The dolorous dark, or Earth has wound
Closer her storm-spread cloak, and thrust
The baleful phantoms underground.
Written by Robert Louis Stevenson | Create an image from this poem

De Hortis Julii Martialis

 MY Martial owns a garden, famed to please,
Beyond the glades of the Hesperides;
Along Janiculum lies the chosen block
Where the cool grottos trench the hanging rock.
The moderate summit, something plain and bare,
Tastes overhead of a serener air;
And while the clouds besiege the vales below,
Keeps the clear heaven and doth with sunshine glow.
To the June stars that circle in the skies
The dainty roofs of that tall villa rise.
Hence do the seven imperial hills appear;
And you may view the whole of Rome from here;
Beyond, the Alban and the Tuscan hills;
And the cool groves and the cool falling rills,
Rubre Fidenae, and with virgin blood
Anointed once Perenna's orchard wood.
Thence the Flaminian, the Salarian way,
Stretch far broad below the dome of day;
And lo! the traveller toiling towards his home;
And all unheard, the chariot speeds to Rome!
For here no whisper of the wheels; and tho'
The Mulvian Bridge, above the Tiber's flow,
Hangs all in sight, and down the sacred stream
The sliding barges vanish like a dream,
The seaman's shrilling pipe not enters here,
Nor the rude cries of porters on the pier.
And if so rare the house, how rarer far
The welcome and the weal that therein are!
So free the access, the doors so widely thrown,
You half imagine all to be your own.
Written by Joyce Kilmer | Create an image from this poem

Alarm Clocks

 When Dawn strides out to wake a dewy farm
Across green fields and yellow hills of hay
The little twittering birds laugh in his way
And poise triumphant on his shining arm.
He bears a sword of flame but not to harm
The wakened life that feels his quickening sway
And barnyard voices shrilling "It is day!"
Take by his grace a new and alien charm.
But in the city, like a wounded thing
That limps to cover from the angry chase,
He steals down streets where sickly arc-lights sing,
And wanly mock his young and shameful face;
And tiny gongs with cruel fervor ring
In many a high and dreary sleeping place.
Written by Rudyard Kipling | Create an image from this poem

The Song of the Little Hunter

 Ere Mor the Peacock flutters, ere the Monkey People cry,
 Ere Chil the Kite swoops down a furlong sheer,
Through the Jungle very softly flits a shadow and a sigh--
 He is Fear, O Little Hunter, he is Fear! 
Very softly down the glade runs a waiting, watching shade,
 And the whisper spreads and widens far and near.
And the sweat is on thy brow, for he passes even now--
 He is Fear, O Little Hunter, he is Fear!

Ere the moon has climbed the mountain, ere the rocks are ribbed with light,
 When the downward-dipping trails are dank and drear,
Comes a breathing hard behind thee--snuffle-snuffle through the night--
 It is Fear, O Little Hunter it is Fear, 
On thy knees and draw the bow; bid the shrilling arrow go;
 In the empty, mocking thicket plunge the spear!
But thy hands are loosed and weak, and the blood has left thy cheek-- 
 It is Fear, O Little Hunter, it is Fear!

When the heat-cloud sucks the tempest, when the slivered pine-trees fall,
 When the blinding, blaring rain-squalls lash and veer,
Through the war-gongs of the thunder rings a voice more loud than all--
 It is Fear, O Little Hunter, it is Fear! 
Now the spates are banked and deep; now the footless boulders leap--
 Now the lightning shows each littlest leaf--rib clear--
But thy throat is shut and dried, and thy heart against thy side 
 Hammers: Fear, O Little Hunter--this is Fear!

Book: Reflection on the Important Things