Written by
Les Murray |
In the World language, sometimes called
Airport Road, a thinks balloon with a gondola
under it is a symbol for speculation.
Thumbs down to ear and tongue:
World can be written and read, even painted
but not spoken.
People use their own words.
Latin letters are in it for names, for e.
g.
OK and H2S O4, for musical notes,
but mostly it's diagrams: skirt-figure, trousered figure
have escaped their toilet doors.
I (that is, saya,
Ego, watashji wa) am two eyes without pupils;
those aren't seen when you look out through them.
You has both pupils, we has one, and one blank.
Good is thumbs up, thumb and finger zipping lips
is confidential.
Evil is three-cornered snake eyes.
The effort is always to make the symbols obvious:
the bolt of electricity, winged stethoscope of course
for flying doctor.
Prams under fire? Soviet film industry.
Pictographs also shouldn't be too culture-bound:
A heart circled and crossed out surely isn't.
For red, betel spit lost out to ace of diamonds.
Black is the ace of spades.
The kind of spades
reads Union boss, the two is feeble effort.
If is the shorthand Libra sing , the scales.
Spare literal pictures render most nouns and verbs
and computers can draw them faster than Pharaoh's scribes.
A bordello prospectus is as explicit as the action,
but everywhere there's sunflower talk, i.
e.
metaphor, as we've seen.
A figure riding a skyhook
bearing food in one hand is the pictograph for grace,
two animals in a book read Nature, two books
Inside an animal, instinct.
Rice in bowl with chopsticks
denotes food.
Figure 1 lying prone equals other.
Most emotions are mini-faces, and the speech
balloon is ubiquitous.
A bull inside one is dialect
for placards inside one.
Sun and moon together
inside one is poetry.
Sun and moon over palette,
over shoes etc are all art forms — but above
a cracked heart and champagne glass? Riddle that
and you're starting to think in World, whose grammar
is Chinese-terse and fluid.
Who needs the square-
equals-diamond book, the dictionary,to know figures
led by strings to their genitals mean fashion?
just as a skirt beneath a circle meanas demure
or ao similar circle shouldering two arrows is macho.
All peoples are at times cat in water with this language
but it does promote international bird on shoulder.
This foretaste now lays its knife and fork parallel.
|
Written by
Jorie Graham |
I have put on my great coat it is cold.
It is an outer garment.
Coarse, woolen.
Of unknown origin.
*
It has a fine inner lining but it is
as an exterior that you see it — a grace.
*
I have a coat I am wearing.
It is a fine admixture.
The woman who threw the threads in the two directions
has made, skillfully, something dark-true,
as the evening calls the bird up into
the branches of the shaven hedgerows,
to twitter bodily
a makeshift coat — the boxelder cut back stringently by the owner
that more might grow next year, and thicker, you know —
the birds tucked gestures on the inner branches —
and space in the heart,
not shade-giving, not
chronological.
.
.
Oh transformer, logic, where are you here in this fold,
my name being called-out now but back, behind,
in the upper world.
.
.
.
*
I have a coat I am wearing I was told to wear it.
Someone knelt down each morning to button it up.
I looked at their face, down low, near me.
What is longing? what is a star?
Watched each button a peapod getting tucked back in.
Watched harm with its planeloads folded up in the sleeves.
Watched grappling hooks trawl through the late-night waters.
Watched bands of stations scan unable to ascertain.
There are fingers, friend, that never grow sluggish.
They crawl up the coat and don't miss an eyehole.
Glinting in kitchenlight.
Supervised by the traffic god.
Hissed at by grassblades that wire-up outside
their stirring rhetoric — this is your land, this is my my —
*
You do understanding, don't you, by looking?
The coat, which is itself a ramification, a city,
floats vulnerably above another city, ours,
the city on the hill (only with hill gone),
floats in illustration
of what once was believed, and thus was visible —
(all things believed are visible) —
floats a Jacob's ladder with hovering empty arms, an open throat,
a place where a heart might beat if it wishes,
pockets that hang awaiting the sandy whirr of a small secret,
folds where the legs could be, with their kneeling mechanism,
the floating fatigue of an after-dinner herald,
not guilty of any treason towards life except fatigue,
a skillfully cut coat, without chronology,
filled with the sensation of being suddenly completed —
as then it is, abruptly, the last stitch laid in, the knot bit off —
hung there in Gravity, as if its innermost desire,
numberless the awaitings flickering around it,
the other created things also floating but not of the same order, no,
not like this form, built so perfectly to mantle the body,
the neck like a vase awaiting its cut flower,
a skirting barely visible where the tucks indicate
the mild loss of bearing in the small of the back,
the grammar, so strict, of the two exact shoulders —
and the law of the shouldering —
and the chill allowed to skitter up through,
and those crucial spots where the fit cannot be perfect —
oh skirted loosening aswarm with lessenings,
with the mild pallors of unaccomplishment,
flaps night-air collects in,
folds.
.
.
But the night does not annul its belief in,
the night preserves its love for, this one narrowing of infinity,
that floats up into the royal starpocked blue its ripped, distracted supervisor —
this coat awaiting recollection,
this coat awaiting the fleeting moment, the true moment, the hill,the vision of the hill,
and then the moment when the prize is lost, and the erotic tinglings of the dream of reason
are left to linger mildly in the weave of the fabric according to the rules,
the wool gabardine mix, with its grammatical weave,
never never destined to lose its elasticity,
its openness to abandonment,
its willingness to be disturbed.
*
July 11 .
.
.
Oaks: the organization of this tree is difficult.
Speaking generally
no doubt the determining planes are concentric, a system of brief contiguous and
continuous tangents, whereas those of the cedar wd.
roughly be called horizontals
and those of the beech radiating but modified by droop and by a screw-set towards
jutting points.
But beyond this since the normal growth of the boughs is radiating
there is a system of spoke-wise clubs of green — sleeve-pieces.
And since the
end shoots curl and carry young scanty leaf-stars these clubs are tapered, and I
have seen also pieces in profile with chiseled outlines, the blocks thus made
detached and lessening towards the end.
However the knot-star is the chief thing:
it is whorled, worked round, and this is what keeps up the illusion of the tree.
Oaks differ much, and much turns on the broadness of the leaves, the narrower
giving the crisped and starry and catharine-wheel forms, the broader the flat-pieced
mailed or chard-covered ones, in wh.
it is possible to see composition in dips, etc.
But I shall study them further.
It was this night I believe but possibly the next
that I saw clearly the impossibility of staying in the Church of England.
*
How many coats do you think it will take?
The coat was a great-coat.
The Emperor's coat was.
How many coats do you think it will take?
The undercoat is dry.
What we now want is?
The sky can analyse the coat because of the rips in it.
The sky shivers through the coat because of the rips in it.
The rips in the sky ripen through the rips in the coat.
There is no quarrel.
*
I take off my coat and carry it.
*
There is no emergency.
*
I only made that up.
*
Behind everything the sound of something dripping
The sound of something: I will vanish, others will come here, what is that?
The canvas flapping in the wind like the first notes of our absence
An origin is not an action though it occurs at the very start
Desire goes travelling into the total dark of another's soul
looking for where it breaks off
I was a hard thing to undo
*
The life of a customer
What came on the paper plate
overheard nearby
an impermanence of structure
watching the lip-reading
had loved but couldn't now recognize
*
What are the objects, then, that man should consider most important?
What sort of a question is that he asks them.
The eye only discovers the visible slowly.
It floats before us asking to be worn,
offering "we must think about objects at the very moment
when all their meaning is abandoning them"
and "the title provides a protection from significance"
and "we are responsible for the universe.
"
*
I have put on my doubting, my wager, it is cold.
It is an outer garment, or, conversely a natural covering,
so coarse and woolen, also of unknown origin,
a barely apprehensible dilution of evening into
an outer garment, or, conversely a natural covering,
to twitter bodily a makeshift coat,
that more might grow next year, and thicker, you know,
not shade-giving, not chronological,
my name being called out now but from out back, behind,
an outer garment, so coarse and woolen,
also of unknown origin, not shade-giving, not chronological,
each harm with its planeloads folded up in the sleeves,
you do understand, don't you, by looking?
the jacob's ladder with its floating arms its open throat,
that more might grow next year, and thicker, you know,
filled with the sensation of being suddenly completed,
the other created things also floating but not of the same order,
not shade-giving, not chronological,
you do understand, don't you, by looking?
a neck like a vase awaiting its cut flower,
filled with the sensation of being suddenly completed,
the moment the prize is lost, the erotic tingling,
the wool-gabardine mix, its grammatical weave
— you do understand, don't you, by looking? —
never never destined to lose its elasticity,
it was this night I believe but possibly the next
I saw clearly the impossibility of staying
filled with the sensation of being suddenly completed,
also of unknown origin, not shade-giving, not chronological
since the normal growth of boughs is radiating
a system of spoke-wise clubs of green — sleeve pieces —
never never destined to lose its elasticity
my name being called out now but back, behind,
hissing how many coats do you think it will take
"or try with eyesight to divide" (there is no quarrel)
behind everything the sound of something dripping
a system of spoke-wise clubs of green — sleeve pieces
filled with the sensation of suddenly being completed
the wool gabardine mix, the grammatical weave,
the never-never-to-lose-its-elasticity: my name
flapping in the wind like the first note of my absence
hissing how many coats do you think it will take
are you a test case is it an emergency
flapping in the wind the first note of something
overheard nearby an impermanence of structure
watching the lip-reading, there is no quarrel,
I will vanish, others will come here, what is that,
never never to lose the sensation of suddenly being
completed in the wind — the first note of our quarrel —
it was this night I believe or possibly the next
filled with the sensation of being suddenly completed,
I will vanish, others will come here, what is that now
floating in the air before us with stars a test case
that I saw clearly the impossibility of staying
|
Written by
Philip Levine |
from an officer's diary during the last war
I
The sour daylight cracks through my sleep-caked lids.
"Stephan! Stephan!" The rattling orderly
Comes on a trot, the cold tray in his hands:
Toast whitening with oleo, brown tea,
Yesterday's napkins, and an opened letter.
"Your asthma's bad, old man.
" He doesn't answer,
And turns to the grey windows and the weather.
"Don't worry, Stephan, the lungs will go to cancer.
"
II
I speak, "the enemy's exhausted, victory
Is almost ours.
.
.
" These twenty new recruits,
Conscripted for the battles lost already,
Were once the young, exchanging bitter winks,
And shuffling when I rose to eloquence,
Determined not to die and not to show
The fear that held them in their careless stance,
And yet they died, how many wars ago?
Or came back cream puffs, 45, and fat.
I know that I am touched for my eyes brim
With tears I had forgotten.
Death is not
For these car salesmen whose only dream
Is of a small percentage of the take.
Oh my eternal smilers, weep for death
Whose harvest withers with your aged aches
And cannot make the grave for lack of breath.
III
Did you wet? Oh no, he had not wet.
How could he say it, it was hard to say
Because he did not understand it yet.
It had to do, maybe, with being away,
With being here where nothing seemed to matter.
It will be better, you will see tomorrow,
I told him, in a while it will be better,
And all the while staring from the mirror
I saw those eyes, my eyes devouring me.
I cannot fire my rifle, I'm aftaid
Even to aim at what I cannot see.
This was his voice, or was it mine I heard?
How do I know that in this foul latrine
I calmed a soldier, infantile, manic?
Could he be real with such eyes pinched between
The immense floating shoulders of his tunic?
IV
Around the table where the map is spread
The officers gather.
Now the colonel leans
Into the blinkered light from overhead
And with a penknife improvises plans
For our departure.
Plans delivered by
An old staff courier on his bicycle.
One looks at him and wonders does he say,
I lean out and I let my shadow fall
Shouldering the picture that we call the world
And there is darkness? Does he say such things?
Or is there merely silence in his head?
Or other voices which the silence rings?
Such a fine skull and forehead, broad and flat,
The eyes opaque and slightly animal.
I can come closer to a starving cat,
I can read hunger in its eyes and feel
In the irregular motions of its tail
A need that I could feel.
He slips his knife
Into the terminal where we entrain
And something seems to issue from my life.
V
In the mice-sawed potato fields dusk waits.
My dull ones march by fours on the playground,
Kicking up dust; The column hesitates
As though in answer to the rising wind,
To darkness and the coldness it must enter.
Listen, my heroes, my half frozen men,
The corporal calls us to that distant winter
Where we will merge the nothingness within.
And they salute as one and stand at peace.
Keeping an arm's distance from everything,
I answer them, knowing they see no face
Between my helmet and my helmet thong.
VI
But three more days and we'll be moving out.
The cupboard of the state is bare, no one,
Not God himself, can raise another recruit.
Drinking my hot tea, listening to the rain,
I sit while Stephan packs, grumbling a bit.
He breaks the china that my mother sent,
Her own first china, as a wedding gift.
"Now that your wife is dead, Captain, why can't
The two of us really make love together?"
I cannot answer.
When I lift a plate
It seems I almost hear my long-dead mother
Saying, Watch out, the glass is underfoot.
Stephan is touching me.
"Captain, why not?
Three days from now and this will all be gone.
It no longer is!" Son, you don't shout,
In the long run it doesn't help the pain.
I gather the brittle bits and cut my finger
On the chipped rim of my wife's favorite glass,
And cannot make the simple bleeding linger.
"Captain, Captain, there's no one watching us.
"
|
Written by
Rudyard Kipling |
The strength of twice three thousand horse
That seeks the single goal;
The line that holds the rending course,
The hate that swings the whole;
The stripped hulls, slinking through the gloom,
At gaze and gone again --
The Brides of Death that wait the groom --
The Choosers of the Slain!
Offshore where sea and skyline blend
In rain, the daylight dies;
The sullen, shouldering sweels attend
Night and our sacrifice.
Adown the stricken capes no flare --
No mark on spit or bar, --
Birdled and desperate we dare
The blindfold game of war.
Nearer the up-flung beams that spell
The council of our foes;
Clearer the barking guns that tell
Their scattered flank to close.
Sheer to the trap they crowd their way
From ports for this unbarred.
Quiet, and count our laden prey,
The convoy and her guard!
On shoal with carce a foot below,
Where rock and islet throng,
Hidden and hushed we watch them throw
Their anxious lights along.
Not here, not here your danger lies --
(Stare hard, O hooded eyne!)
Save were the dazed rock-pigeons rise
The lit cliffs give no sign.
Therefore -- to break the rest ye seek,
The Narrow Seas to clear --
Hark to the siren's whimpering shriek --
The driven death is here!
Look to your van a league away, --
What midnight terror stays
The bulk that checks against the spray
Her crackling tops ablaze?
Hit, and hard hit! The blow went home,
The muffled, knocking stroke --
The steam that overruns the foam --
The foam that thins to smoke --
The smoke that clokes the deep aboil --
The deep that chokes her throes
Till, streaked with ash and sleeked with oil,
The lukewarm whirlpools close!
A shadow down the sickened wave
Long since her slayer fled:
But hear their chattering quick-fires rave
Astern, abeam, ahead!
Panic that shells the drifting spar --
Loud waste with none to check --
Mad fear that rakes a scornful star
Or sweeps a consort's deck.
Now, while their silly smoke hangs thick,
Now ere their wits they find,
Lay in and lance them to the quick --
Our gallied whales are blind!
Good luck to those that see end end,
Good-bye to those that drown --
For each his chance as chance shall send --
And God for all! Shut down!
The strength of twice three thousand horse
That serve the one command;
The hand that heaves the headlong force,
The hate that backs the hand:
The doom-bolt in the darkness freed,
The mine that splits the main;
The white-hot wake, the 'wildering speed --
The Choosers of the Slain!
|