Written by
Vachel Lindsay |
I. THEIR BASIC SAVAGERY
Fat black bucks in a wine-barrel room,
Barrel-house kings, with feet unstable,
Sagged and reeled and pounded on the table,
A deep rolling bass.
Pounded on the table,
Beat an empty barrel with the handle of a broom,
Hard as they were able,
Boom, boom, BOOM,
With a silk umbrella and the handle of a broom,
Boomlay, boomlay, boomlay, BOOM.
THEN I had religion, THEN I had a vision.
I could not turn from their revel in derision.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
More deliberate. Solemnly chanted.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
Then along that riverbank
A thousand miles
Tattooed cannibals danced in files;
Then I heard the boom of the blood-lust song
And a thigh-bone beating on a tin-pan gong.
A rapidly piling climax of speed & racket.
And "BLOOD" screamed the whistles and the fifes of the warriors,
"BLOOD" screamed the skull-faced, lean witch-doctors,
"Whirl ye the deadly voo-doo rattle,
Harry the uplands,
Steal all the cattle,
Rattle-rattle, rattle-rattle,
Bing.
Boomlay, boomlay, boomlay, BOOM,"
A roaring, epic, rag-time tune
With a philosophic pause.
From the mouth of the Congo
To the Mountains of the Moon.
Death is an Elephant,
Torch-eyed and horrible,
Shrilly and with a heavily accented metre.
Foam-flanked and terrible.
BOOM, steal the pygmies,
BOOM, kill the Arabs,
BOOM, kill the white men,
HOO, HOO, HOO.
Listen to the yell of Leopold's ghost
Like the wind in the chimney.
Burning in Hell for his hand-maimed host.
Hear how the demons chuckle and yell
Cutting his hands off, down in Hell.
Listen to the creepy proclamation,
Blown through the lairs of the forest-nation,
Blown past the white-ants' hill of clay,
Blown past the marsh where the butterflies play: --
"Be careful what you do,
Or Mumbo-Jumbo, God of the Congo,
All the "O" sounds very golden. Heavy accents very heavy. Light accents very light. Last line whispered.
And all of the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you,
Mumbo-Jumbo will hoo-doo you."
II. THEIR IRREPRESSIBLE HIGH SPIRITS
Wild crap-shooters with a whoop and a call
Rather shrill and high.
Danced the juba in their gambling-hall
And laughed fit to kill, and shook the town,
And guyed the policemen and laughed them down
With a boomlay, boomlay, boomlay, BOOM.
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Read exactly as in first section.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
A ***** fairyland swung into view,
Lay emphasis on the delicate ideas. Keep as light-footed as possible.
A minstrel river
Where dreams come true.
The ebony palace soared on high
Through the blossoming trees to the evening sky.
The inlaid porches and casements shone
With gold and ivory and elephant-bone.
And the black crowd laughed till their sides were sore
At the baboon butler in the agate door,
And the well-known tunes of the parrot band
That trilled on the bushes of that magic land.
A troupe of skull-faced witch-men came
With pomposity.
Through the agate doorway in suits of flame,
Yea, long-tailed coats with a gold-leaf crust
And hats that were covered with diamond-dust.
And the crowd in the court gave a whoop and a call
And danced the juba from wall to wall.
But the witch-men suddenly stilled the throng
With a great deliberation & ghostliness.
With a stern cold glare, and a stern old song: --
"Mumbo-Jumbo will hoo-doo you." ...
Just then from the doorway, as fat as shotes,
With overwhelming assurance, good cheer, and pomp.
Came the cake-walk princes in their long red coats,
Canes with a brilliant lacquer shine,
And tall silk hats that were red as wine.
And they pranced with their butterfly partners there,
With growing speed and sharply marked dance-rhythm
Coal-black maidens with pearls in their hair,
Knee-skirts trimmed with the jassamine sweet,
And bells on their ankles and little black-feet.
And the couples railed at the chant and the frown
Of the witch-men lean, and laughed them down.
(O rare was the revel, and well worth while
That made those glowering witch-men smile.)
The cake-walk royalty then began
To walk for a cake that was tall as a man
To the tune of "Boomlay, boomlay, BOOM,"
While the witch-men laughed, with a sinister air,
With a touch of ***** dialect, and as rapidly as possible toward the end.
And sang with the scalawags prancing there: --
"Walk with care, walk with care,
Or Mumbo-Jumbo, God of the Congo,
And all the other
Gods of the Congo,
Mumbo-Jumbo will hoo-doo you.
Beware, beware, walk with care,
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay, boom.
Boomlay, boomlay, boomlay,
BOOM."
Oh rare was the revel, and well worth while
Slow philosophic calm.
That made those glowering witch-men smile.
III. THE HOPE OF THEIR RELIGION
A good old ***** in the slums of the town
Heavy bass. With a literal imitation of camp-meeting racket, and trance.
Preached at a sister for her velvet gown.
Howled at a brother for his low-down ways,
His prowling, guzzling, sneak-thief days.
Beat on the Bible till he wore it out
Starting the jubilee revival shout.
And some had visions, as they stood on chairs,
And sang of Jacob, and the golden stairs,
And they all repented, a thousand strong
From their stupor and savagery and sin and wrong
And slammed with their hymn books till they shook the room
With "glory, glory, glory,"
And "Boom, boom, BOOM."
THEN I SAW THE CONGO, CREEPING THROUGH THE BLACK,
Exactly as in the first section. Begin with terror and power, end with joy.
CUTTING THROUGH THE FOREST WITH A GOLDEN TRACK.
And the gray sky opened like a new-rent veil
And showed the Apostles with their coats of mail.
In bright white steel they were seated round
And their fire-eyes watched where the Congo wound.
And the twelve Apostles, from their thrones on high
Thrilled all the forest with their heavenly cry: --
"Mumbo-Jumbo will die in the jungle;
Sung to the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you,
Never again will he hoo-doo you."
Then along that river, a thousand miles
With growing deliberation and joy.
The vine-snared trees fell down in files.
Pioneer angels cleared the way
For a Congo paradise, for babes at play,
For sacred capitals, for temples clean.
Gone were the skull-faced witch-men lean.
There, where the wild ghost-gods had wailed
In a rather high key -- as delicately as possible.
A million boats of the angels sailed
With oars of silver, and prows of blue
And silken pennants that the sun shone through.
'Twas a land transfigured, 'twas a new creation.
Oh, a singing wind swept the ***** nation
And on through the backwoods clearing flew: --
"Mumbo-Jumbo is dead in the jungle.
To the tune of "Hark, ten thousand harps and voices."
Never again will he hoo-doo you.
Never again will he hoo-doo you.
Redeemed were the forests, the beasts and the men,
And only the vulture dared again
By the far, lone mountains of the moon
To cry, in the silence, the Congo tune: --
"Mumbo-Jumbo will hoo-doo you,
Dying down into a penetrating, terrified whisper.
"Mumbo-Jumbo will hoo-doo you.
Mumbo ... Jumbo ... will ... hoo-doo ... you."
|
Written by
Adam Lindsay Gordon |
Hold hard, Ned! Lift me down once more, and lay me in the shade.
Old man, you've had your work cut out to guide
Both horses, and to hold me in the saddle when I swayed,
All through the hot, slow, sleepy, silent ride.
The dawn at "Moorabinda" was a mist rack dull and dense,
The sun-rise was a sullen, sluggish lamp;
I was dozing in the gateway at Arbuthnot's bound'ry fence,
I was dreaming on the Limestone cattle camp.
We crossed the creek at Carricksford, and sharply through the haze,
And suddenly the sun shot flaming forth;
To southward lay "Katawa", with the sand peaks all ablaze,
And the flushed fields of Glen Lomond lay to north.
Now westward winds the bridle-path that leads to Lindisfarm,
And yonder looms the double-headed Bluff;
From the far side of the first hill, when the skies are clear and calm,
You can see Sylvester's woolshed fair enough.
Five miles we used to call it from our homestead to the place
Where the big tree spans the roadway like an arch;
'Twas here we ran the dingo down that gave us such a chase
Eight years ago -- or was it nine? -- last March.
'Twas merry in the glowing morn among the gleaming grass,
To wander as we've wandered many a mile,
And blow the cool tobacco cloud, and watch the white wreaths pass,
Sitting loosely in the saddle all the while.
'Twas merry 'mid the blackwoods, when we spied the station roofs,
To wheel the wild scrub cattle at the yard,
With a running fire of stock whips and a fiery run of hoofs;
Oh! the hardest day was never then too hard!
Aye! we had a glorious gallop after "Starlight" and his gang,
When they bolted from Sylvester's on the flat;
How the sun-dried reed-beds crackled, how the flint-strewn ranges rang,
To the strokes of "Mountaineer" and "Acrobat".
Hard behind them in the timber, harder still across the heath,
Close beside them through the tea-tree scrub we dash'd;
And the golden-tinted fern leaves, how they rustled underneath;
And the honeysuckle osiers, how they crash'd!
We led the hunt throughout, Ned, on the chestnut and the grey,
And the troopers were three hundred yards behind,
While we emptied our six-shooters on the bushrangers at bay,
In the creek with stunted box-trees for a blind!
There you grappled with the leader, man to man, and horse to horse,
And you roll'd together when the chestnut rear'd;
He blazed away and missed you in that shallow water-course --
A narrow shave -- his powder singed your beard!
In these hours when life is ebbing, how those days when life was young
Come back to us; how clearly I recall
Even the yarns Jack Hall invented, and the songs Jem Roper sung;
And where are now Jem Roper and Jack Hall?
Ay! nearly all our comrades of the old colonial school,
Our ancient boon companions, Ned, are gone;
Hard livers for the most part, somewhat reckless as a rule,
It seems that you and I are left alone.
There was Hughes, who got in trouble through that business with the cards,
It matters little what became of him;
But a steer ripp'd up Macpherson in the Cooraminta yards,
And Sullivan was drown'd at Sink-or-swim;
And Mostyn -- poor Frank Mostyn -- died at last, a fearful wreck,
In the "horrors" at the Upper Wandinong,
And Carisbrooke, the rider, at the Horsefall broke his neck;
Faith! the wonder was he saved his neck so long!
Ah! those days and nights we squandered at the Logans' in the glen --
The Logans, man and wife, have long been dead.
Elsie's tallest girl seems taller than your little Elsie then;
And Ethel is a woman grown and wed.
I've had my share of pastime, and I've done my share of toil,
And life is short -- the longest life a span;
I care not now to tarry for the corn or for the oil,
Or for wine that maketh glad the heart of man.
For good undone, and gifts misspent, and resolutions vain,
'Tis somewhat late to trouble. This I know --
I should live the same life over, if I had to live again;
And the chances are I go where most men go.
The deep blue skies wax dusky, and the tall green trees grow dim,
The sward beneath me seems to heave and fall;
And sickly, smoky shadows through the sleepy sunlight swim,
And on the very sun's face weave their pall.
Let me slumber in the hollow where the wattle blossoms wave,
With never stone or rail to fence my bed;
Should the sturdy station children pull the bush-flowers on my grave,
I may chance to hear them romping overhead.
I don't suppose I shall though, for I feel like sleeping sound,
That sleep, they say, is doubtful. True; but yet
At least it makes no difference to the dead man underground
What the living men remember or forget.
Enigmas that perplex us in the world's unequal strife,
The future may ignore or may reveal;
Yet some, as weak as water, Ned, to make the best of life,
Have been to face the worst as true as steel.
|
Written by
George Herbert |
As I one ev'ning sat before my cell,
Me thoughts a star did shoot into my lap.
I rose, and shook my clothes, as knowing well,
That from small fires comes oft no small mishap.
When suddenly I heard one say,
-Do as thou usest, disobey,
Expell good motions from thy breast,
Which have the face of fire, but end in rest-.
I, who had heard of music in the spheres,
But not of speech in stars, began to muse:
But turning to my God, whose ministers
The stars and all things are; if I refuse,
Dread Lord, said I , so oft my good;
Then I refuse not ev'n with blood
To wash away my stubborn thought:
For I will do, or suffer what I ought.
But I have also stars and shooters too,
Born where thy servants both artilleries use.
My tears and prayers night and day do woo,
And work up to thee; yet thou dost refuse.
Not but that I am (I must say still)
Much more oblig'd to do thy will,
Than thou to grant mine: but because
Thy promise now hath ev'n set thee thy laws.
Then we are shooters both, and thou dost deign
To enter combat with us, and contest
With thine own clay. But I would parley fain:
Shun not my arrows, and behold my breast.
Yet if thou shunnest, I am thine:
I must be so, if I am mine.
There is no articling with thee:
I am but finite, yet thine infinitely.
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