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Best Famous Shoal Poems

Here is a collection of the all-time best famous Shoal poems. This is a select list of the best famous Shoal poetry. Reading, writing, and enjoying famous Shoal poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of shoal poems.

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Written by Adrienne Rich | Create an image from this poem

Integrity

 the quality of being complete; unbroken condition; entirety
~ Webster
A wild patience has taken me this far

as if I had to bring to shore
a boat with a spasmodic outboard motor
old sweaters, nets, spray-mottled books
tossed in the prow
some kind of sun burning my shoulder-blades.
Splashing the oarlocks.
Burning through.
Your fore-arms can get scalded, licked with pain in a sun blotted like unspoken anger behind a casual mist.
The length of daylight this far north, in this forty-ninth year of my life is critical.
The light is critical: of me, of this long-dreamed, involuntary landing on the arm of an inland sea.
The glitter of the shoal depleting into shadow I recognize: the stand of pines violet-black really, green in the old postcard but really I have nothing but myself to go by; nothing stands in the realm of pure necessity except what my hands can hold.
Nothing but myself?.
.
.
.
My selves.
After so long, this answer.
As if I had always known I steer the boat in, simply.
The motor dying on the pebbles cicadas taking up the hum dropped in the silence.
Anger and tenderness: my selves.
And now I can believe they breathe in me as angels, not polarities.
Anger and tenderness: the spider's genius to spin and weave in the same action from her own body, anywhere -- even from a broken web.
The cabin in the stand of pines is still for sale.
I know this.
Know the print of the last foot, the hand that slammed and locked the door, then stopped to wreathe the rain-smashed clematis back on the trellis for no one's sake except its own.
I know the chart nailed to the wallboards the icy kettle squatting on the burner.
The hands that hammered in those nails emptied that kettle one last time are these two hands and they have caught the baby leaping from between trembling legs and they have worked the vacuum aspirator and stroked the sweated temples and steered the boat there through this hot misblotted sunlight, critical light imperceptibly scalding the skin these hands will also salve.


Written by Dylan Thomas | Create an image from this poem

Ballad Of The Long-Legged Bait

 The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned Boat with its anchor free and fast As a bird hooking over the sea, High and dry by the top of the mast, Whispered the affectionate sand And the bulwarks of the dazzled quay.
For my sake sail, and never look back, Said the looking land.
Sails drank the wind, and white as milk He sped into the drinking dark; The sun shipwrecked west on a pearl And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck To the gold gut that sings on his reel To the bait that stalked out of the sack, For we saw him throw to the swift flood A girl alive with his hooks through her lips; All the fishes were rayed in blood, Said the dwindling ships.
Good-bye to chimneys and funnels, Old wives that spin in the smoke, He was blind to the eyes of candles In the praying windows of waves But heard his bait buck in the wake And tussle in a shoal of loves.
Now cast down your rod, for the whole Of the sea is hilly with whales, She longs among horses and angels, The rainbow-fish bend in her joys, Floated the lost cathedral Chimes of the rocked buoys.
Where the anchor rode like a gull Miles over the moonstruck boat A squall of birds bellowed and fell, A cloud blew the rain from its throat; He saw the storm smoke out to kill With fuming bows and ram of ice, Fire on starlight, rake Jesu's stream; And nothing shone on the water's face But the oil and bubble of the moon, Plunging and piercing in his course The lured fish under the foam Witnessed with a kiss.
Whales in the wake like capes and Alps Quaked the sick sea and snouted deep, Deep the great bushed bait with raining lips Slipped the fins of those humpbacked tons And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs! She nipped and dived in the nick of love, Spun on a spout like a long-legged ball Till every beast blared down in a swerve Till every turtle crushed from his shell Till every bone in the rushing grave Rose and crowed and fell! Good luck to the hand on the rod, There is thunder under its thumbs; Gold gut is a lightning thread, His fiery reel sings off its flames, The whirled boat in the burn of his blood Is crying from nets to knives, Oh the shearwater birds and their boatsized brood Oh the bulls of Biscay and their calves Are making under the green, laid veil The long-legged beautiful bait their wives.
Break the black news and paint on a sail Huge weddings in the waves, Over the wakeward-flashing spray Over the gardens of the floor Clash out the mounting dolphin's day, My mast is a bell-spire, Strike and smoothe, for my decks are drums, Sing through the water-spoken prow The octopus walking into her limbs The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern Sing how the seal has kissed her dead! The long, laid minute's bride drifts on Old in her cruel bed.
Over the graveyard in the water Mountains and galleries beneath Nightingale and hyena Rejoicing for that drifting death Sing and howl through sand and anemone Valley and sahara in a shell, Oh all the wanting flesh his enemy Thrown to the sea in the shell of a girl Is old as water and plain as an eel; Always good-bye to the long-legged bread Scattered in the paths of his heels For the salty birds fluttered and fed And the tall grains foamed in their bills; Always good-bye to the fires of the face, For the crab-backed dead on the sea-bed rose And scuttled over her eyes, The blind, clawed stare is cold as sleet.
The tempter under the eyelid Who shows to the selves asleep Mast-high moon-white women naked Walking in wishes and lovely for shame Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream And no-one stirs at Sheba's side But the hungry kings of the tides; Sin who had a woman's shape Sleeps till Silence blows on a cloud And all the lifted waters walk and leap.
Lucifer that bird's dropping Out of the sides of the north Has melted away and is lost Is always lost in her vaulted breath, Venus lies star-struck in her wound And the sensual ruins make Seasons over the liquid world, White springs in the dark.
Always good-bye, cried the voices through the shell, Good-bye always, for the flesh is cast And the fisherman winds his reel With no more desire than a ghost.
Always good luck, praised the finned in the feather Bird after dark and the laughing fish As the sails drank up the hail of thunder And the long-tailed lightning lit his catch.
The boat swims into the six-year weather, A wind throws a shadow and it freezes fast.
See what the gold gut drags from under Mountains and galleries to the crest! See what clings to hair and skull As the boat skims on with drinking wings! The statues of great rain stand still, And the flakes fall like hills.
Sing and strike his heavy haul Toppling up the boatside in a snow of light! His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite! Out of the urn a size of a man Out of the room the weight of his trouble Out of the house that holds a town In the continent of a fossil One by one in dust and shawl, Dry as echoes and insect-faced, His fathers cling to the hand of the girl And the dead hand leads the past, Leads them as children and as air On to the blindly tossing tops; The centuries throw back their hair And the old men sing from newborn lips: Time is bearing another son.
Kill Time! She turns in her pain! The oak is felled in the acorn And the hawk in the egg kills the wren.
He who blew the great fire in And died on a hiss of flames Or walked the earth in the evening Counting the denials of the grains Clings to her drifting hair, and climbs; And he who taught their lips to sing Weeps like the risen sun among The liquid choirs of his tribes.
The rod bends low, divining land, And through the sundered water crawls A garden holding to her hand With birds and animals With men and women and waterfalls Trees cool and dry in the whirlpool of ships And stunned and still on the green, laid veil Sand with legends in its virgin laps And prophets loud on the burned dunes; Insects and valleys hold her thighs hard, Times and places grip her breast bone, She is breaking with seasons and clouds; Round her trailed wrist fresh water weaves, with moving fish and rounded stones Up and down the greater waves A separate river breathes and runs; Strike and sing his catch of fields For the surge is sown with barley, The cattle graze on the covered foam, The hills have footed the waves away, With wild sea fillies and soaking bridles With salty colts and gales in their limbs All the horses of his haul of miracles Gallop through the arched, green farms, Trot and gallop with gulls upon them And thunderbolts in their manes.
O Rome and Sodom To-morrow and London The country tide is cobbled with towns And steeples pierce the cloud on her shoulder And the streets that the fisherman combed When his long-legged flesh was a wind on fire And his loin was a hunting flame Coil from the thoroughfares of her hair And terribly lead him home alive Lead her prodigal home to his terror, The furious ox-killing house of love.
Down, down, down, under the ground, Under the floating villages, Turns the moon-chained and water-wound Metropolis of fishes, There is nothing left of the sea but its sound, Under the earth the loud sea walks, In deathbeds of orchards the boat dies down And the bait is drowned among hayricks, Land, land, land, nothing remains Of the pacing, famous sea but its speech, And into its talkative seven tombs The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon, To the fisherman lost on the land.
He stands alone in the door of his home, With his long-legged heart in his hand.
Written by Robinson Jeffers | Create an image from this poem

Meditation On Saviors

 I
When I considered it too closely, when I wore it like an element
 and smelt it like water,
Life is become less lovely, the net nearer than the skin, a
 little troublesome, a little terrible.
I pledged myself awhile ago not to seek refuge, neither in death nor in a walled garden, In lies nor gated loyalties, nor in the gates of contempt, that easily lock the world out of doors.
Here on the rock it is great and beautiful, here on the foam-wet granite sea-fang it is easy to praise Life and water and the shining stones: but whose cattle are the herds of the people that one should love them? If they were yours, then you might take a cattle-breeder's delight in the herds of the future.
Not yours.
Where the power ends let love, before it sours to jealousy.
Leave the joys of government to Caesar.
Who is born when the world wanes, when the brave soul of the world falls on decay in the flesh increasing Comes one with a great level mind, sufficient vision, sufficient blindness, and clemency for love.
This is the breath of rottenness I smelt; from the world waiting, stalled between storms, decaying a little, Bitterly afraid to be hurt, but knowing it cannot draw the savior Caesar but out of the blood-bath.
The apes of Christ lift up their hands to praise love: but wisdom without love is the present savior, Power without hatred, mind like a many-bladed machine subduing the world with deep indifference.
The apes of Christ itch for a sickness they have never known; words and the little envies will hardly Measure against that blinding fire behind the tragic eyes they have never dared to confront.
II Point Lobos lies over the hollowed water like a humped whale swimming to shoal; Point Lobos Was wounded with that fire; the hills at Point Sur endured it; the palace at Thebes; the hill Calvary.
Out of incestuous love power and then ruin.
A man forcing the imaginations of men, Possessing with love and power the people: a man defiling his own household with impious desire.
King Oedipus reeling blinded from the palace doorway, red tears pouring from the torn pits Under the forehead; and the young Jew writhing on the domed hill in the earthquake, against the eclipse Frightfully uplifted for having turned inward to love the people: -that root was so sweet O dreadful agonist? - I saw the same pierced feet, that walked in the same crime to its expiation; I heard the same cry.
A bad mountain to build your world on.
Am I another keeper of the people, that on my own shore, On the gray rock, by the grooved mass of the ocean, the sicknesses I left behind me concern me? Here where the surf has come incredible ways out of the splendid west, over the deeps Light nor life sounds forever; here where enormous sundowns flower and burn through color to quietness; Then the ecstasy of the stars is present? As for the people, I have found my rock, let them find theirs.
Let them lie down at Caesar's feet and be saved; and he in his time reap their daggers of gratitude.
III Yet I am the one made pledges against the refuge contempt, that easily locks the world out of doors.
This people as much as the sea-granite is part of the God from whom I desire not to be fugitive.
I see them: they are always crying.
The shored Pacific makes perpetual music, and the stone mountains Their music of silence, the stars blow long pipings of light: the people are always crying in their hearts.
One need not pity; certainly one must not love.
But who has seen peace, if he should tell them where peace Lives in the world.
.
.
they would be powerless to understand; and he is not willing to be reinvolved.
IV How should one caught in the stone of his own person dare tell the people anything but relative to that? But if a man could hold in his mind all the conditions at once, of man and woman, of civilized And barbarous, of sick and well, of happy and under torture, of living and dead, of human and not Human, and dimly all the human future: -what should persuade him to speak? And what could his words change? The mountain ahead of the world is not forming but fixed.
But the man's words would be fixed also, Part of that mountain, under equal compulsion; under the same present compulsion in the iron consistency.
And nobody sees good or evil but out of a brain a hundred centuries quieted, some desert Prophet's, a man humped like a camel, gone mad between the mud- walled village and the mountain sepulchres.
V Broad wagons before sunrise bring food into the city from the open farms, and the people are fed.
They import and they consume reality.
Before sunrise a hawk in the desert made them their thoughts.
VI Here is an anxious people, rank with suppressed bloodthirstiness.
Among the mild and unwarlike Gautama needed but live greatly and be heard, Confucius needed but live greatly and be heard: This people has not outgrown blood-sacrifice, one must writhe on the high cross to catch at their memories; The price is known.
I have quieted love; for love of the people I would not do it.
For power I would do it.
--But that stands against reason: what is power to a dead man, dead under torture? --What is power to a man Living, after the flesh is content? Reason is never a root, neither of act nor desire.
For power living I would never do it; they'are not delightful to touch, one wants to be separate.
For power After the nerves are put away underground, to lighten the abstract unborn children toward peace.
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A man might have paid anguish indeed.
Except he had found the standing sea-rock that even this last Temptation breaks on; quieter than death but lovelier; peace that quiets the desire even of praising it.
VII Yet look: are they not pitiable? No: if they lived forever they would be pitiable: But a huge gift reserved quite overwhelms them at the end; they are able then to be still and not cry.
And having touched a little of the beauty and seen a little of the beauty of things, magically grow Across the funeral fire or the hidden stench of burial themselves into the beauty they admired, Themselves into the God, themselves into the sacred steep unconsciousness they used to mimic Asleep between lamp's death and dawn, while the last drunkard stumbled homeward down the dark street.
They are not to be pitied but very fortunate; they need no savior, salvation comes and takes them by force, It gathers them into the great kingdoms of dust and stone, the blown storms, the stream's-end ocean.
With this advantage over their granite grave-marks, of having realized the petulant human consciousness Before, and then the greatness, the peace: drunk from both pitchers: these to be pitied? These not fortunate But while he lives let each man make his health in his mind, to love the coast opposite humanity And so be freed of love, laying it like bread on the waters; it is worst turned inward, it is best shot farthest.
Love, the mad wine of good and evil, the saint's and murderer's, the mote in the eye that makes its object Shine the sun black; the trap in which it is better to catch the inhuman God than the hunter's own image.
Written by Robinson Jeffers | Create an image from this poem

The Purse-Seine

 Our sardine fishermen work at night in the dark
 of the moon; daylight or moonlight
They could not tell where to spread the net, 
 unable to see the phosphorescence of the 
 shoals of fish.
They work northward from Monterey, coasting Santa Cruz; off New Year's Point or off Pigeon Point The look-out man will see some lakes of milk-color light on the sea's night-purple; he points, and the helmsman Turns the dark prow, the motorboat circles the gleaming shoal and drifts out her seine-net.
They close the circle And purse the bottom of the net, then with great labor haul it in.
I cannot tell you How beautiful the scene is, and a little terrible, then, when the crowded fish Know they are caught, and wildly beat from one wall to the other of their closing destiny the phosphorescent Water to a pool of flame, each beautiful slender body sheeted with flame, like a live rocket A comet's tail wake of clear yellow flame; while outside the narrowing Floats and cordage of the net great sea-lions come up to watch, sighing in the dark; the vast walls of night Stand erect to the stars.
Lately I was looking from a night mountain-top On a wide city, the colored splendor, galaxies of light: how could I help but recall the seine-net Gathering the luminous fish? I cannot tell you how beautiful the city appeared, and a little terrible.
I thought, We have geared the machines and locked all together into inter-dependence; we have built the great cities; now There is no escape.
We have gathered vast populations incapable of free survival, insulated From the strong earth, each person in himself helpless, on all dependent.
The circle is closed, and the net Is being hauled in.
They hardly feel the cords drawing, yet they shine already.
The inevitable mass-disasters Will not come in our time nor in our children's, but we and our children Must watch the net draw narrower, government take all powers--or revolution, and the new government Take more than all, add to kept bodies kept souls--or anarchy, the mass-disasters.
These things are Progress; Do you marvel our verse is troubled or frowning, while it keeps its reason? Or it lets go, lets the mood flow In the manner of the recent young men into mere hysteria, splintered gleams, crackled laughter.
But they are quite wrong.
There is no reason for amazement: surely one always knew that cultures decay, and life's end is death.
Written by Rudyard Kipling | Create an image from this poem

The Song of the Dead

 Hear now the Song of the Dead -- in the North by the torn berg-edges --
They that look still to the Pole, asleep by their hide-stripped sledges.
Song of the Dead in the South -- in the sun by their skeleton horses, Where the warrigal whimpers and bays through the dust of the sere river-courses.
Song of the Dead in the East -- in the heat-rotted jungle-hollows, Where the dog-ape barks in the kloof -- in the brake of the buffalo-wallows.
Song of the Dead in the West in the Barrens, the pass that betrayed them, Where the wolverine tumbles their packs from the camp and the grave-rnound they made them; Hear now the Song of the Dead! I We were dreamers, dreaming greatly, in the man-stifled town; We yearned beyond the sky-line where the strange roads go down.
Came the Whisper, came the Vision, came the Power with the Need, Till the Soul that is not man's soul was lent us to lead.
As the deer breaks -- as the steer breaks -- from the herd where they graze, In the faith of little children we went on our ways.
Then the wood failed -- then the food failed -- then the last water dried.
In the faith of little children we lay down and died.
On the sand-drift -- on the veldt-side -- in the fern-scrub we lay, That our sons might follow after by the bones on the way.
Follow after-follow after! We have watered the root, And the bud has come to blossom that ripens for fruit! Follow after -- we are waiting, by the trails that we lost, For the sounds of many footsteps, for the tread of a host.
Follow after-follow after -- for the harvest is sown: By the bones about the wayside ye shall come to your own! When Drake went down to the Horn And England was crowned thereby, 'Twixt seas unsailed and shores unhailed Our Lodge -- our Lodge was born (And England was crowned thereby!) Which never shall close again By day nor yet by night, While man shall take his ife to stake At risk of shoal or main (By day nor yet by night) But standeth even so As now we witness here, While men depart, of joyful heart, Adventure for to know (As now bear witness here!) II We have fed our sea for a thousand years And she calls us, still unfed, Tbough there's never a wave of all her waves But marks our English dead: We have strawed our best to the weed's unrest, To the shark and the sheering gull.
If blood be the price of admiralty, Lord God, we ha' paid in tull! There's never a flood goes shoreward now But lifts a keel we manned; There's never an ebb goes seaward now But drops our dead on the sand -- But slinks our dead on the sands forlore, From the Ducies to the Swin.
If blood be the price of admiralty, If blood be the price of admiralty, Lord God, we ha' paid it in! We must feed our sea for a thousand years, For that is our doom and pride, As it was when they sailed with the Golden Hind, Or tbe wreck that struck last tide -- Or the wreck that lies on the spouting reef Where the ghastly blue-lights flare If blood be tbe price of admiralty, If blood be tbe price of admiralty, If blood be the price of admiralty, Lord God, we ha' bought it fair!


Written by Derek Walcott | Create an image from this poem

Pentecost

 Better a jungle in the head
than rootless concrete.
Better to stand bewildered by the fireflies' crooked street; winter lamps do not show where the sidewalk is lost, nor can these tongues of snow speak for the Holy Ghost; the self-increasing silence of words dropped from a roof points along iron railings, direction, in not proof.
But best is this night surf with slow scriptures of sand, that sends, not quite a seraph, but a late cormorant, whose fading cry propels through phosphorescent shoal what, in my childhood gospels, used to be called the Soul.
Written by Rudyard Kipling | Create an image from this poem

The Second Voyage

 We've sent our little Cupids all ashore --
 They were frightened, they were tired, they were cold:
Our sails of silk and purple go to store,
 And we've cut away our mast of beaten gold
  (Foul weather!)
Oh 'tis hemp and singing pine for to stand against the brine,
 But Love he is our master as of old!

The sea has shorn our galleries away,
 The salt has soiled our gilding past remede;
Our paint is flaked and blistered by the spray,
 Our sides are half a fathom furred in weed
  (Foul weather!)
And the Doves of Venus fled and the petrels came instead,
 But Love he was our master at our need!

'Was Youth would keep no vigil at the bow,
 'Was Pleasure at the helm too drunk to steer --
We've shipped three able quartermasters now.
Men call them Custom, Reverence, and Fear (Foul weather!) They are old and scarred and plain, but we'll run no risk again From any Port o' Paphos mutineer! We seek no more the tempest for delight, We skirt no more the indraught and the shoal -- We ask no more of any day or night Than to come with least adventure to our goal (Foul weather!) What we find we needs must brook, but we do not go to look, Nor tempt the Lord our God that saved us whole.
Yet, caring so, not overmuch we care To brace and trim for every foolish blast, If the squall be pleased to seep us unaware, He may bellow off to leeward like the last (Foul weather!) We will blame it on the deep (for the watch must have their sleep), And Love can come and wake us when 'tis past.
Oh launch them down with music from the beach, Oh warp them out with garlands from the quays -- Most resolute -- a damsel unto each -- New prows that seek the old Hesperides! (Foul weather!) Though we know their voyage is vain, yet we see our path again In the saffroned bridesails scenting all the seas! (Foul weather!)
Written by Robert Lowell | Create an image from this poem

The Quaker Graveyard in Nantucket

 (For Warren Winslow, Dead At Sea)
 Let man have dominion over the fishes of the sea and
 the fowls of the air and the beasts and the whole earth,
 and every creeping creature that moveth upon the earth.
I A brackish reach of shoal off Madaket-- The sea was still breaking violently and night Had steamed into our North Atlantic Fleet, When the drowned sailor clutched the drag-net.
Light Flashed from his matted head and marble feet, He grappled at the net With the coiled, hurdling muscles of his thighs: The corpse was bloodless, a botch of reds and whites, Its open, staring eyes Were lustreless dead-lights Or cabin-windows on a stranded hulk Heavy with sand.
We weight the body, close Its eyes and heave it seaward whence it came, Where the heel-headed dogfish barks it nose On Ahab's void and forehead; and the name Is blocked in yellow chalk.
Sailors, who pitch this portent at the sea Where dreadnaughts shall confess Its heel-bent deity, When you are powerless To sand-bag this Atlantic bulwark, faced By the earth-shaker, green, unwearied, chaste In his steel scales: ask for no Orphean lute To pluck life back.
The guns of the steeled fleet Recoil and then repeat The hoarse salute.
II Whenever winds are moving and their breath Heaves at the roped-in bulwarks of this pier, The terns and sea-gulls tremble at your death In these home waters.
Sailor, can you hear The Pequod's sea wings, beating landward, fall Headlong and break on our Atlantic wall Off 'Sconset, where the yawing S-boats splash The bellbuoy, with ballooning spinnakers, As the entangled, screeching mainsheet clears The blocks: off Madaket, where lubbers lash The heavy surf and throw their long lead squids For blue-fish? Sea-gulls blink their heavy lids Seaward.
The winds' wings beat upon the stones, Cousin, and scream for you and the claws rush At the sea's throat and wring it in the slush Of this old Quaker graveyard where the bones Cry out in the long night for the hurt beast Bobbing by Ahab's whaleboats in the East.
III All you recovered from Poseidon died With you, my cousin, and the harrowed brine Is fruitless on the blue beard of the god, Stretching beyond us to the castles in Spain, Nantucket's westward haven.
To Cape Cod Guns, cradled on the tide, Blast the eelgrass about a waterclock Of bilge and backwash, roil the salt and sand Lashing earth's scaffold, rock Our warships in the hand Of the great God, where time's contrition blues Whatever it was these Quaker sailors lost In the mad scramble of their lives.
They died When time was open-eyed, Wooden and childish; only bones abide There, in the nowhere, where their boats were tossed Sky-high, where mariners had fabled news Of IS, the whited monster.
What it cost Them is their secret.
In the sperm-whale's slick I see the Quakers drown and hear their cry: "If God himself had not been on our side, If God himself had not been on our side, When the Atlantic rose against us, why, Then it had swallowed us up quick.
" IV This is the end of the whaleroad and the whale Who spewed Nantucket bones on the thrashed swell And stirred the troubled waters to whirlpools To send the Pequod packing off to hell: This is the end of them, three-quarters fools, Snatching at straws to sail Seaward and seaward on the turntail whale, Spouting out blood and water as it rolls, Sick as a dog to these Atlantic shoals: Clamavimus, O depths.
Let the sea-gulls wail For water, for the deep where the high tide Mutters to its hurt self, mutters and ebbs.
Waves wallow in their wash, go out and out, Leave only the death-rattle of the crabs, The beach increasing, its enormous snout Sucking the ocean's side.
This is the end of running on the waves; We are poured out like water.
Who will dance The mast-lashed master of Leviathans Up from this field of Quakers in their unstoned graves? V When the whale's viscera go and the roll Of its corruption overruns this world Beyond tree-swept Nantucket and Wood's Hole And Martha's Vineyard, Sailor, will your sword Whistle and fall and sink into the fat? In the great ash-pit of Jehoshaphat The bones cry for the blood of the white whale, The fat flukes arch and whack about its ears, The death-lance churns into the sanctuary, tears The gun-blue swingle, heaving like a flail, And hacks the coiling life out: it works and drags And rips the sperm-whale's midriff into rags, Gobbets of blubber spill to wind and weather, Sailor, and gulls go round the stoven timbers Where the morning stars sing out together And thunder shakes the white surf and dismembers The red flag hammered in the mast-head.
Hide, Our steel, Jonas Messias, in Thy side.
VI OUR LADY OF WALSINGHAM There once the penitents took off their shoes And then walked barefoot the remaining mile; And the small trees, a stream and hedgerows file Slowly along the munching English lane, Like cows to the old shrine, until you lose Track of your dragging pain.
The stream flows down under the druid tree, Shiloah's whirlpools gurgle and make glad The castle of God.
Sailor, you were glad And whistled Sion by that stream.
But see: Our Lady, too small for her canopy, Sits near the altar.
There's no comeliness at all or charm in that expressionless Face with its heavy eyelids.
As before, This face, for centuries a memory, Non est species, neque decor, Expressionless, expresses God: it goes Past castled Sion.
She knows what God knows, Not Calvary's Cross nor crib at Bethlehem Now, and the world shall come to Walsingham.
VII The empty winds are creaking and the oak splatters and splatters on the cenotaph, The boughs are trembling and a gaff Bobs on the untimely stroke Of the greased wash exploding on a shoal-bell In the old mouth of the Atlantic.
It's well; Atlantic, you are fouled with the blue sailors, sea-monsters, upward angel, downward fish: Unmarried and corroding, spare of flesh Mart once of supercilious, wing'd clippers, Atlantic, where your bell-trap guts its spoil You could cut the brackish winds with a knife Here in Nantucket, and cast up the time When the Lord God formed man from the sea's slime And breathed into his face the breath of life, And blue-lung'd combers lumbered to the kill.
The Lord survives the rainbow of His will.
Written by Edwin Arlington Robinson | Create an image from this poem

The Wilderness

 Come away! come away! there’s a frost along the marshes, 
And a frozen wind that skims the shoal where it shakes the dead black water;
There’s a moan across the lowland and a wailing through the woodland 
Of a dirge that sings to send us back to the arms of those that love us.
There is nothing left but ashes now where the crimson chills of autumn Put off the summer’s languor with a touch that made us glad For the glory that is gone from us, with a flight we cannot follow, To the slopes of other valleys and the sounds of other shores.
Come away! come away! you can hear them calling, calling, Calling us to come to them, and roam no more.
Over there beyond the ridges and the land that lies between us, There’s an old song calling us to come! Come away! come away!—for the scenes we leave behind us Are barren for the lights of home and a flame that’s young forever; And the lonely trees around us creak the warning of the night-wind, That love and all the dreams of love are away beyond the mountains.
The songs that call for us to-night, they have called for men before us, And the winds that blow the message, they have blown ten thousand years; But this will end our wander-time, for we know the joy that waits us In the strangeness of home-coming, and a woman’s waiting eyes.
Come away! come away! there is nothing now to cheer us— Nothing now to comfort us, but love’s road home:— Over there beyond the darkness there’s a window gleams to greet us, And a warm hearth waits for us within.
Come away! come away!—or the roving-fiend will hold us, And make us all to dwell with him to the end of human faring: There are no men yet may leave him when his hands are clutched upon them, There are none will own his enmity, there are none will call him brother.
So we’ll be up and on the way, and the less we boast the better For the freedom that God gave us and the dread we do not know:— The frost that skips the willow-leaf will again be back to blight it, And the doom we cannot fly from is the doom we do not see.
Come away! come away! there are dead men all around us— Frozen men that mock us with a wild, hard laugh That shrieks and sinks and whimpers in the shrill November rushes, And the long fall wind on the lake.
Written by Edna St Vincent Millay | Create an image from this poem

Lament

 When I was a windy boy and a bit
And the black spit of the chapel fold,
(Sighed the old ram rod, dying of women),
I tiptoed shy in the gooseberry wood,
The rude owl cried like a tell-tale tit,
I skipped in a blush as the big girls rolled
Nine-pin down on donkey's common,
And on seesaw sunday nights I wooed
Whoever I would with my wicked eyes,
The whole of the moon I could love and leave
All the green leaved little weddings' wives
In the coal black bush and let them grieve.
When I was a gusty man and a half And the black beast of the beetles' pews (Sighed the old ram rod, dying of bitches), Not a boy and a bit in the wick- Dipping moon and drunk as a new dropped calf, I whistled all night in the twisted flues, Midwives grew in the midnight ditches, And the sizzling sheets of the town cried, Quick!- Whenever I dove in a breast high shoal, Wherever I ramped in the clover quilts, Whatsoever I did in the coal- Black night, I left my quivering prints.
When I was a man you could call a man And the black cross of the holy house, (Sighed the old ram rod, dying of welcome), Brandy and ripe in my bright, bass prime, No springtailed tom in the red hot town With every simmering woman his mouse But a hillocky bull in the swelter Of summer come in his great good time To the sultry, biding herds, I said, Oh, time enough when the blood runs cold, And I lie down but to sleep in bed, For my sulking, skulking, coal black soul! When I was half the man I was And serve me right as the preachers warn, (Sighed the old ram rod, dying of downfall), No flailing calf or cat in a flame Or hickory bull in milky grass But a black sheep with a crumpled horn, At last the soul from its foul mousehole Slunk pouting out when the limp time came; And I gave my soul a blind, slashed eye, Gristle and rind, and a roarers' life, And I shoved it into the coal black sky To find a woman's soul for a wife.
Now I am a man no more no more And a black reward for a roaring life, (Sighed the old ram rod, dying of strangers), Tidy and cursed in my dove cooed room I lie down thin and hear the good bells jaw-- For, oh, my soul found a sunday wife In the coal black sky and she bore angels! Harpies around me out of her womb! Chastity prays for me, piety sings, Innocence sweetens my last black breath, Modesty hides my thighs in her wings, And all the deadly virtues plague my death!

Book: Reflection on the Important Things