Written by
Elizabeth Bishop |
For John Malcolm Brinnin and Bill Read: Duxbury
It was cold and windy, scarcely the day
to take a walk on that long beach
Everything was withdrawn as far as possible,
indrawn: the tide far out, the ocean shrunken,
seabirds in ones or twos.
The rackety, icy, offshore wind
numbed our faces on one side;
disrupted the formation
of a lone flight of Canada geese;
and blew back the low, inaudible rollers
in upright, steely mist.
The sky was darker than the water
--it was the color of mutton-fat jade.
Along the wet sand, in rubber boots, we followed
a track of big dog-prints (so big
they were more like lion-prints). Then we came on
lengths and lengths, endless, of wet white string,
looping up to the tide-line, down to the water,
over and over. Finally, they did end:
a thick white snarl, man-size, awash,
rising on every wave, a sodden ghost,
falling back, sodden, giving up the ghost...
A kite string?--But no kite.
I wanted to get as far as my proto-dream-house,
my crypto-dream-house, that crooked box
set up on pilings, shingled green,
a sort of artichoke of a house, but greener
(boiled with bicarbonate of soda?),
protected from spring tides by a palisade
of--are they railroad ties?
(Many things about this place are dubious.)
I'd like to retire there and do nothing,
or nothing much, forever, in two bare rooms:
look through binoculars, read boring books,
old, long, long books, and write down useless notes,
talk to myself, and, foggy days,
watch the droplets slipping, heavy with light.
At night, a grog a l'américaine.
I'd blaze it with a kitchen match
and lovely diaphanous blue flame
would waver, doubled in the window.
There must be a stove; there is a chimney,
askew, but braced with wires,
and electricity, possibly
--at least, at the back another wire
limply leashes the whole affair
to something off behind the dunes.
A light to read by--perfect! But--impossible.
And that day the wind was much too cold
even to get that far,
and of course the house was boarded up.
On the way back our faces froze on the other side.
The sun came out for just a minute.
For just a minute, set in their bezels of sand,
the drab, damp, scattered stones
were multi-colored,
and all those high enough threw out long shadows,
individual shadows, then pulled them in again.
They could have been teasing the lion sun,
except that now he was behind them
--a sun who'd walked the beach the last low tide,
making those big, majestic paw-prints,
who perhaps had batted a kite out of the sky to play with.
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Written by
Henry Van Dyke |
Dear to my heart are the ancestral dwellings of America,
Dearer than if they were haunted by ghosts of royal splendour;
These are the homes that were built by the brave beginners of a nation,
They are simple enough to be great, and full of a friendly dignity.
I love the old white farmhouses nestled in New England valleys,
Ample and long and low, with elm-trees feathering over them:
Borders of box in the yard, and lilacs, and old-fashioned Howers,
A fan-light above the door, and little square panes in the windows,
The wood-shed piled with maple and birch and hickory ready for winter,
The gambrel-roof with its garret crowded with household relics, --
All the tokens of prudent thrift and the spirit of self-reliance.
I love the look of the shingled houses that front the ocean;
Their backs are bowed, and their lichened sides are weather-beaten;
Soft in their colour as grey pearls, they are full of patience and courage.
They seem to grow out of the rocks, there is something indomitable about them:
Facing the briny wind in a lonely land they stand undaunted,
While the thin blue line of smoke from the square-built chimney rises,
Telling of shelter for man, with room for a hearth and a cradle.
I love the stately southern mansions with their tall white columns,
They look through avenues of trees, over fields where the cotton is growing;
I can see the flutter of white frocks along their shady porches,
Music and laughter float from the windows, the yards are full of hounds and horses.
They have all ridden away, yet the houses have not forgotten,
They are proud of their name and place, and their doors are always open,
For the thing they remember best is the pride of their ancient hospitality.
In the towns I love the discreet and tranquil Quaker dwellings,
With their demure brick faces and immaculate white-stone doorsteps;
And the gabled houses of the Dutch, with their high stoops and iron railings,
(I can see their little brass knobs shining in the morning sunlight);
And the solid houses of the descendants of the Puritans,
Fronting the street with their narrow doors and dormer-windows;
And the triple-galleried, many-pillared mansions of Charleston,
Standing sideways in their gardens full of roses and magnolias.
Yes, they are all dear to my heart, and in my eyes they are beautiful;
For under their roofs were nourished the thoughts that have made the nation;
The glory and strength of America came from her ancestral dwellings.
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Written by
Claude McKay |
All yesterday it poured, and all night long
I could not sleep; the rain unceasing beat
Upon the shingled roof like a weird song,
Upon the grass like running children's feet.
And down the mountains by the dark cloud kissed,
Like a strange shape in filmy veiling dressed,
Slid slowly, silently, the wraith-like mist,
And nestled soft against the earth's wet breast.
But lo, there was a miracle at dawn!
The still air stirred at touch of the faint breeze,
The sun a sheet of gold bequeathed the lawn,
The songsters twittered in the rustling trees.
And all things were transfigured in the day,
But me whom radiant beauty could not move;
For you, more wonderful, were far away,
And I was blind with hunger for your love.
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