Written by
Lewis Carroll |
Little Birds are dining
Warily and well,
Hid in mossy cell:
Hid, I say, by waiters
Gorgeous in their gaiters -
I've a Tale to tell.
Little Birds are feeding
Justices with jam,
Rich in frizzled ham:
Rich, I say, in oysters
Haunting shady cloisters -
That is what I am.
Little Birds are teaching
Tigresses to smile,
Innocent of guile:
Smile, I say, not smirkle -
Mouth a semicircle,
That's the proper style!
Little Birds are sleeping
All among the pins,
Where the loser wins:
Where, I say, he sneezes
When and how he pleases -
So the Tale begins.
Little Birds are writing
Interesting books,
To be read by cooks:
Read, I say, not roasted -
Letterpress, when toasted,
Loses its good looks.
Little Birds are playing
Bagpipes on the shore,
Where the tourists snore:
"Thanks!" they cry. "'Tis thrilling!
Take, oh take this shilling!
Let us have no more!"
Little Birds are bathing
Crocodiles in cream,
Like a happy dream:
Like, but not so lasting -
Crocodiles, when fasting,
Are not all they seem!
Little Birds are choking
Baronets with bun,
Taught to fire a gun:
Taught, I say, to splinter
Salmon in the winter -
Merely for the fun.
Little Birds are hiding
Crimes in carpet-bags,
Blessed by happy stags:
Blessed, I say, though beaten -
Since our friends are eaten
When the memory flags.
Little Birds are tasting
Gratitude and gold,
Pale with sudden cold:
Pale, I say, and wrinkled -
When the bells have tinkled,
And the Tale is told.
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Written by
Rabindranath Tagore |
I must launch out my boat.
The languid hours pass by on the
shore---Alas for me!
The spring has done its flowering and taken leave.
And now with the burden of faded futile flowers I wait and linger.
The waves have become clamorous, and upon the bank in the shady lane
the yellow leaves flutter and fall.
What emptiness do you gaze upon!
Do you not feel a thrill passing through the air
with the notes of the far-away song
floating from the other shore?
|
Written by
John Keats |
A thing of beauty is a joy for ever:
Its lovliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkn'd ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid-forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
|
Written by
Phillis Wheatley |
Attend my lays, ye ever honour'd nine,
Assist my labours, and my strains refine;
In smoothest numbers pour the notes along,
For bright Aurora now demands my song.
Aurora hail, and all the thousand dies,
Which deck thy progress through the vaulted skies:
The morn awakes, and wide extends her rays,
On ev'ry leaf the gentle zephyr plays;
Harmonious lays the feather'd race resume,
Dart the bright eye, and shake the painted plume.
Ye shady groves, your verdant gloom display
To shield your poet from the burning day:
Calliope awake the sacred lyre,
While thy fair sisters fan the pleasing fire:
The bow'rs, the gales, the variegated skies
In all their pleasures in my bosom rise.
See in the east th' illustrious king of day!
His rising radiance drives the shades away--
But Oh! I feel his fervid beams too strong,
And scarce begun, concludes th' abortive song.
|
Written by
John Keats |
Hither hither, love---
'Tis a shady mead---
Hither, hither, love!
Let us feed and feed!
Hither, hither, sweet---
'Tis a cowslip bed---
Hither, hither, sweet!
'Tis with dew bespread!
Hither, hither, dear
By the breath of life,
Hither, hither, dear!---
Be the summer's wife!
Though one moment's pleasure
In one moment flies---
Though the passion's treasure
In one moment dies;---
Yet it has not passed---
Think how near, how near!---
And while it doth last,
Think how dear, how dear!
Hither, hither, hither
Love its boon has sent---
If I die and wither
I shall die content!
|
Written by
Edmund Spenser |
Like as a huntsman after weary chase,
Seeing the game from him escap'd away,
Sits down to rest him in some shady place,
With panting hounds beguiled of their prey:
So after long pursuit and vain assay,
When I all weary had the chase forsook,
The gentle deer return'd the self-same way,
Thinking to quench her thirst at the next brook.
There she beholding me with milder look,
Sought not to fly, but fearless still did bide:
Till I in hand her yet half trembling took,
And with her own goodwill her firmly tied.
Strange thing, me seem'd, to see a beast so wild,
So goodly won, with her own will beguil'd.
|
Written by
Hafez |
Beauty is a waving tree,
Beauty is a flower,
Beauty is a grassy lea
& a shady bower,
Beauty is the verdant Spring
In our hearts awakening.
Beauty is a summer sun
Warming all the land,
Whose full bounty doth o’errun
More than our demand;
Spreadeth Beauty her kind feast
Lavishly for man & beast.
Autumn’s quiet hast thou too,
Beauty, who canst feed
Every craving, known or new
Of the spirit’s need,
Laying up a lasting store
Of ripe bliss for evermore.
O true Beauty, though joy’s vain
Seasons come & go,
Thou a refuge dost remain
From all wintry woe,
Thou art still the perfect clime
Where no transience is nor time.
|
Written by
Wendell Berry |
I.
The poem is important, but
not more than the people
whose survival it serves,
one of the necessities, so they may
speak what is true, and have
the patience for beauty: the weighted
grainfield, the shady street,
the well-laid stone and the changing tree
whose branches spread above.
For want of songs and stories
they have dug away the soil,
paved over what is left,
set up their perfunctory walls
in tribute to no god,
for the love of no man or woman,
so that the good that was here
cannot be called back
except by long waiting, by great
sorrows remembered and to come
by invoking the thunderstones
of the world, and the vivid air.
II.
The poem is important,
as the want of it
proves. It is the stewardship
of its own possibility,
the past remembering itself
in the presence of
the present, the power learned
and handed down to see
what is present
and what is not: the pavement
laid down and walked over
regardlessly--by exiles, here
only because they are passing.
Oh, remember the oaks that were
here, the leaves, purple and brown,
falling, the nuthatches walking
headfirst down the trunks,
crying "onc! onc!" in the brightness
as they are doing now
in the cemetery across the street
where the past and the dead
keep each other. To remember,
to hear and remember, is to stop
and walk on again
to a livelier, surer measure.
It is dangerous
to remember the past only
for its own sake, dangerous
to deliver a message
you did not get.
|
Written by
William Henry Davies |
Good morning, Life--and all
Things glad and beautiful.
My pockets nothing hold,
But he that owns the gold,
The Sun, is my great friend--
His spending has no end.
Hail to the morning sky,
Which bright clouds measure high;
Hail to you birds whose throats
Would number leaves by notes;
Hail to you shady bowers,
And you green field of flowers.
Hail to you women fair,
That make a show so rare
In cloth as white as milk--
Be't calico or silk:
Good morning, Life--and all
Things glad and beautiful.
|
Written by
Elizabeth Barrett Browning |
I
Love me Sweet, with all thou art,
Feeling, thinking, seeing;
Love me in the lightest part,
Love me in full being.
II
Love me with thine open youth
In its frank surrender;
With the vowing of thy mouth,
With its silence tender.
III
Love me with thine azure eyes,
Made for earnest grantings;
Taking colour from the skies,
Can Heaven's truth be wanting?
IV
Love me with their lids, that fall
Snow-like at first meeting;
Love me with thine heart, that all
Neighbours then see beating.
V
Love me with thine hand stretched out
Freely -- open-minded:
Love me with thy loitering foot, --
Hearing one behind it.
VI
Love me with thy voice, that turns
Sudden faint above me;
Love me with thy blush that burns
When I murmur 'Love me!'
VII
Love me with thy thinking soul,
Break it to love-sighing;
Love me with thy thoughts that roll
On through living -- dying.
VIII
Love me in thy gorgeous airs,
When the world has crowned thee;
Love me, kneeling at thy prayers,
With the angels round thee.
IX
Love me pure, as muses do,
Up the woodlands shady:
Love me gaily, fast and true,
As a winsome lady.
X
Through all hopes that keep us brave,
Farther off or nigher,
Love me for the house and grave,
And for something higher.
XI
Thus, if thou wilt prove me, Dear,
Woman's love no fable,
I will love thee -- half a year --
As a man is able.
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