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Best Famous Setting Sun Poems

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Written by Emily Dickinson | Create an image from this poem

Because I could not stop for Death

Because I could not stop for Death-- 
He kindly stopped for me-- 
The Carriage held but just Ourselves-- 
And Immortality. 

We slowly drove--He knew no haste 
And I had put away 
My labor and my leisure too, 
For His Civility-- 

We passed the School, where Children strove 
At Recess--in the Ring-- 
We passed the Fields of Gazing Grain-- 
We passed the Setting Sun-- 

Or rather--He passed us-- 
The Dews drew quivering and chill-- 
For only Gossamer, my Gown-- 
My Tippet--only Tulle-- 

We paused before a House that seemed 
A Swelling of the Ground-- 
The Roof was scarcely visible-- 
The Cornice--in the Ground-- 

Since then--'tis Centuries--and yet 
Feels shorter than the Day 
I first surmised the Horses' Heads 
Were toward Eternity-- 


Written by Walt Whitman | Create an image from this poem

Song at Sunset

 SPLENDOR of ended day, floating and filling me! 
Hour prophetic—hour resuming the past! 
Inflating my throat—you, divine average! 
You, Earth and Life, till the last ray gleams, I sing. 

Open mouth of my Soul, uttering gladness,
Eyes of my Soul, seeing perfection, 
Natural life of me, faithfully praising things; 
Corroborating forever the triumph of things. 

Illustrious every one! 
Illustrious what we name space—sphere of unnumber’d spirits;
Illustrious the mystery of motion, in all beings, even the tiniest insect; 
Illustrious the attribute of speech—the senses—the body; 
Illustrious the passing light! Illustrious the pale reflection on the new moon in the
 western
 sky! 
Illustrious whatever I see, or hear, or touch, to the last. 

Good in all,
In the satisfaction and aplomb of animals, 
In the annual return of the seasons, 
In the hilarity of youth, 
In the strength and flush of manhood, 
In the grandeur and exquisiteness of old age,
In the superb vistas of Death. 

Wonderful to depart; 
Wonderful to be here! 
The heart, to jet the all-alike and innocent blood! 
To breathe the air, how delicious!
To speak! to walk! to seize something by the hand! 
To prepare for sleep, for bed—to look on my rose-color’d flesh; 
To be conscious of my body, so satisfied, so large; 
To be this incredible God I am; 
To have gone forth among other Gods—these men and women I love.

Wonderful how I celebrate you and myself! 
How my thoughts play subtly at the spectacles around! 
How the clouds pass silently overhead! 
How the earth darts on and on! and how the sun, moon, stars, dart on and on! 
How the water sports and sings! (Surely it is alive!)
How the trees rise and stand up—with strong trunks—with branches and leaves! 
(Surely there is something more in each of the tree—some living Soul.) 

O amazement of things! even the least particle! 
O spirituality of things! 
O strain musical, flowing through ages and continents—now reaching me and America!
I take your strong chords—I intersperse them, and cheerfully pass them forward. 

I too carol the sun, usher’d, or at noon, or, as now, setting, 
I too throb to the brain and beauty of the earth, and of all the growths of the earth, 
I too have felt the resistless call of myself. 

As I sail’d down the Mississippi,
As I wander’d over the prairies, 
As I have lived—As I have look’d through my windows, my eyes, 
As I went forth in the morning—As I beheld the light breaking in the east; 
As I bathed on the beach of the Eastern Sea, and again on the beach of the Western Sea; 
As I roam’d the streets of inland Chicago—whatever streets I have roam’d;
Or cities, or silent woods, or peace, or even amid the sights of war; 
Wherever I have been, I have charged myself with contentment and triumph. 

I sing the Equalities, modern or old, 
I sing the endless finales of things; 
I say Nature continues—Glory continues;
I praise with electric voice; 
For I do not see one imperfection in the universe; 
And I do not see one cause or result lamentable at last in the universe. 

O setting sun! though the time has come, 
I still warble under you, if none else does, unmitigated adoration.
Written by Rudyard Kipling | Create an image from this poem

The Ballad of the Red Earl

 (It is not for them to criticize too minutely
the methods the Irish followed, though they might deplore some of
their results. During the past few years Ireland had been going
through what was tantamount to a revolution. -- EARL SPENCER)



Red Earl, and will ye take for guide
 The silly camel-birds,
That ye bury your head in an Irish thorn,
 On a desert of drifting words?

Ye have followed a man for a God, Red Earl,
 As the Lod o' Wrong and Right;
But the day is done with the setting sun
 Will ye follow into the night?

He gave you your own old words, Red Earl,
 For food on the wastrel way;
Will ye rise and eat in the night, Red Earl,
 That fed so full in the day?

Ye have followed fast, ye have followed far,
 And where did the wandering lead?
From the day that ye praised the spoken word
 To the day ye must gloss the deed.

And as ye have given your hand for gain,
 So must ye give in loss;
And as ye ha' come to the brink of the pit,
 So must ye loup across.

For some be rogues in grain, Red Earl,
 And some be rogues in fact,
And rogues direct and rogues elect;
 But all be rogues in pact.

Ye have cast your lot with these, Red Earl;
 Take heed to where ye stand.
Ye have tied a knot with your tongue, Red Earl,
 That ye cannot loose with your hand.

Ye have travelled fast, ye have travelled far,
 In the grip of a tightening tether,
Till ye find at the end ye must take for friend
 The quick and their dead together.

Ye have played with the Law between your lips,
 And mouthed it daintilee;
But the gist o' the speech is ill to teach,
 For ye say: "Let wrong go free."

Red Earl, ye wear the Garter fair,
 And gat your place from a King:
Do ye make Rebellion of no account,
 And Treason a little thing?

And have ye weighed your words, Red Earl,
 That stand and speak so high?
And is it good that the guilt o' blood,
 Be cleared at the cost of a sigh?

And is it well for the sake of peace,
 Our tattered Honour to sell,
And higgle anew with a tainted crew --
 Red Earl, and is it well?

Ye have followed fast, ye have followed far,
 On a dark and doubtful way,
 And the road is hard, is hard, Red Earl,
 And the price is yet to pay.

Ye shall pay that price as ye reap reward
 For the toil of your tongue and pen --
In the praise of the blamed and the thanks of the shamed,
 And the honour o' knavish men.

They scarce shall veil their scorn, Red Earl,
 And the worst at the last shall be,
When you tell your heart that it does not know
 And your eye that it does not see.
Written by Robert Seymour Bridges | Create an image from this poem

From The Testament of Beauty

 'Twas at that hour of beauty when the setting sun
squandereth his cloudy bed with rosy hues, to flood
his lov'd works as in turn he biddeth them Good-night;
and all the towers and temples and mansions of men
face him in bright farewell, ere they creep from their pomp
naked beneath the darkness;- while to mortal eyes
'tis given, ifso they close not of fatigue, nor strain
at lamplit tasks-'tis given, as for a royal boon
to beggarly outcasts in homeless vigil, to watch
where uncurtain's behind the great windows of space
Heav'n's jewel'd company circleth unapproachably-
'Twas at sunset that I, fleeing to hide my soul
in refuge of beauty from a mortal distress,
walk'd alone with the Muse in her garden of thought,
discoursing at liberty with the mazy dreams
that came wavering pertinaciously about me; as when
the small bats, issued from their hangings, flitter o'erhead
thru' the summer twilight, with thin cries to and fro
hunting in muffled flight atween the stars and flowers.
Then fell I in strange delusion, illusion strange to tell;
for as a man who lyeth fast asleep in his bed
may dream he waketh, and that he walketh upright
pursuing some endeavour in full conscience-so 'twas
with me; but contrawise; for being in truth awake
methought I slept and dreamt; and in thatt dream methought
I was telling a dream; nor telling was I as one
who, truly awaked from a true sleep, thinketh to tell
his dream to a friend, but for his scant remembrances
findeth no token of speech-it was not so with me;
for my tale was my dream and my dream the telling,
and I remember wondring the while I told it
how I told it so tellingly. And yet now 'twould seem
that Reason inveighed me with her old orderings;
as once when she took thought to adjust theology,
peopling the inane that vex'd her between God and man
with a hierarchy of angels; like those asteroids
wherewith she later fill'd the gap 'twixt Jove and Mars.
Verily by Beauty it is that we come as WISDOM,
yet not by Reason at Beauty; and now with many words
pleasing myself betimes I am fearing lest in the end
I play the tedious orator who maundereth on
for lack of heart to make an end of his nothings.
Wherefor as when a runner who hath run his round
handeth his staff away, and is glad of his rest,
here break I off, knowing the goal was not for me
the while I ran on telling of what cannot be told.

For not the Muse herself can tell of Goddes love;
which cometh to the child from the Mother's embrace,
an Idea spacious as the starry firmament's
inescapable infinity of radiant gaze,
that fadeth only as it outpasseth mortal sight:
and this direct contact is 't with eternities,
this springtide miracle of the soul's nativity
that oft hath set philosophers adrift in dream;
which thing Christ taught, when he set up a little child
to teach his first Apostles and to accuse their pride,
saying, 'Unless ye shall receive it as a child,
ye cannot enter into the kingdom of heaven.'
So thru'out all his young mental apprenticehood
the child of very simplicity, and in the grace
and beauteous attitude of infantine wonder,
is apt to absorb Ideas in primal purity,
and by the assimilation of thatt immortal food
may build immortal life; but ever with the growth
of understanding, as the sensible images
are more and more corrupt, troubled by questioning thought,
or with vainglory alloy'd, 'tis like enought the boy
in prospect of his manhood wil hav cast to th' winds
his Baptism with his Babyhood; nor might he escape
the fall of Ev'ryman, did not a second call
of nature's Love await him to confirm his Faith
or to revoke him if he is whollylapsed therefrom.
And so mighty is this second vision, which cometh
in puberty of body and adolescence of mind
that, forgetting his Mother, he calleth it 'first Love';
for it mocketh at suasion or stubbornness of heart,
as the oceantide of the omnipotent Pleasur of God,
flushing all avenues of life, and unawares
by thousandfold approach forestalling its full flood
with divination of the secret contacts of Love,--
of faintest ecstasies aslumber in Nature's calm,
like thought in a closed book, where some poet long since
sang his throbbing passion to immortal sleep-with coy
tenderness delicat as the shifting hues
that sanctify the silent dawn with wonder-gleams,
whose evanescence is the seal of their glory,
consumed in self-becoming of eternity;
til every moment as it flyeth, cryeth 'Seize!
Seize me ere I die! I am the Life of Life.'
'Tis thus by near approach to an eternal presence
man's heart with divine furor kindled and possess'd
falleth in blind surrender; and finding therewithal
in fullest devotion the full reconcilement
betwixt his animal and spiritual desires,
such welcome hour of bliss standeth for certain pledge
of happiness perdurable: and coud he sustain
this great enthusiasm, then the unbounded promise
would keep fulfilment; since the marriage of true minds
is thatt once fabled garden, amidst of which was set
the single Tree that bore such med'cinable fruit
that if man ate thereof he should liv for ever.
Friendship is in loving rather than in being lov'd,
which is its mutual benediction and recompense;
and tho' this be, and tho' love is from lovers learn'd,
it springeth none the less from the old essence of self.
No friendless man ('twas well said) can be truly himself;
what a man looketh for in his friend and findeth,
and loving self best, loveth better than himself,
is his own better self, his live lovable idea,
flowering by expansion in the loves of his life.
And in the nobility of our earthly friendships
we hav al grades of attainment, and the best may claim
perfection of kind; and so, since ther be many bonds
other than breed (friendships of lesser motiv, found
even in the brutes) and since our politick is based
on actual association of living men, 'twil come
that the spiritual idea of Friendship, the huge
vastidity of its essence, is fritter'd away
in observation of the usual habits of men;
as happ'd with the great moralist, where his book saith
that ther can be no friendship betwixt God and man
because of their unlimited disparity.
From this dilemma of pagan thought, this poison of faith,
Man-soul made glad escape in the worship of Christ;
for his humanity is God's Personality,
and communion with him is the life of the soul.
Of which living ideas (when in the struggle of thought
harden'd by language they became symbols of faith)
Reason builded her maze, wherefrom none should escape,
wandering intent to map and learn her tortuous clews,
chanting their clerkly creed to the high-echoing stones
of their hand-fashion'd temple: but the Wind of heav'n
bloweth where it listeth, and Christ yet walketh the earth,
and talketh still as with those two disciples once 
on the road to Emmaus-where they walk and are sad;
whose vision of him then was his victory over death,
thatt resurrection which all his lovers should share,
who in loving him had learn'd the Ethick of happiness;
whereby they too should come where he was ascended
to reign over men's hearts in the Kingdom of God.
Our happiest earthly comradeships hold a foretaste
of the feast of salvation and by thatt virtue in them
provoke desire beyond them to out-reach and surmount
their humanity in some superhumanity
and ultimat perfection: which, howe'ever 'tis found
or strangeley imagin'd, answereth to the need of each
and pulleth him instinctivly as to a final cause.
Thus unto all who hav found their high ideal in Christ,
Christ is to them the essence discern'd or undeiscern'd
of all their human friendships; and each lover of him
and of his beauty must be as a bud on the Vine
and hav participation in him; for Goddes love
is unescapable as nature's environment,
which if a man ignore or think to thrust it off
he is the ill-natured fool that runneth blindly on death.
This Individualism is man's true Socialism.
This is the rife Idea whose spiritual beauty
multiplieth in communion to transcendant might.
This is thatt excelent way whereon if we wil walk
all things shall be added unto us-thatt Love which inspired
the wayward Visionary in his doctrinal ode
to the three christian Graces, the Church's first hymn
and only deathless athanasian creed,--the which
'except a man believe he cannot be saved.'
This is the endearing bond whereby Christ's company
yet holdeth together on the truth of his promise
that he spake of his grat pity and trust in man's love,
'Lo, I am with you always ev'n to the end of the world.'
Truly the Soul returneth the body's loving
where it hath won it...and God so loveth the world...
and in the fellowship of the friendship of Christ
God is seen as the very self-essence of love,
Creator and mover of all as activ Lover of all,
self-express'd in not-self, mind and body, mother and child,
'twixt lover and loved, God and man: but ONE ETERNAL
in the love of Beauty and in the selfhood of Love.
Written by Charlotte Bronte | Create an image from this poem

Mementos

 ARRANGING long-locked drawers and shelves 
Of cabinets, shut up for years, 
What a strange task we've set ourselves ! 
How still the lonely room appears ! 
How strange this mass of ancient treasures, 
Mementos of past pains and pleasures; 
These volumes, clasped with costly stone, 
With print all faded, gilding gone; 

These fans of leaves, from Indian trees­ 
These crimson shells, from Indian seas­ 
These tiny portraits, set in rings­ 
Once, doubtless, deemed such precious things; 
Keepsakes bestowed by Love on Faith, 
And worn till the receiver's death, 
Now stored with cameos, china, shells, 
In this old closet's dusty cells. 

I scarcely think, for ten long years, 
A hand has touched these relics old; 
And, coating each, slow-formed, appears, 
The growth of green and antique mould. 

All in this house is mossing over; 
All is unused, and dim, and damp; 
Nor light, nor warmth, the rooms discover­ 
Bereft for years of fire and lamp. 

The sun, sometimes in summer, enters 
The casements, with reviving ray; 
But the long rains of many winters 
Moulder the very walls away. 

And outside all is ivy, clinging 
To chimney, lattice, gable grey; 
Scarcely one little red rose springing 
Through the green moss can force its way. 

Unscared, the daw, and starling nestle, 
Where the tall turret rises high, 
And winds alone come near to rustle 
The thick leaves where their cradles lie. 

I sometimes think, when late at even 
I climb the stair reluctantly, 
Some shape that should be well in heaven, 
Or ill elsewhere, will pass by me. 

I fear to see the very faces, 
Familiar thirty years ago, 
Even in the old accustomed places 
Which look so cold and gloomy now. 

I've come, to close the window, hither, 
At twilight, when the sun was down, 
And Fear, my very soul would wither, 
Lest something should be dimly shown. 

Too much the buried form resembling, 
Of her who once was mistress here; 
Lest doubtful shade, or moonbeam trembling, 
Might take her aspect, once so dear. 

Hers was this chamber; in her time 
It seemed to me a pleasant room, 
For then no cloud of grief or crime 
Had cursed it with a settled gloom; 

I had not seen death's image laid 
In shroud and sheet, on yonder bed. 
Before she married, she was blest­ 
Blest in her youth, blest in her worth; 
Her mind was calm, its sunny rest 
Shone in her eyes more clear than mirth. 

And when attired in rich array, 
Light, lustrous hair about her brow, 
She yonder sat­a kind of day 
Lit up­what seems so gloomy now. 
These grim oak walls, even then were grim; 
That old carved chair, was then antique; 
But what around looked dusk and dim 
Served as a foil to her fresh cheek; 
Her neck, and arms, of hue so fair, 
Eyes of unclouded, smiling, light; 
Her soft, and curled, and floating hair, 
Gems and attire, as rainbow bright. 

Reclined in yonder deep recess, 
Ofttimes she would, at evening, lie 
Watching the sun; she seemed to bless 
With happy glance the glorious sky. 
She loved such scenes, and as she gazed, 
Her face evinced her spirit's mood; 
Beauty or grandeur ever raised 
In her, a deep-felt gratitude. 

But of all lovely things, she loved 
A cloudless moon, on summer night; 
Full oft have I impatience proved 
To see how long, her still delight 
Would find a theme in reverie. 
Out on the lawn, or where the trees 
Let in the lustre fitfully, 
As their boughs parted momently, 
To the soft, languid, summer breeze. 
Alas ! that she should e'er have flung 
Those pure, though lonely joys away­ 
Deceived by false and guileful tongue, 
She gave her hand, then suffered wrong; 
Oppressed, ill-used, she faded young, 
And died of grief by slow decay. 

Open that casket­look how bright 
Those jewels flash upon the sight; 
The brilliants have not lost a ray 
Of lustre, since her wedding day. 
But see­upon that pearly chain­ 
How dim lies time's discolouring stain ! 
I've seen that by her daughter worn: 
For, e'er she died, a child was born; 
A child that ne'er its mother knew, 
That lone, and almost friendless grew; 
For, ever, when its step drew nigh, 
Averted was the father's eye; 
And then, a life impure and wild 
Made him a stranger to his child; 
Absorbed in vice, he little cared 
On what she did, or how she fared. 
The love withheld, she never sought, 
She grew uncherished­learnt untaught; 
To her the inward life of thought 
Full soon was open laid. 
I know not if her friendlessness 
Did sometimes on her spirit press, 
But plaint she never made. 

The book-shelves were her darling treasure, 
She rarely seemed the time to measure 
While she could read alone. 
And she too loved the twilight wood, 
And often, in her mother's mood, 
Away to yonder hill would hie, 
Like her, to watch the setting sun, 
Or see the stars born, one by one, 
Out of the darkening sky. 
Nor would she leave that hill till night 
Trembled from pole to pole with light; 
Even then, upon her homeward way, 
Long­long her wandering steps delayed 
To quit the sombre forest shade, 
Through which her eerie pathway lay. 

You ask if she had beauty's grace ? 
I know not­but a nobler face 
My eyes have seldom seen; 
A keen and fine intelligence, 
And, better still, the truest sense 
Were in her speaking mien. 
But bloom or lustre was there none, 
Only at moments, fitful shone 
An ardour in her eye, 
That kindled on her cheek a flush, 
Warm as a red sky's passing blush 
And quick with energy. 
Her speech, too, was not common speech, 
No wish to shine, or aim to teach, 
Was in her words displayed: 
She still began with quiet sense, 
But oft the force of eloquence 
Came to her lips in aid; 
Language and voice unconscious changed, 
And thoughts, in other words arranged, 
Her fervid soul transfused 
Into the hearts of those who heard, 
And transient strength and ardour stirred, 
In minds to strength unused. 
Yet in gay crowd or festal glare, 
Grave and retiring was her air; 
'Twas seldom, save with me alone, 
That fire of feeling freely shone; 
She loved not awe's nor wonder's gaze, 
Nor even exaggerated praise, 
Nor even notice, if too keen 
The curious gazer searched her mien. 
Nature's own green expanse revealed 
The world, the pleasures, she could prize; 
On free hill-side, in sunny field, 
In quiet spots by woods concealed, 
Grew wild and fresh her chosen joys, 
Yet Nature's feelings deeply lay 
In that endowed and youthful frame; 
Shrined in her heart and hid from day, 
They burned unseen with silent flame; 
In youth's first search for mental light, 
She lived but to reflect and learn, 
But soon her mind's maturer might 
For stronger task did pant and yearn; 
And stronger task did fate assign, 
Task that a giant's strength might strain; 
To suffer long and ne'er repine, 
Be calm in frenzy, smile at pain. 

Pale with the secret war of feeling, 
Sustained with courage, mute, yet high; 
The wounds at which she bled, revealing 
Only by altered cheek and eye; 

She bore in silence­but when passion 
Surged in her soul with ceaseless foam, 
The storm at last brought desolation, 
And drove her exiled from her home. 

And silent still, she straight assembled 
The wrecks of strength her soul retained; 
For though the wasted body trembled, 
The unconquered mind, to quail, disdained. 

She crossed the sea­now lone she wanders 
By Seine's, or Rhine's, or Arno's flow; 
Fain would I know if distance renders 
Relief or comfort to her woe. 

Fain would I know if, henceforth, ever, 
These eyes shall read in hers again, 
That light of love which faded never, 
Though dimmed so long with secret pain. 

She will return, but cold and altered, 
Like all whose hopes too soon depart; 
Like all on whom have beat, unsheltered, 
The bitter blasts that blight the heart. 

No more shall I behold her lying 
Calm on a pillow, smoothed by me; 
No more that spirit, worn with sighing, 
Will know the rest of infancy. 

If still the paths of lore she follow, 
'Twill be with tired and goaded will; 
She'll only toil, the aching hollow, 
The joyless blank of life to fill. 

And oh ! full oft, quite spent and weary, 
Her hand will pause, her head decline; 
That labour seems so hard and dreary, 
On which no ray of hope may shine. 

Thus the pale blight of time and sorrow 
Will shade with grey her soft, dark hair 
Then comes the day that knows no morrow, 
And death succeeds to long despair. 

So speaks experience, sage and hoary; 
I see it plainly, know it well, 
Like one who, having read a story, 
Each incident therein can tell. 

Touch not that ring, 'twas his, the sire 
Of that forsaken child; 
And nought his relics can inspire 
Save memories, sin-defiled. 

I, who sat by his wife's death-bed, 
I, who his daughter loved, 
Could almost curse the guilty dead, 
For woes, the guiltless proved. 

And heaven did curse­they found him laid, 
When crime for wrath was rife, 
Cold­with the suicidal blade 
Clutched in his desperate gripe. 

'Twas near that long deserted hut, 
Which in the wood decays, 
Death's axe, self-wielded, struck his root, 
And lopped his desperate days. 

You know the spot, where three black trees, 
Lift up their branches fell, 
And moaning, ceaseless as the seas, 
Still seem, in every passing breeze, 
The deed of blood to tell. 

They named him mad, and laid his bones 
Where holier ashes lie; 
Yet doubt not that his spirit groans, 
In hell's eternity. 

But, lo ! night, closing o'er the earth, 
Infects our thoughts with gloom; 
Come, let us strive to rally mirth, 
Where glows a clear and tranquil hearth 
In some more cheerful room.


Written by Walt Whitman | Create an image from this poem

American Feuillage

 AMERICA always! 
Always our own feuillage! 
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
 cotton-fields of Alabama and Texas! 
Always California’s golden hills and hollows—and the silver mountains of New
 Mexico!
 Always soft-breath’d Cuba! 
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
 drain’d
 by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
 square
 miles; 
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
 thousand
 miles of
 river navigation, 
The seven millions of distinct families, and the same number of dwellings—Always
 these,
 and
 more, branching forth into numberless branches; 
Always the free range and diversity! always the continent of Democracy! 
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
 oval
 lakes; 
Always the West, with strong native persons—the increasing density there—the
 habitans,
 friendly, threatening, ironical, scorning invaders; 
All sights, South, North, East—all deeds, promiscuously done at all times, 
All characters, movements, growths—a few noticed, myriads unnoticed, 
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up; 
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
 Rappahannock, and the valleys of the Roanoke and Delaware; 
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
 lapping
 the
 Saginaw waters to drink; 
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
 silently; 
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
 standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around; 
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
 crystalline, open, beyond the floes; 
White drift spooning ahead, where the ship in the tempest dashes; 
On solid land, what is done in cities, as the bells all strike midnight together; 
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
 of the
 panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
 clear
 waters, the great trout swimming; 
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
 slowly,
 high
 beyond the tree tops, 
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
 out
 of the
 white sand that spreads far and flat; 
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
 flowers
 and
 berries, enveloping huge trees, 
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
 eating
 by
 whites and *******, 
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs, 
The shadows, gleams, up under the leaves of the old sycamore-trees—the
 flames—with
 the
 black smoke from the pitch-pine, curling and rising; 
Southern fishermen fishing—the sounds and inlets of North Carolina’s
 coast—the
 shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
 shore
 work’d by horses—the clearing, curing, and packing-houses; 
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
 trees—There
 are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
 cover’d
 with
 pine straw: 
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
 furnace-blaze, or
 at the corn-shucking; 
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
 and
 kiss’d by the aged mulatto nurse; 
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
 banks, 
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
 gunwale,
 smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
 Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
 cypress
 tree,
 and the juniper tree; 
—Northward, young men of Mannahatta—the target company from an excursion
 returning
 home at
 evening—the musket-muzzles all bear bunches of flowers presented by women; 
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
 move! how
 he smiles in his sleep!) 
The scout riding on horseback over the plains west of the Mississippi—he ascends a
 knoll
 and
 sweeps his eye around; 
California life—the miner, bearded, dress’d in his rude costume—the stanch
 California
 friendship—the sweet air—the graves one, in passing, meets, solitary, just
 aside the
 horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
 before
 rude
 carts—cotton bales piled on banks and wharves; 
Encircling all, vast-darting, up and wide, the American Soul, with equal
 hemispheres—one
 Love,
 one Dilation or Pride; 
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
 pipe
 of
 good-will, arbitration, and indorsement, 
The sachem blowing the smoke first toward the sun and then toward the earth, 
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march, 
The single-file—the swinging hatchets—the surprise and slaughter of enemies; 
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
 all
 institutions, 
All These States, compact—Every square mile of These States, without excepting a
 particle—you also—me also, 
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
 other,
 ascending high in the air; 
The darting swallow, the destroyer of insects—the fall traveler southward, but
 returning
 northward early in the spring; 
The country boy at the close of the day, driving the herd of cows, and shouting to them as
 they
 loiter to browse by the road-side; 
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
 Francisco, 
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun, 
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
 balancing
 in the air in the centre of the room, darting athwart, up and down, casting swift shadows
 in
 specks
 on the opposite wall, where the shine is; 
The athletic American matron speaking in public to crowds of listeners; 
Males, females, immigrants, combinations—the copiousness—the individuality of
 The
 States,
 each for itself—the money-makers; 
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
 certainties,
The certainty of space, increase, freedom, futurity, 
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
 lands, my
 lands; 
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
 whatever it
 is; 
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
 wintering
 along
 the coasts of Florida—or in Louisiana, with pelicans breeding; 
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
 Brazos, the
 Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
 laughing
 and
 skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
 wading in
 the wet to seek worms and aquatic plants; 
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
 for
 amusement—And I triumphantly twittering; 
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
 of
 the
 flock feed—the sentinels outside move around with erect heads watching, and are from
 time
 to
 time reliev’d by other sentinels—And I feeding and taking turns with the rest; 
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
 desperately on
 his
 hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
 plunging
 at the
 hunters, corner’d and desperate; 
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
 working in
 the
 shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
 the
 Mannahatta in itself, 
Singing the song of These, my ever united lands—my body no more inevitably united,
 part to
 part, and made one identity, any more than my lands are inevitably united, and made ONE
 IDENTITY; 
Nativities, climates, the grass of the great Pastoral Plains; 
Cities, labors, death, animals, products, war, good and evil—these me, 
These affording, in all their particulars, endless feuillage to me and to America, how can
 I do
 less
 than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?

How can I but, as here, chanting, invite you for yourself to collect bouquets of the
 incomparable
 feuillage of These States?
Written by Jorge Luis Borges | Create an image from this poem

To A Cat

 Mirrors are not more silent
nor the creeping dawn more secretive;
in the moonlight, you are that panther
we catch sight of from afar.
By the inexplicable workings of a divine law,
we look for you in vain;
More remote, even, than the Ganges or the setting sun,
yours is the solitude, yours the secret.
Your haunch allows the lingering
caress of my hand. You have accepted,
since that long forgotten past,
the love of the distrustful hand.
You belong to another time. You are lord
of a place bounded like a dream.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Rain In Summer

 How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!

How it clatters along the roofs,
Like the tramp of hoofs
How it gushes and struggles out
From the throat of the overflowing spout!

Across the window-pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!

The sick man from his chamber looks
At the twisted brooks;
He can feel the cool
Breath of each little pool;
His fevered brain
Grows calm again,
And he breathes a blessing on the rain.

From the neighboring school
Come the boys,
With more than their wonted noise
And commotion;
And down the wet streets
Sail their mimic fleets,
Till the treacherous pool
Ingulfs them in its whirling
And turbulent ocean.

In the country, on every side,
Where far and wide,
Like a leopard's tawny and spotted hide,
Stretches the plain,
To the dry grass and the drier grain
How welcome is the rain!

In the furrowed land
The toilsome and patient oxen stand;
Lifting the yoke encumbered head,
With their dilated nostrils spread,
They silently inhale
The clover-scented gale,
And the vapors that arise
From the well-watered and smoking soil.
For this rest in the furrow after toil
Their large and lustrous eyes
Seem to thank the Lord,
More than man's spoken word.

Near at hand,
From under the sheltering trees,
The farmer sees
His pastures, and his fields of grain,
As they bend their tops
To the numberless beating drops
Of the incessant rain.
He counts it as no sin
That he sees therein
Only his own thrift and gain.

These, and far more than these,
The Poet sees!
He can behold
Aquarius old
Walking the fenceless fields of air;
And from each ample fold
Of the clouds about him rolled
Scattering everywhere
The showery rain,
As the farmer scatters his grain.

He can behold
Things manifold
That have not yet been wholly told,--
Have not been wholly sung nor said.
For his thought, that never stops,
Follows the water-drops
Down to the graves of the dead,
Down through chasms and gulfs profound,
To the dreary fountain-head
Of lakes and rivers under ground;
And sees them, when the rain is done,
On the bridge of colors seven
Climbing up once more to heaven,
Opposite the setting sun.

Thus the Seer,
With vision clear,
Sees forms appear and disappear,
In the perpetual round of strange,
Mysterious change
From birth to death, from death to birth,
From earth to heaven, from heaven to earth;
Till glimpses more sublime
Of things, unseen before,
Unto his wondering eyes reveal
The Universe, as an immeasurable wheel
Turning forevermore
In the rapid and rushing river of Time.
Written by Lewis Carroll | Create an image from this poem

All In The Golden Afternoon

 All in the golden afternoon
Full leisurely we glide;
For both our oars, with little skill,
By little arms are plied,
While little hands make vain pretense
Our wanderings to guide.

Ah, cruel Three! In such an hour,
Beneath such dreamy weather,
To beg a tale of breath too weak
To stir the tiniest feather!
Yet what can one poor voice avail
Against three tongues together?

Imperious Prima flashes forth
Her edict to "begin it"--
In gentler tones Secunda hopes
"There will be nonsense in it"--
While Tertia interrupts the tale
Not more than once a minute.

Anon, to sudden silence won,
In fancy they pursue
The dream-child moving through a land
Of wonders wild and new,
In friendly chat with bird or beast--
And half believe it true.

And ever, as the story drained
The wells of fancy dry,
And faintly strove that weary one
To put the subject by,
"The rest next time"--"It is next time!"
The happy voices cry.

Thus grew the tale of Wonderland:
Thus slowly, one by one,
Its quaint events were hammered out--
And now the tale is done,
And home we steer, a merry crew,
Beneath the setting sun.

Alice! a childish story take,
And with a gentle hand
Lay it where Childhood's dreams are twined
In Memory's mystic band,
Like pilgrim's withered wreath of flowers
Plucked in a far-off land.
Written by Robert Frost | Create an image from this poem

The Bonfire

 “OH, let’s go up the hill and scare ourselves,
As reckless as the best of them to-night,
By setting fire to all the brush we piled
With pitchy hands to wait for rain or snow.
Oh, let’s not wait for rain to make it safe.
The pile is ours: we dragged it bough on bough
Down dark converging paths between the pines.
Let’s not care what we do with it to-night.
Divide it? No! But burn it as one pile
The way we piled it. And let’s be the talk
Of people brought to windows by a light
Thrown from somewhere against their wall-paper.
Rouse them all, both the free and not so free
With saying what they’d like to do to us
For what they’d better wait till we have done.
Let’s all but bring to life this old volcano,
If that is what the mountain ever was—
And scare ourselves. Let wild fire loose we will….”

“And scare you too?” the children said together.

“Why wouldn’t it scare me to have a fire
Begin in smudge with ropy smoke and know
That still, if I repent, I may recall it,
But in a moment not: a little spurt
Of burning fatness, and then nothing but
The fire itself can put it out, and that
By burning out, and before it burns out
It will have roared first and mixed sparks with stars,
And sweeping round it with a flaming sword,
Made the dim trees stand back in wider circle—
Done so much and I know not how much more
I mean it shall not do if I can bind it.
Well if it doesn’t with its draft bring on
A wind to blow in earnest from some quarter,
As once it did with me upon an April.
The breezes were so spent with winter blowing
They seemed to fail the bluebirds under them
Short of the perch their languid flight was toward;
And my flame made a pinnacle to heaven
As I walked once round it in possession.
But the wind out of doors—you know the saying.
There came a gust. You used to think the trees
Made wind by fanning since you never knew
It blow but that you saw the trees in motion.
Something or someone watching made that gust.
It put the flame tip-down and dabbed the grass
Of over-winter with the least tip-touch
Your tongue gives salt or sugar in your hand.
The place it reached to blackened instantly.
The black was all there was by day-light,
That and the merest curl of cigarette smoke—
And a flame slender as the hepaticas,
Blood-root, and violets so soon to be now.
But the black spread like black death on the ground,
And I think the sky darkened with a cloud
Like winter and evening coming on together.
There were enough things to be thought of then.
Where the field stretches toward the north
And setting sun to Hyla brook, I gave it
To flames without twice thinking, where it verges
Upon the road, to flames too, though in fear
They might find fuel there, in withered brake,
Grass its full length, old silver golden-rod,
And alder and grape vine entanglement,
To leap the dusty deadline. For my own
I took what front there was beside. I knelt
And thrust hands in and held my face away.
Fight such a fire by rubbing not by beating.
A board is the best weapon if you have it.
I had my coat. And oh, I knew, I knew,
And said out loud, I couldn’t bide the smother
And heat so close in; but the thought of all
The woods and town on fire by me, and all
The town turned out to fight for me—that held me.
I trusted the brook barrier, but feared
The road would fail; and on that side the fire
Died not without a noise of crackling wood—
Of something more than tinder-grass and weed—
That brought me to my feet to hold it back
By leaning back myself, as if the reins
Were round my neck and I was at the plough.
I won! But I’m sure no one ever spread
Another color over a tenth the space
That I spread coal-black over in the time
It took me. Neighbors coming home from town
Couldn’t believe that so much black had come there
While they had backs turned, that it hadn’t been there
When they had passed an hour or so before
Going the other way and they not seen it.
They looked about for someone to have done it.
But there was no one. I was somewhere wondering
Where all my weariness had gone and why
I walked so light on air in heavy shoes
In spite of a scorched Fourth-of-July feeling.
Why wouldn’t I be scared remembering that?”

“If it scares you, what will it do to us?”

“Scare you. But if you shrink from being scared,
What would you say to war if it should come?
That’s what for reasons I should like to know—
If you can comfort me by any answer.”

“Oh, but war’s not for children—it’s for men.”

“Now we are digging almost down to China.
My dears, my dears, you thought that—we all thought it.
So your mistake was ours. Haven’t you heard, though,
About the ships where war has found them out
At sea, about the towns where war has come
Through opening clouds at night with droning speed
Further o’erhead than all but stars and angels,—
And children in the ships and in the towns?
Haven’t you heard what we have lived to learn?
Nothing so new—something we had forgotten:
War is for everyone, for children too.
I wasn’t going to tell you and I mustn’t.
The best way is to come up hill with me
And have our fire and laugh and be afraid.”

Book: Radiant Verses: A Journey Through Inspiring Poetry