Written by
Walt Whitman |
RESPONDEZ! Respondez!
(The war is completed—the price is paid—the title is settled beyond recall;)
Let every one answer! let those who sleep be waked! let none evade!
Must we still go on with our affectations and sneaking?
Let me bring this to a close—I pronounce openly for a new distribution of roles;
Let that which stood in front go behind! and let that which was behind advance to the
front and
speak;
Let murderers, bigots, fools, unclean persons, offer new propositions!
Let the old propositions be postponed!
Let faces and theories be turn’d inside out! let meanings be freely criminal, as well
as
results!
Let there be no suggestion above the suggestion of drudgery!
Let none be pointed toward his destination! (Say! do you know your destination?)
Let men and women be mock’d with bodies and mock’d with Souls!
Let the love that waits in them, wait! let it die, or pass stillborn to other spheres!
Let the sympathy that waits in every man, wait! or let it also pass, a dwarf, to other
spheres!
Let contradictions prevail! let one thing contradict another! and let one line of my poems
contradict another!
Let the people sprawl with yearning, aimless hands! let their tongues be broken! let their
eyes
be discouraged! let none descend into their hearts with the fresh lusciousness of love!
(Stifled, O days! O lands! in every public and private corruption!
Smother’d in thievery, impotence, shamelessness, mountain-high;
Brazen effrontery, scheming, rolling like ocean’s waves around and upon you, O my
days! my
lands!
For not even those thunderstorms, nor fiercest lightnings of the war, have purified the
atmosphere;)
—Let the theory of America still be management, caste, comparison! (Say! what other
theory
would you?)
Let them that distrust birth and death still lead the rest! (Say! why shall they not lead
you?)
Let the crust of hell be neared and trod on! let the days be darker than the nights! let
slumber bring less slumber than waking time brings!
Let the world never appear to him or her for whom it was all made!
Let the heart of the young man still exile itself from the heart of the old man! and let
the
heart of the old man be exiled from that of the young man!
Let the sun and moon go! let scenery take the applause of the audience! let there be
apathy
under the stars!
Let freedom prove no man’s inalienable right! every one who can tyrannize, let him
tyrannize to his satisfaction!
Let none but infidels be countenanced!
Let the eminence of meanness, treachery, sarcasm, hate, greed, indecency, impotence, lust,
be
taken for granted above all! let writers, judges, governments, households, religions,
philosophies, take such for granted above all!
Let the worst men beget children out of the worst women!
Let the priest still play at immortality!
Let death be inaugurated!
Let nothing remain but the ashes of teachers, artists, moralists, lawyers, and
learn’d and
polite persons!
Let him who is without my poems be assassinated!
Let the cow, the horse, the camel, the garden-bee—let the mudfish, the lobster, the
mussel, eel, the sting-ray, and the grunting pig-fish—let these, and the like of
these, be
put on a perfect equality with man and woman!
Let churches accommodate serpents, vermin, and the corpses of those who have died of the
most
filthy of diseases!
Let marriage slip down among fools, and be for none but fools!
Let men among themselves talk and think forever obscenely of women! and let women among
themselves talk and think obscenely of men!
Let us all, without missing one, be exposed in public, naked, monthly, at the peril of our
lives! let our bodies be freely handled and examined by whoever chooses!
Let nothing but copies at second hand be permitted to exist upon the earth!
Let the earth desert God, nor let there ever henceforth be mention’d the name of God!
Let there be no God!
Let there be money, business, imports, exports, custom, authority, precedents, pallor,
dyspepsia, smut, ignorance, unbelief!
Let judges and criminals be transposed! let the prison-keepers be put in prison! let those
that
were prisoners take the keys! Say! why might they not just as well be transposed?)
Let the slaves be masters! let the masters become slaves!
Let the reformers descend from the stands where they are forever bawling! let an idiot or
insane person appear on each of the stands!
Let the Asiatic, the African, the European, the American, and the Australian, go armed
against
the murderous stealthiness of each other! let them sleep armed! let none believe in good
will!
Let there be no unfashionable wisdom! let such be scorn’d and derided off from the
earth!
Let a floating cloud in the sky—let a wave of the sea—let growing mint, spinach,
onions, tomatoes—let these be exhibited as shows, at a great price for admission!
Let all the men of These States stand aside for a few smouchers! let the few seize on what
they
choose! let the rest gawk, giggle, starve, obey!
Let shadows be furnish’d with genitals! let substances be deprived of their genitals!
Let there be wealthy and immense cities—but still through any of them, not a single
poet,
savior, knower, lover!
Let the infidels of These States laugh all faith away!
If one man be found who has faith, let the rest set upon him!
Let them affright faith! let them destroy the power of breeding faith!
Let the she-harlots and the he-harlots be prudent! let them dance on, while seeming lasts!
(O
seeming! seeming! seeming!)
Let the preachers recite creeds! let them still teach only what they have been taught!
Let insanity still have charge of sanity!
Let books take the place of trees, animals, rivers, clouds!
Let the daub’d portraits of heroes supersede heroes!
Let the manhood of man never take steps after itself!
Let it take steps after eunuchs, and after consumptive and genteel persons!
Let the white person again tread the black person under his heel! (Say! which is trodden
under
heel, after all?)
Let the reflections of the things of the world be studied in mirrors! let the things
themselves
still continue unstudied!
Let a man seek pleasure everywhere except in himself!
Let a woman seek happiness everywhere except in herself!
(What real happiness have you had one single hour through your whole life?)
Let the limited years of life do nothing for the limitless years of death! (What do you
suppose
death will do, then?)
|
Written by
Hilaire Belloc |
When I am living in the Midlands
That are sodden and unkind,
I light my lamp in the evening:
My work is left behind;
And the great hills of the South Country
Come back into my mind.
The great hills of the South Country
They stand along the sea;
And it's there walking in the high woods
That I could wish to be,
And the men that were boys when I was a boy
Walking along with me.
The men that live in North England
I saw them for a day:
Their hearts are set upon the waste fells,
Their skies are fast and grey;
From their castle-walls a man may see
The mountains far away.
The men that live in West England
They see the Severn strong,
A-rolling on rough water brown
Light aspen leaves along.
They have the secret of the Rocks,
And the oldest kind of song.
But the men that live in the South Country
Are the kindest and most wise,
They get their laughter from the loud surf,
And the faith in their happy eyes
Comes surely from our Sister the Spring
When over the sea she flies;
The violets suddenly bloom at her feet,
She blesses us with surprise.
I never get between the pines
But I smell the Sussex air;
Nor I never come on a belt of sand
But my home is there.
And along the sky the line of the Downs
So noble and so bare.
A lost thing could I never find,
Nor a broken thing mend:
And I fear I shall be all alone
When I get towards the end.
Who will there be to comfort me
Or who will be my friend?
I will gather and carefully make my friends
Of the men of the Sussex Weald;
They watch the stars from silent folds,
They stiffly plough the field.
By them and the God of the South Country
My poor soul shall be healed.
If I ever become a rich man,
Or if ever I grow to be old,
I will build a house with deep thatch
To shelter me from the cold,
And there shall the Sussex songs be sung
And the story of Sussex told.
I will hold my house in the high wood
Within a walk of the sea,
And the men that were boys when I was a boy
Shall sit and drink with me.
|
Written by
Eugene Field |
Thar showed up out'n Denver in the spring uv '81
A man who'd worked with Dana on the Noo York Sun.
His name wuz Cantell Whoppers, 'nd he wuz a sight ter view
Ez he walked inter the orfice 'nd inquired fer work ter do.
Thar warn't no places vacant then,--fer be it understood,
That wuz the time when talent flourished at that altitood;
But thar the stranger lingered, tellin' Raymond 'nd the rest
Uv what perdigious wonders he could do when at his best,
Till finally he stated (quite by chance) that he hed done
A heap uv work with Dana on the Noo York Sun.
Wall, that wuz quite another thing; we owned that ary cuss
Who'd worked f'r Mr. Dana must be good enough fer us!
And so we tuk the stranger's word 'nd nipped him while we could,
For if we didn't take him we knew John Arkins would;
And Cooper, too, wuz mouzin' round fer enterprise 'nd brains,
Whenever them commodities blew in across the plains.
At any rate we nailed him, which made ol' Cooper swear
And Arkins tear out handfuls uv his copious curly hair;
But we set back and cackled, 'nd bed a power uv fun
With our man who'd worked with Dana on the Noo York Sun.
It made our eyes hang on our cheeks 'nd lower jaws ter drop,
Ter hear that feller tellin' how ol' Dana run his shop:
It seems that Dana wuz the biggest man you ever saw,--
He lived on human bein's, 'nd preferred to eat 'em raw!
If he hed Democratic drugs ter take, before he took 'em,
As good old allopathic laws prescribe, he allus shook 'em.
The man that could set down 'nd write like Dany never grew,
And the sum of human knowledge wuzn't half what Dana knew;
The consequence appeared to be that nearly every one
Concurred with Mr. Dana of the Noo York Sun.
This feller, Cantell Whoppers, never brought an item in,--
He spent his time at Perrin's shakin' poker dice f'r gin.
Whatever the assignment, he wuz allus sure to shirk,
He wuz very long on likker and all-fired short on work!
If any other cuss had played the tricks he dared ter play,
The daisies would be bloomin' over his remains to-day;
But somehow folks respected him and stood him to the last,
Considerin' his superior connections in the past.
So, when he bilked at poker, not a sucker drew a gun
On the man who 'd worked with Dana on the Noo York Sun.
Wall, Dana came ter Denver in the fall uv '83.
A very different party from the man we thought ter see,--
A nice 'nd clean old gentleman, so dignerfied 'nd calm,
You bet yer life he never did no human bein' harm!
A certain hearty manner 'nd a fulness uv the vest
Betokened that his sperrits 'nd his victuals wuz the best;
His face wuz so benevolent, his smile so sweet 'nd kind,
That they seemed to be the reflex uv an honest, healthy mind;
And God had set upon his head a crown uv silver hair
In promise uv the golden crown He meaneth him to wear.
So, uv us boys that met him out'n Denver, there wuz none
But fell in love with Dana uv the Noo York Sun.
But when he came to Denver in that fall uv '83,
His old friend Cantell Whoppers disappeared upon a spree;
The very thought uv seein' Dana worked upon him so
(They hadn't been together fer a year or two, you know),
That he borrered all the stuff he could and started on a bat,
And, strange as it may seem, we didn't see him after that.
So, when ol' Dana hove in sight, we couldn't understand
Why he didn't seem to notice that his crony wa'n't on hand;
No casual allusion, not a question, no, not one,
For the man who'd "worked with Dana on the Noo York Sun!"
We broke it gently to him, but he didn't seem surprised,
Thar wuz no big burst uv passion as we fellers had surmised.
He said that Whoppers wuz a man he 'd never heerd about,
But he mought have carried papers on a Jarsey City route;
And then he recollected hearin' Mr. Laffan say
That he'd fired a man named Whoppers fur bein' drunk one day,
Which, with more likker underneath than money in his vest,
Had started on a freight-train fur the great 'nd boundin' West,
But further information or statistics he had none
Uv the man who'd "worked with Dana on the Noo York Sun."
We dropped the matter quietly 'nd never made no fuss,--
When we get played for suckers, why, that's a horse on us!--
But every now 'nd then we Denver fellers have to laff
To hear some other paper boast uv havin' on its staff
A man who's "worked with Dana," 'nd then we fellers wink
And pull our hats down on our eyes 'nd set around 'nd think.
It seems like Dana couldn't be as smart as people say,
If he educates so many folks 'nd lets 'em get away;
And, as for us, in future we'll be very apt to shun
The man who "worked with Dana on the Noo York Sun."
But bless ye, Mr. Dana! may you live a thousan' years,
To sort o' keep things lively in this vale of human tears;
An' may I live a thousan', too,--a thousan' less a day,
For I shouldn't like to be on earth to hear you'd passed away.
And when it comes your time to go you'll need no Latin chaff
Nor biographic data put in your epitaph;
But one straight line of English and of truth will let folks know
The homage 'nd the gratitude 'nd reverence they owe;
You'll need no epitaph but this: "Here sleeps the man who run
That best 'nd brightest paper, the Noo York Sun."
|
Written by
Gerard Manley Hopkins |
I bear a basket lined with grass;
I am so light, I am so fair,
That men must wonder as I pass
And at the basket that I bear,
Where in a newly-drawn green litter
Sweet flowers I carry, -- sweets for bitter.
Lilies I shew you, lilies none,
None in Caesar's gardens blow, --
And a quince in hand, -- not one
Is set upon your boughs below;
Not set, because their buds not spring;
Spring not, 'cause world is wintering.
But these were found in the East and South
Where Winter is the clime forgot. --
The dewdrop on the larkspur's mouth
O should it then be quenchèd not?
In starry water-meads they drew
These drops: which be they? stars or dew?
Had she a quince in hand? Yet gaze:
Rather it is the sizing moon.
Lo, linkèd heavens with milky ways!
That was her larkspur row. -- So soon?
Sphered so fast, sweet soul? -- We see
Nor fruit, nor flowers, nor Dorothy.
|
Written by
Joyce Kilmer |
(From the French of Emile Verhaeren)
He who walks through the meadows of Champagne
At noon in Fall, when leaves like gold appear,
Sees it draw near
Like some great mountain set upon the plain,
From radiant dawn until the close of day,
Nearer it grows
To him who goes
Across the country. When tall towers lay
Their shadowy pall
Upon his way,
He enters, where
The solid stone is hollowed deep by all
Its centuries of beauty and of prayer.
Ancient French temple! thou whose hundred kings
Watch over thee, emblazoned on thy walls,
Tell me, within thy memory-hallowed halls
What chant of triumph, or what war-song rings?
Thou hast known Clovis and his Frankish train,
Whose mighty hand Saint Remy's hand did keep
And in thy spacious vault perhaps may sleep
An echo of the voice of Charlemagne.
For God thou has known fear, when from His side
Men wandered, seeking alien shrines and new,
But still the sky was bountiful and blue
And thou wast crowned with France's love and pride.
Sacred thou art, from pinnacle to base;
And in thy panes of gold and scarlet glass
The setting sun sees thousandfold his face;
Sorrow and joy, in stately silence pass
Across thy walls, the shadow and the light;
Around thy lofty pillars, tapers white
Illuminate, with delicate sharp flames,
The brows of saints with venerable names,
And in the night erect a fiery wall.
A great but silent fervour burns in all
Those simple folk who kneel, pathetic, dumb,
And know that down below, beside the Rhine --
Cannon, horses, soldiers, flags in line --
With blare of trumpets, mighty armies come.
Suddenly, each knows fear;
Swift rumours pass, that every one must hear,
The hostile banners blaze against the sky
And by the embassies mobs rage and cry.
Now war has come, and peace is at an end.
On Paris town the German troops descend.
They are turned back, and driven to Champagne.
And now, as to so many weary men,
The glorious temple gives them welcome, when
It meets them at the bottom of the plain.
At once, they set their cannon in its way.
There is no gable now, nor wall
That does not suffer, night and day,
As shot and shell in crushing torrents fall.
The stricken tocsin quivers through the tower;
The triple nave, the apse, the lonely choir
Are circled, hour by hour,
With thundering bands of fire
And Death is scattered broadcast among men.
And then
That which was splendid with baptismal grace;
The stately arches soaring into space,
The transepts, columns, windows gray and gold,
The organ, in whose tones the ocean rolled,
The crypts, of mighty shades the dwelling places,
The Virgin's gentle hands, the Saints' pure faces,
All, even the pardoning hands of Christ the Lord
Were struck and broken by the wanton sword
Of sacrilegious lust.
O beauty slain, O glory in the dust!
Strong walls of faith, most basely overthrown!
The crawling flames, like adders glistening
Ate the white fabric of this lovely thing.
Now from its soul arose a piteous moan,
The soul that always loved the just and fair.
Granite and marble loud their woe confessed,
The silver monstrances that Popes had blessed,
The chalices and lamps and crosiers rare
Were seared and twisted by a flaming breath;
The horror everywhere did range and swell,
The guardian Saints into this furnace fell,
Their bitter tears and screams were stilled in death.
Around the flames armed hosts are skirmishing,
The burning sun reflects the lurid scene;
The German army, fighting for its life,
Rallies its torn and terrified left wing;
And, as they near this place
The imperial eagles see
Before them in their flight,
Here, in the solemn night,
The old cathedral, to the years to be
Showing, with wounded arms, their own disgrace.
|
Written by
Joyce Kilmer |
(For Aline)
Because the road was steep and long
And through a dark and lonely land,
God set upon my lips a song
And put a lantern in my hand.
Through miles on weary miles of night
That stretch relentless in my way
My lantern burns serene and white,
An unexhausted cup of day.
O golden lights and lights like wine,
How dim your boasted splendors are.
Behold this little lamp of mine;
It is more starlike than a star!
|
Written by
Martin Armstrong |
Late in March, when the days are growing longer
And sight of early green
Tells of the coming spring and suns grow stronger,
Round the pale willow-catkins there are seen
The year's first honey-bees
Stealing the nectar: and bee-masters know
This for the first sign of the honey-flow.
Then in the dark hillsides the Cherry-trees
Gleam white with loads of blossom where the gleams
Of piled snow lately hung, and richer streams
The honey. Now, if chilly April days
Delay the Apple-blossom, and the May's
First week come in with sudden summer weather,
The Apple and the Hawthorn bloom together,
And all day long the plundering hordes go round
And every overweighted blossom nods.
But from that gathered essence they compound
Honey more sweet than nectar of the gods.
Those blossoms fall ere June, warm June that brings
The small white Clover. Field by scented field,
Round farms like islands in the rolling weald,
It spreads thick-flowering or in wildness springs
Short-stemmed upon the naked downs, to yield
A richer store of honey than the Rose,
The Pink, the Honeysuckle. Thence there flows
Nectar of clearest amber, redolent
Of every flowery scent
That the warm wind upgathers as he goes.
In mid-July be ready for the noise
Of million bees in old Lime-avenues,
As though hot noon had found a droning voice
To ease her soul. Here for those busy crews
Green leaves and pale-stemmed clusters of green strong flowers
Build heavy-perfumed, cool, green-twilight bowers
Whence, load by load, through the long summer days
They fill their glassy cells
With dark green honey, clear as chrysoprase,
Which housewives shun; but the bee-master tells
This brand is more delicious than all else.
In August-time, if moors are near at hand,
Be wise and in the evening-twilight load
Your hives upon a cart, and take the road
By night: that, ere the early dawn shall spring
And all the hills turn rosy with the Ling,
Each waking hive may stand
Established in its new-appointed land
Without harm taken, and the earliest flights
Set out at once to loot the heathery heights.
That vintage of the Heather yields so dense
And glutinous a syrup that it foils
Him who would spare the comb and drain from thence
Its dark, full-flavoured spoils:
For he must squeeze to wreck the beautiful
Frail edifice. Not otherwise he sacks
Those many-chambered palaces of wax.
Then let a choice of every kind be made,
And, labelled, set upon your storehouse racks —
Of Hawthorn-honey that of almond smacks:
The luscious Lime-tree-honey, green as jade:
Pale Willow-honey, hived by the first rover:
That delicate honey culled
From Apple-blossom, that of sunlight tastes:
And sunlight-coloured honey of the Clover.
Then, when the late year wastes,
When night falls early and the noon is dulled
And the last warm days are over,
Unlock the store and to your table bring
Essence of every blossom of the spring.
And if, when wind has never ceased to blow
All night, you wake to roofs and trees becalmed
In level wastes of snow,
Bring out the Lime-tree-honey, the embalmed
Soul of a lost July, or Heather-spiced
Brown-gleaming comb wherein sleeps crystallised
All the hot perfume of the heathery slope.
And, tasting and remembering, live in hope.
|
Written by
William Butler Yeats |
I
That is no country for old men. The young
In one another's arms, birds in the trees
- Those dying generations - at their song,
The salmon-falls, the mackerel-crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.
II
An aged man is but a paltry thing,
A tattered coat upon a stick, unless
Soul clap its hands and sing, and louder sing
For every tatter in its mortal dress,
Nor is there singing school but studying
Monuments of its own magnificence;
And therefore I have sailed the seas and come
To the holy city of Byzantium.
III
O sages standing in God's holy fire
As in the gold mosaic of a wall,
Come from the holy fire, perne in a gyre,
And be the singing-masters of my soul.
Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.
IV
Once out of nature I shall never take
My bodily form from any natural thing,
But such a form as Grecian goldsmiths make
Of hammered gold and gold enamelling
To keep a drowsy Emperor awake;
Or set upon a golden bough to sing
To lords and ladies of Byzantium
Of what is past, or passing, or to come.
|
Written by
William Vaughn Moody |
This, then, is she,
My mother as she looked at seventeen,
When she first met my father. Young incredibly,
Younger than spring, without the faintest trace
Of disappointment, weariness, or tean
Upon the childlike earnestness and grace
Of the waiting face.
Those close-wound ropes of pearl
(Or common beads made precious by their use)
Seem heavy for so slight a throat to wear;
But the low bodice leaves the shoulders bare
And half the glad swell of the breast, for news
That now the woman stirs within the girl.
And yet,
Even so, the loops and globes
Of beaten gold
And jet
Hung, in the stately way of old,
From the ears' drooping lobes
On festivals and Lord's-day of the week,
Show all too matron-sober for the cheek, --
Which, now I look again, is perfect child,
Or no -- or no -- 't is girlhood's very self,
Moulded by some deep, mischief-ridden elf
So meek, so maiden mild,
But startling the close gazer with the sense
Of passions forest-shy and forest-wild,
And delicate delirious merriments.
As a moth beats sidewise
And up and over, and tries
To skirt the irresistible lure
Of the flame that has him sure,
My spirit, that is none too strong to-day,
Flutters and makes delay, --
Pausing to wonder on the perfect lips,
Lifting to muse upon the low-drawn hair
And each hid radiance there,
But powerless to stem the tide-race bright,
The vehement peace which drifts it toward the light
Where soon -- ah, now, with cries
Of grief and giving-up unto its gain
It shrinks no longer nor denies,
But dips
Hurriedly home to the exquisite heart of pain, --
And all is well, for I have seen them plain,
The unforgettable, the unforgotten eyes!
Across the blinding gush of these good tears
They shine as in the sweet and heavy years
When by her bed and chair
We children gathered jealously to share
The sunlit aura breathing myrrh and thyme,
Where the sore-stricken body made a clime
Gentler than May and pleasanter than rhyme,
Holier and more mystical than prayer.
God, how thy ways are strange!
That this should be, even this,
The patient head
Which suffered years ago the dreary change!
That these so dewy lips should be the same
As those I stooped to kiss
And heard my harrowing half-spoken name,
A little ere the one who bowed above her,
Our father and her very constant lover,
Rose stoical, and we knew that she was dead.
Then I, who could not understand or share
His antique nobleness,
Being unapt to bear
The insults which time flings us for our proof,
Fled from the horrible roof
Into the alien sunshine merciless,
The shrill satiric fields ghastly with day,
Raging to front God in his pride of sway
And hurl across the lifted swords of fate
That ringed Him where He sat
My puny gage of scorn and desolate hate
Which somehow should undo Him, after all!
That this girl face, expectant, virginal,
Which gazes out at me
Boon as a sweetheart, as if nothing loth
(Save for the eyes, with other presage stored)
To pledge me troth,
And in the kingdom where the heart is lord
Take sail on the terrible gladness of the deep
Whose winds the gray Norns keep, --
That this should be indeed
The flesh which caught my soul, a flying seed,
Out of the to and fro
Of scattering hands where the seedsman Mage,
Stooping from star to star and age to age
Sings as he sows!
That underneath this breast
Nine moons I fed
Deep of divine unrest,
While over and over in the dark she said,
"Blessed! but not as happier children blessed" --
That this should be
Even she . . .
God, how with time and change
Thou makest thy footsteps strange!
Ah, now I know
They play upon me, and it is not so.
Why, 't is a girl I never saw before,
A little thing to flatter and make weep,
To tease until her heart is sore,
Then kiss and clear the score;
A gypsy run-the-fields,
A little liberal daughter of the earth,
Good for what hour of truancy and mirth
The careless season yields
Hither-side the flood of the year and yonder of the neap;
Then thank you, thanks again, and twenty light good-byes. --
O shrined above the skies,
Frown not, clear brow,
Darken not, holy eyes!
Thou knowest well I know that it is thou
Only to save me from such memories
As would unman me quite,
Here in this web of strangeness caught
And prey to troubled thought
Do I devise
These foolish shifts and slight;
Only to shield me from the afflicting sense
Of some waste influence
Which from this morning face and lustrous hair
Breathes on me sudden ruin and despair.
In any other guise,
With any but this girlish depth of gaze,
Your coming had not so unsealed and poured
The dusty amphoras where I had stored
The drippings of the winepress of my days.
I think these eyes foresee,
Now in their unawakened virgin time,
Their mother's pride in me,
And dream even now, unconsciously,
Upon each soaring peak and sky-hung lea
You pictured I should climb.
Broken premonitions come,
Shapes, gestures visionary,
Not as once to maiden Mary
The manifest angel with fresh lilies came
Intelligibly calling her by name;
But vanishingly, dumb,
Thwarted and bright and wild,
As heralding a sin-defiled,
Earth-encumbered, blood-begotten, passionate man-child,
Who yet should be a trump of mighty call
Blown in the gates of evil kings
To make them fall;
Who yet should be a sword of flame before
The soul's inviolate door
To beat away the clang of hellish wings;
Who yet should be a lyre
Of high unquenchable desire
In the day of little things. --
Look, where the amphoras,
The yield of many days,
Trod by my hot soul from the pulp of self,
And set upon the shelf
In sullen pride
The Vineyard-master's tasting to abide --
O mother mine!
Are these the bringings-in, the doings fine,
Of him you used to praise?
Emptied and overthrown
The jars lie strown.
These, for their flavor duly nursed,
Drip from the stopples vinegar accursed;
These, I thought honied to the very seal,
Dry, dry, -- a little acid meal,
A pinch of mouldy dust,
Sole leavings of the amber-mantling must;
These, rude to look upon,
But flasking up the liquor dearest won,
Through sacred hours and hard,
With watching and with wrestlings and with grief,
Even of these, of these in chief,
The stale breath sickens reeking from the shard.
Nothing is left. Aye, how much less than naught!
What shall be said or thought
Of the slack hours and waste imaginings,
The cynic rending of the wings,
Known to that froward, that unreckoning heart
Whereof this brewage was the precious part,
Treasured and set away with furtive boast?
O dear and cruel ghost,
Be merciful, be just!
See, I was yours and I am in the dust.
Then look not so, as if all things were well!
Take your eyes from me, leave me to my shame,
Or else, if gaze they must,
Steel them with judgment, darken them with blame;
But by the ways of light ineffable
You bade me go and I have faltered from,
By the low waters moaning out of hell
Whereto my feet have come,
Lay not on me these intolerable
Looks of rejoicing love, of pride, of happy trust!
Nothing dismayed?
By all I say and all I hint not made
Afraid?
O then, stay by me! Let
These eyes afflict me, cleanse me, keep me yet,
Brave eyes and true!
See how the shrivelled heart, that long has lain
Dead to delight and pain,
Stirs, and begins again
To utter pleasant life, as if it knew
The wintry days were through;
As if in its awakening boughs it heard
The quick, sweet-spoken bird.
Strong eyes and brave,
Inexorable to save!
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Written by
Du Fu |
Dusk stay at stone moat village Be official night capture people Old man over wall escape Old woman out door look Official shout with what anger Woman cry with what grief Hear woman forward send words Three sons Ye city defend One son send letter to Two sons newly battle dead Survive one for now sneak life Dead ones great end finished House in become no person Only be breast on grandson Have grandson mother not go come and go without whole skirt Old woman strength though decline Ask follow officer night return Urgent should Heyang work Like produce prepare morning meal Night long speech sound exhaust Seem hear sob whimpering Sky bright up before road Alone with old man part At dusk, I stopped to rest at Stone Moat village, An officer came that night to capture men. The old man escaped by climbing over the wall, The old wife went to look outside the door. How angrily the officer now shouted, How bitterly the wife did weep out loud! I heard the words the wife was sending forth: "Three sons of mine were sent to defend Yecheng. From one of my sons, a letter has arrived, The other two have recently died in battle. The one who survived has kept alive for now, The dead ones though have met their final end. Inside this house, there are no people left, There's just a grandson suckling on the breast. The grandson's mother also cannot go, She goes about without a skirt intact. Although I'm an old woman with failing strength, I ask you to take me with you tonight. If you should need workers at Heyang, I can prepare the morning meal for you." Her voice then died away into the night, I seemed to hear her sob and whimper still. At dawn, before I set upon the road, It's only from the old man that I part.
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