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Best Famous Sequel Poems

Here is a collection of the all-time best famous Sequel poems. This is a select list of the best famous Sequel poetry. Reading, writing, and enjoying famous Sequel poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sequel poems.

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Written by Robert Browning | Create an image from this poem

The Glove

 (PETER RONSARD _loquitur_.
) ``Heigho!'' yawned one day King Francis, ``Distance all value enhances! ``When a man's busy, why, leisure ``Strikes him as wonderful pleasure: `` 'Faith, and at leisure once is he? ``Straightway he wants to be busy.
``Here we've got peace; and aghast I'm ``Caught thinking war the true pastime.
``Is there a reason in metre? ``Give us your speech, master Peter!'' I who, if mortal dare say so, Ne'er am at loss with my Naso, ``Sire,'' I replied, ``joys prove cloudlets: ``Men are the merest Ixions''--- Here the King whistled aloud, ``Let's ``---Heigho---go look at our lions!'' Such are the sorrowful chances If you talk fine to King Francis.
And so, to the courtyard proceeding, Our company, Francis was leading, Increased by new followers tenfold Before be arrived at the penfold; Lords, ladies, like clouds which bedizen At sunset the western horizon.
And Sir De Lorge pressed 'mid the foremost With the dame he professed to adore most.
Oh, what a face! One by fits eyed Her, and the horrible pitside; For the penfold surrounded a hollow Which led where the eye scarce dared follow, And shelved to the chamber secluded Where Bluebeard, the great lion, brooded.
The King bailed his keeper, an Arab As glossy and black as a scarab,*1 And bade him make sport and at once stir Up and out of his den the old monster.
They opened a hole in the wire-work Across it, and dropped there a firework, And fled: one's heart's beating redoubled; A pause, while the pit's mouth was troubled, The blackness and silence so utter, By the firework's slow sparkling and sputter; Then earth in a sudden contortion Gave out to our gaze her abortion.
Such a brute! Were I friend Clement Marot (Whose experience of nature's but narrow, And whose faculties move in no small mist When he versifies David the Psalmist) I should study that brute to describe you _Illim Juda Leonem de Tribu_.
One's whole blood grew curdling and creepy To see the black mane, vast and heapy, The tail in the air stiff and straining, The wide eyes, nor waxing nor waning, As over the barrier which bounded His platform, and us who surrounded The barrier, they reached and they rested On space that might stand him in best stead: For who knew, he thought, what the amazement, The eruption of clatter and blaze meant, And if, in this minute of wonder, No outlet, 'mid lightning and thunder, Lay broad, and, his shackles all shivered, The lion at last was delivered? Ay, that was the open sky o'erhead! And you saw by the flash on his forehead, By the hope in those eyes wide and steady, He was leagues in the desert already, Driving the flocks up the mountain, Or catlike couched hard by the fountain To waylay the date-gathering negress: So guarded he entrance or egress.
``How he stands!'' quoth the King: ``we may well swear, (``No novice, we've won our spurs elsewhere ``And so can afford the confession,) ``We exercise wholesome discretion ``In keeping aloof from his threshold; ``Once hold you, those jaws want no fresh hold, ``Their first would too pleasantly purloin ``The visitor's brisket or surloin: ``But who's he would prove so fool-hardy? ``Not the best man of Marignan, pardie!'' The sentence no sooner was uttered, Than over the rails a glove flattered, Fell close to the lion, and rested: The dame 'twas, who flung it and jested With life so, De Lorge had been wooing For months past; he sat there pursuing His suit, weighing out with nonchalance Fine speeches like gold from a balance.
Sound the trumpet, no true knight's a tarrier! De Lorge made one leap at the barrier, Walked straight to the glove,---while the lion Neer moved, kept his far-reaching eye on The palm-tree-edged desert-spring's sapphire, And the musky oiled skin of the Kaffir,--- Picked it up, and as calmly retreated, Leaped back where the lady was seated, And full in the face of its owner Flung the glove.
``Your heart's queen, you dethrone her? ``So should I!''---cried the King---``'twas mere vanity, ``Not love, set that task to humanity!'' Lords and ladies alike turned with loathing From such a proved wolf in sheep's clothing.
Not so, I; for I caught an expression In her brow's undisturbed self-possession Amid the Court's scoffing and merriment,--- As if from no pleasing experiment She rose, yet of pain not much heedful So long as the process was needful,--- As if she had tried in a crucible, To what ``speeches like gold'' were reducible, And, finding the finest prove copper, Felt the smoke in her face was but proper; To know what she had _not_ to trust to, Was worth all the ashes and dust too.
She went out 'mid hooting and laughter; Clement Marot stayed; I followed after, And asked, as a grace, what it all meant? If she wished not the rash deed's recalment? ``For I''---so I spoke---``am a poet: ``Human nature,---behoves that I know it!'' She told me, ``Too long had I heard ``Of the deed proved alone by the word: ``For my love---what De Lorge would not dare! ``With my scorn---what De Lorge could compare! ``And the endless descriptions of death ``He would brave when my lip formed a breath, ``I must reckon as braved, or, of course, ``Doubt his word---and moreover, perforce, ``For such gifts as no lady could spurn, ``Must offer my love in return.
``When I looked on your lion, it brought ``All the dangers at once to my thought, ``Encountered by all sorts of men, ``Before he was lodged in his den,--- ``From the poor slave whose club or bare hands ``Dug the trap, set the snare on the sands, ``With no King and no Court to applaud, ``By no shame, should he shrink, overawed, ``Yet to capture the creature made shift, ``That his rude boys might laugh at the gift, ``---To the page who last leaped o'er the fence ``Of the pit, on no greater pretence ``Than to get back the bonnet he dropped, ``Lest his pay for a week should be stopped.
``So, wiser I judged it to make ``One trial what `death for my sake' ``Really meant, while the power was yet mine, ``Than to wait until time should define ``Such a phrase not so simply as I, ``Who took it to mean just `to die.
' ``The blow a glove gives is but weak: ``Does the mark yet discolour my cheek? ``But when the heart suffers a blow, ``Will the pain pass so soon, do you know?'' I looked, as away she was sweeping, And saw a youth eagerly keeping As close as he dared to the doorway.
No doubt that a noble should more weigh His life than befits a plebeian; And yet, had our brute been Nemean--- (I judge by a certain calm fervour The youth stepped with, forward to serve her) ---He'd have scarce thought you did him the worst turn If you whispered ``Friend, what you'd get, first earn!'' And when, shortly after, she carried Her shame from the Court, and they married, To that marriage some happiness, maugre The voice of the Court, I dared augur.
For De Lorge, he made women with men vie, Those in wonder and praise, these in envy; And in short stood so plain a head taller That he wooed and won .
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how do you call her? The beauty, that rose in the sequel To the King's love, who loved her a week well.
And 'twas noticed he never would honour De Lorge (who looked daggers upon her) With the easy commission of stretching His legs in the service, and fetching His wife, from her chamber, those straying Sad gloves she was always mislaying, While the King took the closet to chat in,--- But of course this adventure came pat in.
And never the King told the story, How bringing a glove brought such glory, But the wife smiled---``His nerves are grown firmer: ``Mine he brings now and utters no murmur.
'' _Venienti occurrite morbo!_ With which moral I drop my theorbo.
*1 A beetle.


Written by John Ashbery | Create an image from this poem

Daffy Duck In Hollywood

 Something strange is creeping across me.
La Celestina has only to warble the first few bars Of "I Thought about You" or something mellow from Amadigi di Gaula for everything--a mint-condition can Of Rumford's Baking Powder, a celluloid earring, Speedy Gonzales, the latest from Helen Topping Miller's fertile Escritoire, a sheaf of suggestive pix on greige, deckle-edged Stock--to come clattering through the rainbow trellis Where Pistachio Avenue rams the 2300 block of Highland Fling Terrace.
He promised he'd get me out of this one, That mean old cartoonist, but just look what he's Done to me now! I scarce dare approach me mug's attenuated Reflection in yon hubcap, so jaundiced, so déconfit Are its lineaments--fun, no doubt, for some quack phrenologist's Fern-clogged waiting room, but hardly what you'd call Companionable.
But everything is getting choked to the point of Silence.
Just now a magnetic storm hung in the swatch of sky Over the Fudds' garage, reducing it--drastically-- To the aura of a plumbago-blue log cabin on A Gadsden Purchase commemorative cover.
Suddenly all is Loathing.
I don't want to go back inside any more.
You meet Enough vague people on this emerald traffic-island--no, Not people, comings and goings, more: mutterings, splatterings, The bizarrely but effectively equipped infantries of happy-go-nutty Vegetal jacqueries, plumed, pointed at the little White cardboard castle over the mill run.
"Up The lazy river, how happy we could be?" How will it end? That geranium glow Over Anaheim's had the riot act read to it by the Etna-size firecracker that exploded last minute into A carte du Tendre in whose lower right-hand corner (Hard by the jock-itch sand-trap that skirts The asparagus patch of algolagnic nuits blanches) Amadis Is cozening the Princesse de Cleves into a midnight micturition spree On the Tamigi with the Wallets (Walt, Blossom, and little Sleezix) on a lamé barge "borrowed" from Ollie Of the Movies' dread mistress of the robes.
Wait! I have an announcement! This wide, tepidly meandering, Civilized Lethe (one can barely make out the maypoles And châlets de nécessitê on its sedgy shore) leads to Tophet, that Landfill-haunted, not-so-residential resort from which Some travellers return! This whole moment is the groin Of a borborygmic giant who even now Is rolling over on us in his sleep.
Farewell bocages, Tanneries, water-meadows.
The allegory comes unsnarled Too soon; a shower of pecky acajou harpoons is About all there is to be noted between tornadoes.
I have Only my intermittent life in your thoughts to live Which is like thinking in another language.
Everything Depends on whether somebody reminds you of me.
That this is a fabulation, and that those "other times" Are in fact the silences of the soul, picked out in Diamonds on stygian velvet, matters less than it should.
Prodigies of timing may be arranged to convince them We live in one dimension, they in ours.
While I Abroad through all the coasts of dark destruction seek Deliverance for us all, think in that language: its Grammar, though tortured, offers pavillions At each new parting of the ways.
Pastel Ambulances scoop up the quick and hie them to hospitals.
"It's all bits and pieces, spangles, patches, really; nothing Stands alone.
What happened to creative evolution?" Sighed Aglavaine.
Then to her Sélysette: "If his Achievement is only to end up less boring than the others, What's keeping us here? Why not leave at once? I have to stay here while they sit in there, Laugh, drink, have fine time.
In my day One lay under the tough green leaves, Pretending not to notice how they bled into The sky's aqua, the wafted-away no-color of regions supposed Not to concern us.
And so we too Came where the others came: nights of physical endurance, Or if, by day, our behavior was anarchically Correct, at least by New Brutalism standards, all then Grew taciturn by previous agreement.
We were spirited Away en bateau, under cover of fudge dark.
It's not the incomplete importunes, but the spookiness Of the finished product.
True, to ask less were folly, yet If he is the result of himself, how much the better For him we ought to be! And how little, finally, We take this into account! Is the puckered garance satin Of a case that once held a brace of dueling pistols our Only acknowledging of that color? I like not this, Methinks, yet this disappointing sequel to ourselves Has been applauded in London and St.
Petersburg.
Somewhere Ravens pray for us.
" The storm finished brewing.
And thus She questioned all who came in at the great gate, but none She found who ever heard of Amadis, Nor of stern Aureng-Zebe, his first love.
Some They were to whom this mattered not a jot: since all By definition is completeness (so In utter darkness they reasoned), why not Accept it as it pleases to reveal itself? As when Low skyscrapers from lower-hanging clouds reveal A turret there, an art-deco escarpment here, and last perhaps The pattern that may carry the sense, but Stays hidden in the mysteries of pagination.
Not what we see but how we see it matters; all's Alike, the same, and we greet him who announces The change as we would greet the change itself.
All life is but a figment; conversely, the tiny Tome that slips from your hand is not perhaps the Missing link in this invisible picnic whose leverage Shrouds our sense of it.
Therefore bivouac we On this great, blond highway, unimpeded by Veiled scruples, worn conundrums.
Morning is Impermanent.
Grab sex things, swing up Over the horizon like a boy On a fishing expedition.
No one really knows Or cares whether this is the whole of which parts Were vouchsafed--once--but to be ambling on's The tradition more than the safekeeping of it.
This mulch for Play keeps them interested and busy while the big, Vaguer stuff can decide what it wants--what maps, what Model cities, how much waste space.
Life, our Life anyway, is between.
We don't mind Or notice any more that the sky is green, a parrot One, but have our earnest where it chances on us, Disingenuous, intrigued, inviting more, Always invoking the echo, a summer's day.
Written by Andrew Barton Paterson | Create an image from this poem

The Incantation

 Scene: Federal Political Arena 
A darkened cave.
In the middle, a cauldron, boiling.
Enter the three witches.
1ST WITCH: Thrice hath the Federal Jackass brayed.
2ND WITCH: Once the Bruce-Smith War-horse neighed.
3RD WITCH: So Georgie comes, 'tis time, 'tis time, Around the cauldron to chant our rhyme.
1ST WITCH: In the cauldron boil and bake Fillet of a tariff snake, Home-made flannels -- mostly cotton, Apples full of moths, and rotten, Lamb that perished in the drought, Starving stock from "furthest out", Drops of sweat from cultivators, Sweating to feed legislators.
Grime from a white stoker's nob, Toiling at a ******'s job.
Thus the great Australian Nation, Seeks political salvation.
ALL: Double, double, toil and trouble, Fire burn, and cauldron bubble.
2ND WITCH: Heel-taps from the threepenny bars, Ash from Socialist cigars.
Leathern tongue of boozer curst With the great Australian thirst, Two-up gambler keeping dark, Loafer sleeping in the park -- Drop them in to prove the sequel, All men are born free and equal.
ALL: Double, double, toil and trouble, Fire burn, and cauldron bubble.
3RD WITCH:Lung of Labour agitator, Gall of Isaacs turning traitor; Spleen that Kingston has revealed, Sawdust stuffing out of Neild; Mix them up, and then combine With duplicity of Lyne, Alfred Deakin's gift of gab, Mix the gruel thick and slab.
ALL: Double, double, toil and trouble, Heav'n help Australia in her trouble.
HECATE: Oh, well done, I commend your pains, And everyone shall share i' the gains, And now about the cauldron sing, Enchanting all that you put in.
Round about the cauldron go, In the People's rights we'll throw, Cool it with an Employer's blood, Then the charm stands firm and good, And thus with chaos in possession, Ring in the coming Fed'ral Session.
Written by Alfred Lord Tennyson | Create an image from this poem

The Princess (The Conclusion)

 So closed our tale, of which I give you all 
The random scheme as wildly as it rose: 
The words are mostly mine; for when we ceased 
There came a minute's pause, and Walter said, 
'I wish she had not yielded!' then to me, 
'What, if you drest it up poetically?' 
So prayed the men, the women: I gave assent: 
Yet how to bind the scattered scheme of seven 
Together in one sheaf? What style could suit? 
The men required that I should give throughout 
The sort of mock-heroic gigantesque, 
With which we bantered little Lilia first: 
The women--and perhaps they felt their power, 
For something in the ballads which they sang, 
Or in their silent influence as they sat, 
Had ever seemed to wrestle with burlesque, 
And drove us, last, to quite a solemn close-- 
They hated banter, wished for something real, 
A gallant fight, a noble princess--why 
Not make her true-heroic--true-sublime? 
Or all, they said, as earnest as the close? 
Which yet with such a framework scarce could be.
Then rose a little feud betwixt the two, Betwixt the mockers and the realists: And I, betwixt them both, to please them both, And yet to give the story as it rose, I moved as in a strange diagonal, And maybe neither pleased myself nor them.
But Lilia pleased me, for she took no part In our dispute: the sequel of the tale Had touched her; and she sat, she plucked the grass, She flung it from her, thinking: last, she fixt A showery glance upon her aunt, and said, 'You--tell us what we are' who might have told, For she was crammed with theories out of books, But that there rose a shout: the gates were closed At sunset, and the crowd were swarming now, To take their leave, about the garden rails.
So I and some went out to these: we climbed The slope to Vivian-place, and turning saw The happy valleys, half in light, and half Far-shadowing from the west, a land of peace; Gray halls alone among their massive groves; Trim hamlets; here and there a rustic tower Half-lost in belts of hop and breadths of wheat; The shimmering glimpses of a stream; the seas; A red sail, or a white; and far beyond, Imagined more than seen, the skirts of France.
'Look there, a garden!' said my college friend, The Tory member's elder son, 'and there! God bless the narrow sea which keeps her off, And keeps our Britain, whole within herself, A nation yet, the rulers and the ruled-- Some sense of duty, something of a faith, Some reverence for the laws ourselves have made, Some patient force to change them when we will, Some civic manhood firm against the crowd-- But yonder, whiff! there comes a sudden heat, The gravest citizen seems to lose his head, The king is scared, the soldier will not fight, The little boys begin to shoot and stab, A kingdom topples over with a shriek Like an old woman, and down rolls the world In mock heroics stranger than our own; Revolts, republics, revolutions, most No graver than a schoolboys' barring out; Too comic for the serious things they are, Too solemn for the comic touches in them, Like our wild Princess with as wise a dream As some of theirs--God bless the narrow seas! I wish they were a whole Atlantic broad.
' 'Have patience,' I replied, 'ourselves are full Of social wrong; and maybe wildest dreams Are but the needful preludes of the truth: For me, the genial day, the happy crowd, The sport half-science, fill me with a faith.
This fine old world of ours is but a child Yet in the go-cart.
Patience! Give it time To learn its limbs: there is a hand that guides.
' In such discourse we gained the garden rails, And there we saw Sir Walter where he stood, Before a tower of crimson holly-hoaks, Among six boys, head under head, and looked No little lily-handed Baronet he, A great broad-shouldered genial Englishman, A lord of fat prize-oxen and of sheep, A raiser of huge melons and of pine, A patron of some thirty charities, A pamphleteer on guano and on grain, A quarter-sessions chairman, abler none; Fair-haired and redder than a windy morn; Now shaking hands with him, now him, of those That stood the nearest--now addressed to speech-- Who spoke few words and pithy, such as closed Welcome, farewell, and welcome for the year To follow: a shout rose again, and made The long line of the approaching rookery swerve From the elms, and shook the branches of the deer From slope to slope through distant ferns, and rang Beyond the bourn of sunset; O, a shout More joyful than the city-roar that hails Premier or king! Why should not these great Sirs Give up their parks some dozen times a year To let the people breathe? So thrice they cried, I likewise, and in groups they streamed away.
But we went back to the Abbey, and sat on, So much the gathering darkness charmed: we sat But spoke not, rapt in nameless reverie, Perchance upon the future man: the walls Blackened about us, bats wheeled, and owls whooped, And gradually the powers of the night, That range above the region of the wind, Deepening the courts of twilight broke them up Through all the silent spaces of the worlds, Beyond all thought into the Heaven of Heavens.
Last little Lilia, rising quietly, Disrobed the glimmering statue of Sir Ralph From those rich silks, and home well-pleased we went.
Written by Alec Derwent (A D) Hope | Create an image from this poem

Easter Hymn

 Make no mistake; there will be no forgiveness; 
No voice can harm you and no hand will save; 
Fenced by the magic of deliberate darkness 
You walk on the sharp edges of the wave; 

Trouble with soul again the putrefaction 
Where Lazarus three days rotten lies content.
Your human tears will be the seed of faction Murder the sequel to your sacrament.
The City of God is built like other cities: Judas negotiates the loans you float; You will meet Caiaphas upon committees; You will be glad of Pilate's casting vote.
Your truest lovers still the foolish virgins, Your heart will sicken at the marriage feasts Knowing they watch you from the darkened gardens Being polite to your official guests.


Written by Mary Darby Robinson | Create an image from this poem

The Mistletoe (A Christmas Tale)

 A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!

This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!

'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.
It happen'd, that some sport to shew The ceiling held a MISTLETOE.
A magic bough, and well design'd To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old Its sacred mysteries enroll'd; And which, or gossip Fame's a liar, Still warms the soul with vivid fire; Still promises a store of bliss While bigots snatch their Idol's kiss.
This MISTLETOE was doom'd to be The talisman of Destiny; Beneath its ample boughs we're told Full many a timid Swain grew bold; Full many a roguish eye askance Beheld it with impatient glance, And many a ruddy cheek confest, The triumphs of the beating breast; And many a rustic rover sigh'd Who ask'd the kiss, and was denied.
First MARG'RY smil'd and gave her Lover A Kiss; then thank'd her stars, 'twas over! Next, KATE, with a reluctant pace, Was tempted to the mystic place; Then SUE, a merry laughing jade A dimpled yielding blush betray'd; While JOAN her chastity to shew Wish'd "the bold knaves would serve her so," She'd "teach the rogues such wanton play!" And well she could, she knew the way.
The FARMER, mute with jealous care, Sat sullen, in his wicker chair; Hating the noisy gamesome host Yet, fearful to resign his post; He envied all their sportive strife But most he watch'd his blooming wife, And trembled, lest her steps should go, Incautious, near the MISTLETOE.
Now HODGE, a youth of rustic grace With form athletic; manly face; On MISTRESS HOMESPUN turn'd his eye And breath'd a soul-declaring sigh! Old HOMESPUN, mark'd his list'ning Fair And nestled in his wicker chair; HODGE swore, she might his heart command-- The pipe was dropp'd from HOMESPUN'S hand! HODGE prest her slender waist around; The FARMER check'd his draught, and frown'd! And now beneath the MISTLETOE 'Twas MISTRESS HOMESPUN'S turn to go; Old Surly shook his wicker chair, And sternly utter'd--"Let her dare!" HODGE, to the FARMER'S wife declar'd Such husbands never should be spar'd; Swore, they deserv'd the worst disgrace, That lights upon the wedded race; And vow'd--that night he would not go Unblest, beneath the MISTLETOE.
The merry group all recommend An harmless Kiss, the strife to end: "Why not ?" says MARG'RY, "who would fear, "A dang'rous moment, once a year?" SUSAN observ'd, that "ancient folks "Were seldom pleas'd with youthful jokes;" But KATE, who, till that fatal hour, Had held, o'er HODGE, unrivall'd pow'r, With curving lip and head aside Look'd down and smil'd in conscious pride, Then, anxious to conceal her care, She humm'd--"what fools some women are!" Now, MISTRESS HOMESPUN, sorely vex'd, By pride and jealous rage perplex'd, And angry, that her peevish spouse Should doubt her matrimonial vows, But, most of all, resolved to make An envious rival's bosom ache; Commanded Hodge to let her go, Nor lead her to the Mistletoe; "Why should you ask it o'er and o'er?" Cried she, "we've been there twice before!" 'Tis thus, to check a rival's sway, That Women oft themselves betray; While VANITY, alone, pursuing, They rashly prove, their own undoing.
Written by Henry Lawson | Create an image from this poem

In The Days When The World Was Wide

 The world is narrow and ways are short, and our lives are dull and slow, 
For little is new where the crowds resort, and less where the wanderers go; 
Greater, or smaller, the same old things we see by the dull road-side -- 
And tired of all is the spirit that sings 
of the days when the world was wide.
When the North was hale in the march of Time, and the South and the West were new, And the gorgeous East was a pantomime, as it seemed in our boyhood's view; When Spain was first on the waves of change, and proud in the ranks of pride, And all was wonderful, new and strange in the days when the world was wide.
Then a man could fight if his heart were bold, and win if his faith were true -- Were it love, or honour, or power, or gold, or all that our hearts pursue; Could live to the world for the family name, or die for the family pride, Could fly from sorrow, and wrong, and shame in the days when the world was wide.
They sailed away in the ships that sailed ere science controlled the main, When the strong, brave heart of a man prevailed as 'twill never prevail again; They knew not whither, nor much they cared -- let Fate or the winds decide -- The worst of the Great Unknown they dared in the days when the world was wide.
They raised new stars on the silent sea that filled their hearts with awe; They came to many a strange countree and marvellous sights they saw.
The villagers gaped at the tales they told, and old eyes glistened with pride -- When barbarous cities were paved with gold in the days when the world was wide.
'Twas honest metal and honest wood, in the days of the Outward Bound, When men were gallant and ships were good -- roaming the wide world round.
The gods could envy a leader then when `Follow me, lads!' he cried -- They faced each other and fought like men in the days when the world was wide.
They tried to live as a freeman should -- they were happier men than we, In the glorious days of wine and blood, when Liberty crossed the sea; 'Twas a comrade true or a foeman then, and a trusty sword well tried -- They faced each other and fought like men in the days when the world was wide.
The good ship bound for the Southern seas when the beacon was Ballarat, With a `Ship ahoy!' on the freshening breeze, `Where bound?' and `What ship's that?' -- The emigrant train to New Mexico -- the rush to the Lachlan Side -- Ah! faint is the echo of Westward Ho! from the days when the world was wide.
South, East, and West in advance of Time -- and, ay! in advance of Thought Those brave men rose to a height sublime -- and is it for this they fought? And is it for this damned life we praise the god-like spirit that died At Eureka Stockade in the Roaring Days with the days when the world was wide? We fight like women, and feel as much; the thoughts of our hearts we guard; Where scarcely the scorn of a god could touch, the sneer of a sneak hits hard; The treacherous tongue and cowardly pen, the weapons of curs, decide -- They faced each other and fought like men in the days when the world was wide.
Think of it all -- of the life that is! Study your friends and foes! Study the past! And answer this: `Are these times better than those?' The life-long quarrel, the paltry spite, the sting of your poisoned pride! No matter who fell it were better to fight as they did when the world was wide.
Boast as you will of your mateship now -- crippled and mean and sly -- The lines of suspicion on friendship's brow were traced since the days gone by.
There was room in the long, free lines of the van to fight for it side by side -- There was beating-room for the heart of a man in the days when the world was wide.
.
.
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.
.
With its dull, brown days of a-shilling-an-hour the dreary year drags round: Is this the result of Old England's power? -- the bourne of the Outward Bound? Is this the sequel of Westward Ho! -- of the days of Whate'er Betide? The heart of the rebel makes answer `No! We'll fight till the world grows wide!' The world shall yet be a wider world -- for the tokens are manifest; East and North shall the wrongs be hurled that followed us South and West.
The march of Freedom is North by the Dawn! Follow, whate'er betide! Sons of the Exiles, march! March on! March till the world grows wide!
Written by Robert William Service | Create an image from this poem

On The Boulevard

 Oh, it's pleasant sitting here,
Seeing all the people pass;
You beside your bock of beer,
I behind my demi-tasse.
Chatting of no matter what.
You the Mummer, I the Bard; Oh, it's jolly, is it not? -- Sitting on the Boulevard.
More amusing than a book, If a chap has eyes to see; For, no matter where I look, Stories, stories jump at me.
Moving tales my pen might write; Poems plain on every face; Monologues you could recite With inimitable grace.
(Ah! Imagination's power) See yon demi-mondaine there, Idly toying with a flower, Smiling with a pensive air .
.
.
Well, her smile is but a mask, For I saw within her **** Such a wicked little flask: Vitriol -- ugh! the beastly stuff.
Now look back beside the bar.
See yon curled and scented beau, Puffing at a fine cigar -- Sale espèce de maquereau.
Well (of course, it's all surmise), It's for him she holds her place; When he passes she will rise, Dash the vitriol in his face.
Quick they'll carry him away, Pack him in a Red Cross car; Her they'll hurry, so they say, To the cells of St.
Lazare.
What will happen then, you ask? What will all the sequel be? Ah! Imagination's task Isn't easy .
.
.
let me see .
.
.
She will go to jail, no doubt, For a year, or maybe two; Then as soon as she gets out Start her bawdy life anew.
He will lie within a ward, Harmless as a man can be, With his face grotesquely scarred, And his eyes that cannot see.
Then amid the city's din He will stand against a wall, With around his neck a tin Into which the pennies fall.
She will pass (I see it plain, Like a cinematograph), She will halt and turn again, Look and look, and maybe laugh.
Well, I'm not so sure of that -- Whether she will laugh or cry.
He will hold a battered hat To the lady passing by.
He will smile a cringing smile, And into his grimy hold, With a laugh (or sob) the while, She will drop a piece of gold.
"Bless you, lady," he will say, And get grandly drunk that night.
She will come and come each day, Fascinated by the sight.
Then somehow he'll get to know (Maybe by some kindly friend) Who she is, and so .
.
.
and so Bring my story to an end.
How his heart will burst with hate! He will curse and he will cry.
He will wait and wait and wait, Till again she passes by.
Then like tiger from its lair He will leap from out his place, Down her, clutch her by the hair, Smear the vitriol on her face.
(Ah! Imagination rare) See .
.
.
he takes his hat to go; Now he's level with her chair; Now she rises up to throw.
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.
.
God! and she has done it too .
.
.
Oh, those screams; those hideous screams! I imagined and .
.
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it's true: How his face will haunt my dreams! What a sight! It makes me sick.
Seems I am to blame somehow.
Garcon, fetch a brandy quick .
.
.
There! I'm feeling better now.
Let's collaborate, we two, You the Mummer, I the Bard; Oh, what ripping stuff we'll do, Sitting on the Boulevard!
Written by Robert William Service | Create an image from this poem

Madam La Maquise

 Said Hongray de la Glaciere unto his proud Papa:
"I want to take a wife mon Père," The Marquis laughed: "Ha! Ha!
And whose, my son?" he slyly said; but Hongray with a frown
Cried, "Fi! Papa, I mean - to wed, I want to settle down.
" The Marquis de la Glaciere responded with a smile; "You're young my boy; I much prefer that you should wait awhile.
" But Hongray sighed: "I cannot wait, for I am twenty-four; And I have met my blessed fate: I worship and adore.
Such beauty, grace and charm has she, I'm sure you will approve, For if I live a century none other can I love.
" "I have no doubt," the Marquis shrugged, "that she's a proper pet; But has she got a decent dot, and is she of our set?" "Her dot," said Hongray, "will suffice; her family you know.
The girl with whom I fain would splice is Mirabelle du Veau.
" What made the Marquis start and stare, and clutch his perfumed beard? Why did he stagger to a chair and murmur: "As I feared?" Dilated were his eyes with dread, and in a voice of woe He wailed: "My son, you cannot wed with Mirabelle du Veau.
" "Why not? my Parent," Hongray cried.
"Her name's without a slur.
Why should you look so horrified that I should wed with her?" The Marquis groaned: "Unhappy lad! Forget her if you can, And see in your respected Dad a miserable man.
" "What id the matter? I repeat," said Hongray growing hot.
"She's witty, pretty, rich and sweet.
.
.
Then- mille diables!- what?" The Marquis moaned: "Alas! that I your dreams of bliss should banish; It happened in the days gone-by, when I was Don Juanish.
Her mother was your mother's friend, and we were much together.
Ah well! You know how such things end.
(I blame it on the weather.
) We had a very sultry spell.
One day, mon Dieu! I kissed her.
My son, you can't wed Mirabelle.
She is.
.
.
she is your sister.
" So broken-hearted Hongray went and roamed the world around, Till hunting in the Occident forgetfulness he found.
Then quite recovered, he returned to the paternal nest, Until one day, with brow that burned, the Marquis he addresses: "Felicitate me, Father mine; my brain s in a whirl; For I have found the mate divine, the one, the perfect girl.
She's healthy, wealthy, witching, wise, with loveliness serene.
And Proud am I to win a prize, half angel and half queen.
" "'Tis time to wed," the Marquis said, "You must be twenty-seven.
But who is she whose lot may be to make your life a heaven?" "A friend of childhood," Hongray cried.
"For whom regard you feel.
The maid I fain would be my bride is Raymonde de la Veal.
" The Marquis de la Glaciere collapsed upon the floor, And all the words he uttered were: "Forgive me, I implore.
My sins are heavy on my head.
Profound remorse I feel.
My son, you simply cannot wed with Raymonde de la Veal.
" Then Hongray spoke voice that broke, and corrugated brow: "Inform me, Sir, why you demur.
What is the matter now?" The Marquis wailed: "My wicked youth! Ah! how it gives me pain.
But let me tell the awful truth, my agony explain.
.
.
A cursed Casanova I; a finished flirt her mother; And so alas! it came to pass we fell for one another: Our lives were blent in bliss and joy, The sequel you may gather: You cannot wed Raymonde, my boy, because I am.
.
.
her father.
" Again sore-stricken Hongray fled, and sought his grief to smother, And as he writhed upon his bed to him there came his Mother.
The Marquise de la Glaciere was snowy-haired and frigid.
Her wintry featured chiselled were, her manner stiff and rigid.
The pride of race was in her face, her bearing high and stately, And sinking down by Hongray's side she spoke to him sedately: "What ails you so, my precious child? What throngs of sorrow smite you? Why are your eyes so wet and wild? Come tell me, I invite you.
" "Ah! if I told you, Mother dear," said Hongray with a shiver, "Another's honour would, I fear, be in the soup forever.
" "Nay trust," she begged, "My only boy, the fond Mama who bore you.
Perhaps I may, your grief alloy.
Please tell me, I implore you.
" And so his story Hngray told, in accents choked and muffled.
The Marquise listened calm and cold, her visage quite unruffled.
He told of Mirabelle du Veau, his agony revealing.
For Raymonde de la Veal his woe was quite beyond concealing.
And still she sat without a word, her look so high and haughty, You'd ne'er have thought it was her lord who had behaved so naughty.
Then Hongray finished up: "For life my hopes are doomed to slaughter; For if I choose another wife, she's sure to be his daughter.
" The Marquise rose.
"Cheer up," said she, "the last word is not spoken.
A Mother cannot sit and see her boy's heart rudely broken.
So dry your tears and calm your fears; no longer need you tarry; To-day your bride you may decide, to-morrow you may marry.
Yes, you may wed with Mirabelle, or Raymonde if you'd rather.
.
.
For I as well the truth may tell.
.
.
Papa is not your father.
"
Written by Amy Levy | Create an image from this poem

The Sequel to a Reminiscence

 Not in the street and not in the square,
The street and square where you went and came;
With shuttered casement your house stands bare,
Men hush their voice when they speak your name.
I, too, can play at the vain pretence, Can feign you dead; while a voice sounds clear In the inmost depths of my heart: Go hence, Go, find your friend who is far from here.
Not here, but somewhere where I can reach! Can a man with motion, hearing and sight, And a thought that answered my thought and speech, Be utterly lost and vanished quite? Whose hand was warm in my hand last week? .
.
My heart beat fast as I neared the gate-- Was it this I had come to seek, "A stone that stared with your name and date;" A hideous, turfless, fresh-made mound; A silence more cold than the wind that blew? What had I lost, and what had I found? My flowers that mocked me fell to the ground-- Then, and then only, my spirit knew.

Book: Reflection on the Important Things