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Best Famous Sending Poems

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Written by Ruth Padel | Create an image from this poem

Writing To Onegin

 (After Pushkin) 
Look at the bare wood hand-waxed floor and long 
White dressing-gown, the good child's writing-desk 
And passionate cold feet
Summoning music of the night - tumbrils, gongs
And gamelans - with one neat pen, one candle
Puttering its life out hour by hour. 
Is "Tell Him I love him" never a good idea? You can't wish this
Unlived - this world on fire, on storm 
Alert, till the shepherd's song 
Outside, some hyper-active yellowhammer, bulbul,
Wren, amplified in hills and woods, tell her to bestow 
A spot of notice on the dawn.
*
"I'm writing to you. Well, that's it, that's everything.
You'll laugh, but you'll pity me too. I'm ashamed of this.
I meant to keep it quiet. You'd never have known, if -
I wish - I could have seen you once a week. To mull over, day 
And night, the things you say, or what we say together.
But word is, you're misogynist. Laddish. A philanderer
Who says what he doesn't mean. (That's not how you come across 
To me.) Who couldn't give a toss for domestic peace - 
Only for celebrity and showing off - 
And won't hang round in a provincial zone 
Like this. We don't glitter. Though we do,
Warmly, truly, welcome you.
*
"Why did you come? I'd never have set eyes 
On a star like you, or blundered up against
This crazed not-sleeping, hour after hour
In the dark. I might have got the better of
My clumsy fury with constraint, my fret
For things I lack all lexica and phrase-book art
To say. I might have been a faithful wife; a mother.
But that's all done with. This is Fate. God. 
Sorted. Here I am - yours, to the last breath. 
I couldn't give my heart to anyone else.
My life till now has been a theorem, to demonstrate
How right it is to love you. This love is love to death.
*
"I knew you anyway. I loved you, I'm afraid,
In my sleep. Your eyes, that denim-lapis, grey-sea- 
Grey-green blue, that Chinese fold of skin
At the inner corner, that shot look 
Bleeping "vulnerable" under the screensaver charm, 
Kept me alive. Every cell, every last gold atom
Of your body, was engraved in me 
Already. Don't tell me that was dream! When you came in, 
Staring round in your stripey coat and brocade 
Vest, I nearly died! I fainted, I was flame! I recognized
The you I'd always listened to alone, when I wrote
Or tried to wrestle my scatty soul into calm.
*
"Wasn't it you who slipped through the transparent
Darkness to my bed and whispered love? Aren't you
My guardian angel? Or is this arrant
Seeming, hallucination, thrown 
Up by that fly engineering a novel does
So beguilingly, or poems? Is this mad? 
Are there ways of dreaming I don't know?
Too bad. My soul has made its home
In you. I'm here and bare before you: shy,
In tears. But if I didn't heft my whole self up and hold it there - 
A crack-free mirror - loving you, or if I couldn't share
It, set it out in words, I'd die.
*
"I'll wait to hear from you. I must. Please let me hope.
Give me one look, from eyes I hardly dare
To look back at. Or scupper my dream 
By scolding me. I've given you rope
To hang me: tell me I'm mistaken. You're so much in
The world; while I just live here, bent on jam 
And harvest, songs and books. That's not complaint.
We live such different lives. So - this is the end. It's taken 
All night. I'm scared to read it back. I'm faint
With shame and fear. But this is what I am. My crumpled bed,
My words, my open self. All I can do is trust
The whole damn lot of it to you."
*
She sighs. The paper trembles as she presses down 
The pink wax seal. Outside, a milk mist clears
From the shimmering valley. If I were her guardian
Angel, I'd divide myself. One half would holler
Don't! Stay on an even keel! Don't dollop over
All you are, to a man who'll go to town 
On his next little fling. If he's entranced today 
By the way you finger your silk throat inside your collar,
Tomorrow there'll be Olga, Sally, Jane. But then I'd whisper
Go for it, petal. Nothing's as real as what you write.
His funeral, if he's not up to it. What we feel
Is mortal, and won't come again.
*
So cut, weeks later, to an outside shot: the same girl
Taking cover ("Dear God, he's here, he's come!")
Under fat red gooseberries, glimmering hairy stars:
The old, rude bushes she has hide-and-seeked in all 
Her life, where mother commands the serfs to sing
While picking, so they can't hurl
The odd gog into their mouths. No one could spy
Her here, not even the sun in its burn-time. Her cheeks 
Are simmering fire.
We're talking iridescence, a Red Admiral's last tremble
Before the avid schoolboy plunks his net.
Or imagine
* 
A leveret - like the hare you shot, remember? 
Which ran round screaming like a baby?
Only mine is shivering in papery winter corn,
While the hunter (as it might be, you) stomps his Hush 
Puppies through dead brush. Everything's quiet.
She's waited - how long? - ages: stoking pebbly embers
Under the evening samovar, filling 
The Chinese teapot, sending coils of Lapsang Suchong
Floating to the ceiling in the shadows, tracing O and E 
In the window's black reflection, one finger 
Tendrilling her own breath on the glass. 
Like putting a shell to your ear to hear the sea 
*
When it's really your own red little sparkle, the echo 
Of marching blood. She's asking a phantom 
World of pearled-up mist for proof
That her man exists: that gamelans and tumbrils
Won't evade her. But now, among 
The kitchen garden's rose-haws, mallow, Pernod- 
Coloured pears, she unhooks herself thorn by thorn 
For the exit aria. For fade-out. Suddenly there he is
In the avenue, the man she's written to - Charon
Gazing at her with blazing eyes! Darth Vader
From Star Wars. She's trapped, in a house she didn't realize
Was burning. Her letter was a gate to the inferno.
........
(This poem appeared in Pushkin: An Anthology, ed. E. Feinstein, Carcanet 1999)


Written by Czeslaw Milosz | Create an image from this poem

Child of Europe

 1
We, whose lungs fill with the sweetness of day.
Who in May admire trees flowering
Are better than those who perished.

We, who taste of exotic dishes,
And enjoy fully the delights of love,
Are better than those who were buried.

We, from the fiery furnaces, from behind barbed wires
On which the winds of endless autumns howled,
We, who remember battles where the wounded air roared in
paroxysms of pain.
We, saved by our own cunning and knowledge.

By sending others to the more exposed positions
Urging them loudly to fight on
Ourselves withdrawing in certainty of the cause lost.

Having the choice of our own death and that of a friend
We chose his, coldly thinking: Let it be done quickly.

We sealed gas chamber doors, stole bread
Knowing the next day would be harder to bear than the day before.

As befits human beings, we explored good and evil.
Our malignant wisdom has no like on this planet.

Accept it as proven that we are better than they,
The gullible, hot-blooded weaklings, careless with their lives.

2
Treasure your legacy of skills, child of Europe.
Inheritor of Gothic cathedrals, of baroque churches.
Of synagogues filled with the wailing of a wronged people.
Successor of Descartes, Spinoza, inheritor of the word 'honor',
Posthumous child of Leonidas
Treasure the skills acquired in the hour of terror.

You have a clever mind which sees instantly
The good and bad of any situation.
You have an elegant, skeptical mind which enjoys pleasures
Quite unknown to primitive races.

Guided by this mind you cannot fail to see
The soundness of the advice we give you:
Let the sweetness of day fill your lungs
For this we have strict but wise rules.

3
There can be no question of force triumphant
We live in the age of victorious justice.

Do not mention force, or you will be accused
Of upholding fallen doctrines in secret.

He who has power, has it by historical logic.
Respectfully bow to that logic.

Let your lips, proposing a hypothesis
Not know about the hand faking the experiment.

Let your hand, faking the experiment
No know about the lips proposing a hypothesis.

Learn to predict a fire with unerring precision
Then burn the house down to fulfill the prediction.

4
Grow your tree of falsehood from a single grain of truth.
Do not follow those who lie in contempt of reality.

Let your lie be even more logical than the truth itself
So the weary travelers may find repose in the lie.

After the Day of the Lie gather in select circles
Shaking with laughter when our real deeds are mentioned.

Dispensing flattery called: perspicacious thinking.
Dispensing flattery called: a great talent.

We, the last who can still draw joy from cynicism.
We, whose cunning is not unlike despair.

A new, humorless generation is now arising
It takes in deadly earnest all we received with laughter.

5
Let your words speak not through their meanings
But through them against whom they are used.

Fashion your weapon from ambiguous words.
Consign clear words to lexical limbo.

Judge no words before the clerks have checked
In their card index by whom they were spoken.

The voice of passion is better than the voice of reason.
The passionless cannot change history.

6
Love no country: countries soon disappear
Love no city: cities are soon rubble.

Throw away keepsakes, or from your desk
A choking, poisonous fume will exude.

Do not love people: people soon perish.
Or they are wronged and call for your help.

Do not gaze into the pools of the past.
Their corroded surface will mirror
A face different from the one you expected.

7
He who invokes history is always secure.
The dead will not rise to witness against him.

You can accuse them of any deeds you like.
Their reply will always be silence.

Their empty faces swim out of the deep dark.
You can fill them with any feature desired.

Proud of dominion over people long vanished,
Change the past into your own, better likeness.

8
The laughter born of the love of truth
Is now the laughter of the enemies of the people.

Gone is the age of satire. We no longer need mock.
The sensible monarch with false courtly phrases.

Stern as befits the servants of a cause,
We will permit ourselves sycophantic humor.

Tight-lipped, guided by reasons only
Cautiously let us step into the era of the unchained fire.
Written by William Stafford | Create an image from this poem

A Ritual To Read To Each Other

 If you don't know the kind of person I am
and I don't know the kind of person you are
a pattern that others made may prevail in the world
and following the wrong god home we may miss our star.

For there is many a small betrayal in the mind,
a shrug that lets the fragile sequence break
sending with shouts the horrible errors of childhood
storming out to play through the broken dyke.

And as elephants parade holding each elephant's tail,
but if one wanders the circus won't find the park,
I call it cruel and maybe the root of all cruelty
to know what occurs but not recognize the fact.

And so I appeal to a voice, to something shadowy,
a remote important region in all who talk:
though we could fool each other, we should consider--
lest the parade of our mutual life get lost in the dark.

For it is important that awake people be awake,
or a breaking line may discourage them back to sleep;
the signals we give--yes or no, or maybe--
should be clear: the darkness around us is deep.
Written by Charlotte Bronte | Create an image from this poem

Frances

 SHE will not sleep, for fear of dreams, 
But, rising, quits her restless bed, 
And walks where some beclouded beams 
Of moonlight through the hall are shed.

Obedient to the goad of grief, 
Her steps, now fast, now lingering slow, 
In varying motion seek relief 
From the Eumenides of woe.

Wringing her hands, at intervals­ 
But long as mute as phantom dim­ 
She glides along the dusky walls, 
Under the black oak rafters, grim.

The close air of the grated tower 
Stifles a heart that scarce can beat, 
And, though so late and lone the hour, 
Forth pass her wandering, faltering feet;

And on the pavement, spread before 
The long front of the mansion grey, 
Her steps imprint the night-frost hoar, 
Which pale on grass and granite lay.

Not long she stayed where misty moon 
And shimmering stars could on her look, 
But through the garden arch-way, soon 
Her strange and gloomy path she took.

Some firs, coeval with the tower, 
Their straight black boughs stretched o'er her head, 
Unseen, beneath this sable bower, 
Rustled her dress and rapid tread. 

There was an alcove in that shade, 
Screening a rustic-seat and stand; 
Weary she sat her down and laid 
Her hot brow on her burning hand.

To solitude and to the night, 
Some words she now, in murmurs, said; 
And, trickling through her fingers white, 
Some tears of misery she shed.

' God help me, in my grievous need, 
God help me, in my inward pain; 
Which cannot ask for pity's meed, 
Which has no license to complain;

Which must be borne, yet who can bear, 
Hours long, days long, a constant weight­ 
The yoke of absolute despair, 
A suffering wholly desolate ?

Who can for ever crush the heart, 
Restrain its throbbing, curb its life ? 
Dissemble truth with ceaseless art, 
With outward calm, mask inward strife ?'

She waited­as for some reply;
The still and cloudy night gave none; 
Erelong, with deep-drawn, trembling sigh, 
Her heavy plaint again begun. 

' Unloved­I love; unwept­I weep; 
Grief I restrain­hope I repress: 
Vain is this anguish­fixed and deep; 
Vainer, desires and dreams of bliss.

My love awakes no love again, 
My tears collect, and fall unfelt; 
My sorrow touches none with pain, 
My humble hopes to nothing melt.

For me the universe is dumb, 
Stone-deaf, and blank, and wholly blind; 
Life I must bound, existence sum 
In the strait limits of one mind;

That mind my own. Oh ! narrow cell; 
Dark­imageless­a living tomb ! 
There must I sleep, there wake and dwell 
Content, with palsy, pain, and gloom.'

Again she paused; a moan of pain, 
A stifled sob, alone was heard; 
Long silence followed­then again, 
Her voice the stagnant midnight stirred.

' Must it be so ? Is this my fate ?
Can I nor struggle, nor contend ?
And am I doomed for years to wait,
Watching death's lingering axe descend ? 

And when it falls, and when I die, 
What follows ? Vacant nothingness ? 
The blank of lost identity ? 
Erasure both of pain and bliss ?

I've heard of heaven­I would believe; 
For if this earth indeed be all, 
Who longest lives may deepest grieve, 
Most blest, whom sorrows soonest call.

Oh ! leaving disappointment here, 
Will man find hope on yonder coast ? 
Hope, which, on earth, shines never clear, 
And oft in clouds is wholly lost.

Will he hope's source of light behold, 
Fruition's spring, where doubts expire, 
And drink, in waves of living gold, 
Contentment, full, for long desire ?

Will he find bliss, which here he dreamed ? 
Rest, which was weariness on earth ? 
Knowledge, which, if o'er life it beamed, 
Served but to prove it void of worth ?

Will he find love without lust's leaven, 
Love fearless, tearless, perfect, pure, 
To all with equal bounty given, 
In all, unfeigned, unfailing, sure ? 

Will he, from penal sufferings free, 
Released from shroud and wormy clod, 
All calm and glorious, rise and see 
Creation's Sire­Existence' God ?

Then, glancing back on Time's brief woes, 
Will he behold them, fading, fly; 
Swept from Eternity's repose, 
Like sullying cloud, from pure blue sky ?

If so­endure, my weary frame; 
And when thy anguish strikes too deep, 
And when all troubled burns life's flame,
Think of the quiet, final sleep;

Think of the glorious waking-hour, 
Which will not dawn on grief and tears, 
But on a ransomed spirit's power, 
Certain, and free from mortal fears.

Seek now thy couch, and lie till morn, 
Then from thy chamber, calm, descend, 
With mind nor tossed, nor anguish-torn, 
But tranquil, fixed, to wait the end.

And when thy opening eyes shall see
Mementos, on the chamber wall,
Of one who has forgotten thee,
Shed not the tear of acrid gall. 

The tear which, welling from the heart, 
Burns where its drop corrosive falls, 
And makes each nerve, in torture, start, 
At feelings it too well recalls:

When the sweet hope of being loved, 
Threw Eden sunshine on life's way; 
When every sense and feeling proved 
Expectancy of brightest day.

When the hand trembled to receive 
A thrilling clasp, which seemed so near, 
And the heart ventured to believe,
Another heart esteemed it dear.

When words, half love, all tenderness, 
Were hourly heard, as hourly spoken, 
When the long, sunny days of bliss, 
Only by moonlight nights were broken.

Till drop by drop, the cup of joy 
Filled full, with purple light, was glowing, 
And Faith, which watched it, sparkling high, 
Still never dreamt the overflowing.

It fell not with a sudden crashing, 
It poured not out like open sluice; 
No, sparkling still, and redly flashing, 
Drained, drop by drop, the generous juice. 

I saw it sink, and strove to taste it, 
My eager lips approached the brim; 
The movement only seemed to waste it, 
It sank to dregs, all harsh and dim.

These I have drank, and they for ever 
Have poisoned life and love for me; 
A draught from Sodom's lake could never 
More fiery, salt, and bitter, be.

Oh ! Love was all a thin illusion; 
Joy, but the desert's flying stream; 
And, glancing back on long delusion,
My memory grasps a hollow dream.

Yet, whence that wondrous change of feeling, 
I never knew, and cannot learn, 
Nor why my lover's eye, congealing, 
Grew cold, and clouded, proud, and stern.

Nor wherefore, friendship's forms forgetting, 
He careless left, and cool withdrew; 
Nor spoke of grief, nor fond regretting, 
Nor even one glance of comfort threw.

And neither word nor token sending,
Of kindness, since the parting day,
His course, for distant regions bending,
Went, self-contained and calm, away. 

Oh, bitter, blighting, keen sensation, 
Which will not weaken, cannot die, 
Hasten thy work of desolation, 
And let my tortured spirit fly !

Vain as the passing gale, my crying; 
Though lightning-struck, I must live on; 
I know, at heart, there is no dying 
Of love, and ruined hope, alone.

Still strong, and young, and warm with vigour, 
Though scathed, I long shall greenly grow, 
And many a storm of wildest rigour 
Shall yet break o'er my shivered bough.

Rebellious now to blank inertion, 
My unused strength demands a task; 
Travel, and toil, and full exertion, 
Are the last, only boon I ask.

Whence, then, this vain and barren dreaming 
Of death, and dubious life to come ? 
I see a nearer beacon gleaming 
Over dejection's sea of gloom.

The very wildness of my sorrow 
Tells me I yet have innate force; 
My track of life has been too narrow, 
Effort shall trace a broader course. 

The world is not in yonder tower, 
Earth is not prisoned in that room, 
'Mid whose dark pannels, hour by hour, 
I've sat, the slave and prey of gloom.

One feeling­turned to utter anguish, 
Is not my being's only aim; 
When, lorn and loveless, life will languish, 
But courage can revive the flame.

He, when he left me, went a roving
To sunny climes, beyond the sea; 
And I, the weight of woe removing, 
Am free and fetterless as he.

New scenes, new language, skies less clouded,
May once more wake the wish to live; 
Strange, foreign towns, astir, and crowded, 
New pictures to the mind may give.

New forms and faces, passing ever, 
May hide the one I still retain, 
Defined, and fixed, and fading never, 
Stamped deep on vision, heart, and brain.

And we might meet­time may have changed him;
Chance may reveal the mystery,
The secret influence which estranged him;
Love may restore him yet to me. 

False thought­false hope­in scorn be banished ! 
I am not loved­nor loved have been; 
Recall not, then, the dreams scarce vanished, 
Traitors ! mislead me not again !

To words like yours I bid defiance, 
'Tis such my mental wreck have made; 
Of God alone, and self-reliance, 
I ask for solace­hope for aid.

Morn comes­and ere meridian glory
O'er these, my natal woods, shall smile, 
Both lonely wood and mansion hoary 
I'll leave behind, full many a mile.
Written by Billy Collins | Create an image from this poem

Snow Day

 Today we woke up to a revolution of snow,
its white flag waving over everything,
the landscape vanished,
not a single mouse to punctuate the blankness,
and beyond these windows

the government buildings smothered,
schools and libraries buried, the post office lost
under the noiseless drift,
the paths of trains softly blocked,
the world fallen under this falling.

In a while I will put on some boots
and step out like someone walking in water,
and the dog will porpoise through the drifts,
and I will shake a laden branch,
sending a cold shower down on us both.

But for now I am a willing prisoner in this house,
a sympathizer with the anarchic cause of snow.
I will make a pot of tea
and listen to the plastic radio on the counter,
as glad as anyone to hear the news

that the Kiddie Corner School is closed,
the Ding-Dong School, closed,
the All Aboard Children's School, closed,
the Hi-Ho Nursery School, closed,
along with -- some will be delighted to hear --

the Toadstool School, the Little School,
Little Sparrows Nursery School,
Little Stars Pre-School, Peas-and-Carrots Day School,
the Tom Thumb Child Center, all closed,
and -- clap your hands -- the Peanuts Play School.

So this is where the children hide all day,
These are the nests where they letter and draw,
where they put on their bright miniature jackets,
all darting and climbing and sliding,
all but the few girls whispering by the fence.

And now I am listening hard
in the grandiose silence of the snow,
trying to hear what those three girls are plotting,
what riot is afoot,
which small queen is about to be brought down.


Written by Walt Whitman | Create an image from this poem

A Broadway Pageant

 1
OVER the western sea, hither from Niphon come, 
Courteous, the swart-cheek’d two-sworded envoys, 
Leaning back in their open barouches, bare-headed, impassive, 
Ride to-day through Manhattan. 

Libertad!
I do not know whether others behold what I behold, 
In the procession, along with the nobles of Asia, the errand-bearers, 
Bringing up the rear, hovering above, around, or in the ranks marching; 
But I will sing you a song of what I behold, Libertad. 

2
When million-footed Manhattan, unpent, descends to her pavements;
When the thunder-cracking guns arouse me with the proud roar I love; 
When the round-mouth’d guns, out of the smoke and smell I love, spit their salutes; 
When the fire-flashing guns have fully alerted me—when heaven-clouds canopy my city with a
 delicate thin haze; 
When, gorgeous, the countless straight stems, the forests at the wharves, thicken with
 colors;

When every ship, richly drest, carries her flag at the peak;
When pennants trail, and street-festoons hang from the windows; 
When Broadway is entirely given up to foot-passengers and foot-standers—when the mass is
 densest;

When the façades of the houses are alive with people—when eyes gaze, riveted, tens of
 thousands
 at a time; 
When the guests from the islands advance—when the pageant moves forward, visible; 
When the summons is made—when the answer that waited thousands of years, answers;
I too, arising, answering, descend to the pavements, merge with the crowd, and gaze with
 them.


3
Superb-faced Manhattan! 
Comrade Americanos!—to us, then, at last, the Orient comes. 

To us, my city, 
Where our tall-topt marble and iron beauties range on opposite sides—to walk in the space
 between,
To-day our Antipodes comes. 

The Originatress comes, 
The nest of languages, the bequeather of poems, the race of eld, 
Florid with blood, pensive, rapt with musings, hot with passion, 
Sultry with perfume, with ample and flowing garments,
With sunburnt visage, with intense soul and glittering eyes, 
The race of Brahma comes! 

4
See, my cantabile! these, and more, are flashing to us from the procession; 
As it moves, changing, a kaleidoscope divine it moves, changing, before us. 

For not the envoys, nor the tann’d Japanee from his island only;
Lithe and silent, the Hindoo appears—the Asiatic continent itself appears—the Past, the
 dead, 
The murky night morning of wonder and fable, inscrutable, 
The envelop’d mysteries, the old and unknown hive-bees, 
The North—the sweltering South—eastern Assyria—the Hebrews—the Ancient of Ancients, 
Vast desolated cities—the gliding Present—all of these, and more, are in the
 pageant-procession.

Geography, the world, is in it; 
The Great Sea, the brood of islands, Polynesia, the coast beyond; 
The coast you, henceforth, are facing—you Libertad! from your Western golden shores 
The countries there, with their populations—the millions en-masse, are curiously here; 
The swarming market places—the temples, with idols ranged along the sides, or at the
 end—bonze,
 brahmin, and lama;
The mandarin, farmer, merchant, mechanic, and fisherman; 
The singing-girl and the dancing-girl—the ecstatic person—the secluded Emperors, 
Confucius himself—the great poets and heroes—the warriors, the castes, all, 
Trooping up, crowding from all directions—from the Altay mountains, 
From Thibet—from the four winding and far-flowing rivers of China,
From the Southern peninsulas, and the demi-continental islands—from Malaysia; 
These, and whatever belongs to them, palpable, show forth to me, and are seiz’d by me, 
And I am seiz’d by them, and friendlily held by them, 
Till, as here, them all I chant, Libertad! for themselves and for you. 

5
For I too, raising my voice, join the ranks of this pageant;
I am the chanter—I chant aloud over the pageant; 
I chant the world on my Western Sea; 
I chant, copious, the islands beyond, thick as stars in the sky; 
I chant the new empire, grander than any before—As in a vision it comes to me; 
I chant America, the Mistress—I chant a greater supremacy;
I chant, projected, a thousand blooming cities yet, in time, on those groups of
 sea-islands; 
I chant my sail-ships and steam-ships threading the archipelagoes; 
I chant my stars and stripes fluttering in the wind; 
I chant commerce opening, the sleep of ages having done its work—races, reborn, refresh’d;

Lives, works, resumed—The object I know not—but the old, the Asiatic, renew’d, as it must
 be,
Commencing from this day, surrounded by the world. 

6
And you, Libertad of the world! 
You shall sit in the middle, well-pois’d, thousands of years; 
As to-day, from one side, the nobles of Asia come to you; 
As to-morrow, from the other side, the Queen of England sends her eldest son to you.

7
The sign is reversing, the orb is enclosed, 
The ring is circled, the journey is done; 
The box-lid is but perceptibly open’d—nevertheless the perfume pours copiously out of the
 whole
 box. 

8
Young Libertad! 
With the venerable Asia, the all-mother,
Be considerate with her, now and ever, hot Libertad—for you are all; 
Bend your proud neck to the long-off mother, now sending messages over the archipelagoes
 to
 you; 
Bend your proud neck low for once, young Libertad. 

9
Were the children straying westward so long? so wide the tramping? 
Were the precedent dim ages debouching westward from Paradise so long?
Were the centuries steadily footing it that way, all the while unknown, for you, for
 reasons? 

They are justified—they are accomplish’d—they shall now be turn’d the other way also, to
 travel toward you thence; 
They shall now also march obediently eastward, for your sake, Libertad.
Written by Charles Bukowski | Create an image from this poem

Death Wants More Death

 death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
hanging there
not really quite knowing,
and then knowing-
something sending it down its string,
the wet web,
toward the weak shield of buzzing,
the pulsing;
a last desperate moving hair-leg
there against the glass
there alive in the sun,
spun in white;
and almost like love:
the closing over,
the first hushed spider-sucking:
filling its sack 
upon this thing that lived;
crouching there upon its back
drawing its certain blood
as the world goes by outside
and my temples scream
and I hurl the broom against them:
the spider dull with spider-anger
still thinking of its prey
and waving an amazed broken leg;
the fly very still,
a dirty speck stranded to straw;
I shake the killer loose
and he walks lame and peeved
towards some dark corner
but I intercept his dawdling
his crawling like some broken hero,
and the straws smash his legs
now waving
above his head
and looking
looking for the enemy 
and somewhat valiant,
dying without apparent pain
simply crawling backward
piece by piece
leaving nothing there
until at last the red gut sack
splashes
its secrets,
and I run child-like
with God's anger a step behind,
back to simple sunlight,
wondering
as the world goes by
with curled smile
if anyone else
saw or sensed my crime
Written by Barry Tebb | Create an image from this poem

Three Songs For Mayday Morning

 ( I )


for ‘JC’ of the TLS

Nightmare of metropolitan amalgam

Grand Hotel and myself as a guest there

Lost with my room rifled, my belongings scattered,

Purse, diary and vital list of numbers gone – 

Vague sad memories of mam n’dad

Leeds 1942 back-to-back with shared outside lav.

Hosannas of sweet May mornings

Whitsun glory of lilac blooming

Sixty years on I run and run

From death, from loss, from everyone.

Which are the paths I never ventured down,

Or would they, too, be vain?

O for the secret anima of Leeds girlhood

A thousand times better than snide attacks in the TLS

By ‘JC’. **** you, Jock, you should be ashamed,

Attacking Brenda Williams, who had a background

Worse than yours, an alcoholic schizophrenic father

And an Irish immigrant mother who died when Brenda was fifteen

But still she managed to read Proust on her day off

As a library girl, turned down by David Jenkins,

‘As rising star of the left’ for a place at Leeds

To read theology started her as a protest poet

Sitting out on the English lawn, mistaken for a snow sculpture

In the depths of winter.

Her sit-in protest lasted seven months,

Months, eight hours a day, her libellous verse scorching

The academic groves of Leeds in sheets by the thousand,

Mailed through the university's internal post. She called

The VC 'a mouse from the mountain'; Bishop of Durham to-be

David Jenkins a wimp and worse and all in colourful verse

And 'Guntrip's Ghost' went to every VC in England in a

Single day. When she sat on the English lawn Park Honan

Flew paper aeroplanes with messages down and

And when she was in Classics they took away her chair

So she sat on the floor reading Virgil and the Chairman of the

Department sent her an official Christmas card

'For six weeks on the university lawn, learning the

Hebrew alphabet'.





And that was just the beginning: in Oxford Magdalen College

School turned our son away for the Leeds protest so she

Started again, in Magdalen Quad, sitting through Oxford's

Worst ever winter and finally they arrested her on the

Eve of the May Ball so she wrote 'Oxford from a Prison

Cell' her most famous poem and her protest letter went in

A single day to every MP and House of Lords Member and

It was remembered years after and when nobody nominated

Her for the Oxford Chair she took her own and sat there

In the cold for almost a year, well-wishers pinning messages

To the tree she sat under - "Tityre, tu patulae recubans

Sub tegmine fagi" and twelve hundred and forty dons had

"The Pain Clinic" in a single day and she was fourteen

Times in the national press, a column in "The Guardian"

And a whole page with a picture in the 'Times Higher' -

"A Well Versed Protester"

JC, if you call Myslexia’s editor a ‘kick-**** virago’

You’ve got to expect a few kicks back.

All this is but the dust

We must shake from our feet

Purple heather still with blossom

In Haworth and I shall gather armfuls

To toss them skywards and you,

Madonna mia, I shall bed you there

In blazing summer by High Wythens,

Artist unbroken from the highest peak

I raise my hands to heaven.

( II )

Sweet Anna, I do not know you from Eve

But your zany zine in the post

Is the best I’ve ever seen, inspiring this rant

Against the cant of stuck-up cunts currying favour

I name no name but if the Dutch cap fits

Then wear it and share it.

Who thought at sixty one 

I’d have owned a watch 

Like this one, chased silver cased

Quartz reflex Japanese movement

And all for a fiver at the back of Leeds Market

Where I wander in search of oil pastels

Irish folk and cheap socks.

The TLS mocks our magazine

With its sixties Cadillac pink

Psychedelic cover and every page crimson

Orange or mauve, revolutionary sonnets 

By Brenda Williams from her epic ‘Pain Clinic’

And my lacerating attacks on boring Bloodaxe

Neil Ghastly and Anvil’s preciosity and all the

Stuck-up ****-holes in their cubby-holes sending out

Rejection slip by rote – LPW
Written by William Carlos (WCW) Williams | Create an image from this poem

from Asphodel That Greeny Flower

 Of asphodel, that greeny flower,
 like a buttercup
 upon its branching stem-
save that it's green and wooden-
 I come, my sweet,
 to sing to you.
We lived long together
 a life filled,
 if you will,
with flowers. So that
 I was cheered
 when I came first to know
that there were flowers also
 in hell.
 Today
I'm filled with the fading memory of those flowers
 that we both loved,
 even to this poor
colorless thing-
 I saw it
 when I was a child-
little prized among the living
 but the dead see,
 asking among themselves:
What do I remember
 that was shaped
 as this thing is shaped?
while our eyes fill
 with tears.
 Of love, abiding love
it will be telling
 though too weak a wash of crimson
 colors it
to make it wholly credible.
 There is something
 something urgent
I have to say to you
 and you alone
 but it must wait
while I drink in
 the joy of your approach,
 perhaps for the last time.
And so
 with fear in my heart
 I drag it out
and keep on talking
 for I dare not stop.
 Listen while I talk on
against time.
 It will not be
 for long.
I have forgot
 and yet I see clearly enough
 something
central to the sky
 which ranges round it.
 An odor
springs from it!
 A sweetest odor!
 Honeysuckle! And now
there comes the buzzing of a bee!
 and a whole flood
 of sister memories!
Only give me time,
 time to recall them
 before I shall speak out.
Give me time,
 time.
When I was a boy
 I kept a book
 to which, from time
to time,
 I added pressed flowers
 until, after a time,
I had a good collection.
 The asphodel,
 forebodingly,
among them.
 I bring you,
 reawakened,
a memory of those flowers.
 They were sweet
 when I pressed them
and retained
 something of their sweetness
 a long time.
It is a curious odor,
 a moral odor,
 that brings me
near to you.
 The color
 was the first to go.
There had come to me
 a challenge,
 your dear self,
mortal as I was,
 the lily's throat
 to the hummingbird!
Endless wealth,
 I thought,
 held out its arms to me.
A thousand tropics
 in an apple blossom.
 The generous earth itself
gave us lief.
 The whole world
 became my garden!
But the sea
 which no one tends
 is also a garden
when the sun strikes it
 and the waves
 are wakened.
I have seen it
 and so have you
 when it puts all flowers
to shame.
 Too, there are the starfish
 stiffened by the sun
and other sea wrack
 and weeds. We knew that
 along with the rest of it
for we were born by the sea,
 knew its rose hedges
 to the very water's brink.
There the pink mallow grows
 and in their season
 strawberries
and there, later,
 we went to gather
 the wild plum.
I cannot say
 that I have gone to hell
 for your love
but often
 found myself there
 in your pursuit.
I do not like it
 and wanted to be
 in heaven. Hear me out.
Do not turn away.
I have learned much in my life
 from books
 and out of them
about love.
 Death
 is not the end of it.
There is a hierarchy
 which can be attained,
 I think,
in its service.
 Its guerdon
 is a fairy flower;
a cat of twenty lives.
 If no one came to try it
 the world
would be the loser.
 It has been
 for you and me
as one who watches a storm
 come in over the water.
 We have stood
from year to year
 before the spectacle of our lives
 with joined hands.
The storm unfolds.
 Lightning
 plays about the edges of the clouds.
The sky to the north
 is placid,
 blue in the afterglow
as the storm piles up.
 It is a flower
 that will soon reach
the apex of its bloom.
 We danced,
 in our minds,
and read a book together.
 You remember?
 It was a serious book.
And so books
 entered our lives.
The sea! The sea!
 Always
 when I think of the sea
there comes to mind
 the Iliad
 and Helen's public fault
that bred it.
 Were it not for that
 there would have been
 no poem but the world
 if we had remembered,
 those crimson petals
spilled among the stones,
 would have called it simply
 murder.
The sexual orchid that bloomed then
 sending so many
 disinterested
men to their graves
 has left its memory
 to a race of fools
or heroes
 if silence is a virtue.
 The sea alone
with its multiplicity
 holds any hope.
 The storm
has proven abortive
 but we remain
 after the thoughts it roused
to
 re-cement our lives.
 It is the mind
the mind
 that must be cured
 short of death's
intervention,
 and the will becomes again
 a garden. The poem
is complex and the place made
 in our lives
 for the poem.
Silence can be complex too,
 but you do not get far
 with silence.
Begin again.
 It is like Homer's
 catalogue of ships:
it fills up the time.
 I speak in figures,
 well enough, the dresses
you wear are figures also,
 we could not meet
 otherwise. When I speak
of flowers
 it is to recall
 that at one time
we were young.
 All women are not Helen,
 I know that,
but have Helen in their hearts.
 My sweet,
 you have it also, therefore
I love you
 and could not love you otherwise.
 Imagine you saw
a field made up of women
 all silver-white.
 What should you do
but love them?
 The storm bursts
 or fades! it is not
the end of the world.
 Love is something else,
 or so I thought it,
a garden which expands,
 though I knew you as a woman
 and never thought otherwise,
until the whole sea
 has been taken up
 and all its gardens.
It was the love of love,
 the love that swallows up all else,
 a grateful love,
a love of nature, of people,
 of animals,
 a love engendering
gentleness and goodness
 that moved me
 and that I saw in you.
I should have known,
 though I did not,
 that the lily-of-the-valley
is a flower makes many ill
 who whiff it.
 We had our children,
rivals in the general onslaught.
 I put them aside
 though I cared for them.
as well as any man
 could care for his children
 according to my lights.
You understand
 I had to meet you
 after the event
and have still to meet you.
 Love
 to which you too shall bow
along with me-
 a flower
 a weakest flower
shall be our trust
 and not because
 we are too feeble
to do otherwise
 but because
 at the height of my power
I risked what I had to do,
 therefore to prove
 that we love each other
while my very bones sweated
 that I could not cry to you
 in the act.
Of asphodel, that greeny flower,
 I come, my sweet,
 to sing to you!
My heart rouses
 thinking to bring you news
 of something
that concerns you
 and concerns many men. Look at
 what passes for the new.
You will not find it there but in
 despised poems.
 It is difficult
to get the news from poems
 yet men die miserably every day
 for lack
of what is found there.
 Hear me out
 for I too am concerned
and every man
 who wants to die at peace in his bed
 besides.
Written by Robert Burns | Create an image from this poem

144. A Winter Night

 WHEN biting Boreas, fell and dour,
Sharp shivers thro’ the leafless bow’r;
When Phoebus gies a short-liv’d glow’r,
 Far south the lift,
Dim-dark’ning thro’ the flaky show’r,
 Or whirling drift:


Ae night the storm the steeples rocked,
Poor Labour sweet in sleep was locked,
While burns, wi’ snawy wreaths up-choked,
 Wild-eddying swirl;
Or, thro’ the mining outlet bocked,
 Down headlong hurl:


List’ning the doors an’ winnocks rattle,
I thought me on the ourie cattle,
Or silly sheep, wha bide this brattle
 O’ winter war,
And thro’ the drift, deep-lairing, sprattle
 Beneath a scar.


Ilk happing bird,—wee, helpless thing!
That, in the merry months o’ spring,
Delighted me to hear thee sing,
 What comes o’ thee?
Whare wilt thou cow’r thy chittering wing,
 An’ close thy e’e?


Ev’n you, on murdering errands toil’d,
Lone from your savage homes exil’d,
The blood-stain’d roost, and sheep-cote spoil’d
 My heart forgets,
While pityless the tempest wild
 Sore on you beats!


Now Phoebe in her midnight reign,
Dark-****’d, view’d the dreary plain;
Still crowding thoughts, a pensive train,
 Rose in my soul,
When on my ear this plantive strain,
 Slow, solemn, stole:—


“Blow, blow, ye winds, with heavier gust!
And freeze, thou bitter-biting frost!
Descend, ye chilly, smothering snows!
Not all your rage, as now united, shows
 More hard unkindness unrelenting,
 Vengeful malice unrepenting.
Than heaven-illumin’d Man on brother Man bestows!


“See stern Oppression’s iron grip,
 Or mad Ambition’s gory hand,
Sending, like blood-hounds from the slip,
 Woe, Want, and Murder o’er a land!
 Ev’n in the peaceful rural vale,
 Truth, weeping, tells the mournful tale,
How pamper’d Luxury, Flatt’ry by her side,
 The parasite empoisoning her ear,
 With all the servile wretches in the rear,
Looks o’er proud Property, extended wide;
 And eyes the simple, rustic hind,
 Whose toil upholds the glitt’ring show—
 A creature of another kind,
 Some coarser substance, unrefin’d—
Plac’d for her lordly use thus far, thus vile, below!


“Where, where is Love’s fond, tender throe,
 With lordly Honour’s lofty brow,
 The pow’rs you proudly own?
 Is there, beneath Love’s noble name,
 Can harbour, dark, the selfish aim,
 To bless himself alone?
 Mark maiden-innocence a prey
 To love-pretending snares:
 This boasted Honour turns away,
 Shunning soft Pity’s rising sway,
Regardless of the tears and unavailing pray’rs!
 Perhaps this hour, in Misery’s squalid nest,
 She strains your infant to her joyless breast,
And with a mother’s fears shrinks at the rocking blast!


“Oh ye! who, sunk in beds of down,
 Feel not a want but what yourselves create,
 Think, for a moment, on his wretched fate,
 Whom friends and fortune quite disown!
Ill-satisfy’d keen nature’s clamorous call,
 Stretch’d on his straw, he lays himself to sleep;
While through the ragged roof and chinky wall,
 Chill, o’er his slumbers, piles the drifty heap!
 Think on the dungeon’s grim confine,
 Where Guilt and poor Misfortune pine!
 Guilt, erring man, relenting view,
 But shall thy legal rage pursue
 The wretch, already crushed low
 By cruel Fortune’s undeserved blow?
Affliction’s sons are brothers in distress;
A brother to relieve, how exquisite the bliss!”


 I heard nae mair, for Chanticleer
 Shook off the pouthery snaw,
 And hail’d the morning with a cheer,
 A cottage-rousing craw.
 But deep this truth impress’d my mind—
 Thro’ all His works abroad,
 The heart benevolent and kind
 The most resembles God.

Book: Radiant Verses: A Journey Through Inspiring Poetry