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Best Famous Seethe Poems

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Written by Alexander Pushkin | Create an image from this poem

Remembrance

 When the loud day for men who sow and reap
Grows still, and on the silence of the town
The unsubstantial veils of night and sleep,
The meed of the day's labour, settle down,
Then for me in the stillness of the night
The wasting, watchful hours drag on their course,
And in the idle darkness comes the bite
Of all the burning serpents of remorse;
Dreams seethe; and fretful infelicities
Are swarming in my over-burdened soul,
And Memory before my wakeful eyes
With noiseless hand unwinds her lengthy scroll.
Then, as with loathing I peruse the years,
I tremble, and I curse my natal day,
Wail bitterly, and bitterly shed tears,
But cannot wash the woeful script away.


Written by Hilaire Belloc | Create an image from this poem

Heroic Poem in Praise of Wine

 To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!

Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head. Sing the Panther-team,
The gilded Thrysus twirling, and the gleam
Of cymbals through the darkness. Sing the drums.
He comes; the young renewer of Hellas comes!
The Seas await him. Those Aegean Seas
Roll from the dawning, ponderous, ill at ease,
In lifts of lead, whose cresting hardly breaks
To ghostly foam, when suddenly there awakes
A mountain glory inland. All the skies
Are luminous; and amid the sea bird cries
The mariner hears a morning breeze arise.
Then goes the Pageant forward. The sea-way
Silvers the feet of that august array
Trailing above the waters, through the airs;
And as they pass a wind before them bears
The quickening word, the influence magical.
The Islands have received it, marble-tall;
The long shores of the mainland. Something fills
The warm Euboean combes, the sacred hills
Of Aulis and of Argos. Still they move
Touching the City walls, the Temple grove,
Till, far upon the horizon-glint, a gleam
Of light, of trembling light, revealed they seem
Turned to a cloud, but to a cloud that shines,
And everywhere as they pass, the Vines! The Vines!
The Vines, the conquering Vines! And the Vine
breaths
Her savour through the upland, empty heaths
Of treeless wastes; the Vines have come to where
The dark Pelasgian steep defends the lair
Of the wolf's hiding; to the empty fields
By Aufidus, the dry campaign that yields
No harvest for the husbandman, but now
Shall bear a nobler foison than the plough;
To where, festooned along the tall elm trees,
Tendrils are mirrored in Tyrrhenian seas;
To where the South awaits them; even to where
Stark, African informed of burning air,
Upturned to Heaven the broad Hipponian plain
Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds;
And northward in the valleys, next the meads
That sleep by misty river banks, the Vines
Have struck to spread below the solemn pines.
The Vines are on the roof-trees. All the Shrines
And Homes of men are consecrate with Vines.

And now the task of that triumphant day
Has reached to victory. In the reddening ray
With all his train, from hard Iberian lands
Fulfilled, apparent, that Creator stands
Halted on Atlas. Far Beneath him, far,
The strength of Ocean darkening and the star
Beyond all shores. There is a silence made.
It glorifies: and the gigantic shade
Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.

But what are these that from the outer murk
Of dense mephitic vapours creeping lurk
To breathe foul airs from that corrupted well
Which oozes slime along the floor of Hell?
These are the stricken palsied brood of sin
In whose vile veins, poor, poisonous and thin,
Decoctions of embittered hatreds crawl:
These are the Water-Drinkers, cursed all!
On what gin-sodden Hags, what flaccid sires
Bred these White Slugs from what exhaust desires?
In what close prison's horror were their wiles
Watched by what tyrant power with evil smiles;
Or in what caverns, blocked from grace and air
Received they, then, the mandates of despair?
What! Must our race, our tragic race, that roam
All exiled from our first, and final, home:
That in one moment of temptation lost
Our heritage, and now wander, hunger-tost
Beyond the Gates (still speaking with our eyes
For ever of remembered Paradise),
Must we with every gift accepted, still,
With every joy, receive attendant ill?
Must some lewd evil follow all our good
And muttering dog our brief beatitude?

A primal doom, inexorable, wise,
Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord
Must swarm and propagate the filthy horde
Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing. For whosoe'er
Shall suffer their contagion, everywhere
Falls from the estate of man and finds his end
To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled
Imperial centuries by hills of gold;
For such as these the flashing Rhone shall rage
In vain its lightning through the Hermitage
Or level-browed divine Touraine receive
The tribute of her vintages at eve.
For such as these Burgundian heats in vain
Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task
Of bottling God the Father in a flask
And leading all Creation down distilled
To one small ardent sphere immensely filled.
With memories empty, with experience null,
With vapid eye-balls meaningless and dull
They pass unblest through the unfruitful light;
And when we open the bronze doors of Night,
When we in high carousal, we reclined,
Spur up to Heaven the still ascending mind,
Pass with the all inspiring, to and fro,
The torch of genius and the Muse's glow,
They, lifeless, stare at vacancy alone
Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are
In young white arms, like our great Exemplar
Who, wearied with creation, takes his rest
And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press
Despised, abandoned and companionless.
And when the course of either's sleep has run
We leap to life like heralds of the sun;
We from the couch in roseate mornings gay
Salute as equals the exultant day
While they, the unworthy, unrewarded, they
The dank despisers of the Vine, arise
To watch grey dawns and mourn indifferent skies.

Forget them! Form the Dionysian ring
And pulse the ground, and Io, Io, sing.

Father Lenaean, to whom our strength belongs,
Our loves, our wars, our laughter and our songs,
Remember our inheritance, who praise
Your glory in these last unhappy days
When beauty sickens and a muddied robe
Of baseness fouls the universal globe.
Though all the Gods indignant and their train
Abandon ruined man, do thou remain!
By thee the vesture of our life was made,
The Embattled Gate, the lordly Colonnade,
The woven fabric's gracious hues, the sound
Of trumpets, and the quivering fountain-round,
And, indestructible, the Arch, and, high,
The Shaft of Stone that stands against the sky,
And, last, the guardian-genius of them, Rhyme,
Come from beyond the world to conquer time:
All these are thine, Lenaean.

By thee do seers the inward light discern;
By thee the statue lives, the Gods return;
By thee the thunder and the falling foam
Of loud Acquoria's torrent call to Rome;
Alba rejoices in a thousand springs,
Gensano laughs, and Orvieto sings...
But, Ah! With Orvieto, with that name
Of dark, Eturian, subterranean flame
The years dissolve. I am standing in that hour
Of majesty Septembral, and the power
Which swells the clusters when the nights are still
With autumn stars on Orvieto hill.

Had these been mine, Ausonian Muse, to know
The large contented oxen heaving slow;
To count my sheaves at harvest; so to spend
Perfected days in peace until the end;
With every evening's dust of gold to hear
The bells upon the pasture height, the clear
Full horn of herdsmen gathering in the kine
To ancient byres in hamlets Appenine,
And crown abundant age with generous ease:
Had these, Ausonian Muse, had these, had these.....

But since I would not, since I could not stay,
Let me remember even in this my day
How, when the ephemeral vision's lure is past
All, all, must face their Passion at the last

Was there not one that did to Heaven complain
How, driving through the midnight and the rain,
He struck, the Atlantic seethe and surge before,
Wrecked in the North along a lonely shore
To make the lights of home and hear his name no
more.
Was there not one that from a desperate field
Rode with no guerdon but a rifted shield;
A name disherited; a broken sword;
Wounds unrenowned; battle beneath no Lord;
Strong blows, but on the void, and toil without
reward.

When from the waste of such long labour done
I too must leave the grape-ennobling sun
And like the vineyard worker take my way
Down the long shadows of declining day,
Bend on the sombre plain my clouded sight
And leave the mountain to the advancing night,
Come to the term of all that was mine own
With nothingness before me, and alone;
Then to what hope of answer shall I turn?
Comrade-Commander whom I dared not earn,
What said You then to trembling friends and
few?
"A moment, and I drink it with you new:
But in my Father's Kingdom." So, my Friend,
Let not Your cup desert me in the end.
But when the hour of mine adventure's near
Just and benignant, let my youth appear
Bearing a Chalice, open, golden, wide,
With benediction graven on its side.
So touch my dying lip: so bridge that deep:
So pledge my waking from the gift of sleep,
And, sacramental, raise me the Divine:
Strong brother in God and last companion, Wine.
Written by Stanley Kunitz | Create an image from this poem

The Testing-Tree

 1

On my way home from school
up tribal Providence Hill
past the Academy ballpark
where I could never hope to play
I scuffed in the drainage ditch
among the sodden seethe of leaves
hunting for perfect stones
rolled out of glacial time
into my pitcher’s hand;
then sprinted lickety-
split on my magic Keds
from a crouching start,
scarcely touching the ground
with my flying skin
as I poured it on
for the prize of the mastery
over that stretch of road,
with no one no where to deny
when I flung myself down
that on the given course
I was the world’s fastest human. 

2

Around the bend
that tried to loop me home
dawdling came natural
across a nettled field
riddled with rabbit-life
where the bees sank sugar-wells
in the trunks of the maples
and a stringy old lilac
more than two stories tall
blazing with mildew
remembered a door in the 
long teeth of the woods.
All of it happened slow:
brushing the stickseed off,
wading through jewelweed
strangled by angel’s hair,
spotting the print of the deer
and the red fox’s scats.
Once I owned the key
to an umbrageous trail
thickened with mosses
where flickering presences
gave me right of passage
as I followed in the steps
of straight-backed Massassoit
soundlessly heel-and-toe
practicing my Indian walk.

3

Past the abandoned quarry
where the pale sun bobbed
in the sump of the granite,
past copperhead ledge,
where the ferns gave foothold,
I walked, deliberate,
on to the clearing,
with the stones in my pocket
changing to oracles
and my coiled ear tuned
to the slightest leaf-stir.
I had kept my appointment.
There I stood int he shadow,
at fifty measured paces,
of the inexhaustible oak,
tyrant and target,
Jehovah of acorns,
watchtower of the thunders,
that locked King Philip’s War
in its annulated core
under the cut of my name.
Father wherever you are
I have only three throws
bless my good right arm.
In the haze of afternoon,
while the air flowed saffron,
I played my game for keeps--
for love, for poetry,
and for eternal life--
after the trials of summer.

4

In the recurring dream
my mother stands
in her bridal gown
under the burning lilac,
with Bernard Shaw and Bertie
Russell kissing her hands;
the house behind her is in ruins;
she is wearing an owl’s face
and makes barking noises.
Her minatory finger points.
I pass through the cardboard doorway
askew in the field
and peer down a well
where an albino walrus huffs.
He has the gentlest eyes.
If the dirt keeps sifting in,
staining the water yellow,
why should I be blamed?
Never try to explain.
That single Model A
sputtering up the grade
unfurled a highway behind
where the tanks maneuver,
revolving their turrets.
In a murderous time
the heart breaks and breaks
and lives by breaking.
It is necessary to go
through dark and deeper dark
and not to turn.
I am looking for the trail.
Where is my testing-tree?
Give me back my stones!
Written by Rudyard Kipling | Create an image from this poem

The Bees and the Flies

 "The Mother Hive"-- Actions and Reactions

A Farmer of the Augustan Age
Perused in Virgil's golden page
The story of the secret won
From Proteus by Cyrene's son--
How the dank sea-god showed the swain
Means to restore his hives again.
More briefly, how a slaughtered bull
Breeds honey by the bellyful.

The egregious rustic put to death
A bull by stopping of its breath,
Disposed the carcass in a shed
With fragrant herbs and branches spread,
And, having well performed the charm,
Sat down to wait the promised swarm.

Nor waited long. The God of Day
Impartial, quickening with his ray
Evil and good alike, beheld
The carcass--and the carcass swelled.
Big with new birth the belly heaves
Beneath its screen of scented leaves.
Past any doubt, the bull conceives!

The farmer bids men bring more hives
To house the profit that arrives;
Prepares on pan and key and. kettle,
Sweet music that shall make 'em settle;
But when to crown the work he goes,
Gods! What a stink salutes his nose!

Where are the honest toilers. Where
The. gravid mistress of their care?
 A busy scene, indeed, he sees,
 But not a sign or sound of bees.
 Worms of the riper grave unhid
 By any kindly coffin-lid,
 Obscene and shameless to the light,
 Seethe in insatiate appetite,
 Through putrid offal, while--above
 The hissing blow-fly seeks his love,
 Whose offspring, supping where they supt,
 Consume corruption twice corrupt.
Written by Francois Villon | Create an image from this poem

Ballade To Our Lady

 WRITTEN FOR HIS MOTHER 

Dame du ciel, regents terrienne, 
Emperiere des infemaux palus.... 

Lady of Heaven and earth, and therewithal 
Crowned Empress of the nether clefts of Hell,—

I, thy poor Christian, on thy name do call, 
Commending me to thee, with thee to dwell, 
Albeit in nought I be commendable. 

But all mine undeserving may not mar 
Such mercies as thy sovereign mercies are; 
Without the which (as true words testify) 
No soul can reach thy Heaven so fair and far. 
Even in this faith I choose to live and die. 
Unto thy Son say thou that I am His, 
And to me graceless make Him gracious. 
Said Mary of Egypt lacked not of that bliss, 
Nor yet the sorrowful clerk Theopbilus, 
Whose bitter sins were set aside even thus 
Though to the Fiend his bounden service was. 
Oh help me, lest in vain for me should pass 
(Sweet Virgin that shalt have no loss thereby!) 
The blessed Host and sacring of the Mass 
Even in this faith I choose to live and die. 

A pitiful poor woman, shrunk and old, 
I am, and nothing learn'd in letter-lore. 
Within my parish-cloister I behold 
A painted Heaven where harps and lutes adore, 
And eke an Hell whose damned folk seethe full sore: 
One bringeth fear, the other joy to me. 
That joy, great Goddess, make thou mine to be,—
Thou of whom all must ask it even as I; 
And that which faith desires, that let it see. 
For in this faith I choose to live and die. 

O excellent Virgin Princess! thou didst bear 
King Jesus, the most excellent comforter, 
Who even of this our weakness craved a share 
And for our sake stooped to us from on high, 
Offering to death His young life sweet and fair. 
Such as He is, Our Lord, I Him declare, 
And in this faith I choose to live and die. 


Dante Gabriel Rossetti, trans.


Written by Alec Derwent (A D) Hope | Create an image from this poem

Meditation on a Bone

 A piece of bone, found at Trondhjem in 1901, with the following runic inscription (about A.D. 1050) cut on it: I loved her as a maiden; I will not trouble Erlend's detestable wife; better she should be a widow. 

Words scored upon a bone, 
Scratched in despair or rage -- 
Nine hundred years have gone; 
Now, in another age, 
They burn with passion on 
A scholar's tranquil page.

The scholar takes his pen 
And turns the bone about, 
And writes those words again. 
Once more they seethe and shout 
And through a human brain 
Undying hate rings out.

"I loved her when a maid;
I loathe and love the wife
That warms another's bed:
Let him beware his life!"
The scholar's hand is stayed;
His pen becomes a knife

To grave in living bone 
The fierce archaic cry. 
He sits and reads his own 
Dull sum of misery. 
A thousand years have flown 
Before that ink is dry.

And, in a foreign tongue, 
A man, who is not he, 
Reads and his heart is wrung 
This ancient grief to see, 
And thinks: When I am dung, 
What bone shall speak for me?
Written by Sidney Lanier | Create an image from this poem

Owl Against Robin

 Frowning, the owl in the oak complained him
Sore, that the song of the robin restrained him
Wrongly of slumber, rudely of rest.
"From the north, from the east, from the south and the west,
Woodland, wheat-field, corn-field, clover,
Over and over and over and over,
Five o'clock, ten o'clock, twelve, or seven,
Nothing but robin-songs heard under heaven:
How can we sleep?

`Peep!' you whistle, and `cheep! cheep! cheep!'
Oh, peep, if you will, and buy, if 'tis cheap,
And have done; for an owl must sleep.
Are ye singing for fame, and who shall be first?
Each day's the same, yet the last is worst,
And the summer is cursed with the silly outburst
Of idiot red-breasts peeping and cheeping
By day, when all honest birds ought to be sleeping.
Lord, what a din! And so out of all reason.
Have ye not heard that each thing hath its season?
Night is to work in, night is for play-time;
Good heavens, not day-time!

A vulgar flaunt is the flaring day,
The impudent, hot, unsparing day,
That leaves not a stain nor a secret untold, --
Day the reporter, -- the gossip of old, --
Deformity's tease, -- man's common scold --
Poh! Shut the eyes, let the sense go numb
When day down the eastern way has come.
'Tis clear as the moon (by the argument drawn
From Design) that the world should retire at dawn.
Day kills. The leaf and the laborer breathe
Death in the sun, the cities seethe,
The mortal black marshes bubble with heat
And puff up pestilence; nothing is sweet
Has to do with the sun: even virtue will taint
(Philosophers say) and manhood grow faint
In the lands where the villainous sun has sway
Through the livelong drag of the dreadful day.
What Eden but noon-light stares it tame,
Shadowless, brazen, forsaken of shame?
For the sun tells lies on the landscape, -- now
Reports me the `what', unrelieved with the `how', --
As messengers lie, with the facts alone,
Delivering the word and withholding the tone.

But oh, the sweetness, and oh, the light
Of the high-fastidious night!
Oh, to awake with the wise old stars --
The cultured, the careful, the Chesterfield stars,
That wink at the work-a-day fact of crime
And shine so rich through the ruins of time
That Baalbec is finer than London; oh,
To sit on the bough that zigzags low
By the woodland pool,
And loudly laugh at man, the fool
That vows to the vulgar sun; oh, rare,
To wheel from the wood to the window where
A day-worn sleeper is dreaming of care,
And perch on the sill and straightly stare
Through his visions; rare, to sail
Aslant with the hill and a-curve with the vale, --
To flit down the shadow-shot-with-gleam,
Betwixt hanging leaves and starlit stream,
Hither, thither, to and fro,
Silent, aimless, dayless, slow
(`Aimless? Field-mice?' True, they're slain,
But the night-philosophy hoots at pain,
Grips, eats quick, and drops the bones
In the water beneath the bough, nor moans
At the death life feeds on). Robin, pray
Come away, come away
To the cultus of night. Abandon the day.
Have more to think and have less to say.
And CANNOT you walk now? Bah! don't hop!
Stop!
Look at the owl, scarce seen, scarce heard,
O irritant, iterant, maddening bird!"
Written by George Meredith | Create an image from this poem

Phoebus with Admetus

 WHEN by Zeus relenting the mandate was revoked, 
 Sentencing to exile the bright Sun-God, 
Mindful were the ploughmen of who the steer had yoked, 
 Who: and what a track show'd the upturn'd sod! 
Mindful were the shepherds, as now the noon severe 
 Bent a burning eyebrow to brown evetide, 
How the rustic flute drew the silver to the sphere, 
 Sister of his own, till her rays fell wide. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 
Chirping none, the scarlet cicalas crouch'd in ranks: 
 Slack the thistle-head piled its down-silk gray: 
Scarce the stony lizard suck'd hollows in his flanks: 
 Thick on spots of umbrage our drowsed flocks lay. 
Sudden bow'd the chestnuts beneath a wind unheard, 
 Lengthen'd ran the grasses, the sky grew slate: 
Then amid a swift flight of wing'd seed white as curd, 
 Clear of limb a Youth smote the master's gate. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Water, first of singers, o'er rocky mount and mead, 
 First of earthly singers, the sun-loved rill, 
Sang of him, and flooded the ripples on the reed, 
 Seeking whom to waken and what ear fill. 
Water, sweetest soother to kiss a wound and cool, 
 Sweetest and divinest, the sky-born brook, 
Chuckled, with a whimper, and made a mirror-pool 
 Round the guest we welcomed, the strange hand shook. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Many swarms of wild bees descended on our fields: 
 Stately stood the wheatstalk with head bent high: 
Big of heart we labour'd at storing mighty yields, 
 Wool and corn, and clusters to make men cry! 
Hand-like rush'd the vintage; we strung the bellied skins 
 Plump, and at the sealing the Youth's voice rose: 
Maidens clung in circle, on little fists their chins; 
 Gentle beasties through push'd a cold long nose. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Foot to fire in snowtime we trimm'd the slender shaft: 
 Often down the pit spied the lean wolf's teeth 
Grin against his will, trapp'd by masterstrokes of craft; 
 Helpless in his froth-wrath as green logs seethe! 
Safe the tender lambs tugg'd the teats, and winter sped 
 Whirl'd before the crocus, the year's new gold. 
Hung the hooky beak up aloft, the arrowhead 
 Redden'd through his feathers for our dear fold. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Tales we drank of giants at war with gods above: 
 Rocks were they to look on, and earth climb'd air! 
Tales of search for simples, and those who sought of love 
 Ease because the creature was all too fair. 
Pleasant ran our thinking that while our work was good. 
 Sure as fruits for sweat would the praise come fast. 
He that wrestled stoutest and tamed the billow-brood 
 Danced in rings with girls, like a sail-flapp'd mast. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

Lo, the herb of healing, when once the herb is known, 
 Shines in shady woods bright as new-sprung flame. 
Ere the string was tighten'd we heard the mellow tone, 
 After he had taught how the sweet sounds came. 
Stretch'd about his feet, labour done, 'twas as you see 
 Red pomegranates tumble and burst hard rind. 
So began contention to give delight and be 
 Excellent in things aim'd to make life kind. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

You with shelly horns, rams! and, promontory goats, 
 You whose browsing beards dip in coldest dew! 
Bulls, that walk the pastures in kingly-flashing coats! 
 Laurel, ivy, vine, wreathed for feasts not few! 
You that build the shade-roof, and you that court the rays, 
 You that leap besprinkling the rock stream-rent: 
He has been our fellow, the morning of our days; 
 Us he chose for housemates, and this way went. 
 God! of whom music 
 And song and blood are pure, 
 The day is never darken'd 
 That had thee here obscure. 

 NOW the North wind ceases, 
 The warm South-west awakes; 
 Swift fly the fleeces, 
 Thick the blossom-flakes. 

Now hill to hill has made the stride, 
And distance waves the without-end: 
Now in the breast a door flings wide; 
Our farthest smiles, our next is friend. 
And song of England's rush of flowers 
Is this full breeze with mellow stops, 
That spins the lark for shine, for showers; 
He drinks his hurried flight, and drops. 
The stir in memory seem these things, 
Which out of moisten'd turf and clay, 
Astrain for light push patient rings, 
Or leap to find the waterway. 
'Tis equal to a wonder done, 
Whatever simple lives renew 
Their tricks beneath the father sun, 
As though they caught a broken clue: 
So hard was earth an eyewink back; 
But now the common life has come, 
The blotting cloud a dappled pack, 
The grasses one vast underhum. 
A City clothed in snow and soot, 
With lamps for day in ghostly rows, 
Breaks to the scene of hosts afoot, 
The river that reflective flows: 
And there did fog down crypts of street 
Play spectre upon eye and mouth:-- 
Their faces are a glass to greet 
This magic of the whirl for South. 
A burly joy each creature swells 
With sound of its own hungry quest; 
Earth has to fill her empty wells, 
And speed the service of the nest; 
The phantom of the snow-wreath melt, 
That haunts the farmer's look abroad, 
Who sees what tomb a white night built, 
Where flocks now bleat and sprouts the clod. 
For iron Winter held her firm; 
Across her sky he laid his hand; 
And bird he starved, he stiffen'd worm; 
A sightless heaven, a shaven land. 
Her shivering Spring feign'd fast asleep, 
The bitten buds dared not unfold: 
We raced on roads and ice to keep 
Thought of the girl we love from cold. 

 But now the North wind ceases, 
 The warm South-west awakes, 
 The heavens are out in fleeces, 
 And earth's green banner shakes.
Written by Conrad Aiken | Create an image from this poem

The House Of Dust: Part 01: 07: Midnight; bells toll and along the cloud-high towers

 Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .

Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.

One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .

The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.

Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.
Written by Edwin Arlington Robinson | Create an image from this poem

The White Lights

 When in from Delos came the gold 
That held the dream of Pericles, 
When first Athenian ears were told 
The tumult of Euripides, 
When men met Aristophanes,
Who fledged them with immortal quills— 
Here, where the time knew none of these, 
There were some islands and some hills. 

When Rome went ravening to see 
The sons of mothers end their days,
When Flaccus bade Leuconoë 
To banish her chaldean ways, 
When first the pearled, alembic phrase 
Of Maro into music ran— 
Here there was neither blame nor praise
For Rome, or for the Mantuan. 

When Avon, like a faery floor, 
Lay freighted, for the eyes of One, 
With galleons laden long before 
By moonlit wharves in Avalon—
Here, where the white lights have begun 
To seethe a way for something fair, 
No prophet knew, from what was done, 
That there was triumph in the air.

Book: Reflection on the Important Things