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Best Famous Seemingly Poems

Here is a collection of the all-time best famous Seemingly poems. This is a select list of the best famous Seemingly poetry. Reading, writing, and enjoying famous Seemingly poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of seemingly poems.

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Written by Philip Larkin | Create an image from this poem

Church Going

Once i am sure there's nothing going on
I step inside letting the door thud shut.
Another church: matting seats and stone and little books; sprawlings of flowers cut For Sunday brownish now; some brass and stuff Up at the holy end; the small neat organ; And a tense musty unignorable silence Brewed God knows how long.
Hatless I take off My cylce-clips in awkward revrence Move forward run my hand around the font.
From where i stand the roof looks almost new-- Cleaned or restored? someone would know: I don't.
Mounting the lectern I peruse a few hectoring large-scale verses and pronouce Here endeth much more loudly than I'd meant The echoes snigger briefly.
Back at the door I sign the book donate an Irish sixpence Reflect the place was not worth stopping for.
Yet stop I did: in fact I often do And always end much at a loss like this Wondering what to look for; wondering too When churches fall completely out of use What we shall turn them into if we shall keep A few cathedrals chronically on show Their parchment plate and pyx in locked cases And let the rest rent-free to rain and sheep.
Shall we avoid them as unlucky places? Or after dark will dubious women come To make their children touvh a particular stone; Pick simples for a cancer; or on some Advised night see walking a dead one? Power of some sort or other will go on In games in riddles seemingly at random; But superstition like belief must die And what remains when disbelief has gone? Grass weedy pavement brambles butress sky.
A shape less recognisable each week A purpose more obscure.
I wonder who Will be the last the very last to seek This place for whta it was; one of the crew That tap and jot and know what rood-lofts were? Some ruin-bibber randy for antique Or Christmas-addict counting on a whiff Of grown-and-bands and organ-pipes and myrrh? Or will he be my representative Bored uninformed knowing the ghostly silt Dispersed yet tending to this cross of ground Through suburb scrub because it held unspilt So long and equably what since is found Only in separation--marriage and birth And death and thoughts of these--for which was built This special shell? For though I've no idea What this accoutred frowsty barn is worth It pleases me to stand in silence here; A serious house on serious earth it is In whose blent air all our compulsions meet Are recognisd and robed as destinies.
And that much never can be obsolete Since someone will forever be surprising A hunger in himself to be more serious And gravitating with it to this ground Which he once heard was proper to grow wise in If only that so many dead lie round.
1955


Written by Victor Hugo | Create an image from this poem

Letter

 You can see it already: chalks and ochers; 
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery; 
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape; 
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse); 
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground.
An old chapel adds Its antique spire, and gathers alongside it A few gnarled elms with grumpy silhouettes; Seemingly tired of all the frisky breezes, They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow Is rusting; and before me lies the vast Horizon, all its notches filled with ocean blue; Cocks and hens spread their gildings, and converse Beneath my window; and the rooftop attics, Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker; The old man makes his wheel run loud, and goes Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds; All day the country tempts me to go strolling; The little village urchins, book in hand, Envy me, at the schoolmaster's (my lodging), As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you! Thank you, Almighty God!"--So, then, I live: Peacefully, hour by hour, with little fuss, I shed My days, and think of you, my lady fair! I hear the children chattering; and I see, at times, Sailing across the high seas in its pride, Over the gables of the tranquil village, Some winged ship which is traveling far away, Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge: No tears of relatives, nor fears of wives, Nor reefs dimly reflected in the waters, Nor importunity of sinister birds.
Written by Robert Frost | Create an image from this poem

Asking For Roses

 A house that lacks, seemingly, mistress and master,
With doors that none but the wind ever closes,
Its floor all littered with glass and with plaster;
It stands in a garden of old-fashioned roses.
I pass by that way in the gloaming with Mary; 'I wonder,' I say, 'who the owner of those is.
' 'Oh, no one you know,' she answers me airy, 'But one we must ask if we want any roses.
' So we must join hands in the dew coming coldly There in the hush of the wood that reposes, And turn and go up to the open door boldly, And knock to the echoes as beggars for roses.
'Pray, are you within there, Mistress Who-were-you?' 'Tis Mary that speaks and our errand discloses.
'Pray, are you within there? Bestir you, bestir you! 'Tis summer again; there's two come for roses.
'A word with you, that of the singer recalling-- Old Herrick: a saying that every maid knows is A flower unplucked is but left to the falling, And nothing is gained by not gathering roses.
' We do not loosen our hands' intertwining (Not caring so very much what she supposes), There when she comes on us mistily shining And grants us by silence the boon of her roses.
Written by William Topaz McGonagall | Create an image from this poem

The Burial of Mr. Gladstone

 Alas! the people now do sigh and moan
For the loss of Wm.
Ewart Gladstone, Who was a very great politician and a moral man, And to gainsay it there's few people can.
'Twas in the year of 1898, and on the 19th of May, When his soul took its flight for ever and aye, And his body was interred in Westminster Abbey; But I hope his soul has gone to that Heavenly shore, Where all trials and troubles cease for evermore.
He was a man of great intellect and genius bright, And ever faithful to his Queen by day and by night, And always foremost in a political fight; And for his services to mankind, God will him requite.
The funeral procession was affecting to see, Thousands of people were assembled there, of every degree; And it was almost eleven o'clock when the procession left Westminster Hall, And the friends of the deceased were present- physicians and all.
A large force of police was also present there, And in the faces of the spectators there was a pitiful air, Yet they were orderly in every way, And newspaper boys were selling publications without delay.
Present in the procession was Lord Playfair, And Bailie Walcot was also there, Also Mr Macpherson of Edinboro- And all seemingly to be in profound sorrow.
The supporters of the coffin were the Earl Rosebery, And the Right Honourable Earl of Kimberley, And the Right Honourable Sir W.
Vernon he was there, And His Royal Highness the Duke of York, I do declare.
George Armitstead, Esq.
, was there also, And Lord Rendal, with his heart full of woe; And the Right Honourable Duke of Rutland, And the Right Honourable Arthur J.
Balfour, on the right hand; Likewise the noble Marquis of Salisbury, And His Royal Highness the Prince of Wales, of high degree.
And immediately behind the coffin was Lord Pembroke, The representative of Her Majesty, and the Duke of Norfolk, Carrying aloft a beautiful short wand, The insignia of his high, courtly office, which looked very grand.
And when the procession arrived at the grave, Mrs Gladstone was there, And in her countenance was depicted a very grave air; And the dear, good lady seemed to sigh and moan For her departed, loving husband, Wm.
Ewart Gladstone.
And on the opposite side of her stood Lord Pembroke, And Lord Salisbury, who wore a skull cap and cloak; Also the Prince of Wales and the Duke of Rutland, And Mr Balfour and Lord Spencer, all looking very bland.
And the clergy were gathered about the head of the grave, And the attention of the spectators the Dean did crave; Then he said, "Man that is born of woman hath a short time to live, But, Oh, Heavenly Father! do thou our sins forgive.
" Then Mrs Gladstone and her two sons knelt down by the grave, Then the Dean did the Lord's blessing crave, While Mrs Gladstone and her some knelt, While the spectators for them great pity felt.
The scene was very touching and profound, To see all the mourners bending their heads to the ground, And, after a minute's most silent prayer, The leave-taking at the grave was affecting, I do declare.
Then Mrs Gladstone called on little Dorothy Drew, And immediately the little girl to her grandmamma flew, And they both left the grave with their heads bowed down, While tears from their relatives fell to the ground.
Immortal Wm.
Ewart Gladstone! I must conclude my muse, And to write in praise of thee my pen does not refuse- To tell the world, fearlessly, without the least dismay, You were the greatest politician in your day.
Written by Russell Edson | Create an image from this poem

The Floor

 The floor is something we must fight against.
Whilst seemingly mere platform for the human stance, it is that place that men fall to.
I am not dizzy.
I stand as a tower, a lighthouse; the pale ray of my sentiency flowing from my face.
But should I go dizzy I crash down into the floor; my face into the floor, my attention bleeding into the cracks of the floor.
Dear horizontal place, I do not wish to be a rug.
Do not pull at the difficult head, this teetering bulb of dread and dream .
.
.


Written by Czeslaw Milosz | Create an image from this poem

At a Certain Age

 We wanted to confess our sins but there were no takers.
White clouds refused to accept them, and the wind Was too busy visiting sea after sea.
We did not succeed in interesting the animals.
Dogs, disappointed, expected an order, A cat, as always immoral, was falling asleep.
A person seemingly very close Did not care to hear of things long past.
Conversations with friends over vodka or coffee Ought not be prolonged beyond the first sign of boredom.
It would be humiliating to pay by the hour A man with a diploma, just for listening.
Churches.
Perhaps churches.
But to confess there what? That we used to see ourselves as handsome and noble Yet later in our place an ugly toad Half-opens its thick eyelid And one sees clearly: "That's me.
"
Written by William Topaz McGonagall | Create an image from this poem

Jenny Carrister The Heroine of Lucknow-Mine

 A heroic story I will unfold,
Concerning Jenny Carrister, a heroine bold,
Who lived in Australia, at a gold mine called Lucknow,
And Jenny was beloved by the the miners, somehow.
Jenny was the only daughter of the old lady who owned the mine- And Jenny would come of an evening, like a gleam of sunshine, And by the presence of her bright face and cheery voice, She made the hearts of the unlucky diggers rejoice.
There was no pride about her, and day after day, She walked with her young brother, who was always gay, A beautiful boy he was, about thirteen years old, And Jenny and her brother by the miners were greatly extolled.
Old Mrs Carrister was every inch a lady in her way, Because she never pressed any of the miners that weren't able to pay For the liberty of working the gold-field, Which was thirty pounds per week for whatever it might yield.
It was in the early part of the year 1871, That Jack Allingford, a miner, hit on a plan, That in the mine, with powder, he'd loosen the granite-bound face, So he selected, as he thought, a most suitable place.
And when all his arrangements had been made, He was lowered down by a miner that felt a little afraid, But most fortunately Jenny Carrister came up at the time, Just as Jack Allingford was lowered into the mine.
Then she asked the man at the windlass if he'd had any luck, But he picked up a piece of candle and then a match he struck; Then Jenny asked the miner, What is that for? And he replied to blast the mine, which I fear and abhor.
Then with a piece of rope he lowered the candle and matches into the mine, While brave Jenny watched the action all the time; And as the man continued to turn round the windlass handle, Jenny asked him, Isn't it dangerous to lower the matches and candle? Then the man replied, I hope there's no danger, Jenny, my lass, But whatsoever God has ordained will come to pass; And just as he said so the windlass handle swung round, And struck him on the forehead, and he fell to the ground.
And when Jenny saw the blood streaming from the fallen man's head, She rushed to the mouth of the shaft without any dread, And Jenny called loudly, but received no reply, So to her brother standing near by she heaved a deep sigh.
Telling him to run for assistance, while she swung herself on to the hand-rope, Resolved to save Jack Allingford's life as she earnestly did hope; And as she proceeded down the shaft at a quick pace, The brave heroine knew that death was staring her in the face.
And the rope was burning her hands as she descended, But she thought if she saved Jack her task would be ended; And when she reached the bottom of the mine she did not hesitate, But bounding towards Jack Allingford, who was lying seemingly inanimate.
And as she approached his body the hissing fuse burst upon her ears, But still the noble girl no danger fears; While the hissing of the fuse was like an engine grinding upon her brain, Still she resolved to save Jack while life in her body did remain.
She noticed a small jet of smoke issuing from a hole near his head, And if he'd lain a few seconds longer there he'd been killed dead, But God had sent an angel to his rescue, For seizing him by the arms his body to the air shaft she drew.
It was a supernatural effort, but she succeeded at last, And Jenny thanked God when the danger was past, But at the same instant the silence was broke By a loud explosion, which soon filled the mine with smoke.
But, oh, God be thanked! the greatest danger was past, But when Jenny saw Jack Allingford, she stood aghast, Because the blood was issuing from his nest and ears, And as Jenny viewed his wounds she shed many tears.
But heroic Jenny was not one of the fainting sort, For immediately to the mouth of the mine she did resort, And she called loudly for help, the noble lass, And her cry was answered by voices above at the windlass.
So there were plenty to volunteer their services below, And the rope was attached to the windlass, and down they did go, And Jack Allingford and Jenny were raised to the top, While Jenny, noble soul, with exhaustion was like to drop.
And when the miners saw her safe above there was a burst of applause, Because she had rescued Jack Allingford from death's jaws; So all ye that read or hear this story, I have but to say, That Jenny Carrister was the noblest heroine I've ever heard of in my day.
Written by John Williams | Create an image from this poem

Ode To The Only Girl

 I've seen you many times in many places--
Theater, bus, train, or on the street;
Smiling in spring rain, in winter sleet,
Eyes of any hue in myriad faces;
Midnight black, all shades of brown your hair,
Long, short, bronze or honey-fair.
Instantly have I loved, have never spoken; Slowly a truck passed, a light changed, A door closed--all seemingly pre-arranged-- Then you were gone forever, the spell was broken.
Ubiquitios only one, we've met before A hundred times, and we'll meet again As many more; in hills or forest glen, On crowded street or lonely, peaceful shore; Somewhere, someday--but how will we ever know True love, how wil we ever know?
Written by William Topaz McGonagall | Create an image from this poem

The Funeral of the German Emperor

 Ye sons of Germany, your noble Emperor William now is dead.
Who oft great armies to battle hath led; He was a man beloved by his subjects all, Because he never tried them to enthral.
The people of Germany have cause now to mourn, The loss of their hero, who to them will ne'er return; But his soul I hope to Heaven has fled away, To the realms of endless bliss for ever and aye.
He was much respected throughout Europe by the high and the low, And all over Germany people's hearts are full of woe; For in the battlefield he was a hero bold, Nevertheless, a lover of peace, to his credit be it told.
'Twas in the year of 1888, and on March the 16th day, That the peaceful William's remains were conveyed away To the royal mausoleum of Charlottenburg, their last resting-place, The God-fearing man that never did his country disgrace.
The funeral service was conducted in the cathedral by the court chaplain, Dr.
Kogel, Which touched the hearts of his hearers, as from his lips it fell, And in conclusion he recited the Lord's Prayer In the presence of kings, princes, dukes, and counts assembled there.
And at the end of the service the infantry outside fired volley after volley, While the people inside the cathedral felt melancholy, As the sound of the musketry smote upon the ear, In honour of the illustrous William, whom they loved most dear.
Then there was a solemn pause as the kings and princes took their places, Whilst the hot tears are trickling down their faces, And the mourners from shedding tears couldn't refrain; And in respect of the good man, above the gateway glared a bituminous flame.
Then the coffin was placed on the funeral car, By the kings and princes that came from afar; And the Crown Prince William heads the procession alone, While behind him are the four heirs-apparent to the throne.
Then followed the three Kings of Saxony, and the King of the Belgians also, Together with the Prince of Wales, with their hearts full of woe, Besides the Prince of Naples and Prince Rudolph of Austria were there, Also the Czarevitch, and other princes in their order I do declare.
And as the procession passes the palace the blinds are drawn completely, And every house is half hidden with the sable drapery; And along the line of march expansive arches were erected, While the spectators standing by seemed very dejected.
And through the Central Avenue, to make the decorations complete, There were pedestals erected, rising fourteen to fifteen feet, And at the foot and top of each pedestal were hung decorations of green bay, Also beautiful wreaths and evergreen festoons all in grand array.
And there were torches fastened on pieces of wood stuck in the ground; And as the people gazed on the weird-like scene, their silence was profound; And the shopkeepers closed their shops, and hotel-keepers closed in the doorways, And with torchlight and gaslight, Berlin for once was all ablaze.
The authorities of Berlin in honour of the Emperor considered it no sin, To decorate with crape the beautiful city of Berlin; Therefore Berlin I declare was a city of crape, Because few buildings crape decoration did escape.
First in the procession was the Emperor's bodyguard, And his great love for them nothing could it retard; Then followed a squadron of the hussars with their band, Playing "Jesus, Thou my Comfort," most solemn and grand.
And to see the procession passing the sightseers tried their best, Especially when the cavalry hove in sight, riding four abreast; Men and officers with their swords drawn, a magnificent sight to see In the dim sun's rays, their burnished swords glinting dimly.
Then followed the footguards with slow and solemn tread, Playing the "Dead March in Saul," most appropriate for the dead; And behind them followed the artillery, with four guns abreast, Also the ministers and court officials dressed in their best.
The whole distance to the grave was covered over with laurel and bay, So that the body should be borne along smoothly all the way; And the thousands of banners in the procession were beautiful to view, Because they were composed of cream-coloured silk and light blue.
There were thousands of thousands of men and women gathered there, And standing ankle deep in snow, and seemingly didn't care So as they got a glimpse of the funeral car, Especially the poor souls that came from afar.
And when the funeral car appeared there was a general hush, And the spectators in their anxiety to see began to crush; And when they saw the funeral car by the Emperor's charger led, Every hat and cap was lifted reverently from off each head.
And as the procession moved on to the royal mausoleum, The spectators remained bareheaded and seemingly quite dumb; And as the coffin was borne into its last resting-place, Sorrow seemed depicted in each one's face.
And after the burial service the mourners took a last farewell Of the noble-hearted William they loved so well; Then rich and poor dispersed quietly that were assembled there, While two batteries of field-guns fired a salute which did rend the air In honour of the immortal hero they loved so dear, The founder of the Fatherland Germany, that he did revere.
Written by Wislawa Szymborska | Create an image from this poem

A Large Number

 Four billion people on this earth,
but my imagination is the way it's always been:
bad with large numbers.
It is still moved by particularity.
It flits about the darkness like a flashlight beam, disclosing only random faces, while the rest go blindly by, unthought of, unpitied.
Not even a Dante could have stopped that.
So what do you do when you're not, even with all the muses on your side? Non omnis moriar—a premature worry.
Yet am I fully alive, and is that enough? It never has been, and even less so now.
I select by rejecting, for there's no other way, but what I reject, is more numerous, more dense, more intrusive than ever.
At the cost of untold losses—a poem, a sigh.
I reply with a whisper to a thunderous calling.
How much I am silent about I can't say.
A mouse at the foot of mother mountain.
Life lasts as long as a few lines of claws in the sand.
My dreams—even they are not as populous as they should be.
There is more solitude in them than crowds or clamor.
Sometimes someone long dead will drop by for a bit.
A single hand turns a knob.
Annexes of echo overgrow the empty house.
I run from the threshold down into the quiet valley seemingly no one's—an anachronism by now.
Where does all this space still in me come from— that I don't know.

Book: Reflection on the Important Things