Written by
Mark Doty |
They lie in parallel rows,
on ice, head to tail,
each a foot of luminosity
barred with black bands,
which divide the scales'
radiant sections
like seams of lead
in a Tiffany window.
Iridescent, watery
prismatics: think abalone,
the wildly rainbowed
mirror of a soap-bubble sphere,
think sun on gasoline.
Splendor, and splendor,
and not a one in any way
distinguished from the other
--nothing about them
of individuality.
Instead
they're all exact expressions
of the one soul,
each a perfect fulfillment
of heaven's template,
mackerel essence.
As if,
after a lifetime arriving
at this enameling, the jeweler's
made uncountable examples
each as intricate
in its oily fabulation
as the one before;
a cosmos of champleve.
Suppose we could iridesce,
like these, and lose ourselves
entirely in the universe
of shimmer--would you want
to be yourself only,
unduplicatable, doomed
to be lost? They'd prefer,
plainly, to be flashing participants,
multitudinous.
Even on ice
they seem to be bolting
forward, heedless of stasis.
They don't care they're dead
and nearly frozen,
just as, presumably,
they didn't care that they were living:
all, all for all,
the rainbowed school
and its acres of brilliant classrooms,
in which no verb is singular,
or every one is.
How happy they seem,
even on ice, to be together, selfless,
which is the price of gleaming.
|
Written by
Barry Tebb |
Here is a silence I had not hoped for
This side of paradise, I am an old believer
In nature’s bounty as God’s grace
To us poor mortals, fretting and fuming
At frustrated lust or the scent of fame
Coming too late to make a difference
Blue with white vertebrae of cloud forms
Riming the spectrum of green dark of poplars
Lined like soldiers, paler the hue of hawthorn
With the heather beginning to bud blue
Before September purple, yellow ragwort
Sways in the wind as distantly a plane hums
And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie,
My favourite of her seven cats, they soothe better
Than Diazepan for panic
Seroxat for grief
Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea
Aware of the ticking clock: I have to be back
To talk to my son’s key nurse when she comes on
For the night shift.
Always there are things to sort,
Misapprehensions to untangle, delusions to decipher,
Lies to expose, statistics to disclose, Trust Boards
And team meetings to attend, ‘Mental Health Monthly’
To peruse, funds for my press to raise – the only one
I ever got will leave me out of pocket.
A couple sat on the next bench
Are earnestly discussing child custody, broken marriages,
Failed affairs, social service interventions –
Even here I cannot escape complexity
"I should never have slept with her once we split"
"The kids are what matters when it comes to the bottom line"
"Is he poisoning their minds against me?"
Part of me nags to offer help but I’ve too much
On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear"
But better not to interfere.
Damn my bloody superego
Nattering like an old woman or Daisy nagging
About my pipe and my loud voice on buses –
No doubt she’s right – smoking’s not good
And hearing about psychosis, medication and end-on-sections
Isn’t what people are on buses for.
I long for a girl in summer, pubescent
With a twinkle in her eye to come and say
"Come on, let’s do it!"
I was always shy in adolescence, too busy reading Baudelaire
To find a decent whore and learn to score
And now I’m probably impotent with depression
So I’d better forget sex and read more of Andr? Green
On metaphor from Hegel to Lacan and how the colloquium
At Bonneval changed analytic history, a mystery
I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss
From jumped-up SHO’s and locums who’d miss vital side effects
And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors
To cut and suture neatly and renew my stocks
Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks
On the moor? Suburban excesses spread like the sores
Of syphilis and more regulations in a decade of Blair
Than in the century before.
"Shop your neighbours.
Prove it.
Bring birth certificates to A&E
If you want NHS treatment free.
Be careful not to bleed to death
While finding the certificate.
Blunkett wants us all to have ID
Photo cards, genetic codes, DNA database, eye scans, the lot –
And kiss good-bye to the last bits of freedom we’ve got"
"At the end of the day she shopped me and all I’d done
Was take a few pound from the till ’cos Jenny was ill
And I didn’t have thirteen quid to get the bloody prescription done"
To-morrow I’ll be back in the Great Wen,
Two days of manic catching up and then
Thistledown, wild wheat, a dozen kinds of grass,
The mass of beckoning hills I’d love to make
A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines
Entice me still but slimy Fenton had to have his will
And slate it in the NYB, arguing that panetone
Isn’t tin foil as Lowell thought.
James you are a dreadful bore,
A pedantic creep like hundreds more, five A4 pages
Of sniping and nit-picking for how many greenbacks?
A thousand or two I’d guess, they couldn’t pay you less
For churning out such a king-size mess
But not even you can spoil this afternoon
Of watching Haworth heather bloom.
|
Written by
Natasha Trethewey |
--New Orleans, November 1910
Four weeks have passed since I left, and still
I must write to you of no work.
I've worn down
the soles and walked through the tightness
of my new shoes calling upon the merchants,
their offices bustling.
All the while I kept thinking
my plain English and good writing would secure
for me some modest position Though I dress each day
in my best, hands covered with the lace gloves
you crocheted--no one needs a girl.
How flat
the word sounds, and heavy.
My purse thins.
I spend foolishly to make an appearance of quiet
industry, to mask the desperation that tightens
my throat.
I sit watching--
though I pretend not to notice--the dark maids
ambling by with their white charges.
Do I deceive
anyone? Were they to see my hands, brown
as your dear face, they'd know I'm not quite
what I pretend to be.
I walk these streets
a white woman, or so I think, until I catch the eyes
of some stranger upon me, and I must lower mine,
a negress again.
There are enough things here
to remind me who I am.
Mules lumbering through
the crowded streets send me into reverie, their footfall
the sound of a pointer and chalk hitting the blackboard
at school, only louder.
Then there are women, clicking
their tongues in conversation, carrying their loads
on their heads.
Their husky voices, the wash pots
and irons of the laundresses call to me.
I thought not to do the work I once did, back bending
and domestic; my schooling a gift--even those half days
at picking time, listening to Miss J--.
How
I'd come to know words, the recitations I practiced
to sound like her, lilting, my sentences curling up
or trailing off at the ends.
I read my books until
I nearly broke their spines, and in the cotton field,
I repeated whole sections I'd learned by heart,
spelling each word in my head to make a picture
I could see, as well as a weight I could feel
in my mouth.
So now, even as I write this
and think of you at home, Goodbye
is the waving map of your palm, is
a stone on my tongue.
|
Written by
D. H. Lawrence |
The Cross, the Cross
Goes deeper in than we know,
Deeper into life;
Right into the marrow
And through the bone.
Along the back of the baby tortoise
The scales are locked in an arch like a bridge,
Scale-lapping, like a lobster's sections
Or a bee's.
Then crossways down his sides
Tiger-stripes and wasp-bands.
Five, and five again, and five again,
And round the edges twenty-five little ones,
The sections of the baby tortoise shell.
Four, and a keystone;
Four, and a keystone;
Four, and a keystone;
Then twenty-four, and a tiny little keystone.
It needed Pythagoras to see life playing with counters on the living back
Of the baby tortoise;
Life establishing the first eternal mathematical tablet,
Not in stone, like the Judean Lord, or bronze, but in life-clouded, life-rosy tortoise shell.
The first little mathematical gentleman
Stepping, wee mite, in his loose trousers
Under all the eternal dome of mathematical law.
Fives, and tens,
Threes and fours and twelves,
All the volte face of decimals,
The whirligig of dozens and the pinnacle of seven.
Turn him on his back,
The kicking little beetle,
And there again, on his shell-tender, earth-touching belly,
The long cleavage of division, upright of the eternal cross
And on either side count five,
On each side, two above, on each side, two below
The dark bar horizontal.
The Cross!
It goes right through him, the sprottling insect,
Through his cross-wise cloven psyche,
Through his five-fold complex-nature.
So turn him over on his toes again;
Four pin-point toes, and a problematical thumb-piece,
Four rowing limbs, and one wedge-balancing head,
Four and one makes five, which is the clue to all mathematics.
The Lord wrote it all down on the little slate
Of the baby tortoise.
Outward and visible indication of the plan within,
The complex, manifold involvednes,s of an individual creature
Plotted out
On this small bird, this rudiment,
This little dome, this pediment
Of all creation,
This slow one.
|
Written by
Barry Tebb |
Would ‘any woman’ find me difficult to live with?
My tastes are simple: space for several thousand books,
The smoke from my pipe stuffed with aromatic Balkan Sobranie,
A leftover from the Sixties, frequent brief absences to fulfil
My duties as a carer, unending phone calls
And the unenviable reputation as England’s worst or best complainer,
"Treading on toes or keeping people on their toes"
Also a warm and welcoming vagina, an insatiable need
For ******** and cunnilingus, a bed with clean sheets
I can retire to by five with a hot water bottle
To calm my churning viscera while I read
Endless analytic texts, tomes of French poems to translate,
A notorious weekly newsletter to edit, a quarterly to write reviews for
And – I must confess – cable TV so I can access Starsky and Hutch.
I need a cottage in Haworth to go with the wife,
Companion or whatever, to see with me the changing
Seasons of heather from purple September glory
To the browns of winter and wisps of summer green
And meet with Michael Haslam, fellow poet,
Maestro of the moors and shape-shifter supreme.
I write these verses sitting in the marble hall
Of City Station’s restored art deco glory,
The rats and debris of decades swept away,
How much I need the kindness of strangers,
The welcome from my son’s nurses on the
Ward with the highest security rating Leeds possesses,
A magnificent rotunda among lawns and wooded glades,
Air conditioned with more staff than patients-
When visiting times are readily extended to encompass
My moorland walks and journeys to the capital
When I visit Brenda Williams, England’s leading protest poet.
In an Eden garden which spreads its lawned sleeves
To envelop my tobacco smoke which irritates everyone
Or is it a displacement onto the smoker
As I ecstasise the red and yellow splendour of the red hot poker
Defiantly erect among the flowering robes of magnolia?
Here we reminisce of long ago days when our children
Blossomed with talent and showed no signs
Of the unending torment of their adult years,
Depot injections, Red clouds which whirl as in end-on sections, absconding,
Liasing, losing and finding…
|
Written by
Lisel Mueller |
In 1936, a child
in Hitler's Germany,
what did I know about the war in Spain?
Andalusia was a tango
on a wind-up gramophone,
Franco a hero's face in the paper.
No one told me about a poet
for whose sake I might have learned Spanish
bleeding to death on a barren hill.
All I knew of Spain
were those precious imported treats
we splurged on for Christmas.
I remember pulling the sections apart,
lining them up, sucking each one
slowly, so the red sweetness
would last and last --
while I was reading a poem
by a long-dead German poet
in which the woods stood safe
under the moon's milky eye
and the white fog in the meadows
aspired to become lighter than air.
|
Written by
Alden Nowlan |
A mysterious naked man has been reported
on Cranston Avenue.
The police are performing
the usual ceremonies with coloured lights and sirens.
Almost everyone is outdoors and strangers are conversing
excitedly
as they do during disasters when their involvement is
peripheral.
'What did he look like? ' the lieutenant is asking.
'I don't know, ' says the witness.
'He was naked.
'
There is talk of dogs-this is no ordinary case
of indecent exposure, the man has been seen
a dozen times since the milkman spotted him and now
the sky is turning purple and voices
carry a long way and the children
have gone a little crazy as they often do at dusk
and cars are arriving
from other sections of the city.
And the mysterious naked man
is kneeling behind a garbage can or lying on his belly
in somebody's garden
or maybe even hiding in the branches of a tree,
where the wind from the harbour
whips at his naked body,
and by now he's probably done
whatever it was he wanted to do
and wishes he could go to sleep
or die
or take to the air like Superman.
|
Written by
William Topaz McGonagall |
'Twas at the disastrous battle of Maiwand, in Afghanistan,
Where the Berkshires were massacred to the last man;
On the morning of July the 27th, in the year eighteen eighty,
Which I'm sorry to relate was a pitiful sight to see.
Ayoub Khan's army amounted to twelve thousand in all,
And honestly speaking it wasn't very small,
And by such a great force the Berkshires were killed to the last man,
By a murderous rebel horde under the command of Ayoub Khan.
The British force amounted to about 2000 strong in all,
But although their numbers were but few it didn't them appal;
They were commanded by General Burrows, a man of courage bold,
But, alas! the British army was defeated be it told.
The 66th Berkshire Regiment stood as firm as a wall,
Determined to conquer or die whatever would befall,
But in the face of overwhelming odds, and covered to the last,
The broken and disordered Sepoys were flying fast
Before the victorious Afghan soldiers, whose cheers on the air arose,
But the gallant band poured in deadly volleys on their foes;
And, outnumbered and surrounded, they fell in sections like ripe grain;
Still the heroes held their ground, charging with might and main.
The British force, alas! were shut up like sheep in a pen,
Owing to the bad position General Burrows had chosen for his men;
But Colonel Galbraith with the Berkshires held the enemy at bay,
And had the Sepoys been rallied the Afghans would not have won the day.
But on the Berkshires fell the brunt of the battle,
For by the Afghan artillery they fell like slaughtered cattle;
Yet the wild horsemen were met with ringing volleys of musketry,
Which emptied many a saddle; still the Afghans fought right manfully.
And on came the white cloud like a whirlwind;
But the gallant Berkshires, alas! no help could find,
While their blood flowed like water on every side around,
And they fell in scores, but the men rallied and held their ground
The brave Berkshires under Colonel Galbraith stood firm in the centre there,
Whilst the shouts of the wild Ghazis rent the air;
But still the Berkshires held them at bay,
At the charge of the bayonet, without dismay.
Then the Ghazis, with increased numbers, made another desperate charge
On that red line of British bayonets, which wasn't very large;
And the wild horsemen were met again with ringing volleys of musketry,
Which was most inspiring and frightful to see.
Then Ayoub concentrated his whole attack on the Berkshire Regiment,
Which made them no doubt feel rather discontent,
And Jacob's Rifles and the Grenadiers were a confused and struggling mass,
Oh heaven! such a confused scene, nothing could it surpass.
But the Berkshires stood firm, replying to the fire of the musketry,
While they were surrounded on all sides by masses of cavalry;
Still that gallant band resolved to fight for their Queen and country,
Their motto being death before dishonour, rather than flee.
At last the gallant British soldiers made a grand stand,
While most of the officers were killed fighting hand to hand,
And at length the Sepoys fled from the enclosure, panic-stricken and irate,
Alas! leaving behind their European comrades to their fate.
The Berkshires were now reduced to little more than one hundred men,
Who were huddled together like sheep in a pen;
But they broke loose from the enclosure, and back to back,
Poured volley after volley in the midst of the enemy, who weren't slack.
And one by one they fell, still the men fought without dismay,
And the regimental pet dog stuck to the heroes throughout the day;
And their cartridge pouches were empty, and of shot they were bereft,
And eleven men, most of them wounded, were all that were left.
And they broke from the enclosure, and followed by the little dog,
And with excitement it was barking savagely, and leaping like a frog;
And from the field the last eleven refused to retire,
And with fixed bayonets they charged on the enemy in that sea of fire.
Oh, heaven! it was a fearful scene the horrors of that day,
When I think of so many innocent lives that were taken away;
Alas! the British force were massacred in cold blood,
And their blood ran like a little rivulet in full flood.
And the Ghazis were afraid to encounter that gallant little band
At the charge of the bayonet : Oh! the scene was most grand;
And the noble and heroic eleven fought on without dismay,
Until the last man in the arms of death stiff and stark lay.
|
Written by
Rudyard Kipling |
This 'appened in a battle to a batt'ry of the corps
Which is first among the women an' amazin' first in war;
An' what the bloomin' battle was I don't remember now,
But Two's off-lead 'e answered to the name o' Snarleyow.
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
They was movin' into action, they was needed very sore,
To learn a little schoolin' to a native army corps,
They 'ad nipped against an uphill, they was tuckin' down the brow,
When a tricky, trundlin' roundshot give the knock to Snarleyow.
They cut 'im loose an' left 'im -- 'e was almost tore in two --
But he tried to follow after as a well-trained 'orse should do;
'E went an' fouled the limber, an' the Driver's Brother squeals:
"Pull up, pull up for Snarleyow -- 'is head's between 'is 'eels!"
The Driver 'umped 'is shoulder, for the wheels was goin' round,
An' there ain't no "Stop, conductor!" when a batt'ry's changin' ground;
Sez 'e: "I broke the beggar in, an' very sad I feels,
But I couldn't pull up, not for you -- your 'ead between your 'eels!"
'E 'adn't 'ardly spoke the word, before a droppin' shell
A little right the batt'ry an' between the sections fell;
An' when the smoke 'ad cleared away, before the limber wheels,
There lay the Driver's Brother with 'is 'ead between 'is 'eels.
Then sez the Driver's Brother, an' 'is words was very plain,
"For Gawd's own sake get over me, an' put me out o' pain.
"
They saw 'is wounds was mortial, an' they judged that it was best,
So they took an' drove the limber straight across 'is back an' chest.
The Driver 'e give nothin' 'cept a little coughin' grunt,
But 'e swung 'is 'orses 'andsome when it came to "Action Front!"
An' if one wheel was juicy, you may lay your Monday head
'Twas juicier for the niggers when the case begun to spread.
The moril of this story, it is plainly to be seen:
You 'avn't got no families when servin' of the Queen --
You 'avn't got no brothers, fathers, sisters, wives, or sons --
If you want to win your battles take an' work your bloomin' guns!
Down in the Infantry, nobody cares;
Down in the Cavalry, Colonel 'e swears;
But down in the lead with the wheel at the flog
Turns the bold Bombardier to a little whipped dog!
|
Written by
Rudyard Kipling |
(Made Yeomanry towards End of Boer War)
Only two African kopjes,
Only the cart-tracks that wind
Empty and open between 'em,
Only the Transvaal behind;
Only an Aldershot column
Marching to conquer the land .
.
.
Only a sudden and solemn
Visit, unarmed, to the Rand.
Then scorn not the African kopje,
The kopje that smiles in the heat,
The wholly unoccupied kopje,
The home of Cornelius and Piet.
You can never be sure of your kopje,
But of this be you blooming well sure,
A kopje is always a kopje,
And a Boojer is always a Boer!
Only two African kopjes,
Only the vultures above,
Only baboons--at the bottom,
Only some buck on the move;
Only a Kensington draper
Only pretending to scout .
.
.
.
Only bad news for the paper,
Only another knock-out.
Then mock not the African kopje,
And rub not your flank on its side,
The silent and simmering kopje,
The kopje beloved by the guide.
You can never be, etc.
Only two African kopjes,
Only the dust of their wheels,
Only a bolted commando,
Only our guns at their heels .
.
.
Only a little barb-wire,
Only a natural fort,
Only "by sections retire,"
Only "regret to report! "
Then mock not the .
African kopje,
Especially when it is twins,
One sharp and one table-topped kopje
For that's where the trouble begins.
You never can be, etc.
Only two African kopjes
Baited the same as before--
Only we've had it so often,
Only we're taking no more .
.
.
Only a wave to our troopers,
Only our flanks swinging past,
Only a dozen voorloopers,.
Only we've learned it at last!
Then mock not the African kopje,
But take off your hat to the same,
The patient, impartial old kopje,
The kopje that taught us the game!
For all that we knew in the Columns,
And all they've forgot on the Staff,
We learned at the Fight o' Two Kopjes,
Which lasted two years an' a half.
0 mock not the African kopje,
Not even when peace has been signed--
The kopje that isn't a kopje--
The kopje that copies its kind.
You can never be sure of your kopje,
But of this be you blooming well sure,
That a kopje is always a kopje,
And a Boojer is always a Boer!
|