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Best Famous Seclusion Poems

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Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!


Written by Henry Wadsworth Longfellow | Create an image from this poem

Resignation

THERE is no flock however watched and tended  
But one dead lamb is there! 
There is no fireside howsoe'er defended  
But has one vacant chair! 

The air is full of farewells to the dying 5 
And mournings for the dead; 
The heart of Rachel for her children crying  
Will not be comforted! 

Let us be patient! These severe afflictions 
Not from the ground arise 10 
But oftentimes celestial benedictions 
Assume this dark disguise. 

We see but dimly through the mists and vapors; 
Amid these earthly damps 
What seem to us but sad funereal tapers 15 
May be heaven's distant lamps. 

There is no Death! What seems so is transition; 
This life of mortal breath 
Is but a suburb of the life elysian  
Whose portal we call Death. 20 

She is not dead ¡ªthe child of our affection ¡ª 
But gone unto that school 
Where she no longer needs our poor protection  
And Christ himself doth rule. 

In that great cloister's stillness and seclusion 25 
By guardian angels led  
Safe from temptation safe from sin's pollution  
She lives whom we call dead  

Day after day we think what she is doing 
In those bright realms of air; 30 
Year after year her tender steps pursuing  
Behold her grown more fair. 

Thus do we walk with her and keep unbroken 
The bond which nature gives  
Thinking that our remembrance though unspoken 35 
May reach her where she lives. 

Not as a child shall we again behold her; 
For when with raptures wild 
In our embraces we again enfold her  
She will not be a child; 40 

But a fair maiden in her Father's mansion  
Clothed with celestial grace; 
And beautiful with all the soul's expansion 
Shall we behold her face. 

And though at times impetuous with emotion 45 
And anguish long suppressed  
The swelling heart heaves moaning like the ocean  
That cannot be at rest ¡ª 

We will be patient and assuage the feeling 
We may not wholly stay; 50 
By silence sanctifying not concealing  
The grief that must have way.
Written by Percy Bysshe Shelley | Create an image from this poem

Epipsychidion (excerpt)

 Emily, 
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever plough'd that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remain'd a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam and tone,
With that deep music is in unison:
Which is a soul within the soul--they seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth and Sea,
Cradled and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Wash'd by the soft blue Oceans of young air.
It is a favour'd place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingèd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th' Eternal, whose own smile
Unfolds itself, and may be felt not seen
O'er the gray rocks, blue waves and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Rear'd it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were, Titanic; in the heart
Of Earth having assum'd its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learned imagery
Has been eras'd, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.

This isle and house are mine, and I have vow'd
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measur'd by the pants of their calm sleep.
Be this our home in life, and when years heap
Their wither'd hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea,
Trembles and sparkles as with ecstasy--
Possessing and possess'd by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one: or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expir'd night asleep,
Through which the awaken'd day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confus'd in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigur'd; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbu'd
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The winged words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire--
I pant, I sink, I tremble, I expire!
Written by Anne Sexton | Create an image from this poem

The Touch

 For months my hand was sealed off
in a tin box. Nothing was there but the subway railings.
Perhaps it is bruised, I thought,
and that is why they have locked it up.
You could tell time by this, I thought,
like a clock, by its five knuckles
and the thin underground veins.
It lay there like an unconscious woman
fed by tubes she knew not of.

The hand had collapse,
a small wood pigeon
that had gone into seclusion.
I turned it over and the palm was old,
its lines traced like fine needlepoint
and stitched up into fingers.
It was fat and soft and blind in places.
Nothing but vulnerable.

And all this is metaphor.
An ordinary hand -- just lonely
for something to touch
that touches back.
The dog won't do it.
Her tail wags in the swamp for a frog.
I'm no better than a case of dog food.
She owns her own hunger.
My sisters won't do it.
They live in school except for buttons
and tears running down like lemonade.
My father won't do it.
He comes in the house and even at night
he lives in a machine made by my mother
and well oiled by his job, his job.

The trouble is
that I'd let my gestures freeze.
The trouble was not
in the kitchen or the tulips
but only in my head, my head.

Then all this became history.
Your hand found mine.
Life rushed to my fingers like a blood clot.
Oh, my carpenter,
the fingers are rebuilt.
They dance with yours.
They dance in the attic and in Vienna.
My hand is alive all over America.
Not even death will stop it,
death shedding her blood.
Nothing will stop it, for this is the kingdom
and the kingdom come.
Written by Rg Gregory | Create an image from this poem

owl power

 they say in the local sanctuary
owls are the stupidest creatures
all this wisdom business is
the mythological media at work
but the shortest nosing into books
tells you even the mythic world
is bamboozled by the creature - no
two cultures being able to agree

the bird was cherished by minerva
hebrews loathed it as unclean
buddhists treasure its seclusion
elsewhere night-hag evil omen

the baker's daughter's silly cry
ungrateful chinese children
the precious life of genghis khan
sweet fodder to the owl's blink

in the end it's the paradox
i'll be what you want romantic fool
that scares elates about the owl
sitting in the dark and seeing all

not true not true the cynics say
the bloody fraudster's almost blind
dead lazy till its stomach rattles
its skill is seeing with its ears

ruthlessness stupidity
(transmogrified to wisdom)
make the perfect pitch for power
so proofed - why give a hoot for gods


Written by Conrad Aiken | Create an image from this poem

Beloved Let Us Once More Praise The Rain

 Beloved, let us once more praise the rain. 
Let us discover some new alphabet, 
For this, the often praised; and be ourselves, 
The rain, the chickweed, and the burdock leaf, 
The green-white privet flower, the spotted stone, 
And all that welcomes the rain; the sparrow too,—
Who watches with a hard eye from seclusion, 
Beneath the elm-tree bough, till rain is done. 
There is an oriole who, upside down, 
Hangs at his nest, and flicks an orange wing,—
Under a tree as dead and still as lead; 
There is a single leaf, in all this heaven 
Of leaves, which rain has loosened from its twig: 
The stem breaks, and it falls, but it is caught 
Upon a sister leaf, and thus she hangs; 
There is an acorn cup, beside a mushroom 
Which catches three drops from the stooping cloud. 
The timid bee goes back to the hive; the fly 
Under the broad leaf of the hollyhock 
Perpends stupid with cold; the raindark snail 
Surveys the wet world from a watery stone... 
And still the syllables of water whisper: 
The wheel of cloud whirs slowly: while we wait 
In the dark room; and in your heart I find 
One silver raindrop,—on a hawthorn leaf,— 
Orion in a cobweb, and the World.
Written by Edwin Arlington Robinson | Create an image from this poem

Eros Turannos

 She fears him, and will always ask 
What fated her to choose him; 
She meets in his engaging mask 
All reason to refuse him. 
But what she meets and what she fears 
Are less than are the downward years, 
Drawn slowly to the foamless weirs 
Of age, were she to lose him.

Between a blurred sagacity 
That once had power to sound him, 
And Love, that will not let him be 
The Judas that she found him, 
Her pride assuages her almost 
As if it were alone the cost-- 
He sees that he will not be lost, 
And waits, and looks around him.

A sense of ocean and old trees 
Envelops and allures him; 
Tradition, touching all he sees, 
Beguiles and reassures him. 
And all her doubts of what he says 
Are dimmed by what she knows of days, 
Till even Prejudice delays 
And fades, and she secures him.

The falling leaf inaugurates 
The reign of her confusion; 
The pounding wave reverberates 
The dirge of her illusion. 
And Home, where passion lived and died, 
Becomes a place where she can hide, 
While all the town and harbor side 
Vibrate with her seclusion.

We tell you, tapping on our brows, 
The story as it should be, 
As if the story of a house 
Were told, or ever could be. 
We'll have no kindly veil between 
Her visions and those we have seen-- 
As if we guessed what hers have been, 
Or what they are or would be.

Meanwhile we do no harm, for they 
That with a god have striven, 
Not hearing much of what we say, 
Take what the god has given. 
Though like waves breaking it may be, 
Or like a changed familiar tree, 
Or like a stairway to the sea, 
Where down the blind are driven.
Written by George (Lord) Byron | Create an image from this poem

Remember Him Whom Passions Power

 Remember him, whom Passion's power
Severely---deeply---vainly proved:
Remember thou that dangerous hour,
When neither fell, though both were loved.

That yielding breast, that melting eye,
Too much invited to be blessed:
That gentle prayer, that pleading sigh,
The wilder wish reproved, repressed.

Oh! let me feel that all I lost
But saved thee all that Conscience fears;
And blush for every pang it cost
To spare the vain remorse of years.

Yet think of this when many a tongue,
Whose busy accents whisper blame,
Would do the heart that loved thee wrong,
And brand a nearly blighted name.

Think that, whate'er to others, thou
Hast seen each selfish thought subdued:
I bless thy purer soul even now,
Even now, in midnight solitude.

Oh, God! that we had met in time,
Our hearts as fond, thy hand more free;
When thou hadst loved without a crime,
And I been less unworthy thee!

Far may thy days, as heretofore,
From this our gaudy world be past!
And that too bitter moment o'er,
Oh! may such trial be thy last.

This heart, alas! perverted long,
Itself destroyed might there destroy;
To meet thee in the glittering throng,
Would wake Presumption's hope of joy.

Then to the things whose bliss or woe,
Like mine, is wild and worthless all,
That world resign---such scenes forego,
Where those who feel must surely fall.

Thy youth, thy charms, thy tenderness---
Thy soul from long seclusion pure;
From what even here hath passed, may guess
What there thy bosom must endure.

Oh! pardon that imploring tear,
Since not by Virtue shed in vain,
My frenzy drew from eyes so dear;
For me they shall not weep again.

Though long and mournful must it be,
The thought that we no more may meet;
Yet I deserve the stern decree,
And almost deem the sentence sweet.

Still---had I loved thee less---my heart
Had then less sacrificed to thine;
It felt not half so much to part
As if its guilt had made thee mine.
Written by Paul Laurence Dunbar | Create an image from this poem

The Old Apple-tree

There's a memory keeps a-runnin'
Through my weary head to-night,
An' I see a picture dancin'
In the fire-flames' ruddy light;
'Tis the picture of an orchard
Wrapped in autumn's purple haze,
With the tender light about it
That I loved in other days.
An' a-standin' in a corner
Once again I seem to see
The verdant leaves an' branches
Of an old apple-tree.
You perhaps would call it ugly,
An' I don't know but it's so,
When you look the tree all over
Unadorned by memory's glow;
For its boughs are gnarled an' crooked,
An' its leaves are gettin' thin,
An' the apples of its bearin'
Would n't fill so large a bin
As they used to. But I tell you,
When it comes to pleasin' me,
It's the dearest in the orchard,—
Is that old apple-tree.
I would hide within its shelter,
Settlin' in some cosy nook,
Where no calls nor threats could stir me
From the pages o' my book.
Oh, that quiet, sweet seclusion
In its fulness passeth words!
It was deeper than the deepest
That my sanctum now affords.
Why, the jaybirds an' the robins,
They was hand in glove with me,
As they winked at me an' warbled
In that old apple-tree.
It was on its sturdy branches
That in summers long ago
I would tie my swing an' dangle
In contentment to an' fro,
Idly dreamin' childish fancies,
Buildin' castles in the air,
Makin' o' myself a hero
Of romances rich an' rare.
I kin shet my eyes an' see it
Jest as plain as plain kin be,
That same old swing a-danglin'
To the old apple-tree.
There's a rustic seat beneath it
That I never kin forget.
It's the place where me an' Hallie—
[Pg 11]Little sweetheart—used to set,
When we 'd wander to the orchard
So 's no listenin' ones could hear
As I whispered sugared nonsense
Into her little willin' ear.
Now my gray old wife is Hallie,
An' I 'm grayer still than she,
But I 'll not forget our courtin'
'Neath the old apple-tree.
Life for us ain't all been summer,
But I guess we 'we had our share
Of its flittin' joys an' pleasures,
An' a sprinklin' of its care.
Oft the skies have smiled upon us;
Then again we 've seen 'em frown,
Though our load was ne'er so heavy
That we longed to lay it down.
But when death does come a-callin',
This my last request shall be,—
That they 'll bury me an' Hallie
'Neath the old apple tree.
Written by Rabindranath Tagore | Create an image from this poem

Lovers Gifts XIX: It Is Written in the Book

 It is written in the book that Man, when fifty, must leave the
noisy world, to go to the forest seclusion. But the poet proclaims
that the forest hermitage is only for the young. For it is the
birthplace of flowers and the haunt of birds and bees; and hidden
hooks are waiting there for the thrill of lovers' whispers. There
the moon-light, that is all one kiss for the malati flowers, has
its deep message, but those who understand it are far below fifty.
And alas, youth is inexperienced and wilful, therefore it is
but meet that the old should take charge of the household, and the
young take to the seclusion of forest shades and the severe
discipline of courting.

Book: Radiant Verses: A Journey Through Inspiring Poetry