Written by
Oscar Wilde |
Rid of the world's injustice, and his pain,
He rests at last beneath God's veil of blue:
Taken from life when life and love were new
The youngest of the martyrs here is lain,
Fair as Sebastian, and as early slain.
No cypress shades his grave, no funeral yew,
But gentle violets weeping with the dew
Weave on his bones an ever-blossoming chain.
O proudest heart that broke for misery!
O sweetest lips since those of Mitylene!
O poet-painter of our English Land!
Thy name was writ in water - it shall stand:
And tears like mine will keep thy memory green,
As Isabella did her Basil-tree.
ROME.
|
Written by
Randall Jarrell |
About suffering, about adoration, the old masters
Disagree. When someone suffers, no one else eats
Or walks or opens the window--no one breathes
As the sufferers watch the sufferer.
In St. Sebastian Mourned by St. Irene
The flame of one torch is the only light.
All the eyes except the maidservant's (she weeps
And covers them with a cloth) are fixed on the shaft
Set in his chest like a column; St. Irene's
Hands are spread in the gesture of the Madonna,
Revealing, accepting, what she does not understand.
Her hands say: "Lo! Behold!"
Beside her a monk's hooded head is bowed, his hands
Are put together in the work of mourning.
It is as if they were still looking at the lance
Piercing the side of Christ, nailed on his cross.
The same nails pierce all their hands and feet, the same
Thin blood, mixed with water, trickles from their sides.
The taste of vinegar is on every tongue
That gasps, "My God, my God, why hast Thou forsaken me?"
They watch, they are, the one thing in the world.
So, earlier, everything is pointed
In van der Goes' Nativity, toward the naked
Shining baby, like the needle of a compass.
The different orders and sizes of the world:
The angels like Little People, perched in the rafters
Or hovering in mid-air like hummingbirds;
The shepherds, so big and crude, so plainly adoring;
The medium-sized donor, his little family,
And their big patron saints; the Virgin who kneels
Before her child in worship; the Magi out in the hills
With their camels--they ask directions, and have pointed out
By a man kneeling, the true way; the ox
And the donkey, two heads in the manger
So much greater than a human head, who also adore;
Even the offerings, a sheaf of wheat,
A jar and a glass of flowers, are absolutely still
In natural concentration, as they take their part
In the salvation of the natural world.
The time of the world concentrates
On this one instant: far off in the rocks
You can see Mary and Joseph and their donkey
Coming to Bethlehem; on the grassy hillside
Where their flocks are grazing, the shepherds gesticulate
In wonder at the star; and so many hundreds
Of years in the future, the donor, his wife,
And their children are kneeling, looking: everything
That was or will be in the world is fixed
On its small, helpless, human center.
After a while the masters show the crucifixion
In one corner of the canvas: the men come to see
What is important, see that it is not important.
The new masters paint a subject as they please,
And Veronese is prosecuted by the Inquisition
For the dogs playing at the feet of Christ,
The earth is a planet among galaxies.
Later Christ disappears, the dogs disappear: in abstract
Understanding, without adoration, the last master puts
Colors on canvas, a picture of the universe
In which a bright spot somewhere in the corner
Is the small radioactive planet men called Earth.
|
Written by
Robert Seymour Bridges |
Belov'd of all to whom that Muse is dear
Who hid her spirit of rapture from the Greek,
Whereby our art excelleth the antique,
Perfecting formal beauty to the ear;
Thou that hast been in England many a year
The interpreter who left us nought to seek,
Making Beethoven's inmost passion speak,
Bringing the soul of great Sebastian near.
Their music liveth ever, and 'tis just
That thou, good Joachim, so high thy skill,
Rank (as thou shalt upon the heavenly hill)
Laurel'd with them, for thy ennobling trust
Remember'd when thy loving hand is still
And every ear that heard thee stopt with dust.
|
Written by
Robert William Service |
The Countess sprawled beside the sea
As naked a she well could be;
Indeed her only garments were
A "G" string and a brassière
Her washerwoman was amazed,
And at the lady gazed and gazed, -
From billowy-bosom swell
To navel like a pink sea shell.
The Countess has of robes three score,
She doffs and leaves them on the floor;
She changes gowns ten times a ay,
Her chambermaid puts them away.
"How funny!" thinks the washer-wife;
"I've toiled and toiled throughout my life,
And only have, to hide my skin,
This old rag that I'm standing in."
The Countess never toiled at all;
She begged for coin when she was small,
And later, in the ancient fashion,
In gay resorts she peddled passion.|
But now to noble rank arrived,
(Tom wed the old Count she contrived)
Her youthful lover, lounging there,
Is hirsute as a teddy-bear.
The Countess will be honoured when
She dies past three-score years and ten.
The washer-women will wear out
With labour fifty years about . . .
Yet as the two look at each other
The Countess thinks: "So was my mother;
And washer-wife to live and die,
But for God's grace so would be I."
|
Written by
Thomas Hardy |
And your sunny years with a gracious wife
Have brought you a daughter dear.
"I watched her to-day; a more comely maid,
As she danced in her muslin bowed with blue,
Round a Hintock maypole never gayed."
--"Aye, aye; I watched her this day, too,
As it happens," the Sergeant said.
"My daughter is now," he again began,
"Of just such an age as one I knew
When we of the Line, in the Foot-Guard van,
On an August morning--a chosen few--
Stormed San Sebastian.
"She's a score less three; so about was she--
The maiden I wronged in Peninsular days....
You may prate of your prowess in lusty times,
But as years gnaw inward you blink your bays,
And see too well your crimes!
"We'd stormed it at night, by the vlanker-light
Of burning towers, and the mortar's boom:
We'd topped the breach but had failed to stay,
For our files were misled by the baffling gloom;
And we said we'd storm by day.
"So, out of the trenches, with features set,
On that hot, still morning, in measured pace,
Our column climbed; climbed higher yet,
Past the fauss'bray, scarp, up the curtain-face,
And along the parapet.
"From the batteried hornwork the cannoneers
Hove crashing balls of iron fire;
On the shaking gap mount the volunteers
In files, and as they mount expire
Amid curses, groans, and cheers.
"Five hours did we storm, five hours re-form,
As Death cooled those hot blood pricked on;
Till our cause was helped by a woe within;
They swayed from the summit we'd leapt upon,
And madly we entered in.
"On end for plunder, 'mid rain and thunder
That burst with the lull of our cannonade,
We vamped the streets in the stifling air--
Our hunger unsoothed, our thirst unstayed--
And ransacked the buildings there.
"Down the stony steps of the house-fronts white
We rolled rich puncheons of Spanish grape,
Till at length, with the fire of the wine alight,
I saw at a doorway a fair fresh shape--
A woman, a sylph, or sprite.
"Afeard she fled, and with heated head
I pursued to the chamber she called her own;
--When might is right no qualms deter,
And having her helpless and alone
I wreaked my lust on her.
"She raised her beseeching eyes to me,
And I heard the words of prayer she sent
In her own soft language.... Seemingly
I copied those eyes for my punishment
In begetting the girl you see!
"So, to-day I stand with a God-set brand
Like Cain's, when he wandered from kindred's ken....
I served through the war that made Europe free;
I wived me in peace-year. But, hid from men,
I bear that mark on me.
"And I nightly stray on the Ivel Way
As though at home there were spectres rife;
I delight me not in my proud career;
And 'tis coals of fire that a gracious wife
Should have brought me a daughter dear!"
|