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Best Famous Sea(A) Poems

Here is a collection of the all-time best famous Sea(A) poems. This is a select list of the best famous Sea(A) poetry. Reading, writing, and enjoying famous Sea(A) poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of sea(a) poems.

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Written by Alfonsina Storni | Create an image from this poem

Lighthouse in the Night

 The sky a black sphere,
the sea a black disk.
The lighthouse opens its solar fan on the coast.
Spinning endlessly at night, whom is it searching for when the mortal heart looks for me in the chest? Look at the black rock where it is nailed down.
A crow digs endlessly but no longer bleeds.


Written by Carl Sandburg | Create an image from this poem

Smoke and Steel

 SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel, They all go up in a line with a smokestack, Or they twist … in the slow twist … of the wind.
If the north wind comes they run to the south.
If the west wind comes they run to the east.
By this sign all smokes know each other.
Smoke of the fields in spring and leaves in autumn, Smoke of the finished steel, chilled and blue, By the oath of work they swear: “I know you.
” Hunted and hissed from the center Deep down long ago when God made us over, Deep down are the cinders we came from— You and I and our heads of smoke.
Some of the smokes God dropped on the job Cross on the sky and count our years And sing in the secrets of our numbers; Sing their dawns and sing their evenings, Sing an old log-fire song: You may put the damper up, You may put the damper down, The smoke goes up the chimney just the same.
Smoke of a city sunset skyline, Smoke of a country dusk horizon— They cross on the sky and count our years.
Smoke of a brick-red dust Winds on a spiral Out of the stacks For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill, This is the slang of coal and steel.
The day-gang hands it to the night-gang, The night-gang hands it back.
Stammer at the slang of this— Let us understand half of it.
In the rolling mills and sheet mills, In the harr and boom of the blast fires, The smoke changes its shadow And men change their shadow; A ******, a wop, a bohunk changes.
A bar of steel—it is only Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else, And left—smoke and the blood of a man And the finished steel, chilled and blue.
So fire runs in, runs out, runs somewhere else again, And the bar of steel is a gun, a wheel, a nail, a shovel, A rudder under the sea, a steering-gear in the sky; And always dark in the heart and through it, Smoke and the blood of a man.
Pittsburg, Youngstown, Gary—they make their steel with men.
In the blood of men and the ink of chimneys The smoke nights write their oaths: Smoke into steel and blood into steel; Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
The birdmen drone in the blue; it is steel a motor sings and zooms.
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped: Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up— Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday; Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
Smoke nights now.
To-morrow something else.
Luck moons come and go: Five men swim in a pot of red steel.
Their bones are kneaded into the bread of steel: Their bones are knocked into coils and anvils And the sucking plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers—they shadow-dance in laughing tombs.
They are always there and they never answer.
One of them said: “I like my job, the company is good to me, America is a wonderful country.
” One: “Jesus, my bones ache; the company is a liar; this is a free country, like hell.
” One: “I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves.
” And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
In the subway plugs and drums, In the slow hydraulic drills, in gumbo or gravel, Under dynamo shafts in the webs of armature spiders, They shadow-dance and laugh at the cost.
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the slag.
Forever the slag gets washed in fire and wind.
The anthem learned by the steel is: Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
Fire and wind wash at the slag.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors— Oh, the sleeping slag from the mountains, the slag-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
Once when I saw the curves of fire, the rough scarf women dancing, Dancing out of the flues and smoke-stacks—flying hair of fire, flying feet upside down; Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens; Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves; Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons; I saw then the fires flash one by one: good-by: then smoke, smoke; And in the screens the great sisters of night and cool stars, sitting women arranging their hair, Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring: “Since you know all and I know nothing, tell me what I dreamed last night.
” Pearl cobwebs in the windy rain, in only a flicker of wind, are caught and lost and never known again.
A pool of moonshine comes and waits, but never waits long: the wind picks up loose gold like this and is gone.
A bar of steel sleeps and looks slant-eyed on the pearl cobwebs, the pools of moonshine; sleeps slant-eyed a million years, sleeps with a coat of rust, a vest of moths, a shirt of gathering sod and loam.
The wind never bothers … a bar of steel.
The wind picks only .
.
pearl cobwebs .
.
pools of moonshine.
Written by Edgar Allan Poe | Create an image from this poem

Serenade

 So sweet the hour, so calm the time,
I feel it more than half a crime,
When Nature sleeps and stars are mute,
To mar the silence ev'n with lute.
At rest on ocean's brilliant dyes An image of Elysium lies: Seven Pleiades entranced in Heaven, Form in the deep another seven: Endymion nodding from above Sees in the sea a second love.
Within the valleys dim and brown, And on the spectral mountain's crown, The wearied light is dying down, And earth, and stars, and sea, and sky Are redolent of sleep, as I Am redolent of thee and thine Enthralling love, my Adeline.
But list, O list,- so soft and low Thy lover's voice tonight shall flow, That, scarce awake, thy soul shall deem My words the music of a dream.
Thus, while no single sound too rude Upon thy slumber shall intrude, Our thoughts, our souls- O God above! In every deed shall mingle, love.
Written by Edna St Vincent Millay | Create an image from this poem

Renascence

 All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line Of the horizon, thin and fine, Straight around till I was come Back to where I'd started from; And all I saw from where I stood Was three long mountains and a wood.
Over these things I could not see; These were the things that bounded me; And I could touch them with my hand, Almost, I thought, from where I stand.
And all at once things seemed so small My breath came short, and scarce at all.
But, sure, the sky is big, I said; Miles and miles above my head; So here upon my back I'll lie And look my fill into the sky.
And so I looked, and, after all, The sky was not so very tall.
The sky, I said, must somewhere stop, And—sure enough!—I see the top! The sky, I thought, is not so grand; I 'most could touch it with my hand! And reaching up my hand to try, I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity Came down and settled over me; Forced back my scream into my chest, Bent back my arm upon my breast, And, pressing of the Undefined The definition on my mind, Held up before my eyes a glass Through which my shrinking sight did pass Until it seemed I must behold Immensity made manifold; Whispered to me a word whose sound Deafened the air for worlds around, And brought unmuffled to my ears The gossiping of friendly spheres, The creaking of the tented sky, The ticking of Eternity.
I saw and heard, and knew at last The How and Why of all things, past, And present, and forevermore.
The Universe, cleft to the core, Lay open to my probing sense That, sick'ning, I would fain pluck thence But could not,—nay! But needs must suck At the great wound, and could not pluck My lips away till I had drawn All venom out.
—Ah, fearful pawn! For my omniscience paid I toll In infinite remorse of soul.
All sin was of my sinning, all Atoning mine, and mine the gall Of all regret.
Mine was the weight Of every brooded wrong, the hate That stood behind each envious thrust, Mine every greed, mine every lust.
And all the while for every grief, Each suffering, I craved relief With individual desire,— Craved all in vain! And felt fierce fire About a thousand people crawl; Perished with each,—then mourned for all! A man was starving in Capri; He moved his eyes and looked at me; I felt his gaze, I heard his moan, And knew his hunger as my own.
I saw at sea a great fog bank Between two ships that struck and sank; A thousand screams the heavens smote; And every scream tore through my throat.
No hurt I did not feel, no death That was not mine; mine each last breath That, crying, met an answering cry From the compassion that was I.
All suffering mine, and mine its rod; Mine, pity like the pity of God.
Ah, awful weight! Infinity Pressed down upon the finite Me! My anguished spirit, like a bird, Beating against my lips I heard; Yet lay the weight so close about There was no room for it without.
And so beneath the weight lay I And suffered death, but could not die.
Long had I lain thus, craving death, When quietly the earth beneath Gave way, and inch by inch, so great At last had grown the crushing weight, Into the earth I sank till I Full six feet under ground did lie, And sank no more,—there is no weight Can follow here, however great.
From off my breast I felt it roll, And as it went my tortured soul Burst forth and fled in such a gust That all about me swirled the dust.
Deep in the earth I rested now; Cool is its hand upon the brow And soft its breast beneath the head Of one who is so gladly dead.
And all at once, and over all The pitying rain began to fall; I lay and heard each pattering hoof Upon my lowly, thatched roof, And seemed to love the sound far more Than ever I had done before.
For rain it hath a friendly sound To one who's six feet underground; And scarce the friendly voice or face: A grave is such a quiet place.
The rain, I said, is kind to come And speak to me in my new home.
I would I were alive again To kiss the fingers of the rain, To drink into my eyes the shine Of every slanting silver line, To catch the freshened, fragrant breeze From drenched and dripping apple-trees.
For soon the shower will be done, And then the broad face of the sun Will laugh above the rain-soaked earth Until the world with answering mirth Shakes joyously, and each round drop Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here, While overhead the sky grows clear And blue again after the storm? O, multi-colored, multiform, Beloved beauty over me, That I shall never, never see Again! Spring-silver, autumn-gold, That I shall never more behold! Sleeping your myriad magics through, Close-sepulchred away from you! O God, I cried, give me new birth, And put me back upon the earth! Upset each cloud's gigantic gourd And let the heavy rain, down-poured In one big torrent, set me free, Washing my grave away from me! I ceased; and through the breathless hush That answered me, the far-off rush Of herald wings came whispering Like music down the vibrant string Of my ascending prayer, and—crash! Before the wild wind's whistling lash The startled storm-clouds reared on high And plunged in terror down the sky, And the big rain in one black wave Fell from the sky and struck my grave.
I know not how such things can be; I only know there came to me A fragrance such as never clings To aught save happy living things; A sound as of some joyous elf Singing sweet songs to please himself, And, through and over everything, A sense of glad awakening.
The grass, a-tiptoe at my ear, Whispering to me I could hear; I felt the rain's cool finger-tips Brushed tenderly across my lips, Laid gently on my sealed sight, And all at once the heavy night Fell from my eyes and I could see,— A drenched and dripping apple-tree, A last long line of silver rain, A sky grown clear and blue again.
And as I looked a quickening gust Of wind blew up to me and thrust Into my face a miracle Of orchard-breath, and with the smell,— I know not how such things can be!— I breathed my soul back into me.
Ah! Up then from the ground sprang I And hailed the earth with such a cry As is not heard save from a man Who has been dead, and lives again.
About the trees my arms I wound; Like one gone mad I hugged the ground; I raised my quivering arms on high; I laughed and laughed into the sky, Till at my throat a strangling sob Caught fiercely, and a great heart-throb Sent instant tears into my eyes; O God, I cried, no dark disguise Can e'er hereafter hide from me Thy radiant identity! Thou canst not move across the grass But my quick eyes will see Thee pass, Nor speak, however silently, But my hushed voice will answer Thee.
I know the path that tells Thy way Through the cool eve of every day; God, I can push the grass apart And lay my finger on Thy heart! The world stands out on either side No wider than the heart is wide; Above the world is stretched the sky,— No higher than the soul is high.
The heart can push the sea and land Farther away on either hand; The soul can split the sky in two, And let the face of God shine through.
But East and West will pinch the heart That can not keep them pushed apart; And he whose soul is flat—the sky Will cave in on him by and by.
Written by Conrad Aiken | Create an image from this poem

Discordants

 I.
(Bread and Music) Music I heard with you was more than music, And bread I broke with you was more than bread; Now that I am without you, all is desolate; All that was once so beautiful is dead.
Your hands once touched this table and this silver, And I have seen your fingers hold this glass.
These things do not remember you, belovèd, And yet your touch upon them will not pass.
For it was in my heart you moved among them, And blessed them with your hands and with your eyes; And in my heart they will remember always,— They knew you once, O beautiful and wise.
II My heart has become as hard as a city street, The horses trample upon it, it sings like iron, All day long and all night long they beat, They ring like the hooves of time.
My heart has become as drab as a city park, The grass is worn with the feet of shameless lovers, A match is struck, there is kissing in the dark, The moon comes, pale with sleep.
My heart is torn with the sound of raucous voices, They shout from the slums, from the streets, from the crowded places, And tunes from the hurdy-gurdy that coldly rejoices Shoot arrows into my heart.
III Dead Cleopatra lies in a crystal casket, Wrapped and spiced by the cunningest of hands.
Around her neck they have put a golden necklace, Her tatbebs, it is said, are worn with sands.
Dead Cleopatra was once revered in Egypt, Warm-eyed she was, this princess of the South.
Now she is old and dry and faded, With black bitumen they have sealed up her mouth.
O sweet clean earth, from whom the green blade cometh! When we are dead, my best belovèd and I, Close well above us, that we may rest forever, Sending up grass and blossoms to the sky.
IV In the noisy street, Where the sifted sunlight yellows the pallid faces, Sudden I close my eyes, and on my eyelids Feel from the far-off sea a cool faint spray,— A breath on my cheek, From the tumbling breakers and foam, the hard sand shattered, Gulls in the high wind whistling, flashing waters, Smoke from the flashing waters blown on rocks; —And I know once more, O dearly belovèd! that all these seas are between us, Tumult and madness, desolate save for the sea-gulls, You on the farther shore, and I in this street.


Written by Carl Sandburg | Create an image from this poem

Always the Mob

 JESUS emptied the devils of one man into forty hogs and the hogs took the edge of a high rock and dropped off and down into the sea: a mob.
The sheep on the hills of Australia, blundering fourfooted in the sunset mist to the dark, they go one way, they hunt one sleep, they find one pocket of grass for all.
Karnak? Pyramids? Sphinx paws tall as a coolie? Tombs kept for kings and sacred cows? A mob.
Young roast pigs and naked dancing girls of Belshazzar, the room where a thousand sat guzzling when a hand wrote: Mene, mene, tekel, upharsin? A mob.
The honeycomb of green that won the sun as the Hanging Gardens of Nineveh, flew to its shape at the hands of a mob that followed the fingers of Nebuchadnezzar: a mob of one hand and one plan.
Stones of a circle of hills at Athens, staircases of a mountain in Peru, scattered clans of marble dragons in China: each a mob on the rim of a sunrise: hammers and wagons have them now.
Locks and gates of Panama? The Union Pacific crossing deserts and tunneling mountains? The Woolworth on land and the Titanic at sea? Lighthouses blinking a coast line from Labrador to Key West? Pigiron bars piled on a barge whistling in a fog off Sheboygan? A mob: hammers and wagons have them to-morrow.
The mob? A typhoon tearing loose an island from thousand-year moorings and bastions, shooting a volcanic ash with a fire tongue that licks up cities and peoples.
Layers of worms eating rocks and forming loam and valley floors for potatoes, wheat, watermelons.
The mob? A jag of lightning, a geyser, a gravel mass loosening… The mob … kills or builds … the mob is Attila or Ghengis Khan, the mob is Napoleon, Lincoln.
I am born in the mob—I die in the mob—the same goes for you—I don’t care who you are.
I cross the sheets of fire in No Man’s land for you, my brother—I slip a steel tooth into your throat, you my brother—I die for you and I kill you—It is a twisted and gnarled thing, a crimson wool: One more arch of stars, In the night of our mist, In the night of our tears.
Written by William Bronk | Create an image from this poem

Metonymy as an Approach to a Real World

 Whether what we sense of this world
is the what of this world only, or the what 
of which of several possible worlds
--which what?--something of what we sense 
may be true, may be the world, what it is, what we sense.
For the rest, a truce is possible, the tolerance of travelers, eating foreign foods, trying words that twist the tongue, to feel that time and place, not thinking that this is the real world.
Conceded, that all the clocks tell local time; conceded, that "here" is anywhere we bound and fill a space; conceded, we make a world: is something caught there, contained there, something real, something which we can sense? Once in a city blocked and filled, I saw the light lie in the deep chasm of a street, palpable and blue, as though it had drifted in from say, the sea, a purity of space.
Written by Eugene Field | Create an image from this poem

The limitations of youth

 I'd like to be a cowboy an' ride a fiery hoss
Way out into the big an' boundless west;
I'd kill the bears an' catamounts an' wolves I come across,
An' I'd pluck the bal' head eagle from his nest!
With my pistols at my side,
I would roam the prarers wide,
An' to scalp the savage Injun in his wigwam would I ride--
If I darst; but I darsen't!

I'd like to go to Afriky an' hunt the lions there,
An' the biggest ollyfunts you ever saw!
I would track the fierce gorilla to his equatorial lair,
An' beard the cannybull that eats folks raw!
I'd chase the pizen snakes
An' the 'pottimus that makes
His nest down at the bottom of unfathomable lakes--
If I darst; but I darsen't!

I would I were a pirut to sail the ocean blue,
With a big black flag aflyin' overhead;
I would scour the billowy main with my gallant pirut crew
An' dye the sea a gouty, gory red!
With my cutlass in my hand
On the quarterdeck I'd stand
And to deeds of heroism I'd incite my pirut band--
If I darst; but I darsen't!

And, if I darst, I'd lick my pa for the times that he's licked me!
I'd lick my brother an' my teacher, too!
I'd lick the fellers that call round on sister after tea,
An' I'd keep on lickin' folks till I got through!
You bet! I'd run away
From my lessons to my play,
An' I'd shoo the hens, an' tease the cat, an' kiss the girls all day--
If I darst; but I darsen't!
Written by Thomas Chatterton | Create an image from this poem

The Death of Nicou

 On Tiber's banks, Tiber, whose waters glide 
In slow meanders down to Gaigra's side; 
And circling all the horrid mountain round, 
Rushes impetuous to the deep profound; 
Rolls o'er the ragged rocks with hideous yell; 
Collects its waves beneath the earth's vast shell; 
There for a while in loud confusion hurl'd, 
It crumbles mountains down and shakes the world.
Till borne upon the pinions of the air, Through the rent earth the bursting waves appear; Fiercely propell'd the whiten'd billows rise, Break from the cavern, and ascend the skies; Then lost and conquered by superior force, Through hot Arabia holds its rapid coursel On Tiber's banks where scarlet jas'mines bloom, And purple aloes shed a rich perfume; Where, when the sun is melting in his heat, The reeking tygers find a cool retreat; Bask in the sedges, lose the sultry beam, And wanton with their shadows in the stream; On Tiber's banks, by sacred priests rever'd, Where in the days of old a god appear'd; 'Twas in the dead of night, at Chalma's feast, The tribe of Alra slept around the priest.
He spoke; as evening thunders bursting near, His horrid accents broke upon the ear; Attend, Alraddas, with your sacred priest! This day the sun is rising in the east; The sun, which shall illumine all the earth, Now, now is rising, in a mortal birth.
He vanish'd like a vapour of the night, And sunk away in a faint blaze of light.
Swift from the branches of the holy oak, Horror, confusion, fear, and torment brake; And still when midnight trims her mazy lamp, They take their way through Tiber's wat'ry swamp.
On Tiber's banks, close ranked, a warring train, Stretch'd to the distant edge of Galca's plain; So when arrived at Gaigra's highest steep, We view the wide expansion of the deep; See in the gilding of her wat'ry robe, The quick declension of the circling globe; From the blue sea a chain of mountains rise, Blended at once with water and with skies; Beyond our sight in vast extension curl'd, The check of waves, the guardians of the world.
Strong were the warriors, as the ghost of Cawn, Who threw the Hill-of-archers to the lawn; When the soft earth at his appearance fled; And rising billows play'd around his head; When a strong tempest rising from the main, Dashed the full clouds, unbroken on the plain.
Nicou, immortal in the sacred song, Held the red sword of war, and led the strong; From his own tribe the sable warriors came, Well try'd in battle, and well known in fame.
Nicou, descended from the god of war, Who lived coeval with the morning star; Narada was his name; who cannot tell How all the world through great Narada fell! Vichon, the god who ruled above the skies, Look'd, on Narada, but with envious eyes; The warrior dared him, ridiculed his might, Bent his white bow, and summon'd him to fight.
Vichon, disdainful, bade his lightnings fly, And scatter'd burning arrows in the sky; Threw down a star the armour of his feet, To burn the air with supernat'ral heat; Bid a loud tempes roar beneath the ground; Lifted him up, and bore him thro' the sea.
The waters still ascending fierce and high, He tower'd into the chambers of the sky; There Vichon sat, his armour on his bed, He thought Narada with the mighty dead.
Before his seat the heavenly warrior stands, The lightning quiv'ring in his yellow hands.
The god astonish'd dropt; hurl'd from the shore, He dropt to torments, and to rise no more.
Head-long he falls; 'tis his own arms compel.
Condemn'd in ever-burning fires to dwell.
From this Narada, mighty Nicou sprung; The mighty Nicou, furious, wild and young.
Who led th'embattled archers to the field, And more a thunderbolt upon his shield; That shield his glorious father died to gain, When the white warriors fled along the plain, When the full sails could not provoke the flood, Till Nicou came and swell'd the seas with blood.
Slow at the end of his robust array, The mighty warrior pensive took his way; Against the son of Nair, the young Rorest, Once the companion of his youthful breast.
Strong were the passions of the son of Nair, Strong, as the tempest of the evening air.
Insatiate in desire; fierce as the boar; Firm in resolve as Cannie's rocky shore.
Long had the gods endeavour'd to destroy, All Nicou's friendship, happiness, and joy: They sought in vain, 'till Vicat, Vichon's son, Never in feats of wickedness outdone, Saw Nica, sister to the Mountain king, Drest beautiful, with all the flow'rs of spring; He saw, and scatter'd poison in her eyes; From limb to limb in varied forms he flies; Dwelt on her crimson lip, and added grace To every glossy feature of her face.
Rorest was fir'd with passion at the sight.
Friendship and honor, sunk to Vicat's right; He saw, he lov'd, and burning with desire, Bore the soft maid from brother, sister, sire.
Pining with sorrow, Nica faded, died, Like a fair alow, in its morning pride.
This brought the warrior to the bloody mead, And sent to young Rorest the threat'ning reed.
He drew his army forth: Oh, need I tell! That Nicou conquer'd, and the lover fell; His breathless army mantled all the plain; And Death sat smiling on the heaps of slain.
The battle ended, with his reeking dart, The pensive Nicou pierc'd his beating heart; And to his mourning valiant warriors cry'd, I, and my sister's ghost are satisfy'd.
Written by Henry Van Dyke | Create an image from this poem

Arrival

 Across a thousand miles of sea, a hundred leagues of land,
Along a path I had not traced and could not understand,
I travelled fast and far for this, -- to take thee by the hand.
A pilgrim knowing not the shrine where he would bend his knee, A mariner without a dream of what his port would be, So fared I with a seeking heart until I came to thee.
O cooler than a grove of palm in some heat-weary place, O fairer than an isle of calm after the wild sea race, The quiet room adorned with flowers where first I saw thy face! Then furl the sail, let fall the oar, forget the paths of foam! The Power that made me wander far at last has brought me home To thee, dear haven of my heart, and I no more will roam.

Book: Shattered Sighs