Written by
Larry Levis |
--The Carpathian Frontier, October, 1968
--for my brother
Once, in a foreign country, I was suddenly ill.
I was driving south toward a large city famous
For so little it had a replica, in concrete,
In two-thirds scale, of the Arc de Triomphe stuck
In the midst of traffic, & obstructing it.
But the city was hours away, beyond the hills
Shaped like the bodies of sleeping women.
Often I had to slow down for herds of goats
Or cattle milling on those narrow roads, & for
The narrower, lost, stone streets of villages
I passed through. The pains in my stomach had grown
Gradually sharper & more frequent as the day
Wore on, & now a fever had set up house.
In the villages there wasn't much point in asking
Anyone for help. In those places, where tanks
Were bivouacked in shade on their way back
From some routine exercise along
The Danube, even food was scarce that year.
And the languages shifted for no clear reason
From two hard quarries of Slavic into German,
Then to a shred of Latin spliced with oohs
And hisses. Even when I tried the simplest phrases,
The peasants passing over those uneven stones
Paused just long enough to look up once,
Uncomprehendingly. Then they turned
Quickly away, vanishing quietly into that
Moment, like bark chips whirled downriver.
It was autumn. Beyond each village the wind
Threw gusts of yellowing leaves across the road.
The goats I passed were thin, gray; their hind legs,
Caked with dried ****, seesawed along--
Not even mild contempt in their expressionless,
Pale eyes, & their brays like the scraping of metal.
Except for one village that had a kind
Of museum where I stopped to rest, & saw
A dead Scythian soldier under glass,
Turning to dust while holding a small sword
At attention forever, there wasn't much to look at.
Wind, leaves, goats, the higher passes
Locked in stone, the peasants with their fate
Embroidering a stillness into them,
And a spell over all things in that landscape,
Like . . .
That was the trouble; it couldn't be
Compared to anything else, not even the sleep
Of some asylum at a wood's edge with the sound
Of a pond's spillway beside it. But as each cramp
Grew worse & lasted longer than the one before,
It was hard to keep myself aloof from the threadbare
World walking on that road. After all,
Even as they moved, the peasants, the herds of goats
And cattle, the spiralling leaves, at least were part
Of that spell, that stillness.
After a while,
The villages grew even poorer, then thinned out,
Then vanished entirely. An hour later,
There were no longer even the goats, only wind,
Then more & more leaves blown over the road, sometimes
Covering it completely for a second.
And yet, except for a random oak or some brush
Writhing out of the ravine I drove beside,
The trees had thinned into rock, into large,
Tough blonde rosettes of fading pasture grass.
Then that gave out in a bare plateau. . . . And then,
Easing the Dacia down a winding grade
In second gear, rounding a long, funneled curve--
In a complete stillness of yellow leaves filling
A wide field--like something thoughtlessly,
Mistakenly erased, the road simply ended.
I stopped the car. There was no wind now.
I expected that, & though I was sick & lost,
I wasn't afraid. I should have been afraid.
To this day I don't know why I wasn't.
I could hear time cease, the field quietly widen.
I could feel the spreading stillness of the place
Moving like something I'd witnessed as a child,
Like the ancient, armored leisure of some reptile
Gliding, gray-yellow, into the slightly tepid,
Unidentical gray-brown stillness of the water--
Something blank & unresponsive in its tough,
Pimpled skin--seen only a moment, then unseen
As it submerged to rest on mud, or glided just
Beneath the lustreless, calm yellow leaves
That clustered along a log, or floated there
In broken ringlets, held by a gray froth
On the opaque, unbroken surface of the pond,
Which reflected nothing, no one.
And then I remembered.
When I was a child, our neighbors would disappear.
And there wasn't a pond of crocodiles at all.
And they hadn't moved. They couldn't move. They
Lived in the small, fenced-off backwater
Of a canal. I'd never seen them alive. They
Were in still photographs taken on the Ivory Coast.
I saw them only once in a studio when
I was a child in a city I once loved.
I was afraid until our neighbor, a photographer,
Explained it all to me, explained how far
Away they were, how harmless; how they were praised
In rituals as "powers." But they had no "powers,"
He said. The next week he vanished. I thought
Someone had cast a spell & that the crocodiles
Swam out of the pictures on the wall & grew
Silently & multiplied & then turned into
Shadows resting on the banks of lakes & streams
Or took the shapes of fallen logs in campgrounds
In the mountains. They ate our neighbor, Mr. Hirata.
They ate his whole family. That is what I believed,
Then. . .that someone had cast a spell. I did not
Know childhood was a spell, or that then there
Had been another spell, too quiet to hear,
Entering my city, entering the dust we ate. . . .
No one knew it then. No one could see it,
Though it spread through lawnless miles of housing tracts,
And the new, bare, treeless streets; it slipped
Into the vacant rows of warehouses & picked
The padlocked doors of working-class bars
And union halls & shuttered, empty diners.
And how it clung! (forever, if one had noticed)
To the brothel with the pastel tassels on the shade
Of an unlit table lamp. Farther in, it feasted
On the decaying light of failing shopping centers;
It spilled into the older, tree-lined neighborhoods,
Into warm houses, sealing itself into books
Of bedtime stories read each night by fathers--
The books lying open to the flat, neglected
Light of dawn; & it settled like dust on windowsills
Downtown, filling the smug cafés, schools,
Banks, offices, taverns, gymnasiums, hotels,
Newsstands, courtrooms, opium parlors, Basque
Restaurants, Armenian steam baths,
French bakeries, & two of the florists' shops--
Their plate glass windows smashed forever.
Finally it tried to infiltrate the exact
Center of my city, a small square bordered
With palm trees, olives, cypresses, a square
Where no one gathered, not even thieves or lovers.
It was a place which no longer had any purpose,
But held itself aloof, I thought, the way
A deaf aunt might, from opinions, styles, gossip.
I liked it there. It was completely lifeless,
Sad & clear in what seemed always a perfect,
Windless noon. I saw it first as a child,
Looking down at it from that as yet
Unvandalized, makeshift studio.
I remember leaning my right cheek against
A striped beach ball so that Mr. Hirata--
Who was Japanese, who would be sent the next week
To a place called Manzanar, a detention camp
Hidden in stunted pines almost above
The Sierra timberline--could take my picture.
I remember the way he lovingly relished
Each camera angle, the unwobbling tripod,
The way he checked each aperture against
The light meter, in love with all things
That were not accidental, & I remember
The care he took when focusing; how
He tried two different lens filters before
He found the one appropriate for that
Sensual, late, slow blush of afternoon
Falling through the one broad bay window.
I remember holding still & looking down
Into the square because he asked me to;
Because my mother & father had asked me please
To obey & be patient & allow the man--
Whose business was failing anyway by then--
To work as long as he wished to without any
Irritations or annoyances before
He would have to spend these years, my father said,
Far away, in snow, & without his cameras.
But Mr. Hirata did not work. He played.
His toys gleamed there. That much was clear to me . . . .
That was the day I decided I would never work.
It felt like a conversion. Play was sacred.
My father waited behind us on a sofa made
From car seats. One spring kept nosing through.
I remember the camera opening into the light . . . .
And I remember the dark after, the studio closed,
The cameras stolen, slivers of glass from the smashed
Bay window littering the unsanded floors,
And the square below it bathed in sunlight . . . . All this
Before Mr. Hirata died, months later,
From complications following pneumonia.
His death, a letter from a camp official said,
Was purely accidental. I didn't believe it.
Diseases were wise. Diseases, like the polio
My sister had endured, floating paralyzed
And strapped into her wheelchair all through
That war, seemed too precise. Like photographs . . .
Except disease left nothing. Disease was like
And equation that drank up light & never ended,
Not even in summer. Before my fever broke,
And the pains lessened, I could actually see
Myself, in the exact center of that square.
How still it had become in my absence, & how
Immaculate, windless, sunlit. I could see
The outline of every leaf on the nearest tree,
See it more clearly than ever, more clearly than
I had seen anything before in my whole life:
Against the modest, dark gray, solemn trunk,
The leaves were becoming only what they had to be--
Calm, yellow, things in themselves & nothing
More--& frankly they were nothing in themselves,
Nothing except their little reassurance
Of persisting for a few more days, or returning
The year after, & the year after that, & every
Year following--estranged from us by now--& clear,
So clear not one in a thousand trembled; hushed
And always coming back--steadfast, orderly,
Taciturn, oblivious--until the end of Time.
|
Written by
Matthew Arnold |
1 Faster, faster,
2 O Circe, Goddess,
3 Let the wild, thronging train
4 The bright procession
5 Of eddying forms,
6 Sweep through my soul!
7 Thou standest, smiling
8 Down on me! thy right arm,
9 Lean'd up against the column there,
10 Props thy soft cheek;
11 Thy left holds, hanging loosely,
12 The deep cup, ivy-cinctured,
13 I held but now.
14 Is it, then, evening
15 So soon? I see, the night-dews,
16 Cluster'd in thick beads, dim
17 The agate brooch-stones
18 On thy white shoulder;
19 The cool night-wind, too,
20 Blows through the portico,
21 Stirs thy hair, Goddess,
22 Waves thy white robe!
Circe.
23 Whence art thou, sleeper?
The Youth.
24 When the white dawn first
25 Through the rough fir-planks
26 Of my hut, by the chestnuts,
27 Up at the valley-head,
28 Came breaking, Goddess!
29 I sprang up, I threw round me
30 My dappled fawn-skin;
31 Passing out, from the wet turf,
32 Where they lay, by the hut door,
33 I snatch'd up my vine-crown, my fir-staff,
34 All drench'd in dew-
35 Came swift down to join
36 The rout early gather'd
37 In the town, round the temple,
38 Iacchus' white fane
39 On yonder hill.
40 Quick I pass'd, following
41 The wood-cutters' cart-track
42 Down the dark valley;-I saw
43 On my left, through the beeches,
44 Thy palace, Goddess,
45 Smokeless, empty!
46 Trembling, I enter'd; beheld
47 The court all silent,
48 The lions sleeping,
49 On the altar this bowl.
50 I drank, Goddess!
51 And sank down here, sleeping,
52 On the steps of thy portico.
Circe.
53 Foolish boy! Why tremblest thou?
54 Thou lovest it, then, my wine?
55 Wouldst more of it? See, how glows,
56 Through the delicate, flush'd marble,
57 The red, creaming liquor,
58 Strown with dark seeds!
59 Drink, thee! I chide thee not,
60 Deny thee not my bowl.
61 Come, stretch forth thy hand, thee-so!
62 Drink-drink again!
The Youth.
63 Thanks, gracious one!
64 Ah, the sweet fumes again!
65 More soft, ah me,
66 More subtle-winding
67 Than Pan's flute-music!
68 Faint-faint! Ah me,
69 Again the sweet sleep!
Circe.
70 Hist! Thou-within there!
71 Come forth, Ulysses!
72 Art tired with hunting?
73 While we range the woodland,
74 See what the day brings.
Ulysses.
75 Ever new magic!
76 Hast thou then lured hither,
77 Wonderful Goddess, by thy art,
78 The young, languid-eyed Ampelus,
79 Iacchus' darling-
80 Or some youth beloved of Pan,
81 Of Pan and the Nymphs?
82 That he sits, bending downward
83 His white, delicate neck
84 To the ivy-wreathed marge
85 Of thy cup; the bright, glancing vine-leaves
86 That crown his hair,
87 Falling forward, mingling
88 With the dark ivy-plants--
89 His fawn-skin, half untied,
90 Smear'd with red wine-stains? Who is he,
91 That he sits, overweigh'd
92 By fumes of wine and sleep,
93 So late, in thy portico?
94 What youth, Goddess,-what guest
95 Of Gods or mortals?
Circe.
96 Hist! he wakes!
97 I lured him not hither, Ulysses.
98 Nay, ask him!
The Youth.
99 Who speaks' Ah, who comes forth
100 To thy side, Goddess, from within?
101 How shall I name him?
102 This spare, dark-featured,
103 Quick-eyed stranger?
104 Ah, and I see too
105 His sailor's bonnet,
106 His short coat, travel-tarnish'd,
107 With one arm bare!--
108 Art thou not he, whom fame
109 This long time rumours
110 The favour'd guest of Circe, brought by the waves?
111 Art thou he, stranger?
112 The wise Ulysses,
113 Laertes' son?
Ulysses.
114 I am Ulysses.
115 And thou, too, sleeper?
116 Thy voice is sweet.
117 It may be thou hast follow'd
118 Through the islands some divine bard,
119 By age taught many things,
120 Age and the Muses;
121 And heard him delighting
122 The chiefs and people
123 In the banquet, and learn'd his songs.
124 Of Gods and Heroes,
125 Of war and arts,
126 And peopled cities,
127 Inland, or built
128 By the gray sea.-If so, then hail!
129 I honour and welcome thee.
The Youth.
130 The Gods are happy.
131 They turn on all sides
132 Their shining eyes,
133 And see below them
134 The earth and men.
135 They see Tiresias
136 Sitting, staff in hand,
137 On the warm, grassy
138 Asopus bank,
139 His robe drawn over
140 His old sightless head,
141 Revolving inly
142 The doom of Thebes.
143 They see the Centaurs
144 In the upper glens
145 Of Pelion, in the streams,
146 Where red-berried ashes fringe
147 The clear-brown shallow pools,
148 With streaming flanks, and heads
149 Rear'd proudly, snuffing
150 The mountain wind.
151 They see the Indian
152 Drifting, knife in hand,
153 His frail boat moor'd to
154 A floating isle thick-matted
155 With large-leaved, low-creeping melon-plants
156 And the dark cucumber.
157 He reaps, and stows them,
158 Drifting--drifting;--round him,
159 Round his green harvest-plot,
160 Flow the cool lake-waves,
161 The mountains ring them.
162 They see the Scythian
163 On the wide stepp, unharnessing
164 His wheel'd house at noon.
165 He tethers his beast down, and makes his meal--
166 Mares' milk, and bread
167 Baked on the embers;--all around
168 The boundless, waving grass-plains stretch, thick-starr'd
169 With saffron and the yellow hollyhock
170 And flag-leaved iris-flowers.
171 Sitting in his cart
172 He makes his meal; before him, for long miles,
173 Alive with bright green lizards,
174 And the springing bustard-fowl,
175 The track, a straight black line,
176 Furrows the rich soil; here and there
177 Cluster of lonely mounds
178 Topp'd with rough-hewn,
179 Gray, rain-blear'd statues, overpeer
180 The sunny waste.
181 They see the ferry
182 On the broad, clay-laden
183 Lone Chorasmian stream;--thereon,
184 With snort and strain,
185 Two horses, strongly swimming, tow
186 The ferry-boat, with woven ropes
187 To either bow
188 Firm harness'd by the mane; a chief
189 With shout and shaken spear,
190 Stands at the prow, and guides them; but astern
191 The cowering merchants, in long robes,
192 Sit pale beside their wealth
193 Of silk-bales and of balsam-drops,
194 Of gold and ivory,
195 Of turquoise-earth and amethyst,
196 Jasper and chalcedony,
197 And milk-barred onyx-stones.
198 The loaded boat swings groaning
199 In the yellow eddies;
200 The Gods behold him.
201 They see the Heroes
202 Sitting in the dark ship
203 On the foamless, long-heaving
204 Violet sea.
205 At sunset nearing
206 The Happy Islands.
207 These things, Ulysses,
208 The wise bards, also
209 Behold and sing.
210 But oh, what labour!
211 O prince, what pain!
212 They too can see
213 Tiresias;--but the Gods,
214 Who give them vision,
215 Added this law:
216 That they should bear too
217 His groping blindness,
218 His dark foreboding,
219 His scorn'd white hairs;
220 Bear Hera's anger
221 Through a life lengthen'd
222 To seven ages.
223 They see the Centaurs
224 On Pelion:--then they feel,
225 They too, the maddening wine
226 Swell their large veins to bursting; in wild pain
227 They feel the biting spears
228 Of the grim Lapith?, and Theseus, drive,
229 Drive crashing through their bones; they feel
230 High on a jutting rock in the red stream
231 Alcmena's dreadful son
232 Ply his bow;--such a price
233 The Gods exact for song:
234 To become what we sing.
235 They see the Indian
236 On his mountain lake; but squalls
237 Make their skiff reel, and worms
238 In the unkind spring have gnawn
239 Their melon-harvest to the heart.--They see
240 The Scythian: but long frosts
241 Parch them in winter-time on the bare stepp,
242 Till they too fade like grass; they crawl
243 Like shadows forth in spring.
244 They see the merchants
245 On the Oxus stream;--but care
246 Must visit first them too, and make them pale.
247 Whether, through whirling sand,
248 A cloud of desert robber-horse have burst
249 Upon their caravan; or greedy kings,
250 In the wall'd cities the way passes through,
251 Crush'd them with tolls; or fever-airs,
252 On some great river's marge,
253 Mown them down, far from home.
254 They see the Heroes
255 Near harbour;--but they share
256 Their lives, and former violent toil in Thebes,
257 Seven-gated Thebes, or Troy;
258 Or where the echoing oars
259 Of Argo first
260 Startled the unknown sea.
261 The old Silenus
262 Came, lolling in the sunshine,
263 From the dewy forest-coverts,
264 This way at noon.
265 Sitting by me, while his Fauns
266 Down at the water-side
267 Sprinkled and smoothed
268 His drooping garland,
269 He told me these things.
270 But I, Ulysses,
271 Sitting on the warm steps,
272 Looking over the valley,
273 All day long, have seen,
274 Without pain, without labour,
275 Sometimes a wild-hair'd M?nad--
276 Sometimes a Faun with torches--
277 And sometimes, for a moment,
278 Passing through the dark stems
279 Flowing-robed, the beloved,
280 The desired, the divine,
281 Beloved Iacchus.
282 Ah, cool night-wind, tremulous stars!
283 Ah, glimmering water,
284 Fitful earth-murmur,
285 Dreaming woods!
286 Ah, golden-haired, strangely smiling Goddess,
287 And thou, proved, much enduring,
288 Wave-toss'd Wanderer!
289 Who can stand still?
290 Ye fade, ye swim, ye waver before me--
291 The cup again!
292 Faster, faster,
293 O Circe, Goddess.
294 Let the wild, thronging train,
295 The bright procession
296 Of eddying forms,
297 Sweep through my soul!
|
Written by
Robert Browning |
I
What's become of Waring
Since he gave us all the slip,
Chose land-travel or seafaring,
Boots and chest, or staff and scrip,
Rather than pace up and down
Any longer London-town?
Who'd have guessed it from his lip,
Or his brow's accustomed bearing,
On the night he thus took ship,
Or started landward?—little caring
For us, it seems, who supped together,
(Friends of his too, I remember)
And walked home through the merry weather,
The snowiest in all December;
I left his arm that night myself
For what's-his-name's, the new prose-poet,
That wrote the book there, on the shelf—
How, forsooth, was I to know it
If Waring meant to glide away
Like a ghost at break of day?
Never looked he half so gay!
He was prouder than the devil:
How he must have cursed our revel!
Ay, and many other meetings,
Indoor visits, outdoor greetings,
As up and down he paced this London,
With no work done, but great works undone,
Where scarce twenty knew his name.
Why not, then, have earlier spoken,
Written, bustled? Who's to blame
If your silence kept unbroken?
"True, but there were sundry jottings,
Stray-leaves, fragments, blurrs and blottings,
Certain first steps were achieved
Already which—(is that your meaning?)
Had well borne out whoe'er believed
In more to come!" But who goes gleaning
Hedge-side chance-blades, while full-sheaved
Stand cornfields by him? Pride, o'erweening
Pride alone, puts forth such claims
O'er the day's distinguished names.
Meantime, how much I loved him,
I find out now I've lost him:
I, who cared not if I moved him,
Henceforth never shall get free
Of his ghostly company,
His eyes that just a little wink
As deep I go into the merit
Of this and that distinguished spirit—
His cheeks' raised colour, soon to sink,
As long I dwell on some stupendous
And tremendous (Heaven defend us!)
Monstr'-inform'-ingens-horrend-ous
Demoniaco-seraphic
Penman's latest piece of graphic.
Nay, my very wrist grows warm
With his dragging weight of arm!
E'en so, swimmingly appears,
Through one's after-supper musings,
Some lost Lady of old years,
With her beauteous vain endeavour,
And goodness unrepaid as ever;
The face, accustomed to refusings,
We, puppies that we were... Oh never
Surely, nice of conscience, scrupled
Being aught like false, forsooth, to?
Telling aught but honest truth to?
What a sin, had we centupled
Its possessor's grace and sweetness!
No! she heard in its completeness
Truth, for truth's a weighty matter,
And, truth at issue, we can't flatter!
Well, 'tis done with: she's exempt
From damning us through such a sally;
And so she glides, as down a valley,
Taking up with her contempt,
Past our reach; and in, the flowers
Shut her unregarded hours.
Oh, could I have him back once more,
This Waring, but one half-day more!
Back, with the quiet face of yore,
So hungry for acknowledgment
Like mine! I'd fool him to his bent!
Feed, should not he, to heart's content?
I'd say, "to only have conceived
Your great works, though they ne'er make progress,
Surpasses all we've yet achieved!"
I'd lie so, I should be believed.
I'd make such havoc of the claims
Of the day's distinguished names
To feast him with, as feasts an ogress
Her sharp-toothed golden-crowned child!
Or, as one feasts a creature rarely
Captured here, unreconciled
To capture; and completely gives
Its pettish humours licence, barely
Requiring that it lives.
Ichabod, Ichabod,
The glory is departed!
Travels Waring East away?
Who, of knowledge, by hearsay,
Reports a man upstarted
Somewhere as a God,
Hordes grown European-hearted,
Millions of the wild made tame
On a sudden at his fame?
In Vishnu-land what Avatar?
Or who, in Moscow, toward the Czar,
With the demurest of footfalls
Over the Kremlin's pavement, bright
With serpentine and syenite,
Steps, with five other generals,
That simultaneously take snuff,
For each to have pretext enough
To kerchiefwise unfurl his sash
Which, softness' self, is yet the stuff
To hold fast where a steel chain snaps,
And leave the grand white neck no gash?
Waring, in Moscow, to those rough
Cold northern natures borne, perhaps,
Like the lambwhite maiden dear
From the circle of mute kings,
Unable to repress the tear,
Each as his sceptre down he flings,
To Dian's fane at Taurica,
Where now a captive priestess, she alway
Mingles her tender grave Hellenic speech
With theirs, tuned to the hailstone-beaten beach,
As pours some pigeon, from the myrrhy lands
Rapt by the whirlblast to fierce Scythian strands
Where bred the swallows, her melodious cry
Amid their barbarous twitter!
In Russia? Never! Spain were fitter!
Ay, most likely, 'tis in Spain
That we and Waring meet again—
Now, while he turns down that cool narrow lane
Into the blackness, out of grave Madrid
All fire and shine—abrupt as when there's slid
Its stiff gold blazing pall
From some black coffin-lid.
Or, best of all,
I love to think
The leaving us was just a feint;
Back here to London did he slink;
And now works on without a wink
Of sleep, and we are on the brink
Of something great in fresco-paint:
Some garret's ceiling, walls and floor,
Up and down and o'er and o'er
He splashes, as none splashed before
Since great Caldara Polidore:
Or Music means this land of ours
Some favour yet, to pity won
By Purcell from his Rosy Bowers,—
"Give me my so long promised son,
Let Waring end what I begun!"
Then down he creeps and out he steals
Only when the night conceals
His face—in Kent 'tis cherry-time,
Or, hops are picking; or, at prime
Of March, he wanders as, too happy,
Years ago when he was young,
Some mild eve when woods grew sappy,
And the early moths had sprung
To life from many a trembling sheath
Woven the warm boughs beneath;
While small birds said to themselves
What should soon be actual song,
And young gnats, by tens and twelves,
Made as if they were the throng
That crowd around and carry aloft
The sound they have nursed, so sweet and pure,
Out of a myriad noises soft,
Into a tone that can endure
Amid the noise of a July noon,
When all God's creatures crave their boon,
All at once and all in tune,
And get it, happy as Waring then,
Having first within his ken
What a man might do with men,
And far too glad, in the even-glow,
To mix with your world he meant to take
Into his hand, he told you, so—
And out of it his world to make,
To contract and to expand
As he shut or oped his hand.
Oh, Waring, what's to really be?
A clear stage and a crowd to see!
Some Garrick—say—out shall not he
The heart of Hamlet's mystery pluck
Or, where most unclean beasts are rife,
Some Junius—am I right?—shall tuck
His sleeve, and out with flaying-knife!
Some Chatterton shall have the luck
Of calling Rowley into life!
Some one shall somehow run amuck
With this old world, for want of strife
Sound asleep: contrive, contrive
To rouse us, Waring! Who's alive?
Our men scarce seem in earnest now:
Distinguished names!—but 'tis, somehow
As if they played at being names
Still more distinguished, like the games
Of children. Turn our sport to earnest
With a visage of the sternest!
Bring the real times back, confessed
Still better than our very best!
II
"When I last saw Waring..."
(How all turned to him who spoke—
You saw Waring? Truth or joke?
In land-travel, or seafaring?)
"...We were sailing by Triest,
Where a day or two we harboured:
A sunset was in the West,
When, looking over the vessel's side,
One of our company espied
A sudden speck to larboard.
And, as a sea-duck flies and swins
At once, so came the light craft up,
With its sole lateen sail that trims
And turns (the water round its rims
Dancing, as round a sinking cup)
And by us like a fish it curled,
And drew itself up close beside,
Its great sail on the instant furled,
And o'er its planks, a shrill voice cried
(A neck as bronzed as a Lascar's)
'Buy wine of us, you English Brig?
Or fruit, tobacco and cigars?
A Pilot for you to Triest?
Without one, look you ne'er so big,
They'll never let you up the bay!
We natives should know best.'
I turned, and 'just those fellows' way,'
Our captain said, 'The long-shore thieves
Are laughing at us in their sleeves.'
"In truth, the boy leaned laughing back;
And one, half-hidden by his side
Under the furled sail, soon I spied,
With great grass hat, and kerchief black,
Who looked up, with his kingly throat,
Said somewhat, while the other shook
His hair back from his eyes to look
Their longest at us; then the boat,
I know not how, turned sharply round,
Laying her whole side on the sea
As a leaping fish does; from the lee
Into the weather, cut somehow
Her sparkling path beneath our bow;
And so went off, as with a bound,
Into the rose and golden half
Of the sky, to overtake the sun,
And reach the shore, like the sea-calf
Its singing cave; yet I caught one
Glance ere away the boat quite passed,
And neither time nor toil could mar
Those features: so I saw the last
Of Waring!"—You? Oh, never star
Was lost here, but it rose afar!
Look East, where whole new thousands are!
In Vishnu-land what Avatar?
|
Written by
Matthew Arnold |
The Youth
Faster, faster,
O Circe, Goddess,
Let the wild, thronging train
The bright procession
Of eddying forms,
Sweep through my soul!
Thou standest, smiling
Down on me! thy right arm,
Lean'd up against the column there,
Props thy soft cheek;
Thy left holds, hanging loosely,
The deep cup, ivy-cinctured,
I held but now.
Is it, then, evening
So soon? I see, the night-dews,
Cluster'd in thick beads, dim
The agate brooch-stones
On thy white shoulder;
The cool night-wind, too,
Blows through the portico,
Stirs thy hair, Goddess,
Waves thy white robe!
Circe.
Whence art thou, sleeper?
The Youth.
When the white dawn first
Through the rough fir-planks
Of my hut, by the chestnuts,
Up at the valley-head,
Came breaking, Goddess!
I sprang up, I threw round me
My dappled fawn-skin;
Passing out, from the wet turf,
Where they lay, by the hut door,
I snatch'd up my vine-crown, my fir-staff,
All drench'd in dew-
Came swift down to join
The rout early gather'd
In the town, round the temple,
Iacchus' white fane
On yonder hill.
Quick I pass'd, following
The wood-cutters' cart-track
Down the dark valley;-I saw
On my left, through the beeches,
Thy palace, Goddess,
Smokeless, empty!
Trembling, I enter'd; beheld
The court all silent,
The lions sleeping,
On the altar this bowl.
I drank, Goddess!
And sank down here, sleeping,
On the steps of thy portico.
Circe.
Foolish boy! Why tremblest thou?
Thou lovest it, then, my wine?
Wouldst more of it? See, how glows,
Through the delicate, flush'd marble,
The red, creaming liquor,
Strown with dark seeds!
Drink, thee! I chide thee not,
Deny thee not my bowl.
Come, stretch forth thy hand, thee-so!
Drink-drink again!
The Youth.
Thanks, gracious one!
Ah, the sweet fumes again!
More soft, ah me,
More subtle-winding
Than Pan's flute-music!
Faint-faint! Ah me,
Again the sweet sleep!
Circe.
Hist! Thou-within there!
Come forth, Ulysses!
Art tired with hunting?
While we range the woodland,
See what the day brings.
Ulysses.
Ever new magic!
Hast thou then lured hither,
Wonderful Goddess, by thy art,
The young, languid-eyed Ampelus,
Iacchus' darling-
Or some youth beloved of Pan,
Of Pan and the Nymphs?
That he sits, bending downward
His white, delicate neck
To the ivy-wreathed marge
Of thy cup; the bright, glancing vine-leaves
That crown his hair,
Falling forward, mingling
With the dark ivy-plants--
His fawn-skin, half untied,
Smear'd with red wine-stains? Who is he,
That he sits, overweigh'd
By fumes of wine and sleep,
So late, in thy portico?
What youth, Goddess,-what guest
Of Gods or mortals?
Circe.
Hist! he wakes!
I lured him not hither, Ulysses.
Nay, ask him!
The Youth.
Who speaks' Ah, who comes forth
To thy side, Goddess, from within?
How shall I name him?
This spare, dark-featured,
Quick-eyed stranger?
Ah, and I see too
His sailor's bonnet,
His short coat, travel-tarnish'd,
With one arm bare!--
Art thou not he, whom fame
This long time rumours
The favour'd guest of Circe, brought by the waves?
Art thou he, stranger?
The wise Ulysses,
Laertes' son?
Ulysses.
I am Ulysses.
And thou, too, sleeper?
Thy voice is sweet.
It may be thou hast follow'd
Through the islands some divine bard,
By age taught many things,
Age and the Muses;
And heard him delighting
The chiefs and people
In the banquet, and learn'd his songs.
Of Gods and Heroes,
Of war and arts,
And peopled cities,
Inland, or built
By the gray sea.-If so, then hail!
I honour and welcome thee.
The Youth.
The Gods are happy.
They turn on all sides
Their shining eyes,
And see below them
The earth and men.
They see Tiresias
Sitting, staff in hand,
On the warm, grassy
Asopus bank,
His robe drawn over
His old sightless head,
Revolving inly
The doom of Thebes.
They see the Centaurs
In the upper glens
Of Pelion, in the streams,
Where red-berried ashes fringe
The clear-brown shallow pools,
With streaming flanks, and heads
Rear'd proudly, snuffing
The mountain wind.
They see the Indian
Drifting, knife in hand,
His frail boat moor'd to
A floating isle thick-matted
With large-leaved, low-creeping melon-plants
And the dark cucumber.
He reaps, and stows them,
Drifting--drifting;--round him,
Round his green harvest-plot,
Flow the cool lake-waves,
The mountains ring them.
They see the Scythian
On the wide stepp, unharnessing
His wheel'd house at noon.
He tethers his beast down, and makes his meal--
Mares' milk, and bread
Baked on the embers;--all around
The boundless, waving grass-plains stretch, thick-starr'd
With saffron and the yellow hollyhock
And flag-leaved iris-flowers.
Sitting in his cart
He makes his meal; before him, for long miles,
Alive with bright green lizards,
And the springing bustard-fowl,
The track, a straight black line,
Furrows the rich soil; here and there
Cluster of lonely mounds
Topp'd with rough-hewn,
Gray, rain-blear'd statues, overpeer
The sunny waste.
They see the ferry
On the broad, clay-laden
Lone Chorasmian stream;--thereon,
With snort and strain,
Two horses, strongly swimming, tow
The ferry-boat, with woven ropes
To either bow
Firm harness'd by the mane; a chief
With shout and shaken spear,
Stands at the prow, and guides them; but astern
The cowering merchants, in long robes,
Sit pale beside their wealth
Of silk-bales and of balsam-drops,
Of gold and ivory,
Of turquoise-earth and amethyst,
Jasper and chalcedony,
And milk-barred onyx-stones.
The loaded boat swings groaning
In the yellow eddies;
The Gods behold him.
They see the Heroes
Sitting in the dark ship
On the foamless, long-heaving
Violet sea.
At sunset nearing
The Happy Islands.
These things, Ulysses,
The wise bards, also
Behold and sing.
But oh, what labour!
O prince, what pain!
They too can see
Tiresias;--but the Gods,
Who give them vision,
Added this law:
That they should bear too
His groping blindness,
His dark foreboding,
His scorn'd white hairs;
Bear Hera's anger
Through a life lengthen'd
To seven ages.
They see the Centaurs
On Pelion:--then they feel,
They too, the maddening wine
Swell their large veins to bursting; in wild pain
They feel the biting spears
Of the grim Lapith?, and Theseus, drive,
Drive crashing through their bones; they feel
High on a jutting rock in the red stream
Alcmena's dreadful son
Ply his bow;--such a price
The Gods exact for song:
To become what we sing.
They see the Indian
On his mountain lake; but squalls
Make their skiff reel, and worms
In the unkind spring have gnawn
Their melon-harvest to the heart.--They see
The Scythian: but long frosts
Parch them in winter-time on the bare stepp,
Till they too fade like grass; they crawl
Like shadows forth in spring.
They see the merchants
On the Oxus stream;--but care
Must visit first them too, and make them pale.
Whether, through whirling sand,
A cloud of desert robber-horse have burst
Upon their caravan; or greedy kings,
In the wall'd cities the way passes through,
Crush'd them with tolls; or fever-airs,
On some great river's marge,
Mown them down, far from home.
They see the Heroes
Near harbour;--but they share
Their lives, and former violent toil in Thebes,
Seven-gated Thebes, or Troy;
Or where the echoing oars
Of Argo first
Startled the unknown sea.
The old Silenus
Came, lolling in the sunshine,
From the dewy forest-coverts,
This way at noon.
Sitting by me, while his Fauns
Down at the water-side
Sprinkled and smoothed
His drooping garland,
He told me these things.
But I, Ulysses,
Sitting on the warm steps,
Looking over the valley,
All day long, have seen,
Without pain, without labour,
Sometimes a wild-hair'd M?nad--
Sometimes a Faun with torches--
And sometimes, for a moment,
Passing through the dark stems
Flowing-robed, the beloved,
The desired, the divine,
Beloved Iacchus.
Ah, cool night-wind, tremulous stars!
Ah, glimmering water,
Fitful earth-murmur,
Dreaming woods!
Ah, golden-haired, strangely smiling Goddess,
And thou, proved, much enduring,
Wave-toss'd Wanderer!
Who can stand still?
Ye fade, ye swim, ye waver before me--
The cup again!
Faster, faster,
O Circe, Goddess.
Let the wild, thronging train,
The bright procession
Of eddying forms,
Sweep through my soul!
|
Written by
Robert Louis Stevenson |
NOW in the sky
And on the hearth of
Now in a drawer the direful cane,
That sceptre of the . . . reign,
And the long hawser, that on the back
Of Marsyas fell with many a whack,
Twice hardened out of Scythian hides,
Now sleep till the October ides.
|