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Best Famous Scowling Poems

Here is a collection of the all-time best famous Scowling poems. This is a select list of the best famous Scowling poetry. Reading, writing, and enjoying famous Scowling poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scowling poems.

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Written by Mary Darby Robinson | Create an image from this poem

Ode to Envy

 Deep in th' abyss where frantic horror bides, 
In thickest mists of vapours fell,
Where wily Serpents hissing glare
And the dark Demon of Revenge resides,
At midnight's murky hour
Thy origin began: 
Rapacious MALICE was thy sire;
Thy Dam the sullen witch, Despair;
Thy Nurse, insatiate Ire. 
The FATES conspir'd their ills to twine,
About thy heart's infected shrine;
They gave thee each disastrous spell,
Each desolating pow'r,
To blast the fairest hopes of man. 

Soon as thy fatal birth was known, 
From her unhallow'd throne
With ghastly smile pale Hecate sprung; 
Thy hideous form the Sorc'ress press'd
With kindred fondness to her breast; 
Her haggard eye
Short forth a ray of transient joy, 
Whilst thro' th' infernal shades exulting clamours rung. 

Above thy fellow fiends thy tyrant hand
Grasp'd with resistless force supreme command: 
The dread terrific crowd
Before thy iron sceptre bow'd. 
Now, seated in thy ebon cave, 
Around thy throne relentless furies rave: 
A wreath of ever-wounding thorn
Thy scowling brows encompass round, 
Thy heart by knawing Vultures torn, 
Thy meagre limbs with deathless scorpions bound. 
Thy black associates, torpid IGNORANCE, 
And pining JEALOUSY­with eye askance,
With savage rapture execute thy will, 
And strew the paths of life with every torturing ill 

Nor can the sainted dead escape thy rage; 
Thy vengeance haunts the silent grave, 
Thy taunts insult the ashes of the brave; 
While proud AMBITION weeps thy rancour to assuage. 
The laurels round the POET's bust, 
Twin'd by the liberal hand of Taste, 
By thy malignant grasp defac'd, 
Fade to their native dust: 
Thy ever-watchful eye no labour tires, 
Beneath thy venom'd touch the angel TRUTH expires. 

When in thy petrifying car
Thy scaly dragons waft thy form, 
Then, swifter, deadlier far 
Than the keen lightning's lance, 
That wings its way across the yelling storm, 
Thy barbed shafts fly whizzing round, 
While every with'ring glance
Inflicts a cureless wound. 

Thy giant arm with pond'rous blow
Hurls genius from her glorious height, 
Bends the fair front of Virtue low, 
And meanly pilfers every pure delight. 
Thy hollow voice the sense appalls, 
Thy vigilance the mind enthralls; 
Rest hast thou none,­by night, by day, 
Thy jealous ardour seeks for prey­
Nought can restrain thy swift career; 
Thy smile derides the suff'rer's wrongs; 
Thy tongue the sland'rers tale prolongs; 
Thy thirst imbibes the victim's tear; 
Thy breast recoils from friendship's flame; 
Sick'ning thou hear'st the trump of Fame; 
Worth gives to thee, the direst pang; 
The Lover's rapture wounds thy heart, 
The proudest efforts of prolific art 
Shrink from thy poisonous fang. 

In vain the Sculptor's lab'ring hand 
Calls fine proportion from the Parian stone; 
In vain the Minstrel's chords command
The soft vibrations of seraphic tone; 
For swift thy violating arm 
Tears from perfection ev'ry charm; 
Nor rosy YOUTH, nor BEAUTY's smiles
Thy unrelenting rage beguiles, 
Thy breath contaminates the fairest name, 
And binds the guiltless brow with ever-blist'ring shame.


Written by Czeslaw Milosz | Create an image from this poem

A Poem For the End of the Century

 When everything was fine
And the notion of sin had vanished
And the earth was ready
In universal peace
To consume and rejoice
Without creeds and utopias,

I, for unknown reasons,
Surrounded by the books
Of prophets and theologians,
Of philosophers, poets,
Searched for an answer,
Scowling, grimacing,
Waking up at night, muttering at dawn.

What oppressed me so much
Was a bit shameful.
Talking of it aloud
Would show neither tact nor prudence.
It might even seem an outrage
Against the health of mankind.

Alas, my memory
Does not want to leave me
And in it, live beings
Each with its own pain,
Each with its own dying,
Its own trepidation.

Why then innocence
On paradisal beaches,
An impeccable sky
Over the church of hygiene?
Is it because that
Was long ago?

To a saintly man
--So goes an Arab tale--
God said somewhat maliciously:
"Had I revealed to people
How great a sinner you are,
They could not praise you."

"And I," answered the pious one,
"Had I unveiled to them
How merciful you are,
They would not care for you."

To whom should I turn
With that affair so dark
Of pain and also guilt
In the structure of the world,
If either here below
Or over there on high
No power can abolish
The cause and the effect?

Don't think, don't remember
The death on the cross,
Though everyday He dies,
The only one, all-loving,
Who without any need
Consented and allowed
To exist all that is,
Including nails of torture.

Totally enigmatic.
Impossibly intricate.
Better to stop speech here.
This language is not for people.
Blessed be jubilation.
Vintages and harvests.
Even if not everyone
Is granted serenity.
Written by William Shakespeare | Create an image from this poem

Venus and Adonis

 Lo, here the gentle lark, weary of rest,
From his moist cabinet mounts up on high,
And wakes the morning, from whose silver breast
The sun ariseth in his majesty;
Who doth the world so gloriously behold
That cedar-tops and hills seem burnish'd gold.

Venus salutes him with this fair good-morrow;
"O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck'd an earthly mother,
May lend thee light, as thou dost lend to other."

This said, she hasteth to a myrtle grove,
Musing the morning is so much o'erworn,
And yet she hears no tidings of her love:
She hearkens for his hounds and for his horn:
Anon she hears them chant it lustily,
And all in haste she coasteth to the cry.

And as she runs, the bushes in the way
Some catch her by the neck, some kiss her face,
Some twine about her thigh to make her stay:
She wildly breaketh from their strict embrace,
Like a milch doe, whose swelling dugs do ache,
Hasting to feed her fawn, hid in some brake.

By this she hears the hounds are at a bay;
Whereat she starts, like one that spies an adder
Wreath'd up in fatal folds just in his way,
The fear whereof doth make him shake and shudder;
Even so the timorous yelping of the hounds
Appals her senses and her spirit confounds.

For now she knows it is no gentle chase,
But the blunt boar, rough bear, or lion proud,
Because the cry remaineth in one place,
Where fearfully the dogs exclaim aloud:
Finding their enemy to be so curst,
They all strain court'sy who shall cope him first.

This dismal cry rings sadly in her ear,
Through which it enters to surprise her heart;
Who, overcome by doubt and bloodless fear,
With cold-pale weakness numbs each feeling part:
Like soldiers, when their captain once doth yield,
They basely fly and dare not stay the field.

Thus stands she in a trembling ecstasy;
Till, cheering up her senses all dismay'd,
She tells them 'tis a causeless fantasy,
And childish error, that they are afraid;
Bids them leave quaking, bids them fear no more:--
And with that word she spied the hunted boar;

Whose frothy mouth, bepainted all with red,
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:
This way she runs, and now she will no further,
But back retires to rate the boar for murther.

A thousand spleens bear her a thousand ways;
She treads the path that she untreads again;
Her more than haste is mated with delays,
Like the proceedings of a drunken brain,
Full of respects, yet nought at all respecting;
In hand with all things, nought at all effecting.

Here kennell'd in a brake she finds a hound,
And asks the weary caitiff for his master,
And there another licking of his wound,
'Gainst venom'd sores the only sovereign plaster;
And here she meets another sadly scowling,
To whom she speaks, and he replies with howling.

When he hath ceas'd his ill-resounding noise,
Another flap-mouth'd mourner, black and grim,
Against the welkin volleys out his voice;
Another, and another, answer him,
Clapping their proud tails to the ground below,
Shaking their scratch'd ears, bleeding as they go.

Look, how the world's poor people are amazed
At apparitions, signs, and prodigies,
Whereon with fearful eyes they long have gazed,
Infusing them with dreadful prophecies;
So she at these sad signs draws up her breath
And sighing it again, exclaims on Death.

"Hard-favour'd tyrant, ugly, meagre, lean,
Hateful divorce of love,"--thus chides she Death,--
"Grim-grinning ghost, earth's worm, what dost thou mean
To stifle beauty and to steal his breath,
Who when he liv'd, his breath and beauty set
Gloss on the rose, smell to the violet?

"If he be dead,--O no, it cannot be,
Seeing his beauty, thou shouldst strike at it:--
O yes, it may; thou hast no eyes to see,
But hatefully at random dost thou hit.
Thy mark is feeble age, but thy false dart
Mistakes that aim and cleaves an infant's heart.

"Hadst thou but bid beware, then he had spoke,
And, hearing him, thy power had lost his power.
The Destinies will curse thee for this stroke;
They bid thee crop a weed, thou pluck'st a flower:
Love's golden arrow at him should have fled,
And not Death's ebon dart, to strike him dead.

"Dost thou drink tears, that thou provok'st such weeping?
What may a heavy groan advantage thee?
Why hast thou cast into eternal sleeping
Those eyes that taught all other eyes to see?
Now nature cares not for thy mortal vigour,
Since her best work is ruin'd with thy rigour."

Here overcome, as one full of despair,
She vail'd her eyelids, who, like sluices, stopt
The crystal tide that from her two cheeks fair
In the sweet channel of her bosom dropt;
But through the flood-gates breaks the silver rain,
And with his strong course opens them again.

O, how her eyes and tears did lend and borrow!
Her eyes seen in the tears, tears in her eye;
Both crystals, where they view'd each other's sorrow,
Sorrow that friendly sighs sought still to dry;
But like a stormy day, now wind, now rain,
Sighs dry her cheeks, tears make them wet again.

Variable passions throng her constant woe,
As striving who should best become her grief;
All entertain'd, each passion labours so,
That every present sorrow seemeth chief,
But none is best: then join they all together,
Like many clouds consulting for foul weather.

By this, far off she hears some huntsman hollo;
A nurse's song ne'er pleased her babe so well:
The dire imagination she did follow
This sound of hope doth labour to expel;
For now reviving joy bids her rejoice,
And flatters her it is Adonis' voice.

Whereat her tears began to turn their tide,
Being prison'd in her eye like pearls in glass;
Yet sometimes falls an orient drop beside,
Which her cheek melts, as scorning it should pass,
To wash the foul face of the sluttish ground,
Who is but drunken when she seemeth drown'd.

O hard-believing love, how strange it seems
Not to believe, and yet too credulous!
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.

Now she unweaves the web that she hath wrought;
Adonis lives, and Death is not to blame;
It was not she that call'd him all to naught:
Now she adds honours to his hateful name;
She clepes him king of graves and grave for kings,
Imperious supreme of all mortal things.

"No, no," quoth she, "sweet Death, I did but jest;
Yet pardon me I felt a kind of fear
When as I met the boar, that bloody beast,
Which knows no pity, but is still severe;
Then, gentle shadow,--truth I must confess,--
I rail'd on thee, fearing my love's decease.

"'Tis not my fault: the boar provok'd my tongue;
Be wreak'd on him, invisible commander;
'Tis he, foul creature, that hath done thee wrong;
I did but act, he's author of thy slander:
Grief hath two tongues, and never woman yet
Could rule them both without ten women's wit."

Thus hoping that Adonis is alive,
Her rash suspect she doth extenuate;
And that his beauty may the better thrive,
With Death she humbly doth insinuate;
Tells him of trophies, statues, tombs, and stories
His victories, his triumphs and his glories.

"O Jove," quoth she, "how much a fool was I
To be of such a weak and silly mind
To wail his death who lives and must not die
Till mutual overthrow of mortal kind;
For he being dead, with him is beauty slain,
And, beauty dead, black chaos comes again.

"Fie, fie, fond love, thou art so full of fear
As one with treasure laden, hemm'd with thieves;
Trifles, unwitnessed with eye or ear,
Thy coward heart with false bethinking grieves."
Even at this word she hears a merry horn,
Whereat she leaps that was but late forlorn.

As falcon to the lure, away she flies;
The grass stoops not, she treads on it so light;
And in her haste unfortunately spies
The foul boar's conquest on her fair delight;
Which seen, her eyes, as murder'd with the view,
Like stars asham'd of day, themselves withdrew;

Or, as the snail, whose tender horns being hit,
Shrinks backward in his shelly cave with pain,
And there, all smother'd up, in shade doth sit,
Long after fearing to creep forth again;
So, at his bloody view, her eyes are fled
Into the deep dark cabins of her head:

Where they resign their office and their light
To the disposing of her troubled brain;
Who bids them still consort with ugly night,
And never wound the heart with looks again;
Who, like a king perplexed in his throne,
By their suggestion gives a deadly groan,

Whereat each tributary subject quakes;
As when the wind, imprison'd in the ground,
Struggling for passage, earth's foundation shakes,
Which with cold terror doth men's minds confound.
This mutiny each part doth so surprise
That from their dark beds once more leap her eyes;

And, being open'd, threw unwilling light
Upon the wide wound that the boar had trench'd
In his soft flank; whose wonted lily white
With purple tears, that his wound wept, was drench'd:
No flower was nigh, no grass, herb, leaf, or weed,
But stole his blood and seem'd with him to bleed.

This solemn sympathy poor Venus noteth;
Over one shoulder doth she hang her head;
Dumbly she passions, franticly she doteth;
She thinks he could not die, he is not dead:
Her voice is stopt, her joints forget to bow;
Her eyes are mad that they have wept till now.
Written by Mary Darby Robinson | Create an image from this poem

Ode to Meditation

 SWEET CHILD OF REASON! maid serene; 
With folded arms, and pensive mien, 
Who wand'ring near yon thorny wild, 
So oft, my length'ning hours beguil'd; 
Thou, who within thy peaceful call, 
Canst laugh at LIFE'S tumultuous care, 
While calm repose delights to dwell 
On beds of fragrant roses there; 
Where meek-ey'd PATIENCE waits to greet 
The woe-worn Trav'ller's weary feet, 
'Till by her blest and cheering ray 
The clouds of sorrow fade away; 
Where conscious RECTITUDE retires; 
Instructive WISDOM; calm DESIRES; 
Prolific SCIENCE,­lab'ring ART; 
And GENIUS, with expanded heart. 

Far from thy lone and pure domain, 
Steals pallid GUILT, whose scowling eye 
Marks the rack'd soul's convulsive pain, 
Tho' hid beneath the mask of joy; 
Madd'ning AMBITION'S dauntless band; 
Lean AVARICE with iron hand; 
HYPOCRISY with fawning tongue; 
Soft FLATT'RY with persuasive song; 
Appall'd in gloomy shadows fly, 
From MEDITATION'S piercing eye. 

How oft with thee I've stroll'd unseen 
O'er the lone valley's velvet green; 
And brush'd away the twilight dew 
That stain'd the cowslip's golden hue; 
Oft, as I ponder'd o'er the scene, 
Would mem'ry picture to my heart, 
How full of grief my days have been, 
How swiftly rapt'rous hours depart; 
Then would'st thou sweetly reas'ning say, 
"TIME journeys thro' the roughest day." 

THE HERMIT, from the world retir'd, 
By calm Religion's voice inspir'd, 
Tells how serenely time glides on, 
From crimson morn, 'till setting sun; 
How guiltless, pure, and free from strife, 
He journeys thro' the vale of Life; 
Within his breast nor sorrows mourn, 
Nor cares perplex, nor passions burn; 
No jealous fears, or boundless joys, 
The tenor of his mind destroys; 
And when revolving mem'ry shows 
The thorny world's unnumber'd woes; 
He blesses HEAV'N's benign decree, 
That gave his days to PEACE and THEE. 

The gentle MAID, whose roseate bloom 
Fades fast within a cloyster's gloom; 
Far by relentless FATE remov'd, 
From all her youthful fancy lov'd; 
When her warm heart no longer bleeds, 
And cool Reflection's hour succeeds; 
Led by THY downy hand, she strays 
Along the green dell's tangled maze; 
Where thro' dank leaves, the whisp'ring show'rs 
Awake to life the fainting flow'rs; 
Absorb'd by THEE, she hears no more 
The distant torrent's fearful roar; 
The well-known VESPER's silver tone; 
The bleak wind's desolating moan; 
No more she sees the nodding spires, 
Where the dark bird of night retires; 
While Echo chaunts her boding song 
The cloyster's mould'ring walls among; 
No more she weeps at Fate's decree, 
But yields her pensive soul to THEE. 

THE SAGE, whose palsy'd head bends low 
'Midst scatter'd locks of silv'ry snow; 
Still by his MIND's clear lustre tells, 
What warmth within his bosom dwells; 
How glows his heart with treasur'd lore, 
How rich in Wisdom's boundless store; 
In fading Life's protracted hour, 
He smiles at Death's terrific pow'r; 
He lifts his radiant eyes, which gleam 
With Resignation's sainted beam: 
And, as the weeping star of morn, 
Sheds lustre on the wither'd thorn, 
His tear benign, calm comfort throws, 
O'er rugged Life's corroding woes; 
His pious soul's enlighten'd rays 
Dart forth, to gild his wint'ry days; 
He smiles serene at Heav'n's decree, 
And his last hour resigns to THEE. 

When Learning, with Promethean art, 
Unveils to light the youthful heart; 
When on the richly-budding spray, 
The glorious beams of Genius play; 
When the expanded leaves proclaim 
The promis'd fruits of rip'ning Fame; 
O MEDITATION, maid divine! 
Proud REASON owns the work is THINE. 

Oft, have I known thy magic pow'r, 
Irradiate sorrow's wint'ry hour; 
Oft, my full heart to THEE hath flown, 
And wept for mis'ries not its own; 
When pinch'd with agonizing PAIN, 
My restless bosom dar'd complain; 
Oft have I sunk upon THY breast, 
And lull'd my weary mind to rest; 
'Till I have own'd the blest decree, 
That gave my soul to PEACE and THEE.
Written by Barry Tebb | Create an image from this poem

A Meeting With The Princess

 Just a family get-together in a terrace house in Bradford

High tea with a few stuffy aunts I hadn’t seen for years

Their husbands in tow like lost dogs sniffing round for food

But she came all the same, ushered in politely as a friend

Of a friend or somebody’s cousin twice removed though

Everybody was a bit put out at first except me so I got

Sat down next to her and started to chat but people would

Keep chipping in, especially the young men, definitely upper-class

Gate-crashers who kept scowling at her and she kept snapping

Back at them and I said, "There seems to be a problem to do

With suppressed anger, I feel" and even my own son, somewhat

Unrelaxed but a genuine Old Etonian nonetheless, looked a bit

Embarrassed at the kerfuffle, but he kept standing by me wearing

His tails and perhaps it was this that finally sent the young

Men on their way and I managed to get her out for a breath

Of fresh air in the street and eventually we found our way to

Peel Park. Nobody seemed to notice who she was or perhaps they

Were too polite to say or they thought she was another Diana

Lookalike anyway we had some peace at last and forgetting

Protocol I put my arm round her and said, "You’re just ordinary.

Like everyone, even the Emperor of China, that’s the secret of life.

If there is one" and she started to cry softly and still nobody

Noticed and then the people and the park and even Bradford itself

Melted away in her tears.


Written by Robert Burns | Create an image from this poem

137. Song—Farewell to the Banks of Ayr

 THE GLOOMY night is gath’ring fast,
Loud roars the wild, inconstant blast,
Yon murky cloud is foul with rain,
I see it driving o’er the plain;
The hunter now has left the moor.
The scatt’red coveys meet secure;
While here I wander, prest with care,
Along the lonely banks of Ayr.


The Autumn mourns her rip’ning corn
By early Winter’s ravage torn;
Across her placid, azure sky,
She sees the scowling tempest fly:
Chill runs my blood to hear it rave;
I think upon the stormy wave,
Where many a danger I must dare,
Far from the bonie banks of Ayr.


’Tis not the surging billow’s roar,
’Tis not that fatal, deadly shore;
Tho’ death in ev’ry shape appear,
The wretched have no more to fear:
But round my heart the ties are bound,
That heart transpierc’d with many a wound;
These bleed afresh, those ties I tear,
To leave the bonie banks of Ayr.


Farewell, old Coila’s hills and dales,
Her healthy moors and winding vales;
The scenes where wretched Fancy roves,
Pursuing past, unhappy loves!
Farewell, my friends! farewell, my foes!
My peace with these, my love with those:
The bursting tears my heart declare—
Farewell, the bonie banks of Ayr!
Written by Rabindranath Tagore | Create an image from this poem

The Land of the Exile

 Mother, the light has grown grey in the sky; I do not know what
the time is.
There is no fun in my play, so I have come to you. It is
Saturday, our holiday.
Leave off your work, mother; sit here by the window and tell
me where the desert of Tepantar in the fairy tale is.
The shadow of the rains has covered the day from end to end.
The fierce lightning is scratching the sky with its nails.
When the clouds rumble and it thunders, I love to be afraid
in my heart and cling to you.
When the heavy rain patters for hours on the bamboo leaves,
and our windows shake and rattle at the gusts of wind, I like to
sit alone in the room, mother, with you, and hear you talk about
the desert of Tepantar in the fairy tale.
Where is it, mother, on the shore of what sea, at the foot of
what hills, in the kingdom of what king?
There are no hedges there to mark the fields, no footpath
across it by which the villagers reach their village in the
evening, or the woman who gathers dry sticks in the forest can
bring her load to the market. With patches of yellow grass in the
sand and only one tree where the pair of wise old birds have their
nest, lies the desert of Tepantar.
I can imagine how, on just such a cloudy day, the young son
of the king is riding alone on a grey horse through the desert, in
search of the princess who lies imprisoned in the giant's palace
across that unknown water.
When the haze of the rain comes down in the distant sky, and
lightning starts up like a sudden fit of pain, does he remember his
unhappy mother, abandoned by the king, sweeping the cow-stall and
wiping her eyes, while he rides through the desert of Tepantar in
the fairy tale?
See, mother, it is almost dark before the day is over, and
thee are no travellers yonder on the village road.
The shepherd boy has gone home early from the pasture, and men
have left their fields to sit on mats under the eaves of their
huts, watching the scowling clouds.
Mother, I have left all my books on the shelf-do not ask me
to do my lessons now.
When I grow up and am bid like my father, I shall learn all
that must be learnt.
But just for today, tell me, mother, where the desert of
Tepantar in the fairy tale is.
Written by Stephen Crane | Create an image from this poem

A youth in apparel that glittered

 A youth in apparel that glittered
Went to walk in a grim forest.
There he met an assassin
Attired all in garb of old days;
He, scowling through the thickets,
And dagger poised quivering,
Rushed upon the youth.
"Sir," said this latter,
"I am enchanted, believe me,
To die, thus,
In this medieval fashion,
According to the best legends;
Ah, what joy!"
Then took he the wound, smiling,
And died, content.
Written by Ezra Pound | Create an image from this poem

The River-Merchants Wife: A Letter

 After Li Po

While my hair was still cut straight 
 across my forehead
I played at the front gate, pulling
 flowers.
You came by on bamboo stilts, playing
 horse,
You walked about my seat, playing with
 blue plums. 
And we went on living in the village of 
 Chokan:
Two small people, without dislike or 
 suspicion. 

At fourteen I married My Lord you.
I never laughed, being bashful.
Lowering my head, I looked at the wall.
Called to, a thousand times, I never
 looked back.

At fifteen I stopped scowling, 
I desired my dust to be mingled with
 yours
Forever and forever and forever.
Why should I climb the lookout?

At sixteen you departed,
You went into far Ku-to-en, by the river
 of swirling eddies,
And you have been gone five months.
The monkeys make sorrowful noise 
 overhead.

You dragged your feet when you went 
 out,
By the gate now, the moss is grown, 
 the different mosses,
Too deep to clear them away!
The leaves fall early this autumn, in 
 wind.
The paired butterflies are already 
 yellow with August
Over the grass in the West garden;
They hurt me. I grow older.
If you are coming down through the
 narrows of the river Kiang,
Please let me know beforehand,
And I will come out to meet you
 As far as Cho-fu-sa.
Written by Connie Wanek | Create an image from this poem

Jump Rope

 There is menace
in its relentless course, round and round,
describing an ellipsoid,
an airy prison in which a young girl
is incarcerated.

Whom will she marry? Whom will she love?
The rope, like a snake,
has the gift of divination,
yet reveals only a hint, a single initial.
But what if she never misses?

Is competence its own reward?
Will the rope never strike her ankle,
love's bite? The enders turn and turn,
two-handed as their arms tire,
their enchantments exhausted.

It hurts to watch her now,
flushed and scowling,
her will stronger than her limbs,
her braids lashing her shoulders
with each small success.

Book: Radiant Verses: A Journey Through Inspiring Poetry