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Best Famous Scores Poems

Here is a collection of the all-time best famous Scores poems. This is a select list of the best famous Scores poetry. Reading, writing, and enjoying famous Scores poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scores poems.

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Written by Charles Bukowski | Create an image from this poem

True Story

 they found him walking along the freeway
all red in
front
he had taken a rusty tin can
and cut off his sexual
machinery
as if to say --
see what you've done to
me? you might as well have the
rest.

and he put part of him
in one pocket and
part of him in
another
and that's how they found him,
walking
along.

they gave him over to the
doctors
who tried to sew the parts
back
on
but the parts were
quite contented
the way they
were.

I think sometimes of all of the good
ass
turned over to the
monsters of the
world.

maybe it was his protest against
this or
his protest
against
everything.

a one man
Freedom March
that never squeezed in
between
the concert reviews and the
baseball
scores.

God, or somebody,
bless
him.


Written by Gregory Corso | Create an image from this poem

Gregory Corso

 Budger of history Brake of time You Bomb
 Toy of universe Grandest of all snatched sky I cannot hate you
 Do I hate the mischievous thunderbolt the jawbone of an ass
 The bumpy club of One Million B.C. the mace the flail the axe
 Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
 Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
 And hath not St. Michael a burning sword St. George a lance David a sling
 Bomb you are as cruel as man makes you and you're no crueller than cancer
 All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
 They'd rather die by anything but you Death's finger is free-lance
 Not up to man whether you boom or not Death has long since distributed its
 categorical blue I sing thee Bomb Death's extravagance Death's jubilee
 Gem of Death's supremest blue The flyer will crash his death will differ
 with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
 O there are deaths like witches of Arc Scarey deaths like Boris Karloff
 No-feeling deaths like birth-death sadless deaths like old pain Bowery
 Abandoned deaths like Capital Punishment stately deaths like senators
 And unthinkable deaths like Harpo Marx girls on Vogue covers my own
 I do not know just how horrible Bombdeath is I can only imagine
 Yet no other death I know has so laughable a preview I scope
 a city New York City streaming starkeyed subway shelter 
 Scores and scores A fumble of humanity High heels bend
 Hats whelming away Youth forgetting their combs
 Ladies not knowing what to do with their shopping bags
 Unperturbed gum machines Yet dangerous 3rd rail
 Ritz Brothers from the Bronx caught in the A train
 The smiling Schenley poster will always smile
 Impish death Satyr Bomb Bombdeath
 Turtles exploding over Istanbul
 The jaguar's flying foot
 soon to sink in arctic snow
 Penguins plunged against the Sphinx
 The top of the Empire state
 arrowed in a broccoli field in Sicily
 Eiffel shaped like a C in Magnolia Gardens
 St. Sophia peeling over Sudan
 O athletic Death Sportive Bomb
 the temples of ancient times
 their grand ruin ceased
 Electrons Protons Neutrons 
 gathering Hersperean hair
 walking the dolorous gulf of Arcady
 joining marble helmsmen
 entering the final ampitheater
 with a hymnody feeling of all Troys
 heralding cypressean torches
 racing plumes and banners
 and yet knowing Homer with a step of grace
 Lo the visiting team of Present
 the home team of Past
 Lyre and tube together joined
 Hark the hotdog soda olive grape
 gala galaxy robed and uniformed 
 commissary O the happy stands
 Ethereal root and cheer and boo
 The billioned all-time attendance
 The Zeusian pandemonium
 Hermes racing Owens
 The Spitball of Buddha
 Christ striking out
 Luther stealing third
 Planeterium Death Hosannah Bomb
 Gush the final rose O Spring Bomb
 Come with thy gown of dynamite green
 unmenace Nature's inviolate eye
 Before you the wimpled Past
 behind you the hallooing Future O Bomb
 Bound in the grassy clarion air
 like the fox of the tally-ho
 thy field the universe thy hedge the geo
 Leap Bomb bound Bomb frolic zig and zag
 The stars a swarm of bees in thy binging bag
 Stick angels on your jubilee feet
 wheels of rainlight on your bunky seat
 You are due and behold you are due
 and the heavens are with you
 hosanna incalescent glorious liaison
 BOMB O havoc antiphony molten cleft BOOM
 Bomb mark infinity a sudden furnace
 spread thy multitudinous encompassed Sweep
 set forth awful agenda
 Carrion stars charnel planets carcass elements
 Corpse the universe tee-hee finger-in-the-mouth hop
 over its long long dead Nor
 From thy nimbled matted spastic eye
 exhaust deluges of celestial ghouls
 From thy appellational womb
 spew birth-gusts of of great worms
 Rip open your belly Bomb
 from your belly outflock vulturic salutations
 Battle forth your spangled hyena finger stumps
 along the brink of Paradise
 O Bomb O final Pied Piper
 both sun and firefly behind your shock waltz
 God abandoned mock-nude
 beneath His thin false-talc's apocalypse
 He cannot hear thy flute's
 happy-the-day profanations
 He is spilled deaf into the Silencer's warty ear
 His Kingdom an eternity of crude wax
 Clogged clarions untrumpet Him
 Sealed angels unsing Him
 A thunderless God A dead God
 O Bomb thy BOOM His tomb
 That I lean forward on a desk of science
 an astrologer dabbling in dragon prose
 half-smart about wars bombs especially bombs
 That I am unable to hate what is necessary to love 
 That I can't exist in a world that consents
 a child in a park a man dying in an electric-chair
 That I am able to laugh at all things
 all that I know and do not know thus to conceal my pain
 That I say I am a poet and therefore love all man
 knowing my words to be the acquainted prophecy of all men
 and my unwords no less an acquaintanceship
 That I am manifold
 a man pursuing the big lies of gold
 or a poet roaming in bright ashes
 or that which I imagine myself to be 
 a shark-toothed sleep a man-eater of dreams
 I need not then be all-smart about bombs
 Happily so for if I felt bombs were caterpillars
 I'd doubt not they'd become butterflies
 There is a hell for bombs
 They're there I see them there
 They sit in bits and sing songs
  mostly German songs
 And two very long American songs
 and they wish there were more songs
 especially Russian and Chinese songs
 and some more very long American songs
 Poor little Bomb that'll never be 
 an Eskimo song I love thee 
 I want to put a lollipop
 in thy furcal mouth
 A wig of Goldilocks on thy baldy bean
 and have you skip with me Hansel and Gretel
 along the Hollywoodian screen
 O Bomb in which all lovely things
 moral and physical anxiously participate
  O fairylike plucked from the 
 grandest universe tree 
 O piece of heaven which gives
 both mountain and anthill a sun
 I am standing before your fantastic lily door
 I bring you Midgardian roses Arcadian musk
 Reputed cosmetics from the girls of heaven
 Welcome me fear not thy opened door
 nor thy cold ghost's grey memory
 nor the pimps of indefinite weather
 their cruel terrestial thaw
 Oppenheimer is seated
 in the dark pocket of Light
 Fermi is dry in Death's Mozambique
 Einstein his mythmouth
 a barnacled wreath on the moon-squid's head
 Let me in Bomb rise from that pregnant-rat corner
 nor fear the raised-broom nations of the world
 O Bomb I love you
 I want to kiss your clank eat your boom
 You are a paean an acme of scream
 a lyric hat of Mister Thunder
 O resound thy tanky knees
 BOOM BOOM BOOM BOOM BOOM
 BOOM ye skies and BOOM ye suns
 BOOM BOOM ye moons ye stars BOOM
 nights ye BOOM ye days ye BOOM
 BOOM BOOM ye winds ye clouds ye rains
 go BANG ye lakes ye oceans BING
 Barracuda BOOM and cougar BOOM
 Ubangi BOOM orangutang 
 BING BANG BONG BOOM bee bear baboon
 ye BANG ye BONG ye BING
 the tail the fin the wing
 Yes Yes into our midst a bomb will fall
 Flowers will leap in joy their roots aching
 Fields will kneel proud beneath the halleluyahs of the wind
 Pinkbombs will blossom Elkbombs will perk their ears
 Ah many a bomb that day will awe the bird a gentle look
 Yet not enough to say a bomb will fall
 or even contend celestial fire goes out
 Know that the earth will madonna the Bomb
 that in the hearts of men to come more bombs will be born
 magisterial bombs wrapped in ermine all beautiful
 and they'll sit plunk on earth's grumpy empires
 fierce with moustaches of gold
Written by Barry Tebb | Create an image from this poem

In Harm's Way

 I was never a film buff, give me Widmark and Wayne any day

Saturday matin?es with Margaret Gardener still hold sway

As my memory veers backwards this temperate Boxing Day-

Westerns and war films and a blurred Maigret,

Coupled with a worn-out sixties Penguin Mallarm?-

How about that mix for a character trait?

Try as I may I can’t get my head round the manifold virtues

Of Geraldine Monk or either Riley

Poetry has to have a meaning, not just patterns on a page,

Vertical words and snips of scores just make me rage.

Is Thom Gunn really the age-old sleaze-weasel Andrew Duncan says?

Is Tim Allen right to give Geraldine Monk an eleven page review?

At least they care for poetry to give their lives to it

As we do, too.

My syntax far from perfect, my writing illegible

But somehow I’ll get through, Bloodaxe and Carcourt 

May jeer but an Indian printer’s busy with my ‘Collected’

And, Calcutta typesetters permitting, it will be out this year

With the red gold script of sari cloth on the spine

And **** those dusty grey contemporary voices

Those verses will be mine.

Haslam’s a whole lot better but touchy as a prima donna

And couldn’t take it when I said he’d be a whole lot better

If he’d unloose his affects and let them scatter

I’m envious of his habitat, The Haworth Moors

Living there should be the inspiration of my old age

But being monophobic I can’t face the isolation

Or persuade my passionate friend to join me.

What urban experiences can improve

Upon a cottage life with my own muse!
Written by Robert Herrick | Create an image from this poem

The Country Life:

 TO THE HONOURED MR ENDYMION PORTER, GROOM OF
THE BED-CHAMBER TO HIS MAJESTY

Sweet country life, to such unknown,
Whose lives are others', not their own!
But serving courts and cities, be
Less happy, less enjoying thee.
Thou never plough'st the ocean's foam
To seek and bring rough pepper home:
Nor to the Eastern Ind dost rove
To bring from thence the scorched clove:
Nor, with the loss of thy loved rest,
Bring'st home the ingot from the West.
No, thy ambition's master-piece
Flies no thought higher than a fleece:
Or how to pay thy hinds, and clear
All scores: and so to end the year:
But walk'st about thine own dear bounds,
Not envying others' larger grounds:
For well thou know'st, 'tis not th' extent
Of land makes life, but sweet content.
When now the cock (the ploughman's horn)
Calls forth the lily-wristed morn;
Then to thy corn-fields thou dost go,
Which though well soil'd, yet thou dost know
That the best compost for the lands
Is the wise master's feet, and hands.
There at the plough thou find'st thy team,
With a hind whistling there to them:
And cheer'st them up, by singing how
The kingdom's portion is the plough.
This done, then to th' enamell'd meads
Thou go'st; and as thy foot there treads,
Thou seest a present God-like power
Imprinted in each herb and flower:
And smell'st the breath of great-eyed kine,
Sweet as the blossoms of the vine.
Here thou behold'st thy large sleek neat
Unto the dew-laps up in meat:
And, as thou look'st, the wanton steer,
The heifer, cow, and ox draw near,
To make a pleasing pastime there.
These seen, thou go'st to view thy flocks
Of sheep, safe from the wolf and fox,
And find'st their bellies there as full
Of short sweet grass, as backs with wool:
And leav'st them, as they feed and fill,
A shepherd piping on a hill.

For sports, for pageantry, and plays,
Thou hast thy eves, and holydays:
On which the young men and maids meet,
To exercise their dancing feet:
Tripping the comely country Round,
With daffadils and daisies crown'd.
Thy wakes, thy quintels, here thou hast,
Thy May-poles too with garlands graced;
Thy Morris-dance; thy Whitsun-ale;
Thy shearing-feast, which never fail.
Thy harvest home; thy wassail bowl,
That's toss'd up after Fox i' th' hole:
Thy mummeries; thy Twelve-tide kings
And queens; thy Christmas revellings:
Thy nut-brown mirth, thy russet wit,
And no man pays too dear for it.--
To these, thou hast thy times to go
And trace the hare i' th' treacherous snow:
Thy witty wiles to draw, and get
The lark into the trammel net:
Thou hast thy cockrood, and thy glade
To take the precious pheasant made:
Thy lime-twigs, snares, and pit-falls then
To catch the pilfering birds, not men.

--O happy life! if that their good
The husbandmen but understood!
Who all the day themselves do please,
And younglings, with such sports as these:
And lying down, have nought t' affright
Sweet Sleep, that makes more short the night.
CAETERA DESUNT--
Written by Edwin Arlington Robinson | Create an image from this poem

Lancelot

 Gawaine, aware again of Lancelot 
In the King’s garden, coughed and followed him; 
Whereat he turned and stood with folded arms 
And weary-waiting eyes, cold and half-closed— 
Hard eyes, where doubts at war with memories
Fanned a sad wrath. “Why frown upon a friend? 
Few live that have too many,” Gawaine said, 
And wished unsaid, so thinly came the light 
Between the narrowing lids at which he gazed. 
“And who of us are they that name their friends?” 
Lancelot said. “They live that have not any. 
Why do they live, Gawaine? Ask why, and answer.” 

Two men of an elected eminence, 
They stood for a time silent. Then Gawaine, 
Acknowledging the ghost of what was gone,
Put out his hand: “Rather, I say, why ask? 
If I be not the friend of Lancelot, 
May I be nailed alive along the ground 
And emmets eat me dead. If I be not 
The friend of Lancelot, may I be fried
With other liars in the pans of hell. 
What item otherwise of immolation 
Your Darkness may invent, be it mine to endure 
And yours to gloat on. For the time between, 
Consider this thing you see that is my hand.
If once, it has been yours a thousand times; 
Why not again? Gawaine has never lied 
To Lancelot; and this, of all wrong days— 
This day before the day when you go south 
To God knows what accomplishment of exile—
Were surely an ill day for lies to find 
An issue or a cause or an occasion. 
King Ban your father and King Lot my father, 
Were they alive, would shake their heads in sorrow 
To see us as we are, and I shake mine
In wonder. Will you take my hand, or no? 
Strong as I am, I do not hold it out 
For ever and on air. You see—my hand.” 
Lancelot gave his hand there to Gawaine, 
Who took it, held it, and then let it go,
Chagrined with its indifference. 
“Yes, Gawaine, 
I go tomorrow, and I wish you well; 
You and your brothers, Gareth, Gaheris,— 
And Agravaine; yes, even Agravaine,
Whose tongue has told all Camelot and all Britain 
More lies than yet have hatched of Modred’s envy. 
You say that you have never lied to me, 
And I believe it so. Let it be so. 
For now and always. Gawaine, I wish you well.
Tomorrow I go south, as Merlin went, 
But not for Merlin’s end. I go, Gawaine, 
And leave you to your ways. There are ways left.” 
“There are three ways I know, three famous ways, 
And all in Holy Writ,” Gawaine said, smiling:
“The snake’s way and the eagle’s way are two, 
And then we have a man’s way with a maid— 
Or with a woman who is not a maid. 
Your late way is to send all women scudding, 
To the last flash of the last cramoisy,
While you go south to find the fires of God. 
Since we came back again to Camelot 
From our immortal Quest—I came back first— 
No man has known you for the man you were 
Before you saw whatever ’t was you saw,
To make so little of kings and queens and friends 
Thereafter. Modred? Agravaine? My brothers? 
And what if they be brothers? What are brothers, 
If they be not our friends, your friends and mine? 
You turn away, and my words are no mark
On you affection or your memory? 
So be it then, if so it is to be. 
God save you, Lancelot; for by Saint Stephen, 
You are no more than man to save yourself.” 

“Gawaine, I do not say that you are wrong,
Or that you are ill-seasoned in your lightness; 
You say that all you know is what you saw, 
And on your own averment you saw nothing. 
Your spoken word, Gawaine, I have not weighed 
In those unhappy scales of inference
That have no beam but one made out of hates 
And fears, and venomous conjecturings; 
Your tongue is not the sword that urges me 
Now out of Camelot. Two other swords 
There are that are awake, and in their scabbards
Are parching for the blood of Lancelot. 
Yet I go not away for fear of them, 
But for a sharper care. You say the truth, 
But not when you contend the fires of God 
Are my one fear,—for there is one fear more.
Therefore I go. Gawaine, I wish you well.” 

“Well-wishing in a way is well enough; 
So, in a way, is caution; so, in a way, 
Are leeches, neatherds, and astrologers. 
Lancelot, listen. Sit you down and listen:
You talk of swords and fears and banishment. 
Two swords, you say; Modred and Agravaine, 
You mean. Had you meant Gaheris and Gareth, 
Or willed an evil on them, I should welcome 
And hasten your farewell. But Agravaine
Hears little what I say; his ears are Modred’s. 
The King is Modred’s father, and the Queen 
A prepossession of Modred’s lunacy. 
So much for my two brothers whom you fear, 
Not fearing for yourself. I say to you,
Fear not for anything—and so be wise 
And amiable again as heretofore; 
Let Modred have his humor, and Agravaine 
His tongue. The two of them have done their worst, 
And having done their worst, what have they done?
A whisper now and then, a chirrup or so 
In corners,—and what else? Ask what, and answer.” 

Still with a frown that had no faith in it, 
Lancelot, pitying Gawaine’s lost endeavour 
To make an evil jest of evidence,
Sat fronting him with a remote forbearance— 
Whether for Gawaine blind or Gawaine false, 
Or both, or neither, he could not say yet, 
If ever; and to himself he said no more 
Than he said now aloud: “What else, Gawaine?
What else, am I to say? Then ruin, I say; 
Destruction, dissolution, desolation, 
I say,—should I compound with jeopardy now. 
For there are more than whispers here, Gawaine: 
The way that we have gone so long together
Has underneath our feet, without our will, 
Become a twofold faring. Yours, I trust, 
May lead you always on, as it has led you, 
To praise and to much joy. Mine, I believe, 
Leads off to battles that are not yet fought,
And to the Light that once had blinded me. 
When I came back from seeing what I saw, 
I saw no place for me in Camelot. 
There is no place for me in Camelot. 
There is no place for me save where the Light
May lead me; and to that place I shall go. 
Meanwhile I lay upon your soul no load 
Of counsel or of empty admonition; 
Only I ask of you, should strife arise 
In Camelot, to remember, if you may,
That you’ve an ardor that outruns your reason, 
Also a glamour that outshines your guile; 
And you are a strange hater. I know that; 
And I’m in fortune that you hate not me. 
Yet while we have our sins to dream about,
Time has done worse for time than in our making; 
Albeit there may be sundry falterings 
And falls against us in the Book of Man.” 

“Praise Adam, you are mellowing at last! 
I’ve always liked this world, and would so still;
And if it is your new Light leads you on 
To such an admirable gait, for God’s sake, 
Follow it, follow it, follow it, Lancelot; 
Follow it as you never followed glory. 
Once I believed that I was on the way
That you call yours, but I came home again 
To Camelot—and Camelot was right, 
For the world knows its own that knows not you; 
You are a thing too vaporous to be sharing 
The carnal feast of life. You mow down men
Like elder-stems, and you leave women sighing 
For one more sight of you; but they do wrong. 
You are a man of mist, and have no shadow. 
God save you, Lancelot. If I laugh at you, 
I laugh in envy and in admiration.”

The joyless evanescence of a smile, 
Discovered on the face of Lancelot 
By Gawaine’s unrelenting vigilance, 
Wavered, and with a sullen change went out; 
And then there was the music of a woman
Laughing behind them, and a woman spoke: 
“Gawaine, you said ‘God save you, Lancelot.’ 
Why should He save him any more to-day 
Than on another day? What has he done, 
Gawaine, that God should save him?” Guinevere,
With many questions in her dark blue eyes 
And one gay jewel in her golden hair, 
Had come upon the two of them unseen, 
Till now she was a russet apparition 
At which the two arose—one with a dash
Of easy leisure in his courtliness, 
One with a stately calm that might have pleased 
The Queen of a strange land indifferently. 
The firm incisive languor of her speech, 
Heard once, was heard through battles: “Lancelot,
What have you done to-day that God should save you? 
What has he done, Gawaine, that God should save him? 
I grieve that you two pinks of chivalry 
Should be so near me in my desolation, 
And I, poor soul alone, know nothing of it.
What has he done, Gawaine?” 

With all her poise, 
To Gawaine’s undeceived urbanity 
She was less queen than woman for the nonce, 
And in her eyes there was a flickering
Of a still fear that would not be veiled wholly 
With any mask of mannered nonchalance. 
“What has he done? Madam, attend your nephew; 
And learn from him, in your incertitude, 
That this inordinate man Lancelot,
This engine of renown, this hewer down daily 
Of potent men by scores in our late warfare, 
Has now inside his head a foreign fever 
That urges him away to the last edge 
Of everything, there to efface himself
In ecstasy, and so be done with us. 
Hereafter, peradventure certain birds 
Will perch in meditation on his bones, 
Quite as if they were some poor sailor’s bones, 
Or felon’s jettisoned, or fisherman’s,
Or fowler’s bones, or Mark of Cornwall’s bones. 
In fine, this flower of men that was our comrade 
Shall be for us no more, from this day on, 
Than a much remembered Frenchman far away. 
Magnanimously I leave you now to prize
Your final sight of him; and leaving you, 
I leave the sun to shine for him alone, 
Whiles I grope on to gloom. Madam, farewell; 
And you, contrarious Lancelot, farewell.”


Written by David Lehman | Create an image from this poem

When A Woman Loves A Man

 When she says Margarita she means Daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
 is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one-ten in the morning,
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"

When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water ruching over smooth rocks,
and there is nothing alien in the universe.

Ripe apples fall about them.
What else can they do but eat?

When he says, "Ours is a transitional era."
"That's very original of you," she replies,
dry as the Martini he is sipping.

They fight all the time
It's fun
What do I owe you?
Let's start with an apology
Ok, I'm sorry, you dickhead.
A sign is held up saying "Laughter."
It's a silent picture.
"I've been fucked without a kiss," she says,
"and you can quote me on that,"
which sounds great in an English accent.

One year they broke up seven times and threatened to do it
 another nine times.

When a woman loves a man, she wants him to meet her at the
 airport in a foreign country with a jeep.
When a man loves a woman he's there. He doesn't complain that
 she's two hours late
and there's nothing in the refrigerator.

When a woman loves a man, she wants to stay awake.
She's like a child crying
at nightfall because she didn't want the day to end.

When a man loves a woman, he watches her sleep, thinking:
as midnight to the moon is sleep to the beloved.
A thousand fireflies wink at him.
The frogs sound like the string section
of the orchestra warming up.
The stars dangle down like earrings the shape of grapes.
Written by Andrew Barton Paterson | Create an image from this poem

The Bushfire - an Allegory

 'Twas on the famous Empire run, 
Whose sun does never set, 
Whose grass and water, so they say, 
Have never failed them yet -- 
They carry many million sheep, 
Through seasons dry and wet. 
They call the homestead Albion House, 
And then, along with that, 
There's Welshman's Gully, Scotchman's Hill, 
And Paddymelon Flat: 
And all these places are renowned 
For making jumbacks fat. 

And the out-paddocks -- holy frost! 
There wouldn't be no sense 
For me to try and tell you half -- 
They really are immense; 
A man might ride for days and weeks 
And never strike a fence. 

But still for years they never had 
Been known a sheep to lose; 
Old Billy Gladstone managed it, 
And you can bet your shoes 
He'd scores of supers under him, 
And droves of jackaroos. 

Old Billy had an eagle eye, 
And kept his wits about -- 
If any chaps got trespassing 
He quickly cleared 'em out; 
And coves that used to "work a cross", 
They hated him, no doubt. 

But still he managed it in style, 
Until the times got dry, 
And Billy gave the supers word 
To see and mind their eye -- 
"If any paddocks gets a-fire 
I'll know the reason why." 

Now on this point old Bill was sure, 
Because, for many a year, 
Whenever times got dry at all, 
As sure as you are here, 
The Paddymelon Flat got burnt 
Which Bill thought rather *****. 

He sent his smartest supers there 
To try and keep things right. 
No use! The grass was always dry -- 
They'd go to sleep at night, 
And when they woke they'd go and find 
The whole concern alight. 

One morning it was very hot -- 
The sun rose in a haze; 
Old Bill was cutting down some trees 
(One of his little ways); 
A black boy came hot-foot to say 
The Flat was in a blaze. 

Old Bill he swears a fearful oath 
And lets the tommy fall -- 
Says he: "'ll take this business up, 
And fix it once for all; 
If this goes on the cursed run 
Will send us to the wall." 

So he withdrew his trespass suits, 
He'd one with Dutchy's boss -- 
In prosecutions criminal 
He entered nolle pros., 
But these were neither here nor there -- 
They always meant a loss. 

And off to Paddymelon Flat 
He started double quick 
Drayloads of men with lots of grog 
Lest heat should make them sick, 
And all the strangers came around 
To see him do the trick. 

And there the fire was flaming bright, 
For miles and miles it spread, 
And many a sheep and horse and cow 
Were numbered with the dead -- 
The super came to meet Old Bill, 
And this is what he said: 

"No use, to try to beat it out, 
'Twill dry you up like toast, 
I've done as much as man can do, 
Although I never boast; 
I think you'd better chuck it up, 
And let the jumbucks roast." 

Then Bill said just two words: "You're sacked," 
And pitches off his coat, 
And wrenches down a blue gum bough 
And clears his manly throat, 
And into it like threshing wheat 
Right sturdily he smote. 

And beat the blazing grass until 
His shirt was dripping wet; 
And all the people watched him there 
To see what luck he'd get, 
"Gosh! don't he make the cinders fly," 
And, Golly, don't he sweat!" 

But though they worked like Trojans all, 
The fire still went ahead 
So far as you could see around, 
The very skies were red, 
Sometimes the flames would start afresh, 
Just where they thought it dead. 

His men, too, quarreled 'mongst themselves 
And some coves gave it best 
And some said, "Light a fire in front, 
And burn from east to west" -- 
But Bill he still kept sloggin' in, 
And never took no rest. 

Then through the crowd a cornstalk kid 
Come ridin' to the spot 
Says he to Bill, "Now take a spell, 
You're lookin' very 'ot, 
And if you'll only listen, why, 
I'll tell you what is what. 

"These coves as set your grass on fire, 
There ain't no mortal doubt, 
I've seen 'em ridin' here and there, 
And pokin' round about; 
It ain't no use your workin' here, 
Until you finds them out. 

"See yonder, where you beat the fire -- 
It's blazin' up again, 
And fires are starting right and left 
On Tipperary Plain, 
Beating them out is useless quite, 
Unless Heaven sends the rain. 

Then Bill, he turns upon the boy, 
"Oh, hold your tongue, you pup!" 
But a cinder blew across the creek 
While Bill stopped for a sup, 
And fired the Albion paddocks, too -- 
It was a bitter cup; 
Old Bill's heart was broke at last, 
He had to chuck it up. 


Moral 

The run is England's Empire great, 
The fire is the distress 
That burns the stock they represent -- 
Prosperity you'll guess. 
And the blue gum bough is the Home Rule Bill 
That's making such a mess. 

And Ireland green, of course I mean 
By Paddymelon Flat; 
All men can see the fire, of course, 
Spreads on at such a bat, 
But who are setting it alight, 
I cannot tell you that. 

But this I think all men will see, 
And hold it very true -- 
"Don't quarrel with effects until 
The cause is brought to view." 
What is the cause? That cornstalk boy -- 
He seemed to think he knew.
Written by Randall Jarrell | Create an image from this poem

Losses

 It was not dying: everybody died. 
It was not dying: we had died before 
In the routine crashes-- and our fields 
Called up the papers, wrote home to our folks, 
And the rates rose, all because of us. 
We died on the wrong page of the almanac, 
Scattered on mountains fifty miles away; 
Diving on haystacks, fighting with a friend, 
We blazed up on the lines we never saw. 
We died like aunts or pets or foreigners. 
(When we left high school nothing else had died 
For us to figure we had died like.) 

In our new planes, with our new crews, we bombed 
The ranges by the desert or the shore, 
Fired at towed targets, waited for our scores-- 
And turned into replacements and worke up 
One morning, over England, operational. 

It wasn't different: but if we died 
It was not an accident but a mistake 
(But an easy one for anyone to make.) 
We read our mail and counted up our missions-- 
In bombers named for girls, we burned 
The cities we had learned about in school-- 
Till our lives wore out; our bodies lay among 
The people we had killed and never seen. 
When we lasted long enough they gave us medals; 
When we died they said, "Our casualties were low." 

The said, "Here are the maps"; we burned the cities. 

It was not dying --no, not ever dying; 
But the night I died I dreamed that I was dead, 
And the cities said to me: "Why are you dying? 
We are satisfied, if you are; but why did I die?"
Written by Rudyard Kipling | Create an image from this poem

The Explorer

 There's no sense in going further -- it's the edge of cultivation,"
 So they said, and I believed it -- broke my land and sowed my crop --
Built my barns and strung my fences in the little border station
 Tucked away below the foothills where the trails run out and stop.

Till a voice, as bad as Conscience, rang interminable changes
 On one everlasting Whisper day and night repeated -- so:
"Something hidden. Go and find it. Go and look behind the Ranges --
 "Something lost behind the Ranges. Lost in wating for you. Go!"

So I went, worn out of patience; never told my nearest neighbours --
 Stole away with pack and ponies -- left 'em drinking in the town;
And the faith that moveth mountains didn't seem to help my labours
 As I faced the sheer main-ranges, whipping up and leading down.

March by march I puzzled through 'em, turning flanks and dodging shoulders,
 Hurried on in hope of water, headed back for lack of grass;
Till I camped above the tree-line -- drifted snow and naked boulders --
 Felt free air astir to windward -- knew I'd stumbled on the Pass.

'Thought to name it for the finder: but that night the Norther found me --
 Froze and killed the plains-bred ponies; so I called the camp Despair
(It's the Railway Gap to-day, though). Then my Whisper waked to hound me: --
 "Something lost behind the Ranges. Over yonder! Go you there!"

Then I knew, the while I doubted -- knew His Hand was certain o'er me.
 Still -- it might be self-delusion -- scores of better men had died --
I could reach the township living, but. . . He knows what terror tore me . . .
 But I didn't . . . but I didn't. I went down the other side,

Till the snow ran out in flowers, and the flowers turned to aloes,
 And the aloes sprung to thickets and a brimming stream ran by;
But the thickets dwined to thorn-scrub, and the water drained to shallows,
 And I dropped again on desert -- blasterd earth, and blasting sky. . . .

I remember lighting fires; I remember sitting by 'em;
 I remember seeing faces, hearing voices, through the smoke;
I remember they were fancy -- for I threw a stone to try 'em.
 "Something lost behind the Ranges" was the only word they spoke.

But at last the country altered -- White Man's country past disputing --
 Rolling grass and open timber, with a hint of hills behind --
There I found me food and water, and I lay a week recruiting.
 Got my strength and lost my nightmares. Then I entered on my find.

Thence I ran my first rough survey -- chose my trees and blazed and ringed 'em --
 Week by week I pried and smhampled -- week by week my findings grew.
Saul he went to look for donkeys, and by God he found a kingdom!
 But by God, who sent His Whisper, I had struck the worth of two!

Up along the hostile mountains, where the hair-poised snowslide shivers --
 Down and through the big fat marshes that the virgin ore-bed stains,
Till I heard the mile-wide mutterings of unimagined rivers,
 And beyond the nameless timber saw illimitable plains!

'Plotted sites of future cities, traced the easy grades between 'em;
 Watched unharnessed rapids wasting fifty thousand head an hour;
Counted leagues of water-frontage through the axe-ripe woods that screen 'em --
 Saw the plant to feed a people -- up and waiting for the power!

Well, I know who'll take the credit -- all the clever chaps that followed --
 Came, a dozen men together -- never knew my desert-fears;
Tracked me by the camps I'd quitted, used the water-holes I hollowed.
 They'll go back and do the talking. They'll be called the Pioneers!

They will find my sites of townships -- not the cities that I set there.
 They will rediscover rivers -- not my rivers heard at night.
By my own old marks and bearings they will show me how to get there,
 By the lonely cairns I builded they will guide my feet aright.

Have I named one single river? Have I claimed one single acre?
 Have I kept one single nugget -- (barring samples)? No, not I!
Because my price was paid me ten times over by my Maker.
 But you wouldn't understand it. You go up and occupy.

Ores you'll find there; wood and cattle; water-transit sure and steady
 (That should keep the railway rates down), coal and iron at your doors.
God took care to hide that country till He judged His people ready,
 Then He chose me for His Whisper, and I've found it, and it's yours!

Yes, your "Never-never country" -- yes, your "edge of cultivation"
 And "no sense in going further" -- till I crossed the range to see.
God forgive me! No, I didn't. It's God's present to our nation.
 Anybody might have found it but -- His Whisper came to Me!
Written by Stephen Crane | Create an image from this poem

A newspaper is a collection of half-injustices

 A newspaper is a collection of half-injustices
Which, bawled by boys from mile to mile,
Spreads its curious opinion
To a million merciful and sneering men,
While families cuddle the joys of the fireside
When spurred by tale of dire lone agony.
A newspaper is a court
Where every one is kindly and unfairly tried
By a squalor of honest men.
A newspaper is a market
Where wisdom sells its freedom
And melons are crowned by the crowd.
A newspaper is a game
Where his error scores the player victory
While another's skill wins death.
A newspaper is a symbol;
It is feckless life's chronicle,
A collection of loud tales
Concentrating eternal stupidities,
That in remote ages lived unhaltered,
Roaming through a fenceless world.

Book: Radiant Verses: A Journey Through Inspiring Poetry