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Best Famous Scientists Poems

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Written by Allen Ginsberg | Create an image from this poem

Plutonian Ode

 I

What new element before us unborn in nature? Is there
 a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
 Scientific theme
First penned unmindful by Doctor Seaborg with poison-
 ous hand, named for Death's planet through the 
 sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of 
 Hades, Sire of avenging Furies, billionaire Hell-
 King worshipped once
with black sheep throats cut, priests's face averted from
 underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
 Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow, 
 black hail, grey winter rain or Polar ice, immemor-
 able seasons before
Fish flew in Heaven, before a Ram died by the starry
 bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
 flood
washed memory from the skull, or Lion sniffed the
 lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
 ere constellations wheeled for twenty-four thousand
 sunny years
slowly round their axis in Sagittarius, one hundred 
 sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning 
 black dumb tongueless unsmelling blast of Disil-
 lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
 dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao, 
 Ialdabaoth, Aeon from Aeon born ignorant in an
 Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
 pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
 oblivion!
Grand Subject that annihilates inky hands & pages'
 prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
 sky over silent mills at Hanford, Savannah River,
 Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado, 
 Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the 
 Sun, where Rockwell war-plants fabricate this death
 stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
 secret by ten thousands, & where Manzano Moun-
 tain boasts to store
its dreadful decay through two hundred forty millenia
 while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with your presence, I roar your Lion Roar with mortal mouth.
One microgram inspired to one lung, ten pounds of heavy metal dust adrift slow motion over grey Alps the breadth of the planet, how long before your radiance speeds blight and death to sentient beings? Enter my body or not I carol my spirit inside you, Unnaproachable Weight, O heavy heavy Element awakened I vocalize your con- sciousness to six worlds I chant your absolute Vanity.
Yeah monster of Anger birthed in fear O most Ignorant matter ever created unnatural to Earth! Delusion of metal empires! Destroyer of lying Scientists! Devourer of covetous Generals, Incinerator of Armies & Melter of Wars! Judgement of judgements, Divine Wind over vengeful nations, Molester of Presidents, Death-Scandal of Capital politics! Ah civilizations stupidly indus- trious! Canker-Hex on multitudes learned or illiterate! Manu- factured Spectre of human reason! O solidified imago of practicioner in Black Arts I dare your reality, I challenge your very being! I publish your cause and effect! I turn the wheel of Mind on your three hundred tons! Your name enters mankind's ear! I embody your ultimate powers! My oratory advances on your vaunted Mystery! This breath dispels your braggart fears! I sing your form at last behind your concrete & iron walls inside your fortress of rubber & translucent silicon shields in filtered cabinets and baths of lathe oil, My voice resounds through robot glove boxes & ignot cans and echoes in electric vaults inert of atmo- sphere, I enter with spirit out loud into your fuel rod drums underground on soundless thrones and beds of lead O density! This weightless anthem trumpets transcendent through hidden chambers and breaks through iron doors into the Infernal Room! Over your dreadful vibration this measured harmony floats audible, these jubilant tones are honey and milk and wine-sweet water Poured on the stone black floor, these syllables are barley groats I scatter on the Reactor's core, I call your name with hollow vowels, I psalm your Fate close by, my breath near deathless ever at your side to Spell your destiny, I set this verse prophetic on your mausoleum walls to seal you up Eternally with Diamond Truth! O doomed Plutonium.
II The Bar surveys Plutonian history from midnight lit with Mercury Vapor streetlamps till in dawn's early light he contemplates a tranquil politic spaced out between Nations' thought-forms proliferating bureaucratic & horrific arm'd, Satanic industries projected sudden with Five Hundred Billion Dollar Strength around the world same time this text is set in Boulder, Colorado before front range of Rocky Mountains twelve miles north of Rocky Flats Nuclear Facility in United States of North America, Western Hemi- sphere of planet Earth six months and fourteen days around our Solar System in a Spiral Galaxy the local year after Dominion of the last God nineteen hundred seventy eight Completed as yellow hazed dawn clouds brighten East, Denver city white below Blue sky transparent rising empty deep & spacious to a morning star high over the balcony above some autos sat with wheels to curb downhill from Flatiron's jagged pine ridge, sunlit mountain meadows sloped to rust-red sandstone cliffs above brick townhouse roofs as sparrows waked whistling through Marine Street's summer green leafed trees.
III This ode to you O Poets and Orators to come, you father Whitman as I join your side, you Congress and American people, you present meditators, spiritual friends & teachers, you O Master of the Diamond Arts, Take this wheel of syllables in hand, these vowels and consonants to breath's end take this inhalation of black poison to your heart, breath out this blessing from your breast on our creation forests cities oceans deserts rocky flats and mountains in the Ten Directions pacify with exhalation, enrich this Plutonian Ode to explode its empty thunder through earthen thought-worlds Magnetize this howl with heartless compassion, destroy this mountain of Plutonium with ordinary mind and body speech, thus empower this Mind-guard spirit gone out, gone out, gone beyond, gone beyond me, Wake space, so Ah! July 14, 1978


Written by Ogden Nash | Create an image from this poem

Common Cold

 Go hang yourself, you old M.
D.
! You shall not sneer at me.
Pick up your hat and stethoscope, Go wash your mouth with laundry soap; I contemplate a joy exquisite I'm not paying you for your visit.
I did not call you to be told My malady is a common cold.
By pounding brow and swollen lip; By fever's hot and scaly grip; By those two red redundant eyes That weep like woeful April skies; By racking snuffle, snort, and sniff; By handkerchief after handkerchief; This cold you wave away as naught Is the damnedest cold man ever caught! Give ear, you scientific fossil! Here is the genuine Cold Colossal; The Cold of which researchers dream, The Perfect Cold, the Cold Supreme.
This honored system humbly holds The Super-cold to end all colds; The Cold Crusading for Democracy; The Führer of the Streptococcracy.
Bacilli swarm within my portals Such as were ne'er conceived by mortals, But bred by scientists wise and hoary In some Olympic laboratory; Bacteria as large as mice, With feet of fire and heads of ice Who never interrupt for slumber Their stamping elephantine rumba.
A common cold, gadzooks, forsooth! Ah, yes.
And Lincoln was jostled by Booth; Don Juan was a budding gallant, And Shakespeare's plays show signs of talent; The Arctic winter is fairly coolish, And your diagnosis is fairly foolish.
Oh what a derision history holds For the man who belittled the Cold of Colds!
Written by Andre Breton | Create an image from this poem

Five Ways To Kill A Man

 There are many cumbersome ways to kill a man.
You can make him carry a plank of wood to the top of a hill and nail him to it.
To do this properly you require a crowd of people wearing sandals, a cock that crows, a cloak to dissect, a sponge, some vinegar and one man to hammer the nails home.
Or you can take a length of steel, shaped and chased in a traditional way, and attempt to pierce the metal cage he wears.
But for this you need white horses, English trees, men with bows and arrows, at least two flags, a prince, and a castle to hold your banquet in.
Dispensing with nobility, you may, if the wind allows, blow gas at him.
But then you need a mile of mud sliced through with ditches, not to mention black boots, bomb craters, more mud, a plague of rats, a dozen songs and some round hats made of steel.
In an age of aeroplanes, you may fly miles above your victim and dispose of him by pressing one small switch.
All you then require is an ocean to separate you, two systems of government, a nation's scientists, several factories, a psychopath and land that no-one needs for several years.
These are, as I began, cumbersome ways to kill a man.
Simpler, direct, and much more neat is to see that he is living somewhere in the middle of the twentieth century, and leave him there.
Written by Edwin Brock | Create an image from this poem

Five Ways To Kill A Man

 There are many cumbersome ways to kill a man.
You can make him carry a plank of wood to the top of a hill and nail him to it.
To do this properly you require a crowd of people wearing sandals, a cock that crows, a cloak to dissect, a sponge, some vinegar and one man to hammer the nails home.
Or you can take a length of steel, shaped and chased in a traditional way, and attempt to pierce the metal cage he wears.
But for this you need white horses, English trees, men with bows and arrows, at least two flags, a prince, and a castle to hold your banquet in.
Dispensing with nobility, you may, if the wind allows, blow gas at him.
But then you need a mile of mud sliced through with ditches, not to mention black boots, bomb craters, more mud, a plague of rats, a dozen songs and some round hats made of steel.
In an age of aeroplanes, you may fly miles above your victim and dispose of him by pressing one small switch.
All you then require is an ocean to separate you, two systems of government, a nation's scientists, several factories, a psychopath and land that no-one needs for several years.
These are, as I began, cumbersome ways to kill a man.
Simpler, direct, and much more neat is to see that he is living somewhere in the middle of the twentieth century, and leave him there.
Written by Robert William Service | Create an image from this poem

Erico

 Oh darling Eric, why did you
For my fond affection sue,
And then with surgeons artful aid
Transform yourself into a maid?
So now in petticoats you go
And people call you Erico.
Sometimes I wonder if they can Change me in turn into a man; Then after all we might get wed And frolic on a feather bed: Although I do not see how we Could ever have a family.
Oh dear! Oh dear! It's so complex.
Why must they meddle with our sex.
My Eric was a handsome 'he,' But now he--oh excuse me--she Informs me that I must forget I was his blond Elizabet.
Alas! These scientists of Sweden I curse, who've robbed me of my Eden; Who with their weird hormones inhuman Can make a man into a woman.
Alas, poor Eric! .
.
.
Erico I wish you were in Jerico.


Written by Andrew Barton Paterson | Create an image from this poem

The Hypnotist

 A man once read with mind surprised 
Of the way that people were "hypnotised"; 
By waving hands you produced, forsooth, 
A kind of trance where men told the truth! 
His mind was filled with wond'ring doubt; 
He grabbed his hat and he started out, 
He walked the street and he made a "set" 
At the first half-dozen folk he met.
He "tranced" them all, and without a joke 'Twas much as follows the subjects spoke: First Man "I am a doctor, London-made, Listen to me and you'll hear displayed A few of the tricks of the doctor's trade.
'Twill sometimes chance when a patient's ill That a doae, or draught, or a lightning pill, A little too strong or a little too hot, Will work its way to a vital spot.
And then I watch with a sickly grin While the patient 'passes his counters in'.
But when he has gone with his fleeting breath I certify that the cause of death Was something Latin, and something long, And who is to say that the doctor's wrong! So I go my way with a stately tread While my patients sleep with the dreamless dead.
" Next, Please "I am a barrister, wigged and gowned; Of stately presence and look profound.
Listen awhile till I show you round.
When courts are sitting and work is flush I hurry about in a frantic rush.
I take your brief and I look to see That the same is marked with a thumping fee; But just as your case is drawing near I bob serenely and disappear.
And away in another court I lurk While a junior barrister does your work; And I ask my fee with a courtly grace, Although I never came near the case.
But the loss means ruin too you, maybe, But nevertheless I must have my fee! For the lawyer laughs in his cruel sport While his clients march to the Bankrupt Court.
" Third Man "I am a banker, wealthy and bold -- A solid man, and I keep my hold Over a pile of the public's gold.
I am as skilled as skilled can be In every matter of ? s.
d.
I count the money, and night by night I balance it up to a farthing right: In sooth, 'twould a stranger's soul perplex My double entry and double checks.
Yet it sometimes happens by some strange crook That a ledger-keeper will 'take his hook' With a couple of hundred thousand 'quid', And no one can tell how the thing was did!" Fourth Man "I am an editor, bold and free.
Behind the great impersonal 'We' I hold the power of the Mystic Three.
What scoundrel ever would dare to hint That anything crooked appears in print! Perhaps an actor is all the rage, He struts his hour on the mimic stage, With skill he interprets all the scenes -- And yet next morning I give him beans.
I slate his show from the floats to flies, Because the beggar won't advertise.
And sometimes columns of print appear About a mine, and it makes it clear That the same is all that one's heart could wish -- A dozen ounces to every dish.
But the reason we print those statements fine Is -- the editor's uncle owns the mine.
" The Last Straw "A preacher I, and I take my stand In pulpit decked with gown and band To point the way to a better land.
With sanctimonious and reverent look I read it out of the sacred book That he who would open the golden door Must give his all to the starving poor.
But I vary the practice to some extent By investing money at twelve per cent, And after I've preached for a decent while I clear for 'home' with a lordly pile.
I frighten my congregation well With fear of torment and threats of hell, Although I know that the scientists Can't find that any such place exists.
And when they prove it beyond mistake That the world took millions of years to make, And never was built by the seventh day I say in a pained and insulted way that 'Thomas also presumed to doubt', And thus do I rub my opponents out.
For folks may widen their mental range, But priest and parson, thay never change.
" With dragging footsteps and downcast head The hypnotiser went home to bed, And since that very successful test He has given the magic art a rest; Had he tried the ladies, and worked it right, What curious tales might have come to light!
Written by Hilaire Belloc | Create an image from this poem

The Microbe

 The Microbe is so very small
You cannot make him out at all,
But many sanguine people hope
To see him through a microscope.
His jointed tongue that lies beneath A hundred curious rows of teeth; His seven tufted tails with lots Of lovely pink and purple spots, On each of which a pattern stands, Composed of forty separate bands; His eyebrows of a tender green; All these have never yet been seen-- But Scientists, who ought to know, Assure us that they must be so.
.
.
.
Oh! let us never, never doubt What nobody is sure about!

Book: Shattered Sighs