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Best Famous Scepter Poems

Here is a collection of the all-time best famous Scepter poems. This is a select list of the best famous Scepter poetry. Reading, writing, and enjoying famous Scepter poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scepter poems.

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Written by Allen Ginsberg | Create an image from this poem

Sunflower Sutra

I walked on the banks of the tincan banana dock and sat down under the huge shade of a Southern Pacific locomotive to look for the sunset over the box house hills and cry.

Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the gnarled steel roots of trees of machinery.

The only water on the river mirrored the red sky, sun sank on top of final Frisco peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumy-eyed and hung-over like old bums on the riverbank, tired and wily.

Look at the Sunflower, he said, there was a dead gray shadow against the sky, big as a man, sitting dry on top of a pile of ancient sawdust--

--I rushed up enchanted--it was my first sunflower, memories of Blake--my visions--Harlem

and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead baby carriages, black treadless tires forgotten and unretreaded, the poem of the riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck and the razor-sharp artifacts passing into the past--

and the gray Sunflower poised against the sunset, crackly bleak and dusty with the smut and smog and smoke of olden locomotives in its eye--

corolla of bleary spikes pushed down and broken like a battered crown, seeds fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays obliterated on its hairy head like a dried wire spiderweb,

leaves stuck out like arms out of the stem, gestures from the sawdust root, broke pieces of plaster fallen out of the black twigs, a dead fly in its ear,

Unholy battered old thing you were, my sunflower O my soul, I loved you then!

The grime was no man's grime but death and human locomotives,

all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial worse-than-dirt--industrial-- modern--all that civilization spotting your crazy golden crown--

and those blear thoughts of death and dusty loveless eyes and ends and withered roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of machinery, the guts and innards of the weeping coughing car, the empty lonely tincans with their rusty tongues alack, what more could I name, the smoked ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of cars, wornout asses out of chairs & sphincters of dynamos--all these

entangled in your mummied roots--and you standing before me in the sunset, all your glory in your form!

A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a sweet natural eye to the new hip moon, woke up alive and excited grasping in the sunset shadow sunrise golden monthly breeze!

How many flies buzzed round you innocent of your grime, while you cursed the heavens of your railroad and your flower soul?

Poor dead flower? when did you forget you were a flower? when did you look at your skin and decide you were an impotent dirty old locomotive? the ghost of a locomotive? the specter and shade of a once powerful mad American locomotive?

You were never no locomotive, Sunflower, you were a sunflower!

And you Locomotive, you are a locomotive, forget me not!

So I grabbed up the skeleton thick sunflower and stuck it at my side like a scepter,

and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,

--We're not our skin of grime, we're not our dread bleak dusty imageless locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy naked accomplishment-bodies growing into mad black formal sunflowers in the sunset, spied on by our eyes under the shadow of the mad locomotive riverbank sunset Frisco hilly tincan evening sitdown vision.


Written by Carolyn Kizer | Create an image from this poem

Fearful Women

 Arms and the girl I sing - O rare
arms that are braceleted and white and bare

arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.

Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.

Mythologize your women! None escape.
Europe was named from an act of bestial rape:

Eponymous girl on bull-back, he intent
on scattering sperm across a continent.

Old Zeus refused to take the rap.
It's not his name in big print on the map.

But let's go back to the beginning
when sinners didn't know that they were sinning.

He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."

Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.

An educated woman is a danger.
Lock up your mate! Keep a submissive stranger

like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.

Whether we wield a scepter or a mop
It's clear you fear that we may get on top.

And if we do -I say it without animus-
It's not from you we learned to be magnaminous.
Written by Alfred Lord Tennyson | Create an image from this poem

Ulysses

 It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink
Life to the lees: all times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vest the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honoured of them all;
And drunk delight of battle with my peers;
Far on the ringing plains of windy Troy.
I am part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untravelled world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breath were life. Life piled on life
Were all to little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the scepter and the isle—
Well-loved of me, discerning to fulfill
This labour, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age had yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in the old days
Moved earth and heaven; that which we are, we are,
One equal-temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Written by Rudyard Kipling | Create an image from this poem

The Old Issue

 Here is nothing new nor aught unproven," say the Trumpets,
 "Many feet have worn it and the road is old indeed.
"It is the King--the King we schooled aforetime! "
 (Trumpets in the marshes-in the eyot at Runnymede!)

"Here is neither haste, nor hate, nor anger," peal the Trumpets,
 "Pardon for his penitence or pity for his fall.
"It is the King!"--inexorable Trumpets--
 (Trumpets round the scaffold af the dawning by Whitehall!)

 . . . . . . .


"He hath veiled the Crown And hid the Scepter," warn (he Trum pets,
 "He hath changed the fashion of the lies that cloak his will.
"Hard die the Kings--ah hard--dooms hard!" declare the Trumpets,
 Trumpets at the gang-plank where the brawling troop-decks fill!

Ancient and Unteachable, abide--abide the Trumpets!
 Once again the Trumpets, for the shuddering ground-swell brings 
Clamour over ocean of the harsh, pursuing Trumpets--
 Trumpets of the Vanguard that have sworn no truce with Kings! 

All we have of freedom, all we use or know--
This our fathers bought for us long and long ago.

Ancient Right unnoticed as the breath we draw--
Leave to live by no man's leave, underneath the Law.

Lance and torch and tumult, steel and grey-goose wing
Wrenched it, inch and ell and all, slowly from the king.

Till our fathers 'stablished,, after bloody years, 
How our King is one with us, first among his peers. 

So they bought us freedom-not at little cost-- 
Wherefore must we watch the King, lest our gain be lost.

Over all things certain, this is sure indeed,
Suffer not the old King: for we know the breed.

Give no ear to bondsmen bidding us endure.
Whining "He is weak and far"; crying "Time will cure."

(Time himself is witness, till the battle joins,
Deeper strikes the rottenness in the people's loins.)

Give no heed to bondsmen masking war with peace.
Suffer not the old King here or overseas.

They that beg us barter--wait his yielding mood--
Pledge the years we hold in trust-pawn our brother's blood--

Howso' great their clamour, whatsoe'er their claim,
Suffer not the old King under any name!

Here is naught unproven--here is naught to learn.
It is written what shall fall if the King return.

He shall mark our goings, question whence we came,
Set his guards about us, as in Freedom's name.

He shall take a tribute, toll of all our ware;
He shall change our gold for arms--arms we may not bear.

He shall break his Judges if they cross his word;
He shall rule above the Law calling on the Lord.

He shall peep and mutter; and the night shall bring
Watchers 'neath our window, lest we mock the King --

Hate and all division; hosts of hurrying spies;
Money poured in secret, carrion breeding flies.

Strangers of his counsel, hirelings of his pay,
These shall deal our Justice: sell-deny-delay.

We shall drink dishonour, we shall eat abuse
For the Land we look to--for the Tongue we use.

We shall take our station, dirt beneath his feet,
While his hired captains jeer us in the street.

Cruel in the shadow, crafty in the sun,
Far beyond his borders shall his teachings run.

Sloven, sullen, savage, secret, uncontrolled,
Laying on a new land evil of the old--

Long-forgotten bondage, dwarfing heart and brain--
All our fathers died to loose he shall bind again.

Here is nought at venture, random nor untrue
Swings the wheel full-circle, brims the cup anew.

Here is naught unproven, here is nothing hid:
Step for step and word for word--so the old Kings did!

Step by step, and word by word: who is ruled may read.
Suffer not the old Kings: for we know the breed--

All the right they promise--all the wrong they bring.
Stewards of the Judgment, suffer not this King !
Written by Sarojini Naidu | Create an image from this poem

Ode to H.H. The Nizam Of Hyderabad

 DEIGN, Prince, my tribute to receive, 
This lyric offering to your name, 
Who round your jewelled scepter bind 
The lilies of a poet's fame; 
Beneath whose sway concordant dwell 
The peoples whom your laws embrace, 
In brotherhood of diverse creeds, 
And harmony of diverse race:

The votaries of the Prophet's faith, 
Of whom you are the crown and chief 
And they, who bear on Vedic brows 
Their mystic symbols of belief; 
And they, who worshipping the sun, 
Fled o'er the old Iranian sea; 
And they, who bow to Him who trod 
The midnight waves of Galilee.

Sweet, sumptuous fables of Baghdad 
The splendours of your court recall, 
The torches of a Thousand Nights 
Blaze through a single festival; 
And Saki-singers down the streets, 
Pour for us, in a stream divine, 
From goblets of your love-ghazals 
The rapture of your Sufi wine.


Prince, where your radiant cities smile, 
Grim hills their sombre vigils keep, 
Your ancient forests hoard and hold 
The legends of their centuried sleep; 
Your birds of peace white-pinioned float 
O'er ruined fort and storied plain, 
Your faithful stewards sleepless guard 
The harvests of your gold and grain.

God give you joy, God give you grace 
To shield the truth and smite the wrong, 
To honour Virtue, Valour, Worth. 
To cherish faith and foster song. 
So may the lustre of your days 
Outshine the deeds Firdusi sung, 
Your name within a nation's prayer, 
Your music on a nation's tongue.


Written by William Shakespeare | Create an image from this poem

The Quality of Mercy

 The quality of mercy is not strain'd.
It droppeth as the gentle rain from heaven
Upon the place beneath. It is twice blest:
It blesseth him that gives, and him that takes.
'Tis mightiest in the mightiest; it becomes
The throned monarch better than his crown.
His scepter shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptered sway;
It is enthroned in the heart of kings;
It is an attribute to God himself;
And earthly power doth then show likest God's
When mercy seasons justice.
Written by John Wilmot | Create an image from this poem

A Satyre on Charles II

 [Rochester had to flee the court for several months
after handing this to the King by mistake.]


In th' isle of Britain, long since famous grown
For breeding the best cunts in Christendom,
There reigns, and oh! long may he reign and thrive,
The easiest King and best bred man alive.
Him no ambition moves to get reknown
Like the French fool, that wanders up and down
Starving his people, hazarding his crown.
Peace is his aim, his gentleness is such,
And love he loves, for he loves fucking much.
Nor are his high desires above his strength:
His scepter and his prick are of a length;
And she may sway the one who plays with th' other,
And make him little wiser than his brother.
Poor Prince! thy prick, like thy buffoons at court,
Will govern thee because it makes thee sport.
'Tis sure the sauciest prick that e'er did swive,
The proudest, peremptoriest prick alive.
Though safety, law, religion, life lay on 't,
'Twould break through all to make its way to ****.
Restless he rolls about from whore to whore,
A merry monarch, scandalous and poor.
To Carwell, the most dear of all his dears,
The best relief of his declining years,
Oft he bewails his fortune, and her fate:
To love so well, and be beloved so late.
Yet his dull, graceless bollocks hang an ****.
This you'd believe, had I but time to tell ye
The pains it costs to poor, laborious Nelly,
Whilst she employs hands, fingers, mouth, and thighs,
Ere she can raise the member she enjoys.
All monarchs I hate, and the thrones they sit on,
From the hector of France to the cully of Britain.
Written by Derek Walcott | Create an image from this poem

Koening Of The River

 Koening knew now there was no one on the river.
Entering its brown mouth choking with lilies
and curtained with midges, Koenig poled the shallop
past the abandoned ferry and the ferry piles
coated with coal dust. Staying aboard, he saw, up
in a thick meadow, a sand-colored mule,
untethered, with no harness, and no signs
of habitation round the ruined factory wheel
locked hard in rust, and through whose spokes the vines
of wild yam leaves leant from overweight;
the wild bananas in the yellowish sunlight
were dugged like aching cows with unmilked fruit.
This was the last of the productive mines.
Only the vegetation here looked right.
A crab of pain scuttled shooting up his foot
and fastened on his neck, at the brain's root.
He felt his reason curling back like parchment
in this fierce torpor. Well, he no longer taxed
and tired what was left of his memory;
he should thank heaven he had escaped the sea,
and anyway, he had demanded to be sent
here with the others - why get this river vexed
with his complaints? Koenig wanted to sing,
suddenly, if only to keep the river company - 
this was a river, and Koenig, his name meant King.
They had all caught the missionary fever:
they were prepared to expiate the sins
os savages, to tame them as he would tame this river
subtly, as it flowed, accepting its bends;
he had seen how other missionaries met their ends - 
swinging in the wind, like a dead clapper when
a bell is broken, if that sky was a bell -
for treating savages as if they were men,
and frightening them with talk of Heaven and Hell.
But I have forgotten our journey's origins,
mused Koenig, and our purpose. He knew it was noble,
based on some phrase, forgotten, from the Bible,
but he felt bodiless, like a man stumbling from
the pages of a novel, not a forest,
written a hundred years ago. He stroked his uniform,
clogged with the hooked burrs that had tried
to pull him, like the other drowning hands whom
his panic abandoned. The others had died,
like real men, by death. I, Koenig, am a ghost,
ghost-king of rivers. Well, even ghosts must rest.
If he knew he was lost he was not lost.
It was when you pretended that you were a fool.
He banked and leaned tiredly on the pole.
If I'm a character called Koenig, then I
shall dominate my future like a fiction
in which there is a real river and real sky,
so I'm not really tired, and should push on.

The lights between the leaves were beautiful,
and, as in that far life, now he was grateful
for any pool of light between the dull, usual
clouds of life: a sunspot haloed his tonsure;
silver and copper coins danced on the river;
his head felt warm - the light danced on his skull
like a benediction. Koenig closed his eyes,
and he felt blessed. It made direction sure.
He leant on the pole. He must push on some more.
He said his name. His voice sounded German,
then he said "river", but what was German
if he alone could hear it? Ich spreche Deutsch
sounded as genuine as his name in English,
Koenig in Deutsch, and, in English, King.
Did the river want to be called anything?
He asked the river. The river said nothing.

Around the bend the river poured its silver
like some remorseful mine, giving and giving
everything green and white: white sky, white
water, and the dull green like a drumbeat
of the slow-sliding forest, the green heat;
then, on some sandbar, a mirage ahead:
fabric of muslin sails, spiderweb rigging,
a schooner, foundered on black river mud,
was rising slowly up from the riverbed,
and a top-hatted native reading an inverted
newspaper.
 "Where's our Queen?" Koenig shouted.
"Where's our Kaiser?"
 The ****** disappeared.
Koenig felt that he himself was being read
like the newspaper or a hundred-year-old novel.
"The Queen dead! Kaiser dead!" the voices shouted.
And it flashed through him those trunks were not wood
but that the ghosts of slaughtered Indians stood
there in the mangrroves, their eyes like fireflies
in the green dark, and that like hummingbirds
they sailed rather than ran between the trees.
The river carried him past his shouted words.
The schooner had gone down without a trace.
"There was a time when we ruled everything,"
Koenig sang to his corrugated white reflection.
"The German Eagle and the British Lion,
we ruled worlds wider than this river flows,
worlds with dyed elephants, with tassled howdahs,
tigers that carried the striped shade when they rose
from their palm coverts; men shall not see these days
again; our flags sank with the sunset on the dhows
of Egypt; we ruled rivers as huge as the Nile,
the Ganges, and the Congo, we tamed, we ruled
you when our empires reached their blazing peak."
This was a small creek somewhere in the world,
never mind where - victory was in sight.
Koenig laughed and spat in the brown creek.
The mosquitoes now were singing to the night
that rose up from the river, the fog uncurled
under the mangroves. Koenig clenched each fist
around his barge-pole scepter, as a mist
rises from the river and the page goes white.
Written by Delmira Agustini | Create an image from this poem

El Poeta Leva El Ancla (Weighing The Anchor)

SpanishEl ancla de oro canta…la vela azul asciendeComo el ala de un sueño abierta al nuevo día.                              Partamos, musa mía!Ante lo prora alegre un bello mar se extiende.En el oriente claro como un cristal, esplendeEl fanal sonrosado de Aurora. FantasíaEstrena un raro traje lleno de pedreríapara vagar brillante por las olas.                              Ya tiendeLa vela azul a Eolo su oriflama de raso…El momento supremo!…Yo me estremezco; acasoSueño lo que me aguarda en los mundos no vistos!…Acaso un fresco ramo de laureles fragantes,El toison reluciente, el cetro de diamantes,El naufragio o la eterna corona de los Cristos?…              EnglishThe golden anchor beckons, the blue sail risesLike the wing of a dream unfolding to a new day.                              Let us depart, my muse!Beyond an anxious prow, the sea stretches itself out.In the crystal clear East, Aurora'sBlushed beacon shines. FantasyIs donning a rare garment of gemsTo wander brilliantly over the waves.                              The blue sailUnfolds its private oriflamme to Aeolus…The supreme moment!…I tremble: do I know–Oh God!–what awaits me in unseen worlds?Perhaps a freshly picked bouquet of fragrant laurels,The golden fleece, a diamond scepter,A shipwreck, or the eternal crown of the Anointed Ones?…

Written by Sir Philip Sidney | Create an image from this poem

Sonnet IV: Virtue Alas

 Virtue, alas, now let me take some rest. 
Thou set'st a bate between my soul and wit. 
If vain love have my simple soul oppress'd, 
Leave what thou likest not, deal not thou with it. 

The scepter use in some old Cato's breast; 
Churches or schools are for thy seat more fit. 
I do confess, pardon a fault confess'd, 
My mouth too tender is for thy hard bit. 

But if that needs thou wilt usurping be, 
The little reason that is left in me, 
And still th'effect of thy persuasions prove: 

I swear, my heart such one shall show to thee 
That shrines in flesh so true a deity, 
That Virtue, thou thyself shalt be in love.

Book: Reflection on the Important Things