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Best Famous Scattering Poems

Here is a collection of the all-time best famous Scattering poems. This is a select list of the best famous Scattering poetry. Reading, writing, and enjoying famous Scattering poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scattering poems.

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Written by Rabindranath Tagore | Create an image from this poem

The Journey

 Anghiari is medieval, a sleeve sloping down
A steep hill, suddenly sweeping out
To the edge of a cliff, and dwindling.
But far up the mountain, behind the town,
We too were swept out, out by the wind,
Alone with the Tuscan grass.

Wind had been blowing across the hills
For days, and everything now was graying gold
With dust, everything we saw, even
Some small children scampering along a road,
Twittering Italian to a small caged bird.

We sat beside them to rest in some brushwood,
And I leaned down to rinse the dust from my face.

I found the spider web there, whose hinges
Reeled heavily and crazily with the dust,
Whole mounds and cemeteries of it, sagging
And scattering shadows among shells and wings.
And then she stepped into the center of air
Slender and fastidious, the golden hair
Of daylight along her shoulders, she poised there,
While ruins crumbled on every side of her.
Free of the dust, as though a moment before
She had stepped inside the earth, to bathe herself.

I gazed, close to her, till at last she stepped
Away in her own good time.

Many men
Have searched all over Tuscany and never found
What I found there, the heart of the light
Itself shelled and leaved, balancing
On filaments themselves falling. The secret
Of this journey is to let the wind
Blow its dust all over your body,
To let it go on blowing, to step lightly, lightly
All the way through your ruins, and not to lose
Any sleep over the dead, who surely
Will bury their own, don't worry.


Written by Sylvia Plath | Create an image from this poem

Love Is A Parallax

 'Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
 in the impossible mind's eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
 where wave pretends to drench real sky.' 

'Well then, if we agree, it is not odd
that one man's devil is another's god
 or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
 is our life's whole nemesis. 

So we could rave on, darling, you and I,
until the stars tick out a lullaby
 about each cosmic pro and con;
nothing changes, for all the blazing of
our drastic jargon, but clock hands that move
 implacably from twelve to one. 

We raise our arguments like sitting ducks
to knock them down with logic or with luck
 and contradict ourselves for fun;
the waitress holds our coats and we put on
the raw wind like a scarf; love is a faun
 who insists his playmates run. 

Now you, my intellectual leprechaun,
would have me swallow the entire sun
 like an enormous oyster, down
the ocean in one gulp: you say a mark
of comet hara-kiri through the dark
 should inflame the sleeping town. 

So kiss: the drunks upon the curb and dames
in dubious doorways forget their monday names,
 caper with candles in their heads;
the leaves applaud, and santa claus flies in
scattering candy from a zeppelin,
 playing his prodigal charades. 

The moon leans down to took; the tilting fish
in the rare river wink and laugh; we lavish
 blessings right and left and cry
hello, and then hello again in deaf
churchyard ears until the starlit stiff
 graves all carol in reply. 

Now kiss again: till our strict father leans
to call for curtain on our thousand scenes;
 brazen actors mock at him,
multiply pink harlequins and sing
in gay ventriloquy from wing to wing
 while footlights flare and houselights dim. 

Tell now, we taunq where black or white begins
and separate the flutes from violins:
 the algebra of absolutes
explodes in a kaleidoscope of shapes
that jar, while each polemic jackanapes
 joins his enemies' recruits. 

The paradox is that 'the play's the thing':
though prima donna pouts and critic stings,
 there burns throughout the line of words,
the cultivated act, a fierce brief fusion
which dreamers call real, and realists, illusion:
 an insight like the flight of birds: 

Arrows that lacerate the sky, while knowing
the secret of their ecstasy's in going;
 some day, moving, one will drop,
and, dropping, die, to trace a wound that heals
only to reopen as flesh congeals:
 cycling phoenix never stops. 

So we shall walk barefoot on walnut shells
of withered worlds, and stamp out puny hells
 and heavens till the spirits squeak
surrender: to build our bed as high as jack's
bold beanstalk; lie and love till sharp scythe hacks
 away our rationed days and weeks. 

Then jet the blue tent topple, stars rain down,
and god or void appall us till we drown
 in our own tears: today we start
to pay the piper with each breath, yet love
knows not of death nor calculus above
 the simple sum of heart plus heart.
Written by Walt Whitman | Create an image from this poem

As a Strong Bird on Pinions Free

 1
AS a strong bird on pinions free, 
Joyous, the amplest spaces heavenward cleaving, 
Such be the thought I’d think to-day of thee, America, 
Such be the recitative I’d bring to-day for thee. 

The conceits of the poets of other lands I bring thee not,
Nor the compliments that have served their turn so long, 
Nor rhyme—nor the classics—nor perfume of foreign court, or indoor library; 
But an odor I’d bring to-day as from forests of pine in the north, in Maine—or
 breath
 of an Illinois prairie, 
With open airs of Virginia, or Georgia, or Tennessee—or from Texas uplands, or
 Florida’s glades, 
With presentment of Yellowstone’s scenes, or Yosemite;
And murmuring under, pervading all, I’d bring the rustling sea-sound, 
That endlessly sounds from the two great seas of the world. 

And for thy subtler sense, subtler refrains, O Union! 
Preludes of intellect tallying these and thee—mind-formulas fitted for
 thee—real, and
 sane, and large as these and thee; 
Thou, mounting higher, diving deeper than we knew—thou transcendental Union!
By thee Fact to be justified—blended with Thought; 
Thought of Man justified—blended with God: 
Through thy Idea—lo! the immortal Reality! 
Through thy Reality—lo! the immortal Idea! 

2
Brain of the New World! what a task is thine!
To formulate the Modern.....Out of the peerless grandeur of the modern, 
Out of Thyself—comprising Science—to recast Poems, Churches, Art, 
(Recast—may-be discard them, end them—May-be their work is done—who knows?)

By vision, hand, conception, on the background of the mighty past, the dead, 
To limn, with absolute faith, the mighty living present.

(And yet, thou living, present brain! heir of the dead, the Old World brain! 
Thou that lay folded, like an unborn babe, within its folds so long! 
Thou carefully prepared by it so long!—haply thou but unfoldest it—only maturest
 it; 
It to eventuate in thee—the essence of the by-gone time contain’d in thee; 
Its poems, churches, arts, unwitting to themselves, destined with reference to thee,
The fruit of all the Old, ripening to-day in thee.) 

3
Sail—sail thy best, ship of Democracy! 
Of value is thy freight—’tis not the Present only, 
The Past is also stored in thee! 
Thou holdest not the venture of thyself alone—not of thy western continent alone;
Earth’s résumé entire floats on thy keel, O ship—is
 steadied by
 thy spars; 
With thee Time voyages in trust—the antecedent nations sink or swim with thee; 
With all their ancient struggles, martyrs, heroes, epics, wars, thou bear’st the
 other
 continents; 
Theirs, theirs as much as thine, the destination-port triumphant: 
—Steer, steer with good strong hand and wary eye, O helmsman—thou carryest great
 companions,
Venerable, priestly Asia sails this day with thee, 
And royal, feudal Europe sails with thee. 

4
Beautiful World of new, superber Birth, that rises to my eyes, 
Like a limitless golden cloud, filling the western sky; 
Emblem of general Maternity, lifted above all;
Sacred shape of the bearer of daughters and sons; 
Out of thy teeming womb, thy giant babes in ceaseless procession issuing, 
Acceding from such gestation, taking and giving continual strength and life; 
World of the Real! world of the twain in one! 
World of the Soul—born by the world of the real alone—led to identity, body, by
 it
 alone;
Yet in beginning only—incalculable masses of composite, precious materials, 
By history’s cycles forwarded—by every nation, language, hither sent, 
Ready, collected here—a freer, vast, electric World, to be constructed here, 
(The true New World—the world of orbic Science, Morals, Literatures to come,) 
Thou Wonder World, yet undefined, unform’d—neither do I define thee;
How can I pierce the impenetrable blank of the future? 
I feel thy ominous greatness, evil as well as good; 
I watch thee, advancing, absorbing the present, transcending the past; 
I see thy light lighting and thy shadow shadowing, as if the entire globe; 
But I do not undertake to define thee—hardly to comprehend thee;
I but thee name—thee prophecy—as now! 
I merely thee ejaculate! 

Thee in thy future; 
Thee in thy only permanent life, career—thy own unloosen’d mind—thy soaring
 spirit; 
Thee as another equally needed sun, America—radiant, ablaze, swift-moving,
 fructifying
 all;
Thee! risen in thy potent cheerfulness and joy—thy endless, great hilarity! 
(Scattering for good the cloud that hung so long—that weigh’d so long upon the
 mind
 of man, 
The doubt, suspicion, dread, of gradual, certain decadence of man;) 
Thee in thy larger, saner breeds of Female, Male—thee in thy athletes, moral,
 spiritual,
 South, North, West, East, 
(To thy immortal breasts, Mother of All, thy every daughter, son, endear’d alike,
 forever
 equal;)
Thee in thy own musicians, singers, artists, unborn yet, but certain; 
Thee in thy moral wealth and civilization (until which thy proudest material wealth and
 civilization must remain in vain;) 
Thee in thy all-supplying, all-enclosing Worship—thee in no single bible, saviour,
 merely,

Thy saviours countless, latent within thyself—thy bibles incessant, within thyself,
 equal
 to any, divine as any; 
Thee in an education grown of thee—in teachers, studies, students, born of thee;
Thee in thy democratic fetes, en masse—thy high original festivals, operas,
 lecturers,
 preachers; 
Thee in thy ultimata, (the preparations only now completed—the edifice on sure
 foundations
 tied,) 
Thee in thy pinnacles, intellect, thought—thy topmost rational joys—thy love,
 and
 godlike aspiration, 
In thy resplendent coming literati—thy full-lung’d orators—thy sacerdotal
 bards—kosmic savans, 
These! these in thee, (certain to come,) to-day I prophecy.

5
Land tolerating all—accepting all—not for the good alone—all good for thee;

Land in the realms of God to be a realm unto thyself; 
Under the rule of God to be a rule unto thyself. 

(Lo! where arise three peerless stars, 
To be thy natal stars, my country—Ensemble—Evolution—Freedom,
Set in the sky of Law.) 

Land of unprecedented faith—God’s faith! 
Thy soil, thy very subsoil, all upheav’d; 
The general inner earth, so long, so sedulously draped over, now and hence for what it is,
 boldly laid bare, 
Open’d by thee to heaven’s light, for benefit or bale.

Not for success alone; 
Not to fair-sail unintermitted always; 
The storm shall dash thy face—the murk of war, and worse than war, shall cover thee
 all
 over; 
(Wert capable of war—its tug and trials? Be capable of peace, its trials; 
For the tug and mortal strain of nations come at last in peace—not war;)
In many a smiling mask death shall approach, beguiling thee—thou in disease shalt
 swelter;

The livid cancer spread its hideous claws, clinging upon thy breasts, seeking to strike
 thee
 deep within; 
Consumption of the worst—moral consumption—shall rouge thy face with hectic: 
But thou shalt face thy fortunes, thy diseases, and surmount them all, 
Whatever they are to-day, and whatever through time they may be,
They each and all shall lift, and pass away, and cease from thee; 
While thou, Time’s spirals rounding—out of thyself, thyself still extricating,
 fusing, 
Equable, natural, mystical Union thou—(the mortal with immortal blent,) 
Shalt soar toward the fulfilment of the future—the spirit of the body and the mind, 
The Soul—its destinies.

The Soul, its destinies—the real real, 
(Purport of all these apparitions of the real;) 
In thee, America, the Soul, its destinies; 
Thou globe of globes! thou wonder nebulous! 
By many a throe of heat and cold convuls’d—(by these thyself solidifying;)
Thou mental, moral orb! thou New, indeed new, Spiritual World! 
The Present holds thee not—for such vast growth as thine—for such
 unparallel’d
 flight as thine, 
The Future only holds thee, and can hold thee.
Written by Henry Wadsworth Longfellow | Create an image from this poem

Rain In Summer

 How beautiful is the rain!
After the dust and heat,
In the broad and fiery street,
In the narrow lane,
How beautiful is the rain!

How it clatters along the roofs,
Like the tramp of hoofs
How it gushes and struggles out
From the throat of the overflowing spout!

Across the window-pane
It pours and pours;
And swift and wide,
With a muddy tide,
Like a river down the gutter roars
The rain, the welcome rain!

The sick man from his chamber looks
At the twisted brooks;
He can feel the cool
Breath of each little pool;
His fevered brain
Grows calm again,
And he breathes a blessing on the rain.

From the neighboring school
Come the boys,
With more than their wonted noise
And commotion;
And down the wet streets
Sail their mimic fleets,
Till the treacherous pool
Ingulfs them in its whirling
And turbulent ocean.

In the country, on every side,
Where far and wide,
Like a leopard's tawny and spotted hide,
Stretches the plain,
To the dry grass and the drier grain
How welcome is the rain!

In the furrowed land
The toilsome and patient oxen stand;
Lifting the yoke encumbered head,
With their dilated nostrils spread,
They silently inhale
The clover-scented gale,
And the vapors that arise
From the well-watered and smoking soil.
For this rest in the furrow after toil
Their large and lustrous eyes
Seem to thank the Lord,
More than man's spoken word.

Near at hand,
From under the sheltering trees,
The farmer sees
His pastures, and his fields of grain,
As they bend their tops
To the numberless beating drops
Of the incessant rain.
He counts it as no sin
That he sees therein
Only his own thrift and gain.

These, and far more than these,
The Poet sees!
He can behold
Aquarius old
Walking the fenceless fields of air;
And from each ample fold
Of the clouds about him rolled
Scattering everywhere
The showery rain,
As the farmer scatters his grain.

He can behold
Things manifold
That have not yet been wholly told,--
Have not been wholly sung nor said.
For his thought, that never stops,
Follows the water-drops
Down to the graves of the dead,
Down through chasms and gulfs profound,
To the dreary fountain-head
Of lakes and rivers under ground;
And sees them, when the rain is done,
On the bridge of colors seven
Climbing up once more to heaven,
Opposite the setting sun.

Thus the Seer,
With vision clear,
Sees forms appear and disappear,
In the perpetual round of strange,
Mysterious change
From birth to death, from death to birth,
From earth to heaven, from heaven to earth;
Till glimpses more sublime
Of things, unseen before,
Unto his wondering eyes reveal
The Universe, as an immeasurable wheel
Turning forevermore
In the rapid and rushing river of Time.
Written by Elizabeth Barrett Browning | Create an image from this poem

A Musical Instrument

WHAT was he doing the great god Pan  
Down in the reeds by the river? 
Spreading ruin and scattering ban  
Splashing and paddling with hoofs of a goat  
And breaking the golden lilies afloat 5 
With the dragon-fly on the river. 

He tore out a reed the great god Pan  
From the deep cool bed of the river; 
The limpid water turbidly ran  
And the broken lilies a-dying lay 10 
And the dragon-fly had fled away  
Ere he brought it out of the river. 

High on the shore sat the great god Pan  
While turbidly flow'd the river; 
And hack'd and hew'd as a great god can 15 
With his hard bleak steel at the patient reed  
Till there was not a sign of the leaf indeed 
To prove it fresh from the river. 

He cut it short did the great god Pan 
(How tall it stood in the river!) 20 
Then drew the pith like the heart of a man  
Steadily from the outside ring  
And notch'd the poor dry empty thing 
In holes as he sat by the river. 

'This is the way ' laugh'd the great god Pan 25 
(Laugh'd while he sat by the river)  
'The only way since gods began 
To make sweet music they could succeed.' 
Then dropping his mouth to a hole in the reed  
He blew in power by the river. 30 

Sweet sweet sweet O Pan! 
Piercing sweet by the river! 
Blinding sweet O great god Pan! 
The sun on the hill forgot to die  
And the lilies revived and the dragon-fly 35 
Came back to dream on the river. 

Yet half a beast is the great god Pan  
To laugh as he sits by the river  
Making a poet out of a man: 
The true gods sigh for the cost and pain¡ª 40 
For the reed which grows nevermore again 
As a reed with the reeds of the river. 


Written by Percy Bysshe Shelley | Create an image from this poem

To a Skylark

HAIL to thee, blithe spirit! 
Bird thou never wert, 
That from heaven, or near it, 
Pourest thy full heart 
In profuse strains of unpremeditated art.

Higher still and higher 
From the earth thou springest, 
Like a cloud of fire 
The blue deep thou wingest, 
And singing still dost soar, and soaring ever singest.

In the golden lightning 
Of the sunken sun, 
O'er which clouds are bright'ning, 
Thou dost float and run, 
Like an unbodied joy whose race is just begun.

The pale purple even 
Melts around thy flight; 
Like a star of heaven 
In the broad daylight, 
Thou art unseen, but yet I hear thy shrill delight

Keen as are the arrows 
Of that silver sphere, 
Whose intense lamp narrows 
In the white dawn clear 
Until we hardly see, we feel that it is there.

All the earth and air 
With thy voice is loud¡ª 
As, when night is bare, 
From one lonely cloud 
The moon rains out her beams, and heaven is overflow'd. 

What thou art we know not; 
What is most like thee?¡ª 
From rainbow clouds there flow not 
Drops so bright to see 
As from thy presence showers a rain of melody: 

Like a poet hidden 
In the light of thought, 
Singing hymns unbidden, 
Till the world is wrought 
To sympathy with hopes and fears it heeded not: 

Like a high-born maiden 
In a palace tower, 
Soothing her love-laden 
Soul in secret hour 
With music sweet as love, which overflows her bower: 

Like a glow-worm golden 
In a dell of dew, 
Scattering unbeholden 
Its aerial hue 
Among the flowers and grass, which screen it from the view: 

Like a rose embower'd 
In its own green leaves, 
By warm winds deflower'd, 
Till the scent it gives 
Makes faint with too much sweet these heavy-wing¨¨d thieves.

Sound of vernal showers 
On the twinkling grass, 
Rain-awaken'd flowers¡ª 
All that ever was 
Joyous, and clear, and fresh, thy music doth surpass. 

Teach us, sprite or bird, 
What sweet thoughts are thine: 
I have never heard 
Praise of love or wine 
That panted forth a flood of rapture so divine.

Chorus hymeneal, 
Or triumphal chaunt, 
Match'd with thine, would be all 
But an empty vaunt¡ª 
A thing wherein we feel there is some hidden want.

What objects are the fountains 
Of thy happy strain? 
What fields, or waves, or mountains? 
What shapes of sky or plain? 
What love of thine own kind? what ignorance of pain? 

With thy clear keen joyance 
Languor cannot be; 
Shadow of annoyance 
Never came near thee: 
Thou lovest; but ne'er knew love's sad satiety.

Waking or asleep, 
Thou of death must deem 
Things more true and deep 
Than we mortals dream, 
Or how could thy notes flow in such a crystal stream? 

We look before and after, 
And pine for what is not: 
Our sincerest laughter 
With some pain is fraught; 
Our sweetest songs are those that tell of saddest thought. 

Yet if we could scorn 
Hate, and pride, and fear; 
If we were things born 
Not to shed a tear, 
I know not how thy joy we ever should come near.

Better than all measures 
Of delightful sound, 
Better than all treasures 
That in books are found, 
Thy skill to poet were, thou scorner of the ground! 

Teach me half the gladness 
That thy brain must know
Such harmonious madness 
From my lips would flow, 
The world should listen then, as I am listening now! 
Written by Vachel Lindsay | Create an image from this poem

The Tale of the Tiger-Tree

 A Fantasy, dedicated to the little poet Alice Oliver Henderson, ten years old. 

The Fantasy shows how tiger-hearts are the cause of war in all ages. It shows how the mammoth forces may be either friends or enemies of the struggle for peace. It shows how the dream of peace is unconquerable and eternal.


I

Peace-of-the-Heart, my own for long,
Whose shining hair the May-winds fan,
Making it tangled as they can,
A mystery still, star-shining yet,
Through ancient ages known to me
And now once more reborn with me: —

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

This is my city Springfield,
My home on the breast of the plain.
The state house towers to heaven,
By an arsenal gray as the rain...
And suddenly all is mist,
And I walk in a world apart,
In the forest-age when I first knelt down
At your feet, O Peace-of-the-Heart.

This is the wonder of twilight:
Three times as high as the dome
Tiger-striped trees encircle the town,
Golden geysers of foam.
While giant white parrots sail past in their pride.
The roofs now are clouds and storms that they ride.
And there with the huntsmen of mound-builder days
Through jungle and meadow I stride.
And the Tiger Tree leaf is falling around
As it fell when the world began:
Like a monstrous tiger-skin, stretched on the ground,
Or the cloak of a medicine man.
A deep-crumpled gossamer web,
Fringed with the fangs of a snake.
The wind swirls it down from the leperous boughs.
It shimmers on clay-hill and lake,
With the gleam of great bubbles of blood,
Or coiled like a rainbow shell....
I feast on the stem of the Leaf as I march.
I am burning with Heaven and Hell.


II

The gray king died in his hour.
Then we crowned you, the prophetess wise:
Peace-of-the-Heart we deeply adored
For the witchcraft hid in your eyes.
Gift from the sky, overmastering all,
You sent forth your magical parrots to call
The plot-hatching prince of the tigers,
To your throne by the red-clay wall.

Thus came that genius insane:
Spitting and slinking,
Sneering and vain,
He sprawled to your grassy throne, drunk on The Leaf,
The drug that was cunning and splendor and grief.
He had fled from the mammoth by day,
He had blasted the mammoth by night,
War was his drunkenness,
War was his dreaming,
War was his love and his play.
And he hissed at your heavenly glory
While his councillors snarled in delight,
Asking in irony: "What shall we learn
From this whisperer, fragile and white?"

And had you not been an enchantress
They would not have loitered to mock
Nor spared your white parrots who walked by their paws
With bantering venturesome talk.

You made a white fire of The Leaf.
You sang while the tiger-chiefs hissed.
You chanted of "Peace to the wonderful world."
And they saw you in dazzling mist.
And their steps were no longer insane,
Kindness came down like the rain,
They dreamed that like fleet young ponies they feasted
On succulent grasses and grain.

Then came the black-mammoth chief:
Long-haired and shaggy and great,
Proud and sagacious he marshalled his court:
(You had sent him your parrots of state.)
His trunk in rebellion upcurled,
A curse at the tiger he hurled.
Huge elephants trumpeted there by his side,
And mastodon-chiefs of the world.
But higher magic began.
For the turbulent vassals of man.
You harnessed their fever, you conquered their ire,
Their hearts turned to flowers through holy desire,
For their darling and star you were crowned,
And their raging demons were bound.
You rode on the back of the yellow-streaked king,
His loose neck was wreathed with a mistletoe ring.
Primordial elephants loomed by your side,
And our clay-painted children danced by your path,
Chanting the death of the kingdoms of wrath.
You wrought until night with us all.
The fierce brutes fawned at your call,
Then slipped to their lairs, song-chained.
And thus you sang sweetly, and reigned:
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love...and wisdom...and glory,...to his den."


III

"Beware of the trumpeting swine,"
Came the howl from the northward that night.
Twice-rebel tigers warning was still
If we held not beside them it boded us ill.
From the parrots translating the cry,
And the apes in the trees came the whine:
"Beware of the trumpeting swine.
Beware of the faith of a mammoth."

"Beware of the faith of a tiger,"
Came the roar from the southward that night.
Trumpeting mammoths warning us still
If we held not beside them it boded us ill.
The frail apes wailed to us all,
The parrots reëchoed the call:
"Beware of the faith of a tiger."
From the heights of the forest the watchers could see
The tiger-cats crunching the Leaf of the Tree
Lashing themselves, and scattering foam,
Killing our huntsmen, hurrying home.
The chiefs of the mammoths our mastery spurned,
And eastward restlessly fumed and burned.
The peacocks squalled out the news of their drilling
And told how they trampled, maneuvered, and turned.
Ten thousand man-hating tigers
Whirling down from the north, like a flood!
Ten thousand mammoths oncoming
From the south as avengers of blood!
Our child-queen was mourning, her magic was dead,
The roots of the Tiger Tree reeking with red.


IV

This is the tale of the Tiger Tree
A hundred times the height of a man,
Lord of the race since the world began.

We marched to the mammoths,
We pledged them our steel,
And scorning you, sang: —
"We are men,
We are men."
We mounted their necks,
And they stamped a wide reel.
We sang:
"We are fighting the hell-cats again,
We are mound-builder men,
We are elephant men."
We left you there, lonely,
Beauty your power,
Wisdom your watchman,
To hold the clay tower.
While the black-mammoths boomed —
"You are elephant men,
Men,
Men,
Elephant men."
The dawn-winds prophesied battles untold.
While the Tiger Trees roared of the glories of old,
Of the masterful spirits and hard.

The drunken cats came in their joy
In the sunrise, a glittering wave.
"We are tigers, are tigers," they yowled.
"Down,
Down,
Go the swine to the grave."
But we tramp
Tramp
Trampled them there,
Then charged with our sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in our ears.

We yelled "We are men,
We are men."
As we bled to death in the sun....
Then staunched our horrible wounds
With the cry that the battle was won....
And at last,
When the black-mammoth legion
Split the night with their song: —
"Right is braver than wrong,
Right is stronger than wrong,"
The buzzards came taunting:
"Down from the north
Tiger-nations are sweeping along."

Then we ate of the ravening Leaf
As our savage fathers of old.
No longer our wounds made us weak,
No longer our pulses were cold.
Though half of my troops were afoot,
(For the great who had borne them were slain)
We dreamed we were tigers, and leaped
And foamed with that vision insane.
We cried "We are soldiers of doom,
Doom,
Sabres of glory and doom."
We wreathed the king of the mammoths
In the tiger-leaves' terrible bloom.
We flattered the king of the mammoths,
Loud-rattling sabres and spears.
The swish of the sabre,
The swish of the sabre,
Was a marvellous tune in his ears.


V

This was the end of the battle.
The tigers poured by in a tide
Over us all with their caterwaul call,
"We are the tigers,"
They cried.
"We are the sabres,"
They cried.
But we laughed while our blades swept wide,
While the dawn-rays stabbed through the gloom.
"We are suns on fire" was our yell —
"Suns on fire."...
But man-child and mastodon fell,
Mammoth and elephant fell.
The fangs of the devil-cats closed on the world,
Plunged it to blackness and doom.

The desolate red-clay wall
Echoed the parrots' call: —
"Immortal is the inner peace, free to beasts and men.
Beginning in the darkness, the mystery will conquer,
And now it comforts every heart that seeks for love again.
And now the mammoth bows the knee,
We hew down every Tiger Tree,
We send each tiger bound in love and glory to his den,
Bound in love... and wisdom... and glory,... to his den."

A peacock screamed of his beauty
On that broken wall by the trees,
Chiding his little mate,
Spreading his fans in the breeze...
And you, with eyes of a bride,
Knelt on the wall at my side,
The deathless song in your mouth...
A million new tigers swept south...
As we laughed at the peacock, and died.

This is my vision in Springfield:
Three times as high as the dome,
Tiger-striped trees encircle the town,
Golden geysers of foam; —
Though giant white parrots sail past, giving voice,
Though I walk with Peace-of-the-Heart and rejoice.
Written by Carolyn Kizer | Create an image from this poem

Fearful Women

 Arms and the girl I sing - O rare
arms that are braceleted and white and bare

arms that were lovely Helen's, in whose name
Greek slaughtered Trojan. Helen was to blame.

Scape-nanny call her; wars for turf
and profit don't sound glamorous enough.

Mythologize your women! None escape.
Europe was named from an act of bestial rape:

Eponymous girl on bull-back, he intent
on scattering sperm across a continent.

Old Zeus refused to take the rap.
It's not his name in big print on the map.

But let's go back to the beginning
when sinners didn't know that they were sinning.

He, one rib short: she lived to rue it
when Adam said to God, "She made me do it."

Eve learned that learning was a dangerous thing
for her: no end of trouble would it bring.

An educated woman is a danger.
Lock up your mate! Keep a submissive stranger

like Darby's Joan, content with church and Kinder,
not like that sainted Joan, burnt to a cinder.

Whether we wield a scepter or a mop
It's clear you fear that we may get on top.

And if we do -I say it without animus-
It's not from you we learned to be magnaminous.
Written by John Greenleaf Whittier | Create an image from this poem

The Sycamores

 In the outskirts of the village 
On the river's winding shores 
Stand the Occidental plane-trees, 
Stand the ancient sycamores. 

One long century hath been numbered, 
And another half-way told 
Since the rustic Irish gleeman 
Broke for them the virgin mould. 

Deftly set to Celtic music 
At his violin's sound they grew, 
Through the moonlit eves of summer, 
Making Amphion's fable true. 

Rise again, thou poor Hugh Tallant! 
Pass in erkin green along 
With thy eyes brim full of laughter, 
And thy mouth as full of song. 

Pioneer of Erin's outcasts 
With his fiddle and his pack- 
Little dreamed the village Saxons 
Of the myriads at his back. 

How he wrought with spade and fiddle, 
Delved by day and sang by night, 
With a hand that never wearied 
And a heart forever light,--- 

Still the gay tradition mingles 
With a record grave and drear 
Like the rollic air of Cluny 
With the solemn march of Mear. 

When the box-tree, white with blossoms, 
Made the sweet May woodlands glad, 
And the Aronia by the river 
Lighted up the swarming shad, 

And the bulging nets swept shoreward 
With their silver-sided haul, 
Midst the shouts of dripping fishers, 
He was merriest of them all. 

When, among the jovial huskers 
Love stole in at Labor's side 
With the lusty airs of England 
Soft his Celtic measures vied. 

Songs of love and wailing lyke-wake 
And the merry fair's carouse; 
Of the wild Red Fox of Erin 
And the Woman of Three Cows, 

By the blazing hearths of winter 
Pleasant seemed his simple tales, 
Midst the grimmer Yorkshire legends 
And the mountain myths of Wales. 

How the souls in Purgatory 
Scrambled up from fate forlorn 
On St. Keven's sackcloth ladder 
Slyly hitched to Satan's horn. 

Of the fiddler who at Tara 
Played all night to ghosts of kings; 
Of the brown dwarfs, and the fairies 
Dancing in their moorland rings! 

Jolliest of our birds of singing 
Best he loved the Bob-o-link. 
"Hush!" he'd say, "the tipsy fairies! 
Hear the little folks in drink!" 

Merry-faced, with spade and fiddle, 
Singing through the ancient town, 
Only this, of poor Hugh Tallant 
Hath Tradtion handed down. 

Not a stone his grave discloses; 
But if yet his spirit walks 
Tis beneath the trees he planted 
And when Bob-o-Lincoln talks. 

Green memorials of the gleeman! 
Linking still the river-shores, 
With their shadows cast by sunset 
Stand Hugh Tallant's sycamores! 

When the Father of his Country 
Through the north-land riding came 
And the roofs were starred with banners, 
And the steeples rang acclaim,--- 

When each war-scarred Continental 
Leaving smithy, mill,.and farm, 
Waved his rusted sword in welcome, 
And shot off his old king's-arm,--- 

Slowly passed that august Presence 
Down the thronged and shouting street; 
Village girls as white as angels 
Scattering flowers around his feet. 

Midway, where the plane-tree's shadow 
Deepest fell, his rein he drew: 
On his stately head, uncovered, 
Cool and soft the west-wind blew. 

And he stood up in his stirrups, 
Looking up and looking down 
On the hills of Gold and Silver 
Rimming round the little town,--- 

On the river, full of sunshine, 
To the lap of greenest vales 
Winding down from wooded headlands, 
Willow-skirted, white with sails. 

And he said, the landscape sweeping 
Slowly with his ungloved hand 
"I have seen no prospect fairer 
In this goodly Eastern land." 

Then the bugles of his escort 
Stirred to life the cavalcade: 
And that head, so bare and stately 
Vanished down the depths of shade. 

Ever since, in town and farm-house, 
Life has had its ebb and flow; 
Thrice hath passed the human harvest 
To its garner green and low. 

But the trees the gleeman planted, 
Through the changes, changeless stand; 
As the marble calm of Tadmor 
Mocks the deserts shifting sand. 

Still the level moon at rising 
Silvers o'er each stately shaft; 
Still beneath them, half in shadow, 
Singing, glides the pleasure craft; 

Still beneath them, arm-enfolded, 
Love and Youth together stray; 
While, as heart to heart beats faster, 
More and more their feet delay. 

Where the ancient cobbler, Keezar, 
On the open hillside justice wrought, 
Singing, as he drew his stitches, 
Songs his German masters taught. 

Singing, with his gray hair floating 
Round a rosy ample face,--- 
Now a thousand Saxon craftsmen 
Stitch and hammer in his place. 

All the pastoral lanes so grassy 
Now are Traffic's dusty streets; 
From the village, grown a city, 
Fast the rural grace retreats. 

But, still green and tall and stately, 
On the river's winding shores, 
Stand the occidental plane-trees, 
Stand Hugh Tallant's sycamores.
Written by Raymond Carver | Create an image from this poem

The Current

 These fish have no eyes 
these silver fish that come to me in dreams, 
scattering their roe and milt 
in the pockets of my brain.

But there's one that comes-- 
heavy, scarred, silent like the rest, 
that simply holds against the current,

closing its dark mouth against 
the current, closing and opening 
as it holds to the current.

Book: Radiant Verses: A Journey Through Inspiring Poetry