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Best Famous Scamps Poems

Here is a collection of the all-time best famous Scamps poems. This is a select list of the best famous Scamps poetry. Reading, writing, and enjoying famous Scamps poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scamps poems.

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Written by Sidney Lanier | Create an image from this poem

Corn

 To-day the woods are trembling through and through
With shimmering forms, that flash before my view,
Then melt in green as dawn-stars melt in blue.
The leaves that wave against my cheek caress Like women's hands; the embracing boughs express A subtlety of mighty tenderness; The copse-depths into little noises start, That sound anon like beatings of a heart, Anon like talk 'twixt lips not far apart.
The beech dreams balm, as a dreamer hums a song; Through that vague wafture, expirations strong Throb from young hickories breathing deep and long With stress and urgence bold of prisoned spring And ecstasy of burgeoning.
Now, since the dew-plashed road of morn is dry, Forth venture odors of more quality And heavenlier giving.
Like Jove's locks awry, Long muscadines Rich-wreathe the spacious foreheads of great pines, And breathe ambrosial passion from their vines.
I pray with mosses, ferns and flowers shy That hide like gentle nuns from human eye To lift adoring perfumes to the sky.
I hear faint bridal-sighs of brown and green Dying to silent hints of kisses keen As far lights fringe into a pleasant sheen.
I start at fragmentary whispers, blown From undertalks of leafy souls unknown, Vague purports sweet, of inarticulate tone.
Dreaming of gods, men, nuns and brides, between Old companies of oaks that inward lean To join their radiant amplitudes of green I slowly move, with ranging looks that pass Up from the matted miracles of grass Into yon veined complex of space Where sky and leafage interlace So close, the heaven of blue is seen Inwoven with a heaven of green.
I wander to the zigzag-cornered fence Where sassafras, intrenched in brambles dense, Contests with stolid vehemence The march of culture, setting limb and thorn As pikes against the army of the corn.
There, while I pause, my fieldward-faring eyes Take harvests, where the stately corn-ranks rise, Of inward dignities And large benignities and insights wise, Graces and modest majesties.
Thus, without theft, I reap another's field; Thus, without tilth, I house a wondrous yield, And heap my heart with quintuple crops concealed.
Look, out of line one tall corn-captain stands Advanced beyond the foremost of his bands, And waves his blades upon the very edge And hottest thicket of the battling hedge.
Thou lustrous stalk, that ne'er mayst walk nor talk, Still shalt thou type the poet-soul sublime That leads the vanward of his timid time And sings up cowards with commanding rhyme -- Soul calm, like thee, yet fain, like thee, to grow By double increment, above, below; Soul homely, as thou art, yet rich in grace like thee, Teaching the yeomen selfless chivalry That moves in gentle curves of courtesy; Soul filled like thy long veins with sweetness tense, By every godlike sense Transmuted from the four wild elements.
Drawn to high plans, Thou lift'st more stature than a mortal man's, Yet ever piercest downward in the mould And keepest hold Upon the reverend and steadfast earth That gave thee birth; Yea, standest smiling in thy future grave, Serene and brave, With unremitting breath Inhaling life from death, Thine epitaph writ fair in fruitage eloquent, Thyself thy monument.
As poets should, Thou hast built up thy hardihood With universal food, Drawn in select proportion fair From honest mould and vagabond air; From darkness of the dreadful night, And joyful light; From antique ashes, whose departed flame In thee has finer life and longer fame; From wounds and balms, From storms and calms, From potsherds and dry bones And ruin-stones.
Into thy vigorous substance thou hast wrought Whate'er the hand of Circumstance hath brought; Yea, into cool solacing green hast spun White radiance hot from out the sun.
So thou dost mutually leaven Strength of earth with grace of heaven; So thou dost marry new and old Into a one of higher mould; So thou dost reconcile the hot and cold, The dark and bright, And many a heart-perplexing opposite, And so, Akin by blood to high and low, Fitly thou playest out thy poet's part, Richly expending thy much-bruised heart In equal care to nourish lord in hall Or beast in stall: Thou took'st from all that thou mightst give to all.
O steadfast dweller on the selfsame spot Where thou wast born, that still repinest not -- Type of the home-fond heart, the happy lot! -- Deeply thy mild content rebukes the land Whose flimsy homes, built on the shifting sand Of trade, for ever rise and fall With alternation whimsical, Enduring scarce a day, Then swept away By swift engulfments of incalculable tides Whereon capricious Commerce rides.
Look, thou substantial spirit of content! Across this little vale, thy continent, To where, beyond the mouldering mill, Yon old deserted Georgian hill Bares to the sun his piteous aged crest And seamy breast, By restless-hearted children left to lie Untended there beneath the heedless sky, As barbarous folk expose their old to die.
Upon that generous-rounding side, With gullies scarified Where keen Neglect his lash hath plied, Dwelt one I knew of old, who played at toil, And gave to coquette Cotton soul and soil.
Scorning the slow reward of patient grain, He sowed his heart with hopes of swifter gain, Then sat him down and waited for the rain.
He sailed in borrowed ships of usury -- A foolish Jason on a treacherous sea, Seeking the Fleece and finding misery.
Lulled by smooth-rippling loans, in idle trance He lay, content that unthrift Circumstance Should plough for him the stony field of Chance.
Yea, gathering crops whose worth no man might tell, He staked his life on games of Buy-and-Sell, And turned each field into a gambler's hell.
Aye, as each year began, My farmer to the neighboring city ran; Passed with a mournful anxious face Into the banker's inner place; Parleyed, excused, pleaded for longer grace; Railed at the drought, the worm, the rust, the grass; Protested ne'er again 'twould come to pass; With many an `oh' and `if' and `but alas' Parried or swallowed searching questions rude, And kissed the dust to soften Dives's mood.
At last, small loans by pledges great renewed, He issues smiling from the fatal door, And buys with lavish hand his yearly store Till his small borrowings will yield no more.
Aye, as each year declined, With bitter heart and ever-brooding mind He mourned his fate unkind.
In dust, in rain, with might and main, He nursed his cotton, cursed his grain, Fretted for news that made him fret again, Snatched at each telegram of Future Sale, And thrilled with Bulls' or Bears' alternate wail -- In hope or fear alike for ever pale.
And thus from year to year, through hope and fear, With many a curse and many a secret tear, Striving in vain his cloud of debt to clear, At last He woke to find his foolish dreaming past, And all his best-of-life the easy prey Of squandering scamps and quacks that lined his way With vile array, From rascal statesman down to petty knave; Himself, at best, for all his bragging brave, A gamester's catspaw and a banker's slave.
Then, worn and gray, and sick with deep unrest, He fled away into the oblivious West, Unmourned, unblest.
Old hill! old hill! thou gashed and hairy Lear Whom the divine Cordelia of the year, E'en pitying Spring, will vainly strive to cheer -- King, that no subject man nor beast may own, Discrowned, undaughtered and alone -- Yet shall the great God turn thy fate, And bring thee back into thy monarch state And majesty immaculate.
Lo, through hot waverings of the August morn, Thou givest from thy vasty sides forlorn Visions of golden treasuries of corn -- Ripe largesse lingering for some bolder heart That manfully shall take thy part, And tend thee, And defend thee, With antique sinew and with modern art.


Written by Robert William Service | Create an image from this poem

It Is Later Than You Think

 Lone amid the cafe's cheer,
Sad of heart am I to-night;
Dolefully I drink my beer,
But no single line I write.
There's the wretched rent to pay, Yet I glower at pen and ink: Oh, inspire me, Muse, I pray, It is later than you think! Hello! there's a pregnant phrase.
Bravo! let me write it down; Hold it with a hopeful gaze, Gauge it with a fretful frown; Tune it to my lyric lyre .
.
.
Ah! upon starvation's brink, How the words are dark and dire: It is later than you think.
Weigh them well.
.
.
.
Behold yon band, Students drinking by the door, Madly merry, bock in hand, Saucers stacked to mark their score.
Get you gone, you jolly scamps; Let your parting glasses clink; Seek your long neglected lamps: It is later than you think.
Look again: yon dainty blonde, All allure and golden grace, Oh so willing to respond Should you turn a smiling face.
Play your part, poor pretty doll; Feast and frolic, pose and prink; There's the Morgue to end it all, And it's later than you think.
Yon's a playwright -- mark his face, Puffed and purple, tense and tired; Pasha-like he holds his place, Hated, envied and admired.
How you gobble life, my friend; Wine, and woman soft and pink! Well, each tether has its end: Sir, it's later than you think.
See yon living scarecrow pass With a wild and wolfish stare At each empty absinthe glass, As if he saw Heaven there.
Poor damned wretch, to end your pain There is still the Greater Drink.
Yonder waits the sanguine Seine .
.
.
It is later than you think.
Lastly, you who read; aye, you Who this very line may scan: Think of all you planned to do .
.
.
Have you done the best you can? See! the tavern lights are low; Black's the night, and how you shrink! God! and is it time to go? Ah! the clock is always slow; It is later than you think; Sadly later than you think; Far, far later than you think.
Written by Edgar Lee Masters | Create an image from this poem

W. Lloyd Garrison Standard

 Vegetarian, non-resistant, free-thinker, in ethics a Christian;
Orator apt at the rhine-stone rhythm of Ingersoll.
Carnivorous, avenger, believer and pagan.
Continent, promiscuous, changeable, treacherous, vain, Proud, with the pride that makes struggle a thing for laughter; With heart cored out by the worm of theatric despair; Wearing the coat of indifference to hide the shame of defeat; I, child of the abolitionist idealism -- A sort of Brand in a birth of half-and-half.
What other thing could happen when I defended The patriot scamps who burned the court house, That Spoon River might have a new one, Than plead them guilty? When Kinsey Keene drove through The card-board mask of my life with a spear of light, What could I do but slink away, like the beast of myself Which I raised from a whelp, to a corner and growl? The pyramid of my life was nought but a dune, Barren and formless, spoiled at last by the storm.
Written by Vachel Lindsay | Create an image from this poem

Heres to the Mice!

 (Written with the hope that the socialists might yet dethrone Kaiser and Czar.
) Here's to the mice that scare the lions, Creeping into their cages.
Here's to the fairy mice that bite The elephants fat and wise: Hidden in the hay-pile while the elephant thunder rages.
Here's to the scurrying, timid mice Through whom the proud cause dies.
Here's to the seeming accident When all is planned and working, All the flywheels turning, Not a vassal shirking.
Here's to the hidden tunneling thing That brings the mountain's groans.
Here's to the midnight scamps that gnaw, Gnawing away the thrones.
Written by Vachel Lindsay | Create an image from this poem

Honor Among Scamps

 We are the smirched.
Queen Honor is the spotless.
We slept thro' wars where Honor could not sleep.
We were faint-hearted.
Honor was full-valiant.
We kept a silence Honor could not keep.
Yet this late day we make a song to praise her.
We, codeless, will yet vindicate her code.
She who was mighty, walks with us, the beggars.
The merchants drive her out upon the road.
She makes a throne of sod beside our campfire.
We give the maiden-queen our rags and tears.
A battered, rascal guard have rallied round her, To keep her safe until the better years.


Written by Edwin Arlington Robinson | Create an image from this poem

Old King Cole

 In Tilbury Town did Old King Cole 
A wise old age anticipate, 
Desiring, with his pipe and bowl, 
No Khan’s extravagant estate.
No crown annoyed his honest head, No fiddlers three were called or needed; For two disastrous heirs instead Made music more than ever three did.
Bereft of her with whom his life Was harmony without a flaw, He took no other for a wife, Nor sighed for any that he saw; And if he doubted his two sons, And heirs, Alexis and Evander, He might have been as doubtful once Of Robert Burns and Alexander.
Alexis, in his early youth, Began to steal—from old and young.
Likewise Evander, and the truth Was like a bad taste on his tongue.
Born thieves and liars, their affair Seemed only to be tarred with evil— The most insufferable pair Of scamps that ever cheered the devil.
The world went on, their fame went on, And they went on—from bad to worse; Till, goaded hot with nothing done, And each accoutred with a curse, The friends of Old King Cole, by twos, And fours, and sevens, and elevens, Pronounced unalterable views Of doings that were not of heaven’s.
And having learned again whereby Their baleful zeal had come about, King Cole met many a wrathful eye So kindly that its wrath went out— Or partly out.
Say what they would, He seemed the more to court their candor; But never told what kind of good Was in Alexis and Evander.
And Old King Cole, with many a puff That haloed his urbanity, Would smoke till he had smoked enough, And listen most attentively.
He beamed as with an inward light That had the Lord’s assurance in it; And once a man was there all night, Expecting something every minute.
But whether from too little thought, Or too much fealty to the bowl, A dim reward was all he got For sitting up with Old King Cole.
“Though mine,” the father mused aloud, “Are not the sons I would have chosen, Shall I, less evilly endowed, By their infirmity be frozen? “They’ll have a bad end, I’ll agree, But I was never born to groan; For I can see what I can see, And I’m accordingly alone.
With open heart and open door, I love my friends, I like my neighbors; But if I try to tell you more, Your doubts will overmatch my labors.
“This pipe would never make me calm, This bowl my grief would never drown.
For grief like mine there is no balm In Gilead, or in Tilbury Town.
And if I see what I can see, I know not any way to blind it; Nor more if any way may be For you to grope or fly to find it.
“There may be room for ruin yet, And ashes for a wasted love; Or, like One whom you may forget, I may have meat you know not of.
And if I’d rather live than weep Meanwhile, do you find that surprising? Why, bless my soul, the man’s asleep! That’s good.
The sun will soon be rising.
Written by Badger Clark | Create an image from this poem

On Boot Hill

  Up from the prairie and through the pines,
  Over your straggling headboard lines
    Winds of the West go by.
  You must love them, you booted dead,
  More than the dreamers who died in bed--
  You old-timers who took your lead
    Under the open sky!

  Leathery knights of the dim old trail,
  Lawful fighters or scamps from jail,
    Dimly your virtues shine.
  Yet who am I that I judge your wars,
  Deeds that my daintier soul abhors,
  Wide-open sins of the wide outdoors,
    Manlier sins than mine.

  Dear old mavericks, customs mend.
  I would not glory to make an end
    Marked like a homemade sieve.
  But with a touch of your own old pride
  Grant me to travel the trail I ride.
  Gamely and gaily, the way you died,
    Give me the nerve to live.

  Ay, and for you I will dare assume
  Some Valhalla of sun and room
    Over the last divide.
  There, in eternally fenceless West,
  Rest to your souls, if they care to rest,
  Or else fresh horses beyond the crest
    And a star-speckled range to ride.

Book: Reflection on the Important Things