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Best Famous Scalding Poems

Here is a collection of the all-time best famous Scalding poems. This is a select list of the best famous Scalding poetry. Reading, writing, and enjoying famous Scalding poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scalding poems.

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Written by Charles Baudelaire | Create an image from this poem

The Ghost

 Down the street as I was drifting with the city's human tide, 
Came a ghost, and for a moment walked in silence by my side -- 
Now my heart was hard and bitter, and a bitter spirit he, 
So I felt no great aversion to his ghostly company.
Said the Shade: `At finer feelings let your lip in scorn be curled, `Self and Pelf', my friend, has ever been the motto for the world.
' And he said: `If you'd be happy, you must clip your fancy's wings, Stretch your conscience at the edges to the size of earthly things; Never fight another's battle, for a friend can never know When he'll gladly fly for succour to the bosom of the foe.
At the power of truth and friendship let your lip in scorn be curled -- `Self and Pelf', my friend, remember, is the motto of the world.
`Where Society is mighty, always truckle to her rule; Never send an `i' undotted to the teacher of a school; Only fight a wrong or falsehood when the crowd is at your back, And, till Charity repay you, shut the purse, and let her pack; At the fools who would do other let your lip in scorn be curled, `Self and Pelf', my friend, remember, that's the motto of the world.
`Ne'er assail the shaky ladders Fame has from her niches hung, Lest unfriendly heels above you grind your fingers from the rung; Or the fools who idle under, envious of your fair renown, Heedless of the pain you suffer, do their worst to shake you down.
At the praise of men, or censure, let your lip in scorn be curled, `Self and Pelf', my friend, remember, is the motto of the world.
`Flowing founts of inspiration leave their sources parched and dry, Scalding tears of indignation sear the hearts that beat too high; Chilly waters thrown upon it drown the fire that's in the bard; And the banter of the critic hurts his heart till it grows hard.
At the fame your muse may offer let your lip in scorn be curled, `Self and Pelf', my friend, remember, that's the motto of the world.
`Shun the fields of love, where lightly, to a low and mocking tune, Strong and useful lives are ruined, and the broken hearts are strewn.
Not a farthing is the value of the honest love you hold; Call it lust, and make it serve you! Set your heart on nought but gold.
At the bliss of purer passions let your lip in scorn be curled -- `Self and Pelf', my friend, shall ever be the motto of the world.
' Then he ceased and looked intently in my face, and nearer drew; But a sudden deep repugnance to his presence thrilled me through; Then I saw his face was cruel, by the look that o'er it stole, Then I felt his breath was poison, by the shuddering of my soul, Then I guessed his purpose evil, by his lip in sneering curled, And I knew he slandered mankind, by my knowledge of the world.
But he vanished as a purer brighter presence gained my side -- `Heed him not! there's truth and friendship in this wondrous world,' she cried, And of those who cleave to virtue in their climbing for renown, Only they who faint or falter from the height are shaken down.
At a cynic's baneful teaching let your lip in scorn be curled! `Brotherhood and Love and Honour!' is the motto for the world.
'


Written by Adrienne Rich | Create an image from this poem

Integrity

 the quality of being complete; unbroken condition; entirety
~ Webster
A wild patience has taken me this far

as if I had to bring to shore
a boat with a spasmodic outboard motor
old sweaters, nets, spray-mottled books
tossed in the prow
some kind of sun burning my shoulder-blades.
Splashing the oarlocks.
Burning through.
Your fore-arms can get scalded, licked with pain in a sun blotted like unspoken anger behind a casual mist.
The length of daylight this far north, in this forty-ninth year of my life is critical.
The light is critical: of me, of this long-dreamed, involuntary landing on the arm of an inland sea.
The glitter of the shoal depleting into shadow I recognize: the stand of pines violet-black really, green in the old postcard but really I have nothing but myself to go by; nothing stands in the realm of pure necessity except what my hands can hold.
Nothing but myself?.
.
.
.
My selves.
After so long, this answer.
As if I had always known I steer the boat in, simply.
The motor dying on the pebbles cicadas taking up the hum dropped in the silence.
Anger and tenderness: my selves.
And now I can believe they breathe in me as angels, not polarities.
Anger and tenderness: the spider's genius to spin and weave in the same action from her own body, anywhere -- even from a broken web.
The cabin in the stand of pines is still for sale.
I know this.
Know the print of the last foot, the hand that slammed and locked the door, then stopped to wreathe the rain-smashed clematis back on the trellis for no one's sake except its own.
I know the chart nailed to the wallboards the icy kettle squatting on the burner.
The hands that hammered in those nails emptied that kettle one last time are these two hands and they have caught the baby leaping from between trembling legs and they have worked the vacuum aspirator and stroked the sweated temples and steered the boat there through this hot misblotted sunlight, critical light imperceptibly scalding the skin these hands will also salve.
Written by Thomas Carew | Create an image from this poem

The Spring

 Now that the winter's gone, the earth hath lost 
Her snow-white robes, and now no more the frost 
Candies the grass, or casts an icy cream 
Upon the silver lake or crystal stream; 
But the warm sun thaws the benumbed earth, 
And makes it tender; gives a sacred birth 
To the dead swallow; wakes in hollow tree 
The drowsy cuckoo and the humble-bee.
Now do a choir of chirping minstrels bring In triumph to the world the youthful spring.
The valleys, hills, and woods in rich array Welcome the coming of the long'd-for May.
Now all things smile; only my love doth lour; Nor hath the scalding noonday sun the power To melt that marble ice, which still doth hold Her heart congeal'd, and makes her pity cold.
The ox, which lately did for shelter fly Into the stall, doth now securely lie In open fields; and love no more is made By the fireside, but in the cooler shade Amyntas now doth with his Chloris sleep Under a sycamore, and all things keep Time with the season; only she doth carry June in her eyes, in her heart January.
Written by Oliver Wendell Holmes | Create an image from this poem

The Flaâneur

 I love all sights of earth and skies, 
From flowers that glow to stars that shine; 
The comet and the penny show, 
All curious things, above, below, 
Hold each in turn my wandering eyes: 
I claim the Christian Pagan's line, 
Humani nihil, -- even so, -- 
And is not human life divine? 
When soft the western breezes blow, 
And strolling youths meet sauntering maids, 
I love to watch the stirring trades 
Beneath the Vallombrosa shades 
Our much-enduring elms bestow; 
The vender and his rhetoric's flow, 
That lambent stream of liquid lies; 
The bait he dangles from his line, 
The gudgeon and his gold-washed prize.
I halt before the blazoned sign That bids me linger to admire The drama time can never tire, The little hero of the hunch, With iron arm and soul of fire, And will that works his fierce desire, -- Untamed, unscared, unconquered Punch! My ear a pleasing torture finds In tones the withered sibyl grinds, -- The dame sans merci's broken strain, Whom I erewhile, perchance, have known, When Orleans filled the Bourbon throne, A siren singing by the Seine.
But most I love the tube that spies The orbs celestial in their march; That shows the comet as it whisks Its tail across the planets' disks, As if to blind their blood-shot eyes; Or wheels so close against the sun We tremble at the thought of risks Our little spinning ball may run, To pop like corn that children parch, From summer something overdone, And roll, a cinder, through the skies.
Grudge not to-day the scanty fee To him who farms the firmament, To whom the Milky Way is free; Who holds the wondrous crystal key, The silent Open Sesame That Science to her sons has lent; Who takes his toll, and lifts the bar That shuts the road to sun and star.
If Venus only comes to time, (And prophets say she must and shall,) To-day will hear the tinkling chime Of many a ringing silver dime, For him whose optic glass supplies The crowd with astronomic eyes, -- The Galileo of the Mall.
Dimly the transit morning broke; The sun seemed doubting what to do, As one who questions how to dress, And takes his doublets from the press, And halts between the old and new.
Please Heaven he wear his suit of blue, Or don, at least, his ragged cloak, With rents that show the azure through! I go the patient crowd to join That round the tube my eyes discern, The last new-comer of the file, And wait, and wait, a weary while, And gape, and stretch, and shrug, and smile, (For each his place must fairly earn, Hindmost and foremost, in his turn,) Till hitching onward, pace by pace, I gain at last the envied place, And pay the white exiguous coin: The sun and I are face to face; He glares at me, I stare at him; And lo! my straining eye has found A little spot that, black and round, Lies near the crimsoned fire-orb's rim.
O blessed, beauteous evening star, Well named for her whom earth adores, -- The Lady of the dove-drawn car, -- I know thee in thy white simar; But veiled in black, a rayless spot, Blank as a careless scribbler's blot, Stripped of thy robe of silvery flame, -- The stolen robe that Night restores When Day has shut his golden doors, -- I see thee, yet I know thee not; And canst thou call thyself the same? A black, round spot, -- and that is all; And such a speck our earth would be If he who looks upon the stars Through the red atmosphere of Mars Could see our little creeping ball Across the disk of crimson crawl As I our sister planet see.
And art thou, then, a world like ours, Flung from the orb that whirled our own A molten pebble from its zone? How must thy burning sands absorb The fire-waves of the blazing orb, Thy chain so short, thy path so near, Thy flame-defying creatures hear The maelstroms of the photosphere! And is thy bosom decked with flowers That steal their bloom from scalding showers? And hast thou cities, domes, and towers, And life, and love that makes it dear, And death that fills thy tribes with fear? Lost in my dream, my spirit soars Through paths the wandering angels know; My all-pervading thought explores The azure ocean's lucent shores; I leave my mortal self below, As up the star-lit stairs I climb, And still the widening view reveals In endless rounds the circling wheels That build the horologe of time.
New spheres, new suns, new systems gleam; The voice no earth-born echo hears Steals softly on my ravished ears: I hear them "singing as they shine" -- A mortal's voice dissolves my dream: My patient neighbor, next in line, Hints gently there are those who wait.
O guardian of the starry gate, What coin shall pay this debt of mine? Too slight thy claim, too small the fee That bids thee turn the potent key The Tuscan's hand has placed in thine.
Forgive my own the small affront, The insult of the proffered dime; Take it, O friend, since this thy wont, But still shall faithful memory be A bankrupt debtor unto thee, And pay thee with a grateful rhyme.
Written by Christina Rossetti | Create an image from this poem

What Would I Give

 What would I give for a heart of flesh to warm me through,
Instead of this heart of stone ice-cold whatever I do!
Hard and cold and small, of all hearts the worst of all.
What would I give for words, if only words would come! But now in its misery my spirit has fallen dumb.
O merry friends, go your own way, I have never a word to say.
What would I give for tears! Not smiles but scalding tears, To wash the black mark clean, and to thaw the frost of years, To wash the stain ingrain, and to make me clean again.


Written by Anne Sexton | Create an image from this poem

End Middle Beginning

 There was an unwanted child.
Aborted by three modern methods she hung on to the womb, hooked onto I building her house into it and it was to no avail, to black her out.
At her birth she did not cry, spanked indeed, but did not yell-- instead snow fell out of her mouth.
As she grew, year by year, her hair turned like a rose in a vase, and bled down her face.
Rocks were placed on her to keep the growing silent, and though they bruised, they did not kill, though kill was tangled into her beginning.
They locked her in a football but she merely curled up and pretended it was a warm doll's house.
They pushed insects in to bite her off and she let them crawl into her eyes pretending they were a puppet show.
Later, later, grown fully, as they say, they gave her a ring, and she wore it like a root ans said to herself, "To be not loved is the human condition," and lay like a stature in her bed.
Then once, by terrible chance, love took her in his big boat and she shoveled the ocean in a scalding joy.
Then, slowly, love seeped away, the boat turned into paper and she knew her fate, at last.
Turn where you belong, into a deaf mute that metal house, let him drill you into no one.
Written by Amy Lowell | Create an image from this poem

The Red Lacquer Music-Stand

 A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players Sitting to viols or standing up to sing, four layers Of music to serve every instrument, are there, And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights, When the sun flares the old barn-chamber with its flights And skips upon the crystal knobs of dim sideboards, Legless and mouldy, and hops, glint to glint, on hoards Of scythes, and spades, and dinner-horns, so the old tools Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust Covering its flames like smoke and thinning as a gust Of brighter sunshine makes the colours leap and range, The strange old music-stand seems to strike out and change; To stroke and tear the darkness with sharp golden claws; To dart a forked, vermilion tongue from open jaws; To puff out bitter smoke which chokes the sun; and fade Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red, He sees it split and stream, and all about his head Spikes and spears of gold are licking, pricking, flicking, Scratching against the walls and furniture, and nicking The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door And the sun widens out all along the floor, Filling the barn-chamber with white, straightforward light, So not one blurred outline can tease the mind to fright.
"O All ye Works of the Lord, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, and Magnify Him for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" The Boy will praise his God on an altar builded fair, Will heap it with the Works of the Lord.
In the morning air, Spices shall burn on it, and by their pale smoke curled, Like shoots of all the Green Things, the God of this bright World Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze An altar meet and worthy, but each table and chair Has some defect, each piece is needing some repair To perfect it; the chairs have broken legs and backs, The tables are uneven, and every highboy lacks A handle or a drawer, the desks are bruised and worn, And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there The lacquer music-stand is elegant and rare, Clear and slim of line, with its four wings outspread, The sound of old quartets, a tenuous, faint thread, Hanging and floating over it, it stands supreme -- Black, and gold, and crimson, in one twisted scheme! A candle on the bookcase feels a draught and wavers, Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling, And shadows, strangely altered, stain the walls, revealing Eagles, and rabbits, and weird faces pulled awry, And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun Must touch it, stands the music-stand, and on each one Of its broad platforms is a pyramid of stones, And metals, and dried flowers, and pine and hemlock cones, An oriole's nest with the four eggs neatly blown, The rattle of a rattlesnake, and three large brown Butternuts uncracked, six butterflies impaled With a green luna moth, a snake-skin freshly scaled, Some sunflower seeds, wampum, and a bloody-tooth shell, A blue jay feather, all together piled pell-mell The stand will hold no more.
The Boy with humming head Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy It burns his soul to emptiness, and sets it free For adoration only, for worship.
Dedicate, His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him Whose splendour must be veiled by starry cherubim, Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even, Fronting the window-sill, and when the casement glows Rose-red with the new-blown morning, then the fire which flows From the sun will fall upon the altar and ignite The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim, `Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the wall When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass Upon the mantelpiece till he could seek a plate Worthy to hold them burning.
Alas! He had been late In thinking of this need, and now he could not find Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down Into the barn-chamber, lest some door should be blown And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared, Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid Them on the flat-topped pear, most carefully displayed To light with ease, then stood a little to one side, Focussed a burning-glass and painstakingly tried To hold it angled so the bunched and prismed rays Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame, Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced, Split to a multitude of pointed spears, and lanced, A deeper, hotter flame, it took the incense pile Which welcomed it and broke into a little smile Of yellow flamelets, creeping, crackling, thrusting up, A golden, red-slashed lily in a lacquer cup.
"O ye Fire and Heat, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, and Magnify Him for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise Him, and Magnify Him for ever.
" A moment so it hung, wide-curved, bright-petalled, seeming A chalice foamed with sunrise.
The Boy woke from his dreaming.
A spike of flame had caught the card of butterflies, The oriole's nest took fire, soon all four galleries Where he had spread his treasures were become one tongue Of gleaming, brutal fire.
The Boy instantly swung His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown Acute by fear, the Boy grabbed the quilt from his bed And flung it over all, and then with aching head He watched the early sunshine glint on the remains Of his holy offering.
The lacquer stand had stains Ugly and charred all over, and where the golden pear Had been, a deep, black hole gaped miserably.
His dear Treasures were puffs of ashes; only the stones were there, Winking in the brightness.
The clock upon the stair Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
Written by Majeed Amjad | Create an image from this poem

A Poem

Sons, my native land has sons
born on soil
barren and rocky and lone
for ages lone
across the gaping wilderness tear
ruthless winds and torrents of pain
sweep in epochs.
sweep them out.
Sons of mountains radiant petals of jasmine gay specks of time-less age-less rocks elegant, fair and tender moulds lumps of leathern coarsened hearts damned by sun and wind and time dashed from tops.
they seek a home lost in dust beneath their feet On a heap of squalid unscrubbed pans immersed in simmering scalding water the toiling sweating hands do seek the blessed home for ages they have thought and dreamed.
In towns flourshing along the banks of mountain brooks stays a-while a fleeting cloud of gloom.
.
.
.
.
.
.
The Home! and from an urban sheeted roof curls into waves of trailing smoke.
The brook is limpid murmuring gold the smoke is trailing meandering gold the killers are killers of conscience grace and candid souls if ever they marked the wave of anguish a dash, a span among the torrents of water and sweat the rocks in hearts the dark sinister rocks would fall.
(Translated from Urdu By Balraj Komal, Posted By Anila A.
)
Written by Robert William Service | Create an image from this poem

Ant Hill

 Black ants have made a musty mound
My purple pine tree under,
And I am often to be found,
Regarding it with wonder.
Yet as I watch, somehow it;s odd, Above their busy striving I feel like an ironic god Surveying human striving.
Then one day came my serving maid, And just in time I caught her, For on each lusty arm she weighed A pail of boiling water.
She said with glee: "When this I spill, Of life they'll soon be lacking.
" Said I: "If even one you kill, You *****! I'll send you packing.
" Just think - ten thousand eager lives In that toil-worn upcasting, Their homes, their babies and their wives Destroyed in one fell blasting! Imagine that swift-scalding hell! .
.
.
And though, mayhap, it seems a Fantastic, far-fetched parallel - Remember .
.
.
Hiroshima.
Written by Mary Darby Robinson | Create an image from this poem

The Adieu to Love

 LOVE, I renounce thy tyrant sway,
I mock thy fascinating art,
MINE, be the calm unruffled day,
That brings no torment to the heart; 
The tranquil mind, the noiseless scene, 
Where FANCY, with enchanting mien, 
Shall in her right-hand lead along 
The graceful patroness of Song;
Where HARMONY shall softly fling 
Her light tones o'er the dulcet string; 
And with her magic LYRE compose 
Each pang that throbs, each pulse that glows; 
Till her resistless strains dispense, 
The balm of blest INDIFFERENCE.
LOVE, I defy thy vaunted pow'r! In still Retirement's sober bow'r I'll rest secure;­no fev'rish pain Shall dart its hot-shafts thro' my brain, No start'ling dreams invade my mind No spells my stagnate pulses bind; No jealous agonies impart Their madd'ning poisons to my heart But sweetly lull'd to placid rest, The sensate tenant of my breast Shall one unshaken course pursue, Such as thy vot'ries never knew.
­ SWEET SOLITUDE ! pure Nature's child, Fair pensive daughter of the wild; Nymph of the Forest; thee I press My weary sick'ning soul to bless; To give my heart the dear repose, That smiles unmov'd at transient woes; That shelter'd from Life's trivial cares, Each calm delicious comfort shares; While conscious rectitude of mind, Blends with each thought a bliss refin'd, And scorning fear's soul-chilling pow'r, Dares court REFLECTION'S dang'rous hour, To scrutinize with cautious art, Each hidden channel of the heart.
­ Ah, gentle maiden, let me stray, Where Innocence for ever gay, Shall lead me to her loveliest bow'rs And crown my brow with thornless flow'rs; And strew the weedy paths of time With Resignation's balm sublime; While Rosy SPRING, shall smiling haste, On light steps o'er the dewy waste, Eager her brightest gems to shed Around my verdant perfum'd bed; And in her train the glowing hours Shall bathe their wings in scented show'rs; And shake the fost'ring drops to earth, To nurse meek blossoms into birth; And when autumnal zephyrs fly Sportive, beneath the sapphire sky, Or in the stream their pinions lave, Or teach the golden sheaves to wave; I'll watch the ruby eye of day In awful lustre glide away, And closing sink to transient rest, On panting Ocean's pearly breast.
O SOLITUDE ! how blest the lot Of her who shares thy silent cot! Who with celestial peace, pursues The pensive wand'rings of the MUSE; To stray unseen where'er she leads, O'er grassy hills and sunny meads, Or at the still of Night's cold noon To gaze upon the chilly Moon, While PHILOMELA'S mournful Song Meanders fairy haunts among, To tell the hopeless LOVER'S ear, That SYMPATHY'S FOND BIRD is near; Whose note shall soothe his aching heart, Whose grief shall emulate his smart; And by its sadly proud excess, Make every pang he suffers less; For oft in passion's direst woes, The veriest wretch can yield repose; While from the voice of kindred grief, We gain a sad, but kind relief.
AH LOVE! thou barb'rous fickle boy, Thou semblance of delusive joy, Too long my heart has been thy slave: For thou hast seen me wildly rave, And with impetuous frenzy haste, Heedless across the thorny waste, And drink the cold dews, ere they fell On my bare bosom's burning swell; When bleak the wintry whirlwinds blew; And swift the sultry meteors flew; Yes, thou hast seen me, tyrant pow'r, At freezing midnight's witching hour, Start from my couch, subdu'd, oppres'd, While jealous anguish wrung my breast, While round my eager senses flew, Dark brow'd Suspicion's wily crew, Taunting my soul with restless ire, That set my pulsate brain on fire.
What didst thou then ? Inhuman Boy! Didst thou not paint each well-feign'd joy, Each artful smile, each study'd grace That deck'd some sordid rival's face; Didst thou not feed my madd'ning sense With Love's delicious eloquence, While on my ear thy accents pour'd The voice of him my soul ador'd, His rapt'rous tones­his strains divine, And all those vows that once were mine.
But mild Reflection's piercing ray, Soon chas'd the fatal dream away, And with it all my rending woes, While in its place majestic rose The Angel TRUTH !­her stedfast mien Bespoke the conscious breast serene; Her eye more radiant than the day Beam'd with persuasion's temper'd ray; Sweet was her voice, and while she sung Myriads of Seraphs hover'd round, Eager to iterate the sound, That on her heav'n-taught accents hung.
Wond'ring I gaz'd! my throbbing breast, Celestial energies confest; Transports, before unfelt, unknown, Throng'd round my bosom's tremb'ling throne, While ev'ry nerve with rapture strange, Seem'd to partake the blissful change.
Now with unmov'd and dauntless Eye, I mark thy winged arrows fly; No more thy baneful spells shall bind The purer passions of my mind; No more, false Love, shall jealous fears Inflame my check with scalding tears; Or shake my vanquish'd sense, or rend My aching heart with poignant throes, Or with tumultuous fevers blend, Self-wounding, visionary woes.
­ No more I'll waste the midnight hour In expectation's silent bow'r; And musing o'er thy transcripts dear, Efface their sorrows with a tear.
No more with timid fondness wait Till morn unfolds her glitt'ring gate, When thy lov'd song's seraphic sound, Wou'd on my quiv'ring nerves rebound With proud delight;­no more thy blush Shall o'er my cheek unbidden rush, And scorning ev'ry strong controul, Unveil the tumults of my soul.
No more when in retirement blest, Shalt thou obtrude upon my rest; And tho' encircled with delight, Absorb my sense, obscure my sight, Give to my eye the vacant glance, The mien that marks the mental trance; The fault'ring tone­the sudden start, The trembling hand, the bursting heart; The devious step, that strolls along Unmindful of the gazing throng; The feign'd indiff'rence prone to chide; That blazons­what it seeks to hide.
Nor do I dread thy vengeful wiles, Thy soothing voice, thy winning smiles, Thy trick'ling tear, thy mien forlorn, Thy pray'r, thy sighs, thy oaths I scorn; No more on ME thy arrows show'r, Capricious Love­! I BRAVE THY POW'R.

Book: Shattered Sighs