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Best Famous Scaffolding Poems

Here is a collection of the all-time best famous Scaffolding poems. This is a select list of the best famous Scaffolding poetry. Reading, writing, and enjoying famous Scaffolding poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of scaffolding poems.

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Written by Robert Desnos | Create an image from this poem

If You Only Knew

 Far from me and like the stars, the sea and all the trappings of poetic myth,
Far from me but here all the same without your knowing,
Far from me and even more silent because I imagine you endlessly.
Far from me, my lovely mirage and eternal dream, you cannot know.
If you only knew.
Far from me and even farther yet from being unaware of me and still unaware.
Far from me because you undoubtedly do not love me or, what amounts to the same thing, that I doubt you do.
Far from me because you consciously ignore my passionate desires.
Far from me because you are cruel.
If you only knew.
Far from me, joyful as a flower dancing in the river at the tip of its aquatic stem, sad as seven p.
m.
in a mushroom bed.
Far from me yet silent in my presence and still joyful like a stork-shaped hour falling from on high.
Far from me at the moment when the stills are singing, at the moment when the silent and loud sea curls up on its white pillows.
If you only knew.
Far from me, o my ever-present torment, far from me in the magnificent noise of oyster shells crushed by a night owl passing a restaurant at first light.
If you only knew.
Far from me, willed, physical mirage.
Far from me there's an island that turns aside when ships pass.
Far from me a calm herd of cattle takes the wrong path, pulls up stubbornly at the edge of a steep cliff, far from me, cruel woman.
Far from me, a shooting star falls into the poet's nightly bottle.
He corks it right away and from then on watches the star enclosed in the glass, the constellations born on its walls, far from me, you are so far from me.
If you only knew.
Far from me a house has just been built.
A bricklayer in white coveralls at the top of the scaffolding sings a very sad little song and, suddenly, in the tray full of mortar, the future of the house appears: lovers' kisses and double suicides nakedness in the bedrooms strange beautiful women and their midnight dreams, voluptuous secrets caught in the act by the parquet floors.
Far from me, If you only knew.
If you only knew how I love you and, though you do not love me, how happy I am, how strong and proud I am, with your image in my mind, to leave the universe.
How happy I am to die for it.
If you only knew how the world has yielded to me.
And you, beautiful unyielding woman, how you too are my prisoner.
O you, far-from-me, who I yield to.
If you only knew.


Written by Quincy Troupe | Create an image from this poem

Untitled

 in brussels, eye sat in the grand place cafe & heard
duke's place, played after salsa
between the old majestic architecture, jazz bouncing off
all that gilded gold history snoring complacently there
flowers all over the ground, up inside the sound
the old white band jammin the music
tight & heavy, like some food
pushin pedal to the metal
gettin all the way down
under the scaffolding surrounding
l'hotel de ville, chattanooga choochoo
choo choing all the way home, upside walls, under gold eagles
& a gold vaulting girl, naked on a rooftop holding a flag over
her head, like skip rope, surrounded by all manner
of saints & gold madmen, riding emblazoned stallions
snorting like crazed demons at their nostrils
the music swirling like a dancing bear
a beautiful girl, flowers in her hair

the air woven with lilting voices in this grand place of parepets
& crowns, jewels & golden torches streaming
like a horse's mane, antiquity riding through in a wheel carriage
here, through gargoyles & gothic towers rocketing swordfish lanced crosses
pointing up at a God threatening rain
& it is stunning at this moment when raised beer steins cheer
the music on, hot & heavy, still humming & cooking
basic african-american rhythms alive here
in this ancient grand place of europe
this confluence point of nations & cultures
jumping off place for beer & cuisines
fused with music, poetry & stone
here in this blinding, beautiful square
sunlit now as the golden eye of God shoots through
flowers all over the cobbled ground, up in the music
the air brightly cool as light after jeweled rain
still, there are these hats slicing foreheads off in the middle
of crowds that need explaining, the calligraphy of this penumbra
slanting ace-deuce, cocked, carrying the perforated legacy of bebop
these bold, peccadillo, pirouetting pellagras
razor-sharp clean, they cut into our rip-tiding dreams carrying
their whirlpooling imaginations, their rivers of schemes
assaulted by pellets of raindrops
these broken mirrors catching fragments
of sonorous words, entrapping us between parentheses
two bat wings curved, imprisoning the world
Written by Johann Wolfgang von Goethe | Create an image from this poem

THE METAMORPHOSIS OF PLANTS

 THOU art confused, my beloved, at, seeing the thousandfold 
union

Shown in this flowery troop, over the garden dispers'd;
any a name dost thou hear assign'd; one after another

Falls on thy list'ning ear, with a barbarian sound.
None resembleth another, yet all their forms have a likeness; Therefore, a mystical law is by the chorus proclaim'd; Yes, a sacred enigma! Oh, dearest friend, could I only Happily teach thee the word, which may the mystery solve! Closely observe how the plant, by little and little progressing, Step by step guided on, changeth to blossom and fruit! First from the seed it unravels itself, as soon as the silent Fruit-bearing womb of the earth kindly allows Its escape, And to the charms of the light, the holy, the ever-in-motion, Trusteth the delicate leaves, feebly beginning to shoot.
Simply slumber'd the force in the seed; a germ of the future, Peacefully lock'd in itself, 'neath the integument lay, Leaf and root, and bud, still void of colour, and shapeless; Thus doth the kernel, while dry, cover that motionless life.
Upward then strives it to swell, in gentle moisture confiding, And, from the night where it dwelt, straightway ascendeth to light.
Yet still simple remaineth its figure, when first it appeareth; And 'tis a token like this, points out the child 'mid the plants.
Soon a shoot, succeeding it, riseth on high, and reneweth, Piling-up node upon node, ever the primitive form; Yet not ever alike: for the following leaf, as thou seest, Ever produceth itself, fashioned in manifold ways.
Longer, more indented, in points and in parts more divided, Which.
all-deform'd until now, slept in the organ below, So at length it attaineth the noble and destined perfection, Which, in full many a tribe, fills thee with wondering awe.
Many ribb'd and tooth'd, on a surface juicy and swelling, Free and unending the shoot seemeth in fullness to be; Yet here Nature restraineth, with powerful hands, the formation, And to a perfecter end, guideth with softness its growth, Less abundantly yielding the sap, contracting the vessels, So that the figure ere long gentler effects doth disclose.
Soon and in silence is check'd the growth of the vigorous branches, And the rib of the stalk fuller becometh in form.
Leafless, however, and quick the tenderer stem then up-springeth, And a miraculous sight doth the observer enchant.
Ranged in a circle, in numbers that now are small, and now countless, Gather the smaller-sized leaves, close by the side of their like.
Round the axis compress'd the sheltering calyx unfoldeth, And, as the perfectest type, brilliant-hued coronals forms.
Thus doth Nature bloom, in glory still nobler and fuller, Showing, in order arranged, member on member uprear'd.
Wonderment fresh dost thou feel, as soon as the stem rears the flower Over the scaffolding frail of the alternating leaves.
But this glory is only the new creation's foreteller, Yes, the leaf with its hues feeleth the hand all divine, And on a sudden contracteth itself; the tenderest figures Twofold as yet, hasten on, destined to blend into one.
Lovingly now the beauteous pairs are standing together, Gather'd in countless array, there where the altar is raised.
Hymen hovereth o'er them, and scents delicious and mighty Stream forth their fragrance so sweet, all things enliv'ning around.
Presently, parcell'd out, unnumber'd germs are seen swelling, Sweetly conceald in the womb, where is made perfect the fruit.
Here doth Nature close the ring of her forces eternal; Yet doth a new one, at once, cling to the one gone before, So that the chain be prolonged for ever through all generations, And that the whole may have life, e'en as enjoy'd by each part.
Now, my beloved one, turn thy gaze on the many-hued thousands Which, confusing no more, gladden the mind as they wave.
Every plant unto thee proclaimeth the laws everlasting, Every flowered speaks louder and louder to thee; But if thou here canst decipher the mystic words of the goddess, Everywhere will they be seen, e'en though the features are changed.
Creeping insects may linger, the eager butterfly hasten,-- Plastic and forming, may man change e'en the figure decreed! Oh, then, bethink thee, as well, how out of the germ of acquaintance, Kindly intercourse sprang, slowly unfolding its leaves; Soon how friendship with might unveil'd itself in our bosoms, And how Amor, at length, brought forth blossom and fruit Think of the manifold ways wherein Nature hath lent to our feelings, Silently giving them birth, either the first or the last! Yes, and rejoice in the present day! For love that is holy Seeketh the noblest of fruits,--that where the thoughts are the same, Where the opinions agree,--that the pair may, in rapt contemplation, Lovingly blend into one,--find the more excellent world.
1797.
Written by Howard Nemerov | Create an image from this poem

I Only Am Escaped Alone to Tell Thee

 I tell you that I see her still
At the dark entrance of the hall.
One gas lamp burning near her shoulder Shone also from her other side Where hung the long inaccurate glass Whose pictures were as troubled water.
An immense shadow had its hand Between us on the floor, and seemed To hump the knuckles nervously, A giant crab readying to walk, Or a blanket moving in its sleep.
You will remember, with a smile Instructed by movies to reminisce, How strict her corsets must have been, How the huge arrangements of her hair Would certainly betray the least Impassionate displacement there.
It was no rig for dallying, And maybe only marriage could Derange that queenly scaffolding - As when a great ship, coming home, Coasts in the harbor, dropping sail And loosing all the tackle that had laced Her in the long lanes.
.
.
I know We need not draw this figure out But all that whalebone came for whales And all the whales lived in the sea, In calm beneath the troubled glass, Until the needle drew their blood.
I see her standing in the hall, Where the mirror's lashed to blood and foam, And the black flukes of agony Beat at the air till the light blows out.
Written by Marge Piercy | Create an image from this poem

The Neighbor

 Man stomping over my bed in boots 
carrying a large bronze church bell 
which you occasionally drop: 
gross man with iron heels 
who drags coffins to and fro at four in the morning, 
who hammers on scaffolding all night long, 
who entertains sumo wrestlers and fat acrobats--
I pass you on the steps, we smile and nod.
Rage swells in me like gas.
Now rage too keeps me awake.


Written by William Butler Yeats | Create an image from this poem

Long-Legged Fly

 That civilisation may not sink,
Its great battle lost,
Quiet the dog, tether the pony
To a distant post;
Our master Caesar is in the tent
Where the maps ate spread,
His eyes fixed upon nothing,
A hand under his head.
Like a long-legged fly upon the stream His mind moves upon silence.
That the topless towers be burnt And men recall that face, Move most gently if move you must In this lonely place.
She thinks, part woman, three parts a child, That nobody looks; her feet Practise a tinker shuffle Picked up on a street.
Like a long-legged fly upon the stream Her mind moves upon silence.
That girls at puberty may find The first Adam in their thought, Shut the door of the Pope's chapel, Keep those children out.
There on that scaffolding reclines Michael Angelo.
With no more sound than the mice make His hand moves to and fro.
Like a long-leggedfly upon the stream His mind moves upon silence.
Written by Barry Tebb | Create an image from this poem

VIEW FROM THE INNER CITY

 Leeds this silent solemn Sunday

Tempest Road is clear of all

But wistful birds, parked cars

And vagrant trees.
The surgery and pharmacy are shuttered tight "Get your medication straight into your bag", The friendly GP gravely warned, "The junks Lay in wait to grab and run from those no longer young The building site’s scaffolding of bone Masks pristine piles of bricks where May winds mourn and moan among The gaping frames beneath a bannered Street-wide invitation to a "Housing Consultation Initiative" Flapping desultory and unread Where last year ‘Beeston in Bloom’ was up instead.

Book: Shattered Sighs