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Best Famous Savors Poems

Here is a collection of the all-time best famous Savors poems. This is a select list of the best famous Savors poetry. Reading, writing, and enjoying famous Savors poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of savors poems.

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Written by Ralph Waldo Emerson | Create an image from this poem

Celestial Love

 Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot
Triple blossoms from one root
Substances at base divided
In their summits are united,
There the holy Essence rolls,
One through separated souls,
And the sunny &Aelig;on sleeps
Folding nature in its deeps,
And every fair and every good
Known in part or known impure
To men below,
In their archetypes endure.

The race of gods,
Or those we erring own,
Are shadows flitting up and down
In the still abodes.
The circles of that sea are laws,
Which publish and which hide the Cause.
Pray for a beam
Out of that sphere
Thee to guide and to redeem.
O what a load
Of care and toil
By lying Use bestowed,
From his shoulders falls, who sees
The true astronomy,
The period of peace!
Counsel which the ages kept,
Shall the well-born soul accept.
As the overhanging trees
Fill the lake with images,
As garment draws the garment's hem
Men their fortunes bring with them;
By right or wrong,
Lands and goods go to the strong;
Property will brutely draw
Still to the proprietor,
Silver to silver creep and wind,
And kind to kind,
Nor less the eternal poles
Of tendency distribute souls.
There need no vows to bind
Whom not each other seek but find.
They give and take no pledge or oath,
Nature is the bond of both.
No prayer persuades, no flattery fawns,
Their noble meanings are their pawns.
Plain and cold is their address,
Power have they for tenderness,
And so thoroughly is known
Each others' purpose by his own,
They can parley without meeting,
Need is none of forms of greeting,
They can well communicate
In their innermost estate;
When each the other shall avoid,
Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves
Do these celebrate their loves,
Not by jewels, feasts, and savors,
Not by ribbons or by favors,
But by the sun-spark on the sea,
And the cloud-shadow on the lea,
The soothing lapse of morn to mirk,
And the cheerful round of work.
Their cords of love so public are,
They intertwine the farthest star.
The throbbing sea, the quaking earth,
Yield sympathy and signs of mirth;
Is none so high, so mean is none,
But feels and seals this union.
Even the tell Furies are appeased,
The good applaud, the lost are eased.

Love's hearts are faithful, but not fond,
Bound for the just, but not beyond;
Not glad, as the low-loving herd,
Of self in others still preferred,
But they have heartily designed
The benefit of broad mankind.
And they serve men austerely,
After their own genius, clearly,
Without a false humility;
For this is love's nobility,
Not to scatter bread and gold,
Goods and raiment bought and sold,
But to hold fast his simple sense,
And speak the speech of innocence,
And with hand, and body, and blood,
To make his bosom-counsel good:
For he that feeds men, serveth few,
He serves all, who dares be true.


Written by Pablo Neruda | Create an image from this poem

Ode To Conger Chowder

 In the storm-tossed
Chilean
sea
lives the rosy conger,
giant eel
of snowy flesh.
And in Chilean
stewpots,
along the coast,
was born the chowder,
thick and succulent,
a boon to man.
You bring the conger, skinned,
to the kitchen
(its mottled skin slips off
like a glove,
leaving the
grape of the sea
exposed to the world),
naked,
the tender eel
glistens,
prepared
to serve our appetites.
Now
you take
garlic,
first, caress
that precious
ivory,
smell
its irate fragrance,
then
blend the minced garlic
with onion
and tomato
until the onion
is the color of gold.
Meanwhile steam
our regal
ocean prawns,
and when
they are
tender,
when the savor is
set in a sauce
combining the liquors
of the ocean
and the clear water
released from the light of the onion,
then
you add the eel
that it may be immersed in glory,
that it may steep in the oils
of the pot,
shrink and be saturated.
Now all that remains is to
drop a dollop of cream
into the concoction,
a heavy rose,
then slowly
deliver
the treasure to the flame,
until in the chowder
are warmed
the essences of Chile,
and to the table
come, newly wed,
the savors
of land and sea,
that in this dish
you may know heaven.
Written by Edwin Arlington Robinson | Create an image from this poem

Merlin

 “Gawaine, Gawaine, what look ye for to see, 
So far beyond the faint edge of the world? 
D’ye look to see the lady Vivian, 
Pursued by divers ominous vile demons 
That have another king more fierce than ours?
Or think ye that if ye look far enough 
And hard enough into the feathery west 
Ye’ll have a glimmer of the Grail itself? 
And if ye look for neither Grail nor lady, 
What look ye for to see, Gawaine, Gawaine?”

So Dagonet, whom Arthur made a knight 
Because he loved him as he laughed at him, 
Intoned his idle presence on a day 
To Gawaine, who had thought himself alone, 
Had there been in him thought of anything
Save what was murmured now in Camelot 
Of Merlin’s hushed and all but unconfirmed 
Appearance out of Brittany. It was heard 
At first there was a ghost in Arthur’s palace, 
But soon among the scullions and anon
Among the knights a firmer credit held 
All tongues from uttering what all glances told— 
Though not for long. Gawaine, this afternoon, 
Fearing he might say more to Lancelot 
Of Merlin’s rumor-laden resurrection
Than Lancelot would have an ear to cherish, 
Had sauntered off with his imagination 
To Merlin’s Rock, where now there was no Merlin 
To meditate upon a whispering town 
Below him in the silence.—Once he said
To Gawaine: “You are young; and that being so, 
Behold the shining city of our dreams 
And of our King.”—“Long live the King,” said Gawaine.— 
“Long live the King,” said Merlin after him; 
“Better for me that I shall not be King;
Wherefore I say again, Long live the King, 
And add, God save him, also, and all kings— 
All kings and queens. I speak in general. 
Kings have I known that were but weary men 
With no stout appetite for more than peace
That was not made for them.”—“Nor were they made 
For kings,” Gawaine said, laughing.—“You are young, 
Gawaine, and you may one day hold the world 
Between your fingers, knowing not what it is 
That you are holding. Better for you and me,
I think, that we shall not be kings.” 

Gawaine, 
Remembering Merlin’s words of long ago, 
Frowned as he thought, and having frowned again, 
He smiled and threw an acorn at a lizard:
“There’s more afoot and in the air to-day 
Than what is good for Camelot. Merlin 
May or may not know all, but he said well 
To say to me that he would not be King. 
Nor more would I be King.” Far down he gazed
On Camelot, until he made of it 
A phantom town of many stillnesses, 
Not reared for men to dwell in, or for kings 
To reign in, without omens and obscure 
Familiars to bring terror to their days;
For though a knight, and one as hard at arms 
As any, save the fate-begotten few 
That all acknowledged or in envy loathed, 
He felt a foreign sort of creeping up 
And down him, as of moist things in the dark,—
When Dagonet, coming on him unawares, 
Presuming on his title of Sir Fool, 
Addressed him and crooned on till he was done: 
“What look ye for to see, Gawaine, Gawaine?” 

“Sir Dagonet, you best and wariest
Of all dishonest men, I look through Time, 
For sight of what it is that is to be. 
I look to see it, though I see it not. 
I see a town down there that holds a king, 
And over it I see a few small clouds—
Like feathers in the west, as you observe; 
And I shall see no more this afternoon 
Than what there is around us every day, 
Unless you have a skill that I have not 
To ferret the invisible for rats.”

“If you see what’s around us every day, 
You need no other showing to go mad. 
Remember that and take it home with you; 
And say tonight, ‘I had it of a fool— 
With no immediate obliquity
For this one or for that one, or for me.’” 
Gawaine, having risen, eyed the fool curiously: 
“I’ll not forget I had it of a knight, 
Whose only folly is to fool himself; 
And as for making other men to laugh,
And so forget their sins and selves a little, 
There’s no great folly there. So keep it up, 
As long as you’ve a legend or a song, 
And have whatever sport of us you like 
Till havoc is the word and we fall howling.
For I’ve a guess there may not be so loud 
A sound of laughing here in Camelot 
When Merlin goes again to his gay grave 
In Brittany. To mention lesser terrors, 
Men say his beard is gone.”

“Do men say that?” 
A twitch of an impatient weariness 
Played for a moment over the lean face 
Of Dagonet, who reasoned inwardly: 
“The friendly zeal of this inquiring knight
Will overtake his tact and leave it squealing, 
One of these days.”—Gawaine looked hard at him: 
“If I be too familiar with a fool, 
I’m on the way to be another fool,” 
He mused, and owned a rueful qualm within him:
“Yes, Dagonet,” he ventured, with a laugh, 
“Men tell me that his beard has vanished wholly, 
And that he shines now as the Lord’s anointed, 
And wears the valiance of an ageless youth 
Crowned with a glory of eternal peace.”

Dagonet, smiling strangely, shook his head: 
“I grant your valiance of a kind of youth 
To Merlin, but your crown of peace I question; 
For, though I know no more than any churl 
Who pinches any chambermaid soever
In the King’s palace, I look not to Merlin 
For peace, when out of his peculiar tomb 
He comes again to Camelot. Time swings 
A mighty scythe, and some day all your peace 
Goes down before its edge like so much clover.
No, it is not for peace that Merlin comes, 
Without a trumpet—and without a beard, 
If what you say men say of him be true— 
Nor yet for sudden war.” 

Gawaine, for a moment,
Met then the ambiguous gaze of Dagonet, 
And, making nothing of it, looked abroad 
As if at something cheerful on all sides, 
And back again to the fool’s unasking eyes: 
“Well, Dagonet, if Merlin would have peace,
Let Merlin stay away from Brittany,” 
Said he, with admiration for the man 
Whom Folly called a fool: “And we have known him; 
We knew him once when he knew everything.” 

“He knew as much as God would let him know
Until he met the lady Vivian. 
I tell you that, for the world knows all that; 
Also it knows he told the King one day 
That he was to be buried, and alive, 
In Brittany; and that the King should see
The face of him no more. Then Merlin sailed 
Away to Vivian in Broceliande, 
Where now she crowns him and herself with flowers 
And feeds him fruits and wines and many foods 
Of many savors, and sweet ortolans.
Wise books of every lore of every land 
Are there to fill his days, if he require them, 
And there are players of all instruments— 
Flutes, hautboys, drums, and viols; and she sings 
To Merlin, till he trembles in her arms
And there forgets that any town alive 
Had ever such a name as Camelot. 
So Vivian holds him with her love, they say, 
And he, who has no age, has not grown old. 
I swear to nothing, but that’s what they say.
That’s being buried in Broceliande 
For too much wisdom and clairvoyancy. 
But you and all who live, Gawaine, have heard 
This tale, or many like it, more than once; 
And you must know that Love, when Love invites
Philosophy to play, plays high and wins, 
Or low and loses. And you say to me, 
‘If Merlin would have peace, let Merlin stay 
Away from Brittany.’ Gawaine, you are young, 
And Merlin’s in his grave.”

“Merlin said once 
That I was young, and it’s a joy for me 
That I am here to listen while you say it. 
Young or not young, if that be burial, 
May I be buried long before I die.
I might be worse than young; I might be old.”— 
Dagonet answered, and without a smile: 
“Somehow I fancy Merlin saying that; 
A fancy—a mere fancy.” Then he smiled: 
“And such a doom as his may be for you,
Gawaine, should your untiring divination 
Delve in the veiled eternal mysteries 
Too far to be a pleasure for the Lord. 
And when you stake your wisdom for a woman, 
Compute the woman to be worth a grave,
As Merlin did, and say no more about it. 
But Vivian, she played high. Oh, very high! 
Flutes, hautboys, drums, and viols,—and her love. 
Gawaine, farewell.” 

“Farewell, Sir Dagonet,
And may the devil take you presently.” 
He followed with a vexed and envious eye, 
And with an arid laugh, Sir Dagonet’s 
Departure, till his gaunt obscurity 
Was cloaked and lost amid the glimmering trees.
“Poor fool!” he murmured. “Or am I the fool? 
With all my fast ascendency in arms, 
That ominous clown is nearer to the King 
Than I am—yet; and God knows what he knows, 
And what his wits infer from what he sees
And feels and hears. I wonder what he knows 
Of Lancelot, or what I might know now, 
Could I have sunk myself to sound a fool 
To springe a friend.… No, I like not this day. 
There’s a cloud coming over Camelot
Larger than any that is in the sky,— 
Or Merlin would be still in Brittany, 
With Vivian and the viols. It’s all too strange.” 

And later, when descending to the city, 
Through unavailing casements he could hear
The roaring of a mighty voice within, 
Confirming fervidly his own conviction: 
“It’s all too strange, and half the world’s half crazy!”— 
He scowled: “Well, I agree with Lamorak.” 
He frowned, and passed: “And I like not this day.”
Written by Victor Hugo | Create an image from this poem

Gastibelza

 ("Gastibelza, l'homme à la carabine.") 
 
 {XXII., March, 1837.} 


 Gastibelza, with gun the measure beating, 
 Would often sing: 
 "Has one o' ye with sweet Sabine been meeting, 
 As, gay, ye bring 
 Your songs and steps which, by the music, 
 Are reconciled— 
 Oh! this chill wind across the mountain rushing 
 Will drive me wild! 
 
 "You stare as though you hardly knew my lady— 
 Sabine's her name! 
 Her dam inhabits yonder cavern shady, 
 A witch of shame, 
 Who shrieks o' nights upon the Haunted Tower, 
 With horrors piled— 
 Oh! this chill wind, etc. 
 
 "Sing on and leap—enjoying all the favors 
 Good heaven sends; 
 She, too, was young—her lips had peachy savors 
 With honey blends; 
 Give to that hag—not always old—a penny, 
 Though crime-defiled— 
 Oh! this chill wind, etc. 
 
 "The queen beside her looked a wench uncomely, 
 When, near to-night, 
 She proudly stalked a-past the maids so homely, 
 In bodice tight 
 And collar old as reign of wicked Julian, 
 By fiend beguiled— 
 Oh! this chill wind, etc. 
 
 "The king himself proclaimed her peerless beauty 
 Before the court, 
 And held it were to win a kiss his duty 
 To give a fort, 
 Or, more, to sign away all bright Dorado, 
 Tho' gold-plate tiled— 
 Oh! this chill wind, etc. 
 
 "Love her? at least, I know I am most lonely 
 Without her nigh; 
 I'm but a hound to follow her, and only 
 At her feet die. 
 I'd gayly spend of toilsome years a dozen— 
 A felon styled— 
 Oh! this chill wind, etc. 
 
 "One summer day when long—so long? I'd missed her, 
 She came anew, 
 To play i' the fount alone but for her sister, 
 And bared to view 
 The finest, rosiest, most tempting ankle, 
 Like that of child— 
 Oh! this chill wind, etc. 
 
 "When I beheld her, I—a lowly shepherd— 
 Grew in my mind 
 Till I was Caesar—she that crownèd leopard 
 He crouched behind, 
 No Roman stern, but in her silken leashes 
 A captive mild— 
 Oh! this chill wind, etc. 
 
 "Yet dance and sing, tho' night be thickly falling;— 
 In selfsame time 
 Poor Sabine heard in ecstasy the calling, 
 In winning rhyme, 
 Of Saldane's earl so noble, ay, and wealthy, 
 Name e'er reviled— 
 Oh! this chill wind, etc. 
 
 "(Let me upon this bench be shortly resting, 
 So weary, I!) 
 That noble bore her smiling, unresisting, 
 By yonder high 
 And ragged road that snakes towards the summit 
 Where crags are piled— 
 Oh! this chill wind, etc. 
 
 "I saw her pass beside my lofty station— 
 A glance—'twas all! 
 And yet I loathe my daily honest ration, 
 The air's turned gall! 
 My soul's in chase, my body chafes to wander— 
 My dagger's filed— 
 Oh! this chill wind may change, and o'er the mountain 
 May drive me wild!" 
 
 HENRY L. WILLIAMS. 


 




Written by Emily Dickinson | Create an image from this poem

Despairs advantage is achieved

 Despair's advantage is achieved
By suffering -- Despair --
To be assisted of Reverse
One must Reverse have bore --

The Worthiness of Suffering like
The Worthiness of Death
Is ascertained by tasting --

As can no other Mouth

Of Savors -- make us conscious --
As did ourselves partake --
Affliction feels impalpable
Until Ourselves are struck --



Book: Radiant Verses: A Journey Through Inspiring Poetry