Written by
Stephen Vincent Benet |
(France -- Ancient Regime.)
I.
Go away!
Go away; I will not confess to you!
His black biretta clings like a hangman's cap; under his twitching fingers the beads shiver and click,
As he mumbles in his corner, the shadow deepens upon him;
I will not confess! . . .
Is he there or is it intenser shadow?
Dark huddled coilings from the obscene depths,
Black, formless shadow,
Shadow.
Doors creak; from secret parts of the chateau come the scuffle and worry of rats.
Orange light drips from the guttering candles,
Eddying over the vast embroideries of the bed
Stirring the monstrous tapestries,
Retreating before the sable impending gloom of the canopy
With a swift thrust and sparkle of gold,
Lipping my hands,
Then
Rippling back abashed before the ominous silences
Like the swift turns and starts of an overpowered fencer
Who sees before him Horror
Behind him darkness,
Shadow.
The clock jars and strikes, a thin, sudden note like the sob of a child.
Clock, buhl clock that ticked out the tortuous hours of my birth,
Clock, evil, wizened dwarf of a clock, how many years of agony have you relentlessly measured,
Yardstick of my stifling shroud?
I am Aumaury de Montreuil; once quick, soon to be eaten of worms.
You hear, Father? Hsh, he is asleep in the night's cloak.
Over me too steals sleep.
Sleep like a white mist on the rotting paintings of cupids and gods on the ceiling;
Sleep on the carven shields and knots at the foot of the bed,
Oozing, blurring outlines, obliterating colors,
Death.
Father, Father, I must not sleep!
It does not hear -- that shadow crouched in the corner . . .
Is it a shadow?
One might think so indeed, save for the calm face, yellow as wax, that lifts like the face of a drowned man from the choking darkness.
II.
Out of the drowsy fog my body creeps back to me.
It is the white time before dawn.
Moonlight, watery, pellucid, lifeless, ripples over the world.
The grass beneath it is gray; the stars pale in the sky.
The night dew has fallen;
An infinity of little drops, crystals from which all light has been taken,
Glint on the sighing branches.
All is purity, without color, without stir, without passion.
Suddenly a peacock screams.
My heart shocks and stops;
Sweat, cold corpse-sweat
Covers my rigid body.
My hair stands on end. I cannot stir. I cannot speak.
It is terror, terror that is walking the pale sick gardens
And the eyeless face no man may see and live!
Ah-h-h-h-h!
Father, Father, wake! wake and save me!
In his corner all is shadow.
Dead things creep from the ground.
It is so long ago that she died, so long ago!
Dust crushes her, earth holds her, mold grips her.
Fiends, do you not know that she is dead? . . .
"Let us dance the pavon!" she said; the waxlights glittered like swords on the polished floor.
Twinkling on jewelled snuffboxes, beaming savagely from the crass gold of candelabra,
From the white shoulders of girls and the white powdered wigs of men . . .
All life was that dance.
The mocking, resistless current,
The beauty, the passion, the perilous madness --
As she took my hand, released it and spread her dresses like petals,
Turning, swaying in beauty,
A lily, bowed by the rain, --
Moonlight she was, and her body of moonlight and foam,
And her eyes stars.
Oh the dance has a pattern!
But the clear grace of her thrilled through the notes of the viols,
Tremulous, pleading, escaping, immortal, untamed,
And, as we ended,
She blew me a kiss from her hand like a drifting white blossom --
And the starshine was gone; and she fled like a bird up the stair.
Underneath the window a peacock screams,
And claws click, scrape
Like little lacquered boots on the rough stone.
Oh the long fantasy of the kiss; the ceaseless hunger, ceaselessly, divinely appeased!
The aching presence of the beloved's beauty!
The wisdom, the incense, the brightness!
Once more on the ice-bright floor they danced the pavon
But I turned to the garden and her from the lighted candles.
Softly I trod the lush grass between the black hedges of box.
Softly, for I should take her unawares and catch her arms,
And embrace her, dear and startled.
By the arbor all the moonlight flowed in silver
And her head was on his breast.
She did not scream or shudder
When my sword was where her head had lain
In the quiet moonlight;
But turned to me with one pale hand uplifted,
All her satins fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
Like the quivering plumage of a peacock . . .
Then her head drooped and I gripped her hair,
Oh soft, scented cloud across my fingers! --
Bending her white neck back. . . .
Blood writhed on my hands; I trod in blood. . . .
Stupidly agaze
At that crumpled heap of silk and moonlight,
Where like twitching pinions, an arm twisted,
Palely, and was still
As the face of chalk.
The buhl clock strikes.
Thirty years. Christ, thirty years!
Agony. Agony.
Something stirs in the window,
Shattering the moonlight.
White wings fan.
Father, Father!
All its plumage fiery with the starshine,
Nacreous, shimmering, weeping, iridescent,
It drifts across the floor and mounts the bed,
To the tap of little satin shoes.
Gazing with infernal eyes.
Its quick beak thrusting, rending, devil's crimson . . .
Screams, great tortured screams shake the dark canopy.
The light flickers, the shadow in the corner stirs;
The wax face lifts; the eyes open.
A thin trickle of blood worms darkly against the vast red coverlet and spreads to a pool on the floor.
|
Written by
T S (Thomas Stearns) Eliot |
The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out 80
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid— troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended 90
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale 100
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
"Jug Jug" to dirty ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still. 110
"My nerves are bad to-night. Yes, bad. Stay with me.
"Speak to me. Why do you never speak. Speak.
"What are you thinking of? What thinking? What?
"I never know what you are thinking. Think."
I think we are in rats' alley
Where the dead men lost their bones.
"What is that noise?"
The wind under the door.
"What is that noise now? What is the wind doing?"
Nothing again nothing. 120
"Do
"You know nothing? Do you see nothing? Do you remember
"Nothing?"
I remember
Those are pearls that were his eyes.
"Are you alive, or not? Is there nothing in your head?"
But
O O O O that Shakespeherian Rag—
It's so elegant
So intelligent 130
"What shall I do now? What shall I do?"
I shall rush out as I am, and walk the street
"With my hair down, so. What shall we do to-morrow?
"What shall we ever do?"
The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.
When Lil's husband got demobbed, I said—
I didn't mince my words, I said to her myself, 140
HURRY UP PLEASE ITS TIME
Now Albert's coming back, make yourself a bit smart.
He'll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can't bear to look at you.
And no more can't I, I said, and think of poor Albert,
He's been in the army four years, he wants a good time,
And if you don't give it him, there's others will, I said.
Oh is there, she said. Something o' that, I said. 150
Then I'll know who to thank, she said, and give me a straight look.
HURRY UP PLEASE ITS TIME
If you don't like it you can get on with it, I said.
Others can pick and choose if you can't.
But if Albert makes off, it won't be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can't help it, she said, pulling a long face,
It's them pills I took, to bring it off, she said.
(She's had five already, and nearly died of young George.) 160
The chemist said it would be alright, but I've never been the same.
You are a proper fool, I said.
Well, if Albert won't leave you alone, there it is, I said,
What you get married for if you don't want children?
HURRY UP PLEASE ITS TIME
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
HURRY UP PLEASE ITS TIME
HURRY UP PLEASE ITS TIME
Goonight Bill. Goonight Lou. Goonight May. Goonight. 170
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.
|
Written by
Lewis Carroll |
The Banker's Fate
They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
And the Banker, inspired with a courage so new
It was matter for general remark,
Rushed madly ahead and was lost to their view
In his zeal to discover the Snark.
But while he was seeking with thimbles and care,
A Bandersnatch swiftly drew nigh
And grabbed at the Banker, who shrieked in despair,
For he knew it was useless to fly.
He offered large discount--he offered a cheque
(Drawn "to bearer") for seven-pounds-ten:
But the Bandersnatch merely extended its neck
And grabbed at the Banker again.
Without rest or pause--while those frumious jaws
Went savagely snapping around--
He skipped and he hopped, and he floundered and flopped,
Till fainting he fell to the ground.
The Bandersnatch fled as the others appeared
Led on by that fear-stricken yell:
And the Bellman remarked "It is just as I feared!"
And solemnly tolled on his bell.
He was black in the face, and they scarcely could trace
The least likeness to what he had been:
While so great was the fright that his waistcoat turned white--
A wonderful thing to be seen!
To the horror of all who were present that day,
He uprose in full evening dress,
And with senseless grimaces endeavoured to say
What his tongue could no longer express.
Down he sank in a chair--ran his hands through his hair--
And chanted in mimsiest tones
Words whose utter inanity proved his insanity,
While he rattled a couple of bones.
"Leave him here to his fate--it is getting so late!"
The Bellman exclaimed in a fright.
"We have lost half a day. Any further delay,
And we sha'n't catch a Snark before night!"
|
Written by
Andrew Hudgins |
Our Father who art in heaven, I am drunk.
Again. Red wine. For which I offer thanks.
I ought to start with praise, but praise
comes hard to me. I stutter. Did I tell you
about the woman, whom I taught, in bed,
this prayer? It starts with praise; the simple form
keeps things in order. I hear from her sometimes.
Do you? And after love, when I was hungry,
I said, Make me something to eat. She yelled,
Poof! You're a casserole! - and laughed so hard
she fell out of bed. Take care of her.
Next, confession - the dreary part. At night
deer drift from the dark woods and eat my garden.
They're like enormous rats on stilts except,
of course, they're beautiful. But why? What makes
them beautiful? I haven't shot one yet.
I might. When I was twelve I'd ride my bike
out to the dump and shoot the rats. It's hard
to kill your rats, our Father. You have to use
a hollow point and hit them solidly.
A leg is not enough. The rat won't pause.
Yeep! Yeep! it screams, and scrabbles, three-legged, back
into the trash, and I would feel a little bad
to kill something that wants to live
more savagely than I do, even if
it's just a rat. My garden's vanishing.
Perhaps I'll plant more beans, though that
might mean more beautiful and hungry deer.
Who knows?
I'm sorry for the times I've driven
home past a black, enormous, twilight ridge.
Crested with mist it looked like a giant wave
about to break and sweep across the valley,
and in my loneliness and fear I've thought,
O let it come and wash the whole world clean.
Forgive me. This is my favorite sin: despair-
whose love I celebrate with wine and prayer.
Our Father, thank you for all the birds and trees,
that nature stuff. I'm grateful for good health,
food, air, some laughs, and all the other things I've never had to do
without. I have confused myself. I'm glad
there's not a rattrap large enough for deer.
While at the zoo last week, I sat and wept
when I saw one elephant insert his trunk
into another's ass, pull out a lump,
and whip it back and forth impatiently
to free the goodies hidden in the lump.
I could have let it mean most anything,
but I was stunned again at just how little
we ask for in our lives. Don't look! Don't look!
Two young nuns tried to herd their giggling
schoolkids away. Line up, they called, Let's go
and watch the monkeys in the monkey house.
I laughed and got a dirty look. Dear Lord,
we lurch from metaphor to metaphor,
which is -let it be so- a form of praying.
I'm usually asleep by now -the time
for supplication. Requests. As if I'd stayed
up late and called the radio and asked
they play a sentimental song. Embarrassed.
I want a lot of money and a woman.
And, also, I want vanishing cream. You know-
a character like Popeye rubs it on
and disappears. Although you see right through him,
he's there. He chuckles, stumbles into things,
and smoke that's clearly visible escapes
from his invisible pipe. It make me think,
sometimes, of you. What makes me think of me
is the poor jerk who wanders out on air
and then looks down. Below his feet, he sees
eternity, and suddenly his shoes
no longer work on nothingness, and down
he goes. As I fall past, remember me.
|
Written by
William Butler Yeats |
The moments passed as at a play;
I had the wisdom love brings forth;
I had my share of mother-wit,
And yet for all that I could say,
And though I had her praise for it,
A cloud blown from the cut-throat North
Suddenly hid Love's moon away.
Believing every word I said,
I praised her body and her mind
Till pride had made her eyes grow bright,
And pleasure made her cheeks grow red,
And vanity her footfall light,
Yet we, for all that praise, could find
Nothing but darkness overhead.
We sat as silent as a stone,
We knew, though she'd not said a word,
That even the best of love must die,
And had been savagely undone
Were it not that Love upon the cry
Of a most ridiculous little bird
Tore from the clouds his marvellous moon.
|
Written by
Robert William Service |
She was a Philistine spick and span,
He was a bold Bohemian.
She had the mode, and the last at that;
He had a cape and a brigand hat.
She was so riant and chic and trim;
He was so shaggy, unkempt and grim.
On the rue de la Paix she was wont to shine;
The rue de la Gaîté was more his line.
She doted on Barclay and Dell and Caine;
He quoted Mallarmé and Paul Verlaine.
She was a triumph at Tango teas;
At Vorticist's suppers he sought to please.
She thought that Franz Lehar was utterly great;
Of Strauss and Stravinsky he'd piously prate.
She loved elegance, he loved art;
They were as wide as the poles apart:
Yet -- Cupid and Caprice are hand and glove --
They met at a dinner, they fell in love.
Home he went to his garret bare,
Thrilling with rapture, hope, despair.
Swift he gazed in his looking-glass,
Made a grimace and murmured: "Ass!"
Seized his scissors and fiercely sheared,
Severed his buccaneering beard;
Grabbed his hair, and clip! clip! clip!
Off came a bunch with every snip.
Ran to a tailor's in startled state,
Suits a dozen commanded straight;
Coats and overcoats, pants in pairs,
Everything that a dandy wears;
Socks and collars, and shoes and ties,
Everything that a dandy buys.
Chums looked at him with wondering stare,
Fancied they'd seen him before somewhere;
A Brummell, a D'Orsay, a beau so fine,
A shining, immaculate Philistine.
Home she went in a raptured daze,
Looked in a mirror with startled gaze,
Didn't seem to be pleased at all;
Savagely muttered: "Insipid Doll!"
Clutched her hair and a pair of shears,
Cropped and bobbed it behind the ears;
Aimed at a wan and willowy-necked
Sort of a Holman Hunt effect;
Robed in subtile and sage-green tones,
Like the dames of Rossetti and E. Burne-Jones;
Girdled her garments billowing wide,
Moved with an undulating glide;
All her frivolous friends forsook,
Cultivated a soulful look;
Gushed in a voice with a creamy throb
Over some weirdly Futurist daub --
Did all, in short, that a woman can
To be a consummate Bohemian.
A year went past with its hopes and fears,
A year that seemed like a dozen years.
They met once more. . . . Oh, at last! At last!
They rushed together, they stopped aghast.
They looked at each other with blank dismay,
They simply hadn't a word to say.
He thought with a shiver: "Can this be she?"
She thought with a shudder: "This can't be he?"
This simpering dandy, so sleek and spruce;
This languorous lily in garments loose;
They sought to brace from the awful shock:
Taking a seat, they tried to talk.
She spoke of Bergson and Pater's prose,
He prattled of dances and ragtime shows;
She purred of pictures, Matisse, Cezanne,
His tastes to the girls of Kirchner ran;
She raved of Tchaikovsky and Caesar Franck,
He owned that he was a jazz-band crank!
They made no headway. Alas! alas!
He thought her a bore, she thought him an ass.
And so they arose and hurriedly fled;
Perish Illusion, Romance, you're dead.
He loved elegance, she loved art,
Better at once to part, to part.
And what is the moral of all this rot?
Don't try to be what you know you're not.
And if you're made on a muttonish plan,
Don't seek to seem a Bohemian;
And if to the goats your feet incline,
Don't try to pass for a Philistine.
|
Written by
William Topaz McGonagall |
Welcome, thrice welcome, to the city of Dundee,
The great African explorer Henry M Stanley,
Who went out to Africa its wild regions to explore,
And travelled o'er wild and lonely deserts, fatigued and footsore.
And what he and his little band suffered will never be forgot,
Especially one in particular, Major Edmund Barttelot,
Alas! the brave heroic Officer by a savage was shot,
The commandant of the rear column - O hard has been his lot!
O think of the noble Stanley and his gallant little band,
While travelling through gloomy forests and devastated land,
And suffering from all kinds of hardships under a burning sun!
But the brave hero has been successful and the victory's won.
While in Africa he saw many wonderful sights,
And was engaged, no doubt, in many savage fights,
But the wise Creator was with him all along
And now he's home again to us, I hope quite strong.
And during his travels in Africa he made strange discoveries,
He discovered a dwarfish race of people called pigmies,
Who are said to be the original natives of Africa,
And when Stanley discovered them he was struck with awe.
One event in particular is most worthy to relate,
How God preserved him from a very cruel fate:
He and his Officers were attacked, while sailing their boat,
By the savages of Bumbireh, all eager to cut his throat.
They seized him by the hair and tugged it without fear,
While one of his men received a poke in the ribs with a spear;
But Stanley, having presence of mind, instantly contrives
To cry to his men, Shove off the boat, and save your lives!
Then savages swarmed into three canoes very close by,
And every bow was drawn, while they savagely did cry;
But thee heroic Stanley quickly shot two of them dead,
Then the savages were baffled and immediately fled.
This incident is startling, but nevertheless true,
And in midst of all dangers the Lord brought him through
Then, welcome him,. thrice welcome him, right cheerfully,
Shouting, Long live the great African explorer, Henry M Stanley!
Therefore throw open the gates of the city of Dundee,
And receive him with loud cheers, three time three,
And sound your trumpets and beat your drums,
And play up, See the Conquering Hero Comes!
|
Written by
William Topaz McGonagall |
'Twas at the disastrous battle of Maiwand, in Afghanistan,
Where the Berkshires were massacred to the last man;
On the morning of July the 27th, in the year eighteen eighty,
Which I'm sorry to relate was a pitiful sight to see.
Ayoub Khan's army amounted to twelve thousand in all,
And honestly speaking it wasn't very small,
And by such a great force the Berkshires were killed to the last man,
By a murderous rebel horde under the command of Ayoub Khan.
The British force amounted to about 2000 strong in all,
But although their numbers were but few it didn't them appal;
They were commanded by General Burrows, a man of courage bold,
But, alas! the British army was defeated be it told.
The 66th Berkshire Regiment stood as firm as a wall,
Determined to conquer or die whatever would befall,
But in the face of overwhelming odds, and covered to the last,
The broken and disordered Sepoys were flying fast
Before the victorious Afghan soldiers, whose cheers on the air arose,
But the gallant band poured in deadly volleys on their foes;
And, outnumbered and surrounded, they fell in sections like ripe grain;
Still the heroes held their ground, charging with might and main.
The British force, alas! were shut up like sheep in a pen,
Owing to the bad position General Burrows had chosen for his men;
But Colonel Galbraith with the Berkshires held the enemy at bay,
And had the Sepoys been rallied the Afghans would not have won the day.
But on the Berkshires fell the brunt of the battle,
For by the Afghan artillery they fell like slaughtered cattle;
Yet the wild horsemen were met with ringing volleys of musketry,
Which emptied many a saddle; still the Afghans fought right manfully.
And on came the white cloud like a whirlwind;
But the gallant Berkshires, alas! no help could find,
While their blood flowed like water on every side around,
And they fell in scores, but the men rallied and held their ground
The brave Berkshires under Colonel Galbraith stood firm in the centre there,
Whilst the shouts of the wild Ghazis rent the air;
But still the Berkshires held them at bay,
At the charge of the bayonet, without dismay.
Then the Ghazis, with increased numbers, made another desperate charge
On that red line of British bayonets, which wasn't very large;
And the wild horsemen were met again with ringing volleys of musketry,
Which was most inspiring and frightful to see.
Then Ayoub concentrated his whole attack on the Berkshire Regiment,
Which made them no doubt feel rather discontent,
And Jacob's Rifles and the Grenadiers were a confused and struggling mass,
Oh heaven! such a confused scene, nothing could it surpass.
But the Berkshires stood firm, replying to the fire of the musketry,
While they were surrounded on all sides by masses of cavalry;
Still that gallant band resolved to fight for their Queen and country,
Their motto being death before dishonour, rather than flee.
At last the gallant British soldiers made a grand stand,
While most of the officers were killed fighting hand to hand,
And at length the Sepoys fled from the enclosure, panic-stricken and irate,
Alas! leaving behind their European comrades to their fate.
The Berkshires were now reduced to little more than one hundred men,
Who were huddled together like sheep in a pen;
But they broke loose from the enclosure, and back to back,
Poured volley after volley in the midst of the enemy, who weren't slack.
And one by one they fell, still the men fought without dismay,
And the regimental pet dog stuck to the heroes throughout the day;
And their cartridge pouches were empty, and of shot they were bereft,
And eleven men, most of them wounded, were all that were left.
And they broke from the enclosure, and followed by the little dog,
And with excitement it was barking savagely, and leaping like a frog;
And from the field the last eleven refused to retire,
And with fixed bayonets they charged on the enemy in that sea of fire.
Oh, heaven! it was a fearful scene the horrors of that day,
When I think of so many innocent lives that were taken away;
Alas! the British force were massacred in cold blood,
And their blood ran like a little rivulet in full flood.
And the Ghazis were afraid to encounter that gallant little band
At the charge of the bayonet : Oh! the scene was most grand;
And the noble and heroic eleven fought on without dismay,
Until the last man in the arms of death stiff and stark lay.
|
Written by
Robert William Service |
"You're bloody right - I was a Red,"
The Man from Cook's morosely said.
And if our chaps had won the War
Today I'd be the Governor
Of all Madrid, and rule with pride,
Instead of just a lousy guide.
"For I could talk in Councils high
To draw down angels from the sky.
They put me seven years in gaol, -
You see how I am prison-pale . . .
Death sentence! Each dawn I thought
They'd drag me out and have me shot.
"Maybe far better if they had:
Suspense like that can make one mad.
Yet here I am serene and sane,
And at your service to explain
That gory battlefield out there,
The Cité Universitaire.
"See! Where the Marzanillo flows,
The women used to wash our cloths;
And often, even in its flood,
It would be purpled by our blood.
Contemptuous of shot and shell
Our women sang and - fought like hell.
"Deep trenches there ran up and down,
And linked us with the sightless town;
And every morn and every night
We sallied savagely to fight . . .
By yon ravine in broken clad
I shot and killed a soldier lad.
"Such boys they were: methinks that one
Looked to me like my only son.
He might have been; they told my wife
Before Madrid he lost his life.
Sweet Mary! Oh if I but knew
It was not my own son I slew. . . ."
So spoke that man with eye remote
And stains of gravy on his coat;
I offered him a cigarette,
And as he sighed with vain regret,
Said he: "Don't change your dollars - wait:
I'll get you twice the market rate."
|
Written by
William Topaz McGonagall |
'Twas in the year of 1857 and on the 14th of September
That the Sepoy rebels at Delhi were forced to surrender;
The attack was first to be made by Brigadier Nicholson,
And he was ordered to attack the Cashmere Bastion.
The British were entirely in command.
Of Major-General Reid, assisted by Brigadier-Generals Wilson and Burnand;
After a long march, fighting through a hostile country,
And the brave heroes took up a position before the city.
Delhi gates were encircled with a fringe of fire,
But the British resolved to die rather than retire;
And the brave fellows rushed, towards the gate
Carrying the powder bags that were to seal the Sepoys' fate.
Here their progress was checked, for the drawbridge was destroyed,
But the British felt very little annoyed,
Because a few planks were across the chasm thrown,
Then a match was applied to the powder bags, and into atoms the gate was blown.
Then the rebel artillerymen with terror fled,
For the streets were strewn by the Sepoy dead;
Then the British charged them without fear,
Shouting "On boys, on, for our Queen and Country dear."
Then Lieutenant Home gave orders to advance,
And charge them with your bayonets, it is our only chance;
And with a ringing British cheer they charged, them fearlessly,
And. they drove the enemy before them through the streets of the city.
Then the young bugler blew a blast loud and clear,
Which was answered by a British ringing cheer;
But General Nicholson was killed, which was a great loss,
And afterwards the bugler was decorated with the Victoria Cross.
General Jones formed a junction with Colonel Campbell's Regiment,
And to enter by the Cashmere Gate they were bent;
And they advanced through the streets without delay,
And swept all before them through the gate without dismay.
The streets were filled with mutineers who fought savagely,
Determined to fight to the last and die heroically,
While the alarm drums did beat, and the cannons did roar,
And the dead and the dying lay weltering in their gore.
And the rebels fought for King Timour like tigers in a cage,
He was a very old man, more than ninety years of age;
And their shouts and yells were fearful to hear,
While the shrill sound of the bugle smote on the ear.
The British dash at Delhi will never be forgot,
For the chief instigators of the mutiny were shot;
And their bodies in the Mayor's Court were hung,
And as the people gazed thereon, their hearts with anguish were wrung.
And that evening General Wilson drank the health of the Queen,
Also his officers hailed her Empress of India, which enhanced the scene;
While the assembled thousands shouted "God save the Queen!"
Oh! it was a most beautiful scene.
Delhi was a glorious prize, for the city was full of jewels and gold,
Besides a hundred pieces of cannon, be it told;
But dearly was the victory gained,
But in the book of fame the British are famed;
Oh, it was a glorious and heroic victory,
And will be handed down to posterity.
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