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Best Famous Saplings Poems

Here is a collection of the all-time best famous Saplings poems. This is a select list of the best famous Saplings poetry. Reading, writing, and enjoying famous Saplings poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of saplings poems.

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Written by Rudyard Kipling | Create an image from this poem

Beast and Man in India

 Written for John Lockwood Kipling's
They killed a Child to please the Gods
In Earth's young penitence,
And I have bled in that Babe's stead
Because of innocence.
I bear the sins of sinful men That have no sin of my own, They drive me forth to Heaven's wrath Unpastured and alone.
I am the meat of sacrifice, The ransom of man's guilt, For they give my life to the altar-knife Wherever shrine is built.
The Goat.
Between the waving tufts of jungle-grass, Up from the river as the twilight falls, Across the dust-beclouded plain they pass On to the village walls.
Great is the sword and mighty is the pen, But over all the labouring ploughman's blade-- For on its oxen and its husbandmen An Empire's strength is laid.
The Oxen.
The torn boughs trailing o'er the tusks aslant, The saplings reeling in the path he trod, Declare his might--our lord the Elephant, Chief of the ways of God.
The black bulk heaving where the oxen pant, The bowed head toiling where the guns careen, Declare our might--our slave the Elephant, And servant of the Queen.
The Elephant.
Dark children of the mere and marsh, Wallow and waste and lea, Outcaste they wait at the village gate With folk of low degree.
Their pasture is in no man's land, Their food the cattle's scorn; Their rest is mire and their desire The thicket and the thorn.
But woe to those that break their sleep, And woe to those that dare To rouse the herd-bull from his keep, The wild boar from his lair! Pigs and Buffaloes.
The beasts are very wise, Their mouths are clean of lies, They talk one to the other, Bullock to bullock's brother Resting after their labours, Each in stall with his neighbours.
But man with goad and whip, Breaks up their fellowship, Shouts in their silky ears Filling their soul with fears.
When he has ploughed the land, He says: "They understand.
" But the beasts in stall together, Freed from the yoke and tether, Say as the torn flanks smoke: "Nay, 'twas the whip that spoke.
"


Written by Stephen Vincent Benet | Create an image from this poem

Portrait of a Baby

 He lay within a warm, soft world 
Of motion.
Colors bloomed and fled, Maroon and turquoise, saffron, red, Wave upon wave that broke and whirled To vanish in the grey-green gloom, Perspectiveless and shadowy.
A bulging world that had no walls, A flowing world, most like the sea, Compassing all infinity Within a shapeless, ebbing room, An endless tide that swells and falls .
.
.
He slept and woke and slept again.
As a veil drops Time dropped away; Space grew a toy for children's play, Sleep bolted fast the gates of Sense -- He lay in naked impotence; Like a drenched moth that creeps and crawls Heavily up brown, light-baked walls, To fall in wreck, her task undone, Yet somehow striving toward the sun.
So, as he slept, his hands clenched tighter, Shut in the old way of the fighter, His feet curled up to grip the ground, His muscles tautened for a bound; And though he felt, and felt alone, Strange brightness stirred him to the bone, Cravings to rise -- till deeper sleep Buried the hope, the call, the leap; A wind puffed out his mind's faint spark.
He was absorbed into the dark.
He woke again and felt a surge Within him, a mysterious urge That grew one hungry flame of passion; The whole world altered shape and fashion.
Deceived, befooled, bereft and torn, He scourged the heavens with his scorn, Lifting a bitter voice to cry Against the eternal treachery -- Till, suddenly, he found the breast, And ceased, and all things were at rest, The earth grew one warm languid sea And he a wave.
Joy, tingling, crept Throughout him.
He was quenched and slept.
So, while the moon made broad her ring, He slept and cried and was a king.
So, worthily, he acted o'er The endless miracle once more.
Facing immense adventures daily, He strove still onward, weeping, gaily, Conquered or fled from them, but grew As soil-starved, rough pine-saplings do.
Till, one day, crawling seemed suspect.
He gripped the air and stood erect And splendid.
With immortal rage He entered on man's heritage!
Written by John Milton | Create an image from this poem

Arcades

 Part of an entertainment presented to the Countess Dowager of
Darby at Harefield, by som Noble persons of her Family, who
appear on the Scene in pastoral habit, moving toward the seat
of State with this Song.
I.
SONG.
Look Nymphs, and Shepherds look, What sudden blaze of majesty Is that which we from hence descry Too divine to be mistook: This this is she To whom our vows and wishes bend, Heer our solemn search hath end.
Fame that her high worth to raise, Seem'd erst so lavish and profuse, We may justly now accuse Of detraction from her praise, Less then half we find exprest, Envy bid conceal the rest.
Mark what radiant state she spreds, In circle round her shining throne, Shooting her beams like silver threds, This this is she alone, Sitting like a Goddes bright, In the center of her light.
Might she the wise Latona be, Or the towred Cybele, Mother of a hunderd gods; Juno dare's not give her odds; Who had thought this clime had held A deity so unparalel'd? As they com forward, the genius of the Wood appears, and turning toward them, speaks.
GEN.
Stay gentle Swains, for though in this disguise, I see bright honour sparkle through your eyes, Of famous Arcady ye are, and sprung Of that renowned flood, so often sung, Divine Alpheus, who by secret sluse, Stole under Seas to meet his Arethuse; And ye the breathing Roses of the Wood, Fair silver-buskind Nymphs as great and good, I know this quest of yours, and free intent Was all in honour and devotion ment To the great Mistres of yon princely shrine, Whom with low reverence I adore as mine, And with all helpful service will comply To further this nights glad solemnity; And lead ye where ye may more neer behold What shallow-searching Fame hath left untold; Which I full oft amidst these shades alone Have sate to wonder at, and gaze upon: For know by lot from Jove I am the powr Of this fair wood, and live in Oak'n bowr, To nurse the Saplings tall, and curl the grove With Ringlets quaint, and wanton windings wove.
And all my Plants I save from nightly ill, Of noisom winds, and blasting vapours chill.
And from the Boughs brush off the evil dew, And heal the harms of thwarting thunder blew, Or what the cross dire-looking Planet smites, Or hurtfull Worm with canker'd venom bites.
When Eev'ning gray doth rise, I fetch my round Over the mount, and all this hallow'd ground, And early ere the odorous breath of morn Awakes the slumbring leaves, or tasseld horn Shakes the high thicket, haste I all about, Number my ranks, and visit every sprout With puissant words, and murmurs made to bless, But els in deep of night when drowsines Hath lockt up mortal sense, then listen I To the celestial Sirens harmony, That sit upon the nine enfolded Sphears, And sing to those that hold the vital shears, And turn the Adamantine spindle round, On which the fate of gods and men is wound.
Such sweet compulsion doth in musick ly, To lull the daughters of Necessity, And keep unsteddy Nature to her law, And the low world in measur'd motion draw After the heavenly tune, which none can hear Of human mould with grosse unpurged ear; And yet such musick worthiest were to blaze The peerles height of her immortal praise, Whose lustre leads us, and for her most fit, If my inferior hand or voice could hit Inimitable sounds, yet as we go, What ere the skill of lesser gods can show, I will assay, her worth to celebrate, And so attend ye toward her glittering state; Where ye may all that are of noble stemm Approach, and kiss her sacred vestures hemm.
2.
SONG.
O're the smooth enameld green Where no print of step hath been, Follow me as I sing, And touch the warbled string.
Under the shady roof Of branching Elm Star-proof, Follow me, I will bring you where she sits Clad in splendor as befits Her deity.
Such a rural Queen All Arcadia hath not seen.
3.
SONG.
Nymphs and Shepherds dance no more By sandy Ladons Lillied banks.
On old Lycaeus or Cyllene hoar, Trip no more in twilight ranks, Though Erynanth your loss deplore, A better soyl shall give ye thanks.
From the stony Maenalus, Bring your Flocks, and live with us, Here ye shall have greater grace, To serve the Lady of this place.
Though Syrinx your Pans Mistres were, Yet Syrinx well might wait on her.
Such a rural Queen All Arcadia hath not seen.
Note: 22 hunderd] Milton's own spelling here is hundred.
But in the Errata to Paradise Lost (i.
760) he corrects hundred to hunderd.
Written by G K Chesterton | Create an image from this poem

The Song of the Oak

 The Druids waved their golden knives 
And danced around the Oak 
When they had sacrificed a man; 
But though the learned search and scan 
No single modern person can 
Entirely see the joke.
But though they cut the throats of men They cut not down the tree, And from the blood the saplings spring Of oak-woods yet to be.
But Ivywood, Lord Ivywood, He rots the tree as ivy would, He clings and crawls as ivy would About the sacred tree.
King Charles he fled from Worcester fight And hid him in the Oak; In convent schools no man of tact Would trace and praise his every act, Or argue that he was in fact A strict and sainted bloke.
But not by him the sacred woods Have lost their fancies free, And though he was extremely big He did not break the tree.
But Ivywood, Lord Ivywood, He breaks the tree as ivy would, And eats the woods as ivy would Between us and the sea.
Great Collingwood walked down the glade And flung the acorns free, That oaks might still be in the grove As oaken as the beams above, When the great Lover sailors love Was kissed by Death at sea.
But though for him the oak-trees fell To build the oaken ships, The woodman worshipped what he smote And honoured even the chips.
But Ivywood, Lord Ivywood, He hates the tree as ivy would, As the dragon of the ivy would That has us in his grips.
Written by Joyce Kilmer | Create an image from this poem

Old Poets

 (For Robert Cortez Holliday)

If I should live in a forest
And sleep underneath a tree,
No grove of impudent saplings
Would make a home for me.
I'd go where the old oaks gather, Serene and good and strong, And they would not sigh and tremble And vex me with a song.
The pleasantest sort of poet Is the poet who's old and wise, With an old white beard and wrinkles About his kind old eyes.
For these young flippertigibbets A-rhyming their hours away They won't be still like honest men And listen to what you say.
The young poet screams forever About his sex and his soul; But the old man listens, and smokes his pipe, And polishes its bowl.
There should be a club for poets Who have come to seventy year.
They should sit in a great hall drinking Red wine and golden beer.
They would shuffle in of an evening, Each one to his cushioned seat, And there would be mellow talking And silence rich and sweet.
There is no peace to be taken With poets who are young, For they worry about the wars to be fought And the songs that must be sung.
But the old man knows that he's in his chair And that God's on His throne in the sky.
So he sits by the fire in comfort And he lets the world spin by.


Written by Andrew Barton Paterson | Create an image from this poem

Black Harrys Team

 No soft-skinned Durham steers are they, 
No Devons plump and red, 
But brindled, black and iron-grey 
That mark the mountain-bred; 
For mountain-bred and mountain-broke, 
With sullen eyes agleam, 
No stranger's hand could put a yoke 
On old Black Harry's team.
Pull out, pull out, at break of morn The creeks are running white, And Tiger, Spot and Snailey-horn Must bend their bows by night; And axles, wheels, and flooring boards Are swept with flying spray As shoulder-deep, through mountain fords The leaders feel their way.
He needs no sign of cross or kirn To guide him as he goes, For every twist and every turn That old black leader knows.
Up mountains steep they heave and strain Where never wheel has rolled, And what the toiling leaders gain The body-bullocks hold.
Where eagle-hawks their eyries make, On sidlings steep and blind, He rigs the good old-fashioned brake--- A tree tied on behind.
Up mountains, straining to the full, Each poler plays his part--- The sullen, stubborn, bullock-pull That breaks a horse's heart.
Beyond the farthest bridle track His wheels have blazed the way; The forest giants, burnt and black, Are ear-marked by his dray.
Through belts of scrub, where messmates grow His juggernaut has rolled, For stumps and saplings have to go When Harry's team takes hold.
On easy grade and rubber tyre The tourist car goes through, They halt a moment to admire The far-flung mountain view.
The tourist folk would be amazed If they could get to know They take the track Black Harry blazed A Hundred Years Ago.
Written by William Butler Yeats | Create an image from this poem

Coole Park 1929

 I meditate upon a swallow's flight,
Upon a aged woman and her house,
A sycamore and lime-tree lost in night
Although that western cloud is luminous,
Great works constructed there in nature's spite
For scholars and for poets after us,
Thoughts long knitted into a single thought,
A dance-like glory that those walls begot.
There Hyde before he had beaten into prose That noble blade the Muses buckled on, There one that ruffled in a manly pose For all his timid heart, there that slow man, That meditative man, John Synge, and those Impetuous men, Shawe-Taylor and Hugh Lane, Found pride established in humility, A scene well Set and excellent company.
They came like swallows and like swallows went, And yet a woman's powerful character Could keep a Swallow to its first intent; And half a dozen in formation there, That seemed to whirl upon a compass-point, Found certainty upon the dreaming air, The intellectual sweetness of those lines That cut through time or cross it withershins.
Here, traveller, scholar, poet, take your stand When all those rooms and passages are gone, When nettles wave upon a shapeless mound And saplings root among the broken stone, And dedicate - eyes bent upon the ground, Back turned upon the brightness of the sun And all the sensuality of the shade - A moment's memory to that laurelled head.
Written by Andrew Barton Paterson | Create an image from this poem

The Man From Snowy River

 There was movement at the station, for the word has passed around
That the colt from old Regret had got away,
And had joined the wild bush horses—he was worth a thousand pound,
So all the cracks had gathered to the fray.
All the tried and noted riders from the stations near and far Had mustered at the homestead overnight, For the bushmen love hard riding where the wild bush horses are, And the stock-horse snuffs the battle with delight.
There was Harrison, who made his pile when Pardon won the cup, The old man with his hair as white as snow; But few could ride beside him when his blood was fairly up— He would go wherever horse and man could go.
And Clancy of the Overflow came down to lend a hand; No better horseman ever held the reins; For never horse could throw him while the saddle girths would stand— He had learnt to ride while droving on the plains.
And one was there, a sripling on a small and weedy beast, He was something like a racehorse undersized, With a touch of Timor pony—three parts thoroughbred at least— And such as are by mountain horsemen prized.
He was hard and tough and wiry—just the sort that won't say die— There was courage in his quick impatient tread; And he bore the badge of gameness in his bright and fiery eye, And the proud and lofty carriage of his head.
But still so slight and weedy, one would doubt his power to stay, And the old man said, "That horse will never do For a long and tiring gallop—lad, you'd better stop away, For those hills are far too rough for such as you.
" So he waited, sad and wistful—only Clancy stood his friend— "I think we ought to let him come," he said; "I warrant he'll be with us when he's wanted at the end, For both his horse and he are mountain bred.
'He hails from Snowy River, up by Kosiosko's side, Where the hills are twice as steep and twice as rough; Where the horse's hoofs strike firelight from the flintstones every stride, There the man that holds his own is good enough.
And the Snowy River riders in the mountains make their home, Wher the river runs those giant hills between; I have seen full many riders since I first commenced to roam, But nowhere yet such horsemen have I seen.
" So he went; they found the horses by the big mimosa clump, They raced away towards the mountain's brow, And the old man gave his orders, "Boys, go at them from the jump, No use to try for fancy riding now.
And, Clancy, you must wheel them, try and wheel them to the right.
Ride boldly, lad, and never fear the spills, For never yet was rider that could keep the mob in sight, If once they gain the shelter of those hills.
" So Clancy rode to wheel them—he was racing on the wing Where the best and boldest riders take their place.
And he raced his stock-horse past them.
and he made the ranges ring With his stock-whip, as he met them face to face.
Then they halted for a moment, while he swung the dreaded lash, But they saw their well-loved mountain full in view, And they charged beneath the stock-whip with a sharp and sudden dash, And off into the mountain scrub they flew.
Then fast the horsemen followed, where the gorges deep and black Resounded to the thunder of their tread, And their stock-whips woke the echoes, and they fiercely answered back from the cliffs and crags that beetled overhead.
And upward, ever upward, the wild horses held their way, Where the mountain ash and kurrajong grew wide; And the old man muttered fiercely, "We may bid the mob good-day, For no man can hold them down the other side.
" When they reached the mountain's summit, even Clancy took a pull— It well might make the boldest hold their breath; For the wild hop scrub grew thickly, and the hidden ground was full Of wombat holes, and any slip meant death.
But the man from Snowy River let the pony have its head, He swung his stock-whip round and gave a cheer, And he raced him down that mountain like a torrent down its bed, While the others stood and watched in very fear.
He sent the flintstones flying, but the pony kept its feet, He cleared the fallen timber in his stride, And the man from Snowy River never shifted in his seat— It was grand to see that mountain horseman ride.
Through the stringy barks and saplings, over rough and broken ground, Down the hillside at a racing pace he went; And he never drew the bridle till he landed safe and sound At the bottom of that terrible descent.
He was right among the horses as he climbed the further hill, And the watchers on the hillside, standing mute, Saw him ply the stock-whip fiercely; he was right among them still, As he raced across a clearing in pursuit.
Then they lost him for a moment, where two mountain gullies met In the ranges—but a final glimpse reveals On a dim and distant hillside, the wild horses racing yet With the man from Snowy River at their heels.
And he ran them single-handed till their flanks were white with foam; He followed like a bloodhound in their track, Till they halted, cowed and beaten; and he turned their heads for home, And alone and unassisted brought them back.
But his hardy mountain pony he could scarcely raise a trot, He was blood from hip to shoulder from the spur; But his pluck was still undaunted, and his courage fiery hot, For never yet was mountain horse a cur.
And down by Kosiosko, where the pine-clad ridges raise Their torn and rugged battlements on high, Where the air is clear as crystal, and the white stars fairly blaze Of a midnight in the cold and frosty sky, And where around the Overflow the reed-beds sweep and sway To the breezes, and the rolling plains are wide, There the man from Snowy River is a household word today, And the stockmen tell the story of his ride.
Written by A E Housman | Create an image from this poem

On Wenlock Edge The Woods In Trouble

 On Wenlock Edge the wood's in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.
'Twould blow like this through holt and hanger When Uricon the city stood; 'Tis the old wind in the old anger, But then it threshed another wood.
Then, 'twas before my time, the Roman At yonder heaving hill would stare; The blood that warms an English yeoman, The thoughts that hurt him, they were there.
There, like the wind through woods in riot, Through him the gale of life blew high; The tree of man was never quiet: Then 'twas the Roman, now 'tis I.
The gale, it plies the saplings double, It blows so hard, 'twill soon be gone: Today the Roman and his trouble Are ashes under Uricon.
Written by Henry Lawson | Create an image from this poem

The Shanty On The Rise

 When the caravans of wool-teams climbed the ranges from the West, 
On a spur among the mountains stood `The Bullock-drivers' Rest'; 
It was built of bark and saplings, and was rather rough inside, 
But 'twas good enough for bushmen in the careless days that died -- 
Just a quiet little shanty kept by `Something-in-Disguise', 
As the bushmen called the landlord of the Shanty on the Rise.
City swells who `do the Royal' would have called the Shanty low, But 'twas better far and purer than some toney pubs I know; For the patrons of the Shanty had the principles of men, And the spieler, if he struck it, wasn't welcome there again.
You could smoke and drink in quiet, yarn, or else soliloquise, With a decent lot of fellows in the Shanty on the Rise.
'Twas the bullock-driver's haven when his team was on the road, And the waggon-wheels were groaning as they ploughed beneath the load; And I mind how weary teamsters struggled on while it was light, Just to camp within a cooey of the Shanty for the night; And I think the very bullocks raised their heads and fixed their eyes On the candle in the window of the Shanty on the Rise.
And the bullock-bells were clanking from the marshes on the flats As we hurried to the Shanty, where we hung our dripping hats; And we took a drop of something that was brought at our desire, As we stood with steaming moleskins in the kitchen by the fire.
Oh! it roared upon a fireplace of the good, old-fashioned size, When the rain came down the chimney of the Shanty on the Rise.
They got up a Christmas party in the Shanty long ago, While I camped with Jimmy Nowlett on the riverbank below; Poor old Jim was in his glory -- they'd elected him M.
C.
, For there wasn't such another raving lunatic as he.
`Mr.
Nowlett, Mr.
Swaller!' shouted Something-in-Disguise, As we walked into the parlour of the Shanty on the Rise.
There is little real pleasure in the city where I am -- There's a swarry round the corner with its mockery and sham; But a fellow can be happy when around the room he whirls In a party up the country with the jolly country girls.
Why, at times I almost fancied I was dancing on the skies, When I danced with Mary Carey in the Shanty on the Rise.
Jimmy came to me and whispered, and I muttered, `Go along!' But he shouted, `Mr.
Swaller will oblige us with a song!' And at first I said I wouldn't, and I shammed a little too, Till the girls began to whisper, `Mr.
Swallow, now, ah, DO!' So I sang a song of something 'bout the love that never dies, And the chorus shook the rafters of the Shanty on the Rise.
Jimmy burst his concertina, and the bullock-drivers went For the corpse of Joe the Fiddler, who was sleeping in his tent; Joe was tired and had lumbago, and he wouldn't come, he said, But the case was very urgent, so they pulled him out of bed; And they fetched him, for the bushmen knew that Something-in-Disguise Had a cure for Joe's lumbago in the Shanty on the Rise.
Jim and I were rather quiet while escorting Mary home, 'Neath the stars that hung in clusters, near and distant, from the dome; And we walked so very silent -- being lost in reverie -- That we heard the settlers'-matches rustle softly on the tree; And I wondered who would win her when she said her sweet good-byes -- But she died at one-and-twenty, and was buried on the Rise.
I suppose the Shanty vanished from the ranges long ago, And the girls are mostly married to the chaps I used to know; My old chums are in the distance -- some have crossed the border-line, But in fancy still their glasses chink against the rim of mine.
And, upon the very centre of the greenest spot that lies In my fondest recollection, stands the Shanty on the Rise.

Book: Shattered Sighs