Written by
Marianne Moore |
Fanaticism?No.Writing is exciting
and baseball is like writing.
You can never tell with either
how it will go
or what you will do;
generating excitement--
a fever in the victim--
pitcher, catcher, fielder, batter.
Victim in what category?
Owlman watching from the press box?
To whom does it apply?
Who is excited?Might it be I?
It's a pitcher's battle all the way--a duel--
a catcher's, as, with cruel
puma paw, Elston Howard lumbers lightly
back to plate.(His spring
de-winged a bat swing.)
They have that killer instinct;
yet Elston--whose catching
arm has hurt them all with the bat--
when questioned, says, unenviously,
"I'm very satisfied.We won."
Shorn of the batting crown, says, "We";
robbed by a technicality.
When three players on a side play three positions
and modify conditions,
the massive run need not be everything.
"Going, going . . . "Is
it?Roger Maris
has it, running fast.You will
never see a finer catch.Well . . .
"Mickey, leaping like the devil"--why
gild it, although deer sounds better--
snares what was speeding towards its treetop nest,
one-handing the souvenir-to-be
meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral;
he could handle any missile.
He is no feather."Strike! . . . Strike two!"
Fouled back.A blur.
It's gone.You would infer
that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit."
All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which
won the pennant?Each.It was he.
Those two magnificent saves from the knee-throws
by Boyer, finesses in twos--
like Whitey's three kinds of pitch and pre-
diagnosis
with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to
catch your corners--even trouble
Mickey Mantle.("Grazed a Yankee!
My baby pitcher, Montejo!"
With some pedagogy,
you'll be tough, premature prodigy.)
They crowd him and curve him and aim for the knees.Trying
indeed!The secret implying:
"I can stand here, bat held steady."
One may suit him;
none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds
require food, rest, respite from ruffians.(Drat it!
Celebrity costs privacy!)
Cow's milk, "tiger's milk," soy milk, carrot juice,
brewer's yeast (high-potency--
concentrates presage victory
sped by Luis Arroyo, Hector Lopez--
deadly in a pinch.And "Yes,
it's work; I want you to bear down,
but enjoy it
while you're doing it."
Mr. Houk and Mr. Sain,
if you have a rummage sale,
don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown,
the Stadium is an adastrium.
O flashing Orion,
your stars are muscled like the lion.
|
Written by
Sir Walter Raleigh |
Now what is Love, I pray thee, tell?
It is that fountain and that well
Where pleasure and repentance dwell;
It is, perhaps, the sauncing bell
That tolls all into heaven or hell;
And this is Love, as I hear tell.
Yet what is Love, I prithee, say?
It is a work on holiday,
It is December matched with May,
When lusty bloods in fresh array
Hear ten months after of the play;
And this is Love, as I hear say.
Yet what is Love, good shepherd, sain?
It is a sunshine mixed with rain,
It is a toothache or like pain,
It is a game where none hath gain;
The lass saith no, yet would full fain;
And this is Love, as I hear sain.
Yet, shepherd, what is Love, I pray?
It is a yes, it is a nay,
A pretty kind of sporting fray,
It is a thing will soon away.
Then, nymphs, take vantage while ye may;
And this is Love, as I hear say.
Yet what is Love, good shepherd, show?
A thing that creeps, it cannot go,
A prize that passeth to and fro,
A thing for one, a thing for moe,
And he that proves shall find it so;
And shepherd, this is Love, I trow.
|
Written by
Philip Levine |
Vous êtes sorti sain et sauf des basses
calomnies, vous avey conquis les coeurs.
Zola, J'accuse
One was kicked in the stomach
until he vomited, then
made to put back
into his mouth what they had
brought forth; when he tried to drown
in his own stew
he was recovered. "You are
worse than a ****** or Jew,"
the helmeted one said. "You
are an intellectal.
I hate your brown
skin; it makes me sick." The tall
intense one, his ***** wired,
was shocked out of
his senses in three seconds.
Weakened, he watched them install
another battery in
the crude electric device.
The genitals
of a third were beaten with
a short wooden ruler: "Reach
for your black balls.
I'll show you how to make love."
When two of the beaten passed
in the hall they did not know
each other. "His face had turned
into a wound:
the nose was gone, the eyes ground
so far back into the face
they too seemed gone,
the lips, puffed pieces of cracked
blood." None of them was asked
anything. The clerks, the police,
the booted ones, seemed content
to inflict pain,
to make, they said, each instant
memorable and exquisite,
reform the brain
through the senses. "Kiss my boot
and learn the taste of French ****."
Reader, does the heart demand
that you bend to the live wound
as you would bend
to the familiar body
of your beloved, to kiss
the green flower
which blooms always from the ground
human and ripe with terror,
to face with love what we have
made of hatred? We must live
with what we are,
you say, is enough. I
taste death. I am among you
and I accuse
you where, secretly thrilled by
the circus of excrement,
you study my strophes or
yawn into the evening air,
tired, not amused.
Remember what you have said
when from your pacific dream
you awaken
at last, deafened by the scream
of your own stench. You are dead.
|
Written by
A E Housman |
There pass the careless people
That call their souls their own:
Here by the road I loiter,
How idle and alone.
Ah, past the plunge of plummet,
In seas I cannot sound,
My heart and soul and senses,
World without end, are drowned.
His folly has not fellow
Beneath the blue of day
That gives to man or woman
His heart and soul away.
There flowers no balm to sain him
From east of earth to west
That's lost for everlasting
The heart out of his breast.
Here by the labouring highway
With empty hands I stroll:
Sea-deep, till doomsday morning,
Lie lost my heart and soul.
|