Written by
Russell Edson |
Out of nothing there comes a time called childhood, which
is simply a path leading through an archway called
adolescence.
A small town there, past the arch called youth.
Soon, down the road, where one almost misses the life
lived beyond the flower, is a small shack labeled, you.
And it is here the future lives in the several postures of
arm on windowsill, cheek on this; elbows on knees, face in
the hands; sometimes the head thrown back, eyes staring into
the ceiling .
.
.
This into nothing down the long day's arc .
.
.
|
Written by
Russell Edson |
A man had a son who was an anvil.
And then sometimes
he was an automobile tire.
I do wish you would sit still, said the father.
Sometimes his son was a rock.
I realize that you have quite lost boundary, where no
excess seems excessive, nor to where poverty roots hunger to
need.
But should you allow time to embrace you to its bosom
of dust, that velvet sleep, then were you served even beyond
your need; and desire in sate was properly spilling from its
borders, said the father.
Then his son became the corner of a room.
Don't don't, cried the father.
And then his son became a floorboard.
Don't don't, the moon falls there and curdles your wits into
the grain of the wood, cried the father.
What shall I do? screamed his son.
Sit until time embraces you into the bosom of its velvet
quiet, cried the father.
Like this? Cried his son as his son became dust.
Ah, that is more pleasant, and speaks well of him, who
having required much in his neglect of proper choice, turns
now, on good advice, to a more advantageous social stance,
said the father.
But then his son became his father.
Behold, the son is become as one of us, said the father.
His son said, behold, the son is become as one of us.
Will you stop repeating me, screamed the father.
Will you stop repeating me, screamed his son.
Oh well, I suppose imitation is the sincerest form of
flattery, sighed the father.
Oh well, I suppose imitation is the sincerest form of
flattery, sighed his son.
|
Written by
Russell Edson |
Since the fern can't go to the sink for a drink of
water, I graciously submit myself to the task, bringing two
glasses from the sink.
And so we sit, the fern and I, sipping water together.
Of course I'm more complex than a fern, full of deep
thoughts as I am.
But I lay this aside for the easy company
of an afternoon friendship.
I don't mind sipping water with a fern, even though,
had I my druthers, I'd be speeding through the sky for
Stockholm, sipping a bloody mary with a wedge of lime.
And so we sit one lonely afternoon sipping water
together.
The fern looking out of its fronds, and I, looking
out of mine .
.
.
|
Written by
Russell Edson |
You haven't finished your ape, said mother to father,
who had monkey hair and blood on his whiskers.
I've had enough monkey, cried father.
You didn't eat the hands, and I went to all the
trouble to make onion rings for its fingers, said mother.
I'll just nibble on its forehead, and then I've had enough,
said father.
I stuffed its nose with garlic, just like you like it, said
mother.
Why don't you have the butcher cut these apes up? You lay
the whole thing on the table every night; the same fractured
skull, the same singed fur; like someone who died horribly.
These
aren't dinners, these are post-mortem dissections.
Try a piece of its gum, I've stuffed its mouth with bread,
said mother.
Ugh, it looks like a mouth full of vomit.
How can I bite into
its cheek with bread spilling out of its mouth? cried father.
Break one of the ears off, they're so crispy, said mother.
I wish to hell you'd put underpants on these apes; even a
jockstrap, screamed father.
Father, how dare you insinuate that I see the ape as anything
more thn simple meat, screamed mother.
Well what's with this ribbon tied in a bow on its privates?
screamed father.
Are you saying that I am in love with this vicious creature?
That I would submit my female opening to this brute? That after
we had love on the kitchen floor I would put him in the oven, after
breaking his head with a frying pan; and then serve him to my husband,
that my husband might eat the evidence of my infidelity .
.
.
?
I'm just saying that I'm damn sick of ape every night,
cried father.
|
Written by
Russell Edson |
We bought an electric monkey, experimenting rather
recklessly with funds carefully gathered since
grandfather's time for the purchase of a steam monkey.
We had either, by this time, the choice of an electric
or gas monkey.
The steam monkey is no longer being made, said the monkey
merchant.
But the family always planned on a steam monkey.
Well, said the monkey merchant, just as the wind-up monkey
gave way to the steam monkey, the steam monkey has given way
to the gas and electric monkeys.
Is that like the grandfather clock being replaced by the
grandchild clock?
Sort of, said the monkey merchant.
So we bought the electric monkey, and plugged its umbilical
cord into the wall.
The smoke coming out of its fur told us something was wrong.
We had electrocuted the family monkey.
|
Written by
Russell Edson |
There was once a hog theater where hogs performed
as men, had men been hogs.
One hog said, I will be a hog in a field which has
found a mouse which is being eaten by the same hog
which is in the field and which has found the mouse,
which I am performing as my contribution to the
performer's art.
Oh let's just be hogs, cried an old hog.
And so the hogs streamed out of the theater crying,
only hogs, only
hogs .
.
.
|
Written by
Russell Edson |
The floor is something we must fight against.
Whilst seemingly mere platform for the human
stance, it is that place that men fall to.
I am not dizzy.
I stand as a tower, a lighthouse;
the pale ray of my sentiency flowing from my face.
But should I go dizzy I crash down into the floor;
my face into the floor, my attention bleeding into
the cracks of the floor.
Dear horizontal place, I do not wish to be a rug.
Do not pull at the difficult head, this teetering
bulb of dread and dream .
.
.
|
Written by
Russell Edson |
The big one went to sleep as to die and dreamed he
became a tiny one.
So tiny as to have lost all substance.
To have
become as theoretical as a point.
Then someone said, get up, big one, you're not doing
yourself any good.
You puddle and stagnate in your weight.
Best to be up and toward.
It irrigates you.
What, said the big one, have I not disappeared? Have you
not mistaken a cloud for me? Perhaps some local hill fulfills
your expectation?
No, it's no mistake, it's you; those interconnecting puddles
of flesh pulling at your bones, attempting that world-weary fall
toward the great waters of the world.
How you manage against gravity is one of the greater
triumphs of nature.
Do you think, said the big one, there's a woman who
would like to marry me?
Yes, had such a woman done everything in the world except
marry you, she might think it worthy before dying to complete
her catalogue.
Or having done everything, go meekly
without decision or care to such a consummation.
Then you really feel, said the big one, that this woman
could come to care very deeply for me?
All is theoretical.
Who knows enough to say the outcome
of any event, save that it was past us, and we saw the back of it
moving slowly into the Universe, seeking other settings to
repeat the fall of fate.
.
.
That sounds wonderful, that a woman like that could be in
love with me, said the big one.
But in a few moments the big one was back asleep, dreaming
that he had come to such enlargement that he constituted
all the matter in the Universe, which must include the earth
and the woman he would have loved.
.
.
|
Written by
Russell Edson |
A man is bringing a cup of coffee to his face,
tilting it to his mouth.
It's historical, he thinks.
He scratches his head: another historical event.
He really ought to rest, he's making an awful lot of
history this morning.
Oh my, now he's buttering toast, another piece of
history is being made.
He wonders why it should have fallen on him to be
so historical.
Others probably just don't have it,
he thinks, it is, after all, a talent.
He thinks one of his shoelaces needs tying.
Oh well,
another important historical event is about to take
place.
He just can't help it.
Perhaps he's taking up
too large an area of history? But he has to live, hasn't
he? Toast needs buttering and he can't go around with
one of his shoelaces needing to be tied, can he?
Certainly it's true, when the 20th century gets written
in full it will be mainly about him.
That's the way the
cookie crumbles--ah, there's a phrase that'll be quoted
for centuries to come.
Self-conscious? A little; how can one help it with all
those yet-to-be-born eyes of the future watching him?
Uh oh, he feels another historical event coming .
.
.
Ah, there it is, a cup of coffee approaching his face at
the end of his arm.
If only they could catch it on film,
how much it would mean to the future.
Oops, spilled it all
over his lap.
One of those historical accidents that will
influence the next thousand years; unpredictable, and
really rather uncomfortable .
.
.
But history is never easy,
he thinks .
.
.
|
Written by
Russell Edson |
A toy-maker made a toy wife and a toy child.
He made a toy house and some toy years.
He made a getting-old toy, and he made a dying
toy.
The toy-maker made a toy heaven and a toy god.
But, best of all, he liked making toy ****.
|