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Best Famous Ruse Poems

Here is a collection of the all-time best famous Ruse poems. This is a select list of the best famous Ruse poetry. Reading, writing, and enjoying famous Ruse poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ruse poems.

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Written by Adrienne Rich | Create an image from this poem

Stepping Backward

 Good-by to you whom I shall see tomorrow,
Next year and when I'm fifty; still good-by.
This is the leave we never really take.
If you were dead or gone to live in China The event might draw your stature in my mind.
I should be forced to look upon you whole The way we look upon the things we lose.
We see each other daily and in segments; Parting might make us meet anew, entire.
You asked me once, and I could give no answer, How far dare we throw off the daily ruse, Official treacheries of face and name, Have out our true identity? I could hazard An answer now, if you are asking still.
We are a small and lonely human race Showing no sign of mastering solitude Out on this stony planet that we farm.
The most that we can do for one another Is let our blunders and our blind mischances Argue a certain brusque abrupt compassion.
We might as well be truthful.
I should say They're luckiest who know they're not unique; But only art or common interchange Can teach that kindest truth.
And even art Can only hint at what disturbed a Melville Or calmed a Mahler's frenzy; you and I Still look from separate windows every morning Upon the same white daylight in the square.
And when we come into each other's rooms Once in awhile, encumbered and self-conscious, We hover awkwardly about the threshold And usually regret the visit later.
Perhaps the harshest fact is, only lovers-- And once in a while two with the grace of lovers-- Unlearn that clumsiness of rare intrusion And let each other freely come and go.
Most of us shut too quickly into cupboards The margin-scribbled books, the dried geranium, The penny horoscope, letters never mailed.
The door may open, but the room is altered; Not the same room we look from night and day.
It takes a late and slowly blooming wisdom To learn that those we marked infallible Are tragi-comic stumblers like ourselves.
The knowledge breeds reserve.
We walk on tiptoe, Demanding more than we know how to render.
Two-edged discovery hunts us finally down; The human act will make us real again, And then perhaps we come to know each other.
Let us return to imperfection's school.
No longer wandering after Plato's ghost, Seeking the garden where all fruit is flawless, We must at last renounce that ultimate blue And take a walk in other kinds of weather.
The sourest apple makes its wry announcement That imperfection has a certain tang.
Maybe we shouldn't turn our pockets out To the last crumb or lingering bit of fluff, But all we can confess of what we are Has in it the defeat of isolation-- If not our own, then someone's, anyway.
So I come back to saying this good-by, A sort of ceremony of my own, This stepping backward for another glance.
Perhaps you'll say we need no ceremony, Because we know each other, crack and flaw, Like two irregular stones that fit together.
Yet still good-by, because we live by inches And only sometimes see the full dimension.
Your stature's one I want to memorize-- Your whole level of being, to impose On any other comers, man or woman.
I'd ask them that they carry what they are With your particular bearing, as you wear The flaws that make you both yourself and human.


Written by Maggie Estep | Create an image from this poem

Stalk Me

 Liner Notes - (from Love Is A Dog From Hell)

My friend Jenny is really
worried that people are going to follow me around and send me dead animal
parts and doll heads as a result of this song but please, if you feel inclined
to send me dead animal parts, think it through.
Thanks.
Stalk me I once wrote a poem called **** ME So stalk me I'm asking for it Don't take your medication Stalk ME Write to me and say Dear Maggie I love what you do You've got a really big mouth Actually your mouth is a little too big Anyone ever tell you what a big-mouthed ***** you are God, you know I'm kinda sick of you I mean, what's so great about you How come you got on TV I could do that You ain't **** You suck I hate you but I love you I love you because I hate you Can I have your children? Will you shack up with me? Oh sure I'll shack up with you I love stalkers Especially when they hate me But you knew that That's why you stalk me You're not fooled by my clever ruse ***** goddess? I think not I'm just a sucker for punishment So punish me Spank me Dominate my sock drawer And stalk me Don't stalk Jodie Foster, David Letterman or John S.
Hall Don't go through their trash Their trash is boring play with my trash Hurry, I'm waiting I'm pleading Just come on and do it Chew me choke me and stalk me That'll teach me to write all that goddamned poetry
Written by Johann Wolfgang von Goethe | Create an image from this poem

LILYS MENAGERIE

 [Goethe describes this much-admired Poem, which 
he wrote in honour of his love Lily, as being "designed to change 
his surrender of her into despair, by drolly-fretful images.
"] THERE'S no menagerie, I vow, Excels my Lily's at this minute; She keeps the strangest creatures in it, And catches them, she knows not how.
Oh, how they hop, and run, and rave, And their clipp'd pinions wildly wave,-- Poor princes, who must all endure The pangs of love that nought can cure.
What is the fairy's name?--Is't Lily?--Ask not me! Give thanks to Heaven if she's unknown to thee.
Oh what a cackling, what a shrieking, When near the door she takes her stand, With her food-basket in her hand! Oh what a croaking, what a squeaking! Alive all the trees and the bushes appear, While to her feet whole troops draw near; The very fish within, the water clear Splash with impatience and their heads protrude; And then she throws around the food With such a look!--the very gods delighting (To say nought of beasts).
There begins, then, a biting, A picking, a pecking, a sipping, And each o'er the legs of another is tripping, And pushing, and pressing, and flapping, And chasing, and fuming, and snapping, And all for one small piece of bread, To which, though dry, her fair hands give a taste, As though it in ambrosia had been plac'd.
And then her look! the tone With which she calls: Pipi! Pipi! Would draw Jove's eagle from his throne; Yes, Venus' turtle doves, I wean, And the vain peacock e'en, Would come, I swear, Soon as that tone had reach'd them through the air.
E'en from a forest dark had she Enticed a bear, unlick'd, ill-bred, And, by her wiles alluring, led To join the gentle company, Until as tame as they was he: (Up to a certain point, be't understood!) How fair, and, ah, how good She seem'd to be! I would have drain'd my blood To water e'en her flow'rets sweet.
"Thou sayest: I! Who? How? And where?"-- Well, to be plain, good Sirs--I am the bear; In a net-apron, caught, alas! Chain'd by a silk-thread at her feet.
But how this wonder came to pass I'll tell some day, if ye are curious; Just now, my temper's much too furious.
Ah, when I'm in the corner plac'd, And hear afar the creatures snapping, And see the flipping and the flapping, I turn around With growling sound, And backward run a step in haste, And look around With growling sound.
Then run again a step in haste, And to my former post go round.
But suddenly my anger grows, A mighty spirit fills my nose, My inward feelings all revolt.
A creature such as thou! a dolt! Pipi, a squirrel able nuts to crack! I bristle up my shaggy back Unused a slave to be.
I'm laughed at by each trim and upstart tree To scorn.
The bowling-green I fly, With neatly-mown and well-kept grass: The box makes faces as I pass,-- Into the darkest thicket hasten I, Hoping to 'scape from the ring, Over the palings to spring! Vainly I leap and climb; I feel a leaden spell.
That pinions me as well, And when I'm fully wearied out in time, I lay me down beside some mock-cascade, And roll myself half dead, and foam, and cry, And, ah! no Oreads hear my sigh, Excepting those of china made! But, ah, with sudden power In all my members blissful feelings reign! 'Tis she who singeth yonder in her bower! I hear that darling, darling voice again.
The air is warm, and teems with fragrance clear, Sings she perchance for me alone to hear? I haste, and trample down the shrubs amain; The trees make way, the bushes all retreat, And so--the beast is lying at her feet.
She looks at him: "The monster's droll enough! He's, for a bear, too mild, Yet, for a dog, too wild, So shaggy, clumsy, rough!" Upon his back she gently strokes her foot; He thinks himself in Paradise.
What feelings through his seven senses shoot! But she looks on with careless eyes.
I lick her soles, and kiss her shoes, As gently as a bear well may; Softly I rise, and with a clever ruse Leap on her knee.
--On a propitious day She suffers it; my ears then tickles she, And hits me a hard blow in wanton play; I growl with new-born ecstasy; Then speaks she in a sweet vain jest, I wot "Allons lout doux! eh! la menotte! Et faites serviteur Comme un joli seigneur.
" Thus she proceeds with sport and glee; Hope fills the oft-deluded beast; Yet if one moment he would lazy be, Her fondness all at once hath ceas'd.
She doth a flask of balsam-fire possess, Sweeter than honey bees can make, One drop of which she'll on her finger take, When soften'd by his love and faithfulness, Wherewith her monster's raging thirst to slake; Then leaves me to myself, and flies at last, And I, unbound, yet prison'd fast By magic, follow in her train, Seek for her, tremble, fly again.
The hapless creature thus tormenteth she, Regardless of his pleasure or his woe; Ha! oft half-open'd does she leave the door for me, And sideways looks to learn if I will fly or no.
And I--Oh gods! your hands alone Can end the spell that's o'er me thrown; Free me, and gratitude my heart will fill; And yet from heaven ye send me down no aid-- Not quite in vain doth life my limbs pervade: I feel it! Strength is left me still.
1775.
Written by Omar Khayyam | Create an image from this poem

In the face of the decrees of Providence, nothing avails

In the face of the decrees of Providence, nothing avails
but resignation. Among men nothing avails but seeming
and hypocrisy. I have employed every ruse, the strongest
that the human mind can invent, but destiny has always
overturned my projects.

Book: Reflection on the Important Things