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Best Famous Runt Poems

Here is a collection of the all-time best famous Runt poems. This is a select list of the best famous Runt poetry. Reading, writing, and enjoying famous Runt poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of runt poems.

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Written by Allen Ginsberg | Create an image from this poem

September On Jessore Road

 Millions of babies watching the skies
Bellies swollen, with big round eyes
On Jessore Road--long bamboo huts
Noplace to **** but sand channel ruts

Millions of fathers in rain
Millions of mothers in pain
Millions of brothers in woe
Millions of sisters nowhere to go

One Million aunts are dying for bread
One Million uncles lamenting the dead
Grandfather millions homeless and sad
Grandmother millions silently mad

Millions of daughters walk in the mud
Millions of children wash in the flood
A Million girls vomit & groan
Millions of families hopeless alone

Millions of souls nineteenseventyone
homeless on Jessore road under grey sun
A million are dead, the million who can
Walk toward Calcutta from East Pakistan

Taxi September along Jessore Road
Oxcart skeletons drag charcoal load
past watery fields thru rain flood ruts
Dung cakes on treetrunks, plastic-roof huts

Wet processions Families walk
Stunted boys big heads don't talk
Look bony skulls & silent round eyes
Starving black angels in human disguise

Mother squats weeping & points to her sons
Standing thin legged like elderly nuns
small bodied hands to their mouths in prayer
Five months small food since they settled there

on one floor mat with small empty pot
Father lifts up his hands at their lot
Tears come to their mother's eye
Pain makes mother Maya cry

Two children together in palmroof shade
Stare at me no word is said
Rice ration, lentils one time a week
Milk powder for warweary infants meek

No vegetable money or work for the man
Rice lasts four days eat while they can
Then children starve three days in a row
and vomit their next food unless they eat slow.
On Jessore road Mother wept at my knees Bengali tongue cried mister Please Identity card torn up on the floor Husband still waits at the camp office door Baby at play I was washing the flood Now they won't give us any more food The pieces are here in my celluloid purse Innocent baby play our death curse Two policemen surrounded by thousands of boys Crowded waiting their daily bread joys Carry big whistles & long bamboo sticks to whack them in line They play hungry tricks Breaking the line and jumping in front Into the circle sneaks one skinny runt Two brothers dance forward on the mud stage Teh gaurds blow their whistles & chase them in rage Why are these infants massed in this place Laughing in play & pushing for space Why do they wait here so cheerful & dread Why this is the House where they give children bread The man in the bread door Cries & comes out Thousands of boys and girls Take up his shout Is it joy? is it prayer? "No more bread today" Thousands of Children at once scream "Hooray!" Run home to tents where elders await Messenger children with bread from the state No bread more today! & and no place to squat Painful baby, sick **** he has got.
Malnutrition skulls thousands for months Dysentery drains bowels all at once Nurse shows disease card Enterostrep Suspension is wanting or else chlorostrep Refugee camps in hospital shacks Newborn lay naked on mother's thin laps Monkeysized week old Rheumatic babe eye Gastoenteritis Blood Poison thousands must die September Jessore Road rickshaw 50,000 souls in one camp I saw Rows of bamboo huts in the flood Open drains, & wet families waiting for food Border trucks flooded, food cant get past, American Angel machine please come fast! Where is Ambassador Bunker today? Are his Helios machinegunning children at play? Where are the helicopters of U.
S.
AID? Smuggling dope in Bangkok's green shade.
Where is America's Air Force of Light? Bombing North Laos all day and all night? Where are the President's Armies of Gold? Billionaire Navies merciful Bold? Bringing us medicine food and relief? Napalming North Viet Nam and causing more grief? Where are our tears? Who weeps for the pain? Where can these families go in the rain? Jessore Road's children close their big eyes Where will we sleep when Our Father dies? Whom shall we pray to for rice and for care? Who can bring bread to this **** flood foul'd lair? Millions of children alone in the rain! Millions of children weeping in pain! Ring O ye tongues of the world for their woe Ring out ye voices for Love we don't know Ring out ye bells of electrical pain Ring in the conscious of America brain How many children are we who are lost Whose are these daughters we see turn to ghost? What are our souls that we have lost care? Ring out ye musics and weep if you dare-- Cries in the mud by the thatch'd house sand drain Sleeps in huge pipes in the wet ****-field rain waits by the pump well, Woe to the world! whose children still starve in their mother's arms curled.
Is this what I did to myself in the past? What shall I do Sunil Poet I asked? Move on and leave them without any coins? What should I care for the love of my loins? What should we care for our cities and cars? What shall we buy with our Food Stamps on Mars? How many millions sit down in New York & sup this night's table on bone & roast pork? How many millions of beer cans are tossed in Oceans of Mother? How much does She cost? Cigar gasolines and asphalt car dreams Stinking the world and dimming star beams-- Finish the war in your breast with a sigh Come tast the tears in your own Human eye Pity us millions of phantoms you see Starved in Samsara on planet TV How many millions of children die more before our Good Mothers perceive the Great Lord? How many good fathers pay tax to rebuild Armed forces that boast the children they've killed? How many souls walk through Maya in pain How many babes in illusory pain? How many families hollow eyed lost? How many grandmothers turning to ghost? How many loves who never get bread? How many Aunts with holes in their head? How many sisters skulls on the ground? How many grandfathers make no more sound? How many fathers in woe How many sons nowhere to go? How many daughters nothing to eat? How many uncles with swollen sick feet? Millions of babies in pain Millions of mothers in rain Millions of brothers in woe Millions of children nowhere to go New York, November 14-16, 1971


Written by Aleksandr Blok | Create an image from this poem

The Twelve

 III 
Our sons have gone 
to serve the Reds 
to serve the Reds 
to risk their heads! 

O bitter,bitter pain, 
Sweet living! 
A torn overcoat 
an Austrian gun! 

-To get the bourgeosie 
We'll start a fire 
a worldwide fire, and drench it 
in blood- 
The good Lord bless us! 


-O you bitter bitterness, 
boring boredom, 
deadly boredom.
This is how I will spend my time.
This is how I will scratch my head, munch on seeds, some sunflower seeds, play with my knife play with my knife.
You bourgeosie, fly as a sparrow! I'll drink your blood, your warm blood, for love, for dark-eyed love.
God, let this soul, your servant, rest in peace.
Such boredom! XII .
.
.
On they march with sovereign tread.
.
.
‘Who else goes there? Come out! I said come out!’ It is the wind and the red flag plunging gaily at their head.
The frozen snow-drift looms in front.
‘Who’s in the drift! Come out! Come here!’ There’s only the homeless mongrel runt limping wretchedly in the rear .
.
.
‘You mangy beast, out of the way before you taste my bayonet.
Old mongrel world, clear off I say! I’ll have your hide to sole my boot! The shivering cur, the mongrel cur bares his teeth like a hungry wolf, droops his tail, but does not stir .
.
.
‘Hey answer, you there, show yourself.
’ ‘Who’s that waving the red flag?’ ‘Try and see! It’s as dark as the tomb!’ ‘Who’s that moving at a jog trot, keeping to the back-street gloom?’ ‘Don’t you worry ~ I’ll catch you yet; better surrender to me alive!’ ‘Come out, comrade, or you’ll regret it ~ we’ll fire when I’ve counted five!’ Crack ~ crack ~ crack! But only the echo answers from among the eaves .
.
.
The blizzard splits his seams, the snow laughs wildly up the wirlwind’s sleeve .
.
.
Crack ~ crack ~ crack! Crack ~ crack ~ crack! .
.
.
So they march with sovereign tread .
.
.
Behind them limps the hungry dog, and wrapped in wild snow at their head carrying a blood-red flag ~ soft-footed where the blizzard swirls, invulnerable where bullets crossed ~ crowned with a crown of snowflake pearls, a flowery diadem of frost, ahead of them goes Jesus Christ.
Written by Robert Burns | Create an image from this poem

59. Death and Dr. Hornbook

 SOME books are lies frae end to end,
And some great lies were never penn’d:
Ev’n ministers they hae been kenn’d,
 In holy rapture,
A rousing whid at times to vend,
 And nail’t wi’ Scripture.
But this that I am gaun to tell, Which lately on a night befell, Is just as true’s the Deil’s in hell Or Dublin city: That e’er he nearer comes oursel’ ’S a muckle pity.
The clachan yill had made me canty, I was na fou, but just had plenty; I stacher’d whiles, but yet too tent aye To free the ditches; An’ hillocks, stanes, an’ bushes, kenn’d eye Frae ghaists an’ witches.
The rising moon began to glowre The distant Cumnock hills out-owre: To count her horns, wi’ a my pow’r, I set mysel’; But whether she had three or four, I cou’d na tell.
I was come round about the hill, An’ todlin down on Willie’s mill, Setting my staff wi’ a’ my skill, To keep me sicker; Tho’ leeward whiles, against my will, I took a bicker.
I there wi’ Something did forgather, That pat me in an eerie swither; An’ awfu’ scythe, out-owre ae shouther, Clear-dangling, hang; A three-tae’d leister on the ither Lay, large an’ lang.
Its stature seem’d lang Scotch ells twa, The queerest shape that e’er I saw, For fient a wame it had ava; And then its shanks, They were as thin, as sharp an’ sma’ As cheeks o’ branks.
“Guid-een,” quo’ I; “Friend! hae ye been mawin, When ither folk are busy sawin!” 1 I seem’d to make a kind o’ stan’ But naething spak; At length, says I, “Friend! whare ye gaun? Will ye go back?” It spak right howe,—“My name is Death, But be na fley’d.
”—Quoth I, “Guid faith, Ye’re maybe come to stap my breath; But tent me, billie; I red ye weel, tak care o’ skaith See, there’s a gully!” “Gudeman,” quo’ he, “put up your whittle, I’m no designed to try its mettle; But if I did, I wad be kittle To be mislear’d; I wad na mind it, no that spittle Out-owre my beard.
” “Weel, weel!” says I, “a bargain be’t; Come, gie’s your hand, an’ sae we’re gree’t; We’ll ease our shanks an tak a seat— Come, gie’s your news; This while ye hae been mony a gate, At mony a house.
” 2 “Ay, ay!” quo’ he, an’ shook his head, “It’s e’en a lang, lang time indeed Sin’ I began to nick the thread, An’ choke the breath: Folk maun do something for their bread, An’ sae maun Death.
“Sax thousand years are near-hand fled Sin’ I was to the butching bred, An’ mony a scheme in vain’s been laid, To stap or scar me; Till ane Hornbook’s 3 ta’en up the trade, And faith! he’ll waur me.
“Ye ken Hornbook i’ the clachan, Deil mak his king’s-hood in spleuchan! He’s grown sae weel acquaint wi’ Buchan 4 And ither chaps, The weans haud out their fingers laughin, An’ pouk my hips.
“See, here’s a scythe, an’ there’s dart, They hae pierc’d mony a gallant heart; But Doctor Hornbook, wi’ his art An’ cursed skill, Has made them baith no worth a f—t, D—n’d haet they’ll kill! “’Twas but yestreen, nae farther gane, I threw a noble throw at ane; Wi’ less, I’m sure, I’ve hundreds slain; But deil-ma-care, It just play’d dirl on the bane, But did nae mair.
“Hornbook was by, wi’ ready art, An’ had sae fortify’d the part, That when I looked to my dart, It was sae blunt, Fient haet o’t wad hae pierc’d the heart Of a kail-runt.
“I drew my scythe in sic a fury, I near-hand cowpit wi’ my hurry, But yet the bauld Apothecary Withstood the shock; I might as weel hae tried a quarry O’ hard whin rock.
“Ev’n them he canna get attended, Altho’ their face he ne’er had kend it, Just —— in a kail-blade, an’ sent it, As soon’s he smells ’t, Baith their disease, and what will mend it, At once he tells ’t.
“And then, a’ doctor’s saws an’ whittles, Of a’ dimensions, shapes, an’ mettles, A’ kind o’ boxes, mugs, an’ bottles, He’s sure to hae; Their Latin names as fast he rattles As A B C.
“Calces o’ fossils, earths, and trees; True sal-marinum o’ the seas; The farina of beans an’ pease, He has’t in plenty; Aqua-fontis, what you please, He can content ye.
“Forbye some new, uncommon weapons, Urinus spiritus of capons; Or mite-horn shavings, filings, scrapings, Distill’d per se; Sal-alkali o’ midge-tail clippings, And mony mae.
” “Waes me for Johnie Ged’s-Hole 5 now,” Quoth I, “if that thae news be true! His braw calf-ward whare gowans grew, Sae white and bonie, Nae doubt they’ll rive it wi’ the plew; They’ll ruin Johnie!” The creature grain’d an eldritch laugh, And says “Ye needna yoke the pleugh, Kirkyards will soon be till’d eneugh, Tak ye nae fear: They’ll be trench’d wi’ mony a sheugh, In twa-three year.
“Whare I kill’d ane, a fair strae-death, By loss o’ blood or want of breath This night I’m free to tak my aith, That Hornbook’s skill Has clad a score i’ their last claith, By drap an’ pill.
“An honest wabster to his trade, Whase wife’s twa nieves were scarce weel-bred Gat tippence-worth to mend her head, When it was sair; The wife slade cannie to her bed, But ne’er spak mair.
“A country laird had ta’en the batts, Or some curmurring in his guts, His only son for Hornbook sets, An’ pays him well: The lad, for twa guid gimmer-pets, Was laird himsel’.
“A bonie lass—ye kend her name— Some ill-brewn drink had hov’d her wame; She trusts hersel’, to hide the shame, In Hornbook’s care; Horn sent her aff to her lang hame, To hide it there.
“That’s just a swatch o’ Hornbook’s way; Thus goes he on from day to day, Thus does he poison, kill, an’ slay, An’s weel paid for’t; Yet stops me o’ my lawfu’ prey, Wi’ his d—n’d dirt: “But, hark! I’ll tell you of a plot, Tho’ dinna ye be speakin o’t; I’ll nail the self-conceited sot, As dead’s a herrin; Neist time we meet, I’ll wad a groat, He gets his fairin!” But just as he began to tell, The auld kirk-hammer strak the bell Some wee short hour ayont the twal’, Which rais’d us baith: I took the way that pleas’d mysel’, And sae did Death.
Note 1.
This recontre happened in seed-time, 1785.
—R.
B.
[back] Note 2.
An epidemical fever was then raging in that country.
—R.
B.
[back] Note 3.
This gentleman, Dr.
Hornbook, is professionally a brother of the sovereign Order of the Ferula; but, by intuition and inspiration, is at once an apothecary, surgeon, and physician.
—R.
B.
[back] Note 4.
Burchan’s Domestic Medicine.
—R.
B.
[back] Note 5.
The grave-digger.
—R.
B.
[back]
Written by Paul Laurence Dunbar | Create an image from this poem

THE RIVALS

'T was three an' thirty year ago,
When I was ruther young, you know,
I had my last an' only fight
About a gal one summer night.
'T was me an' Zekel Johnson; Zeke
'N' me 'd be'n spattin' 'bout a week,
Each of us tryin' his best to show
That he was Liza Jones's beau.[Pg 28]
We could n't neither prove the thing,
Fur she was fur too sharp to fling
One over fur the other one
An' by so doin' stop the fun
That we chaps did n't have the sense
To see she got at our expense,
But that's the way a feller does,
Fur boys is fools an' allus was.
An' when they's females in the game
I reckon men's about the same.
Well, Zeke an' me went on that way
An' fussed an' quarrelled day by day;
While Liza, mindin' not the fuss,
Jest kep' a-goin' with both of us,
Tell we pore chaps, that's Zeke an' me,
Was jest plum mad with jealousy.
Well, fur a time we kep' our places,
An' only showed by frownin' faces
An' looks 'at well our meanin' boded
How full o' fight we both was loaded.
At last it come, the thing broke out,
An' this is how it come about.
One night ('t was fair, you'll all agree)
I got Eliza's company,
An' leavin' Zekel in the lurch,
Went trottin' off with her to church.
An' jest as we had took our seat
(Eliza lookin' fair an' sweet),
Why, I jest could n't help but grin
When Zekel come a-bouncin' in
As furious as the law allows.
He 'd jest be'n up to Liza's house,
To find her gone, then come to church
To have this end put to his search.
I guess I laffed that meetin' through,
An' not a mortal word I knew
Of what the preacher preached er read
Er what the choir sung er said.
Fur every time I 'd turn my head
I could n't skeercely help but see
'At Zekel had his eye on me.
An' he 'ud sort o' turn an' twist
An' grind his teeth an' shake his fist.
I laughed, fur la! the hull church seen us,
An' knowed that suthin' was between us.
Well, meetin' out, we started hum,
I sorter feelin' what would come.
We 'd jest got out, when up stepped Zeke,
An' said, "Scuse me, I 'd like to speak[Pg 29]
To you a minute." "Cert," said I—
A-nudgin' Liza on the sly
An' laughin' in my sleeve with glee,
I asked her, please, to pardon me.
We walked away a step er two,
Jest to git out o' Liza's view,
An' then Zeke said, "I want to know
Ef you think you 're Eliza's beau,
An' 'at I 'm goin' to let her go
Hum with sich a chap as you?"
An' I said bold, "You bet I do."
Then Zekel, sneerin', said 'at he
Did n't want to hender me.
But then he 'lowed the gal was his
An' 'at he guessed he knowed his biz,
An' was n't feared o' all my kin
With all my friends an' chums throwed in.
Some other things he mentioned there
That no born man could no ways bear
Er think o' ca'mly tryin' to stan'
Ef Zeke had be'n the bigges' man
In town, an' not the leanest runt
'At time an' labor ever stunt.
An' so I let my fist go "bim,"
I thought I 'd mos' nigh finished him.
But Zekel did n't take it so.
He jest ducked down an' dodged my blow
An' then come back at me so hard,
I guess I must 'a' hurt the yard,
Er spilet the grass plot where I fell,
An' sakes alive it hurt me; well,
It would n't be'n so bad, you see,
But he jest kep' a-hittin' me.
An' I hit back an' kicked an' pawed,
But 't seemed 't was mostly air I clawed,
While Zekel used his science well
A-makin' every motion tell.
He punched an' hit, why, goodness lands,
Seemed like he had a dozen hands.
Well, afterwhile they stopped the fuss,
An' some one kindly parted us.
All beat an' cuffed an' clawed an' scratched,
An' needin' both our faces patched,
Each started hum a different way;
An' what o' Liza, do you say,
Why, Liza—little humbug—dern her,
Why, she 'd gone home with Hiram Turner.

Book: Shattered Sighs