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Best Famous Rumors Poems

Here is a collection of the all-time best famous Rumors poems. This is a select list of the best famous Rumors poetry. Reading, writing, and enjoying famous Rumors poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of rumors poems.

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Written by Robert Graves | Create an image from this poem

Mermaid Dragon Fiend

 In my childhood rumors ran
 Of a world beyond our door—
Terrors to the life of man
 That the highroad held in store.
Of mermaids' doleful game In deep water I heard tell, Of lofty dragons belching flame, Of the hornèd fiend of Hell.
Tales like these were too absurd For my laughter-loving ear: Soon I mocked at all I heard, Though with cause indeed for fear.
Now I know the mermaid kin I find them bound by natural laws: They have neither tail nor fin, But are deadlier for that cause.
Dragons have no darting tongues, Teeth saw-edged, nor rattling scales; No fire issues from their lungs, No black poison from their tails: For they are creatures of dark air, Unsubstantial tossing forms, Thunderclaps of man's despair In mid-whirl of mental storms.
And there's a true and only fiend Worse than prophets prophesy, Whose full powers to hurt are screened Lest the race of man should die.
Ever in vain will courage plot The dragon's death, in coat of proof; Or love abjure the mermaid grot; Or faith denounce the cloven hoof.
Mermaids will not be denied The last bubbles of our shame, The Dragon flaunts an unpierced hide, The true fiend governs in God's name.


Written by James Whitcomb Riley | Create an image from this poem

Liberty

 New Castle, July 4, 1878

or a hundred years the pulse of time
Has throbbed for Liberty;
For a hundred years the grand old clime
Columbia has been free;
For a hundred years our country's love,
The Stars and Stripes, has waved above.
Away far out on the gulf of years-- Misty and faint and white Through the fogs of wrong--a sail appears, And the Mayflower heaves in sight, And drifts again, with its little flock Of a hundred souls, on Plymouth Rock.
Do you see them there--as long, long since-- Through the lens of History; Do you see them there as their chieftain prints In the snow his bended knee, And lifts his voice through the wintry blast In thanks for a peaceful home at last? Though the skies are dark and the coast is bleak, And the storm is wild and fierce, Its frozen flake on the upturned cheek Of the Pilgrim melts in tears, And the dawn that springs from the darkness there Is the morning light of an answered prayer.
The morning light of the day of Peace That gladdens the aching eyes, And gives to the soul that sweet release That the present verifies,-- Nor a snow so deep, nor a wind so chill To quench the flame of a freeman's will! II Days of toil when the bleeding hand Of the pioneer grew numb, When the untilled tracts of the barren land Where the weary ones had come Could offer nought from a fruitful soil To stay the strength of the stranger's toil.
Days of pain, when the heart beat low, And the empty hours went by Pitiless, with the wail of woe And the moan of Hunger's cry-- When the trembling hands upraised in prayer Had only the strength to hold them there.
Days when the voice of hope had fled-- Days when the eyes grown weak Were folded to, and the tears they shed Were frost on a frozen cheek-- When the storm bent down from the skies and gave A shroud of snow for the Pilgrim's grave.
Days at last when the smiling sun Glanced down from a summer sky, And a music rang where the rivers run, And the waves went laughing by; And the rose peeped over the mossy bank While the wild deer stood in the stream and drank.
And the birds sang out so loud and good, In a symphony so clear And pure and sweet that the woodman stood With his ax upraised to hear, And to shape the words of the tongue unknown Into a language all his own-- 1 'Sing! every bird, to-day! Sing for the sky so clear, And the gracious breath of the atmosphere Shall waft our cares away.
Sing! sing! for the sunshine free; Sing through the land from sea to sea; Lift each voice in the highest key And sing for Liberty!' 2 'Sing for the arms that fling Their fetters in the dust And lift their hands in higher trust Unto the one Great King; Sing for the patriot heart and hand; Sing for the country they have planned; Sing that the world may understand This is Freedom's land!' 3 'Sing in the tones of prayer, Sing till the soaring soul Shall float above the world's control In freedom everywhere! Sing for the good that is to be, Sing for the eyes that are to see The land where man at last is free, O sing for liberty!' III A holy quiet reigned, save where the hand Of labor sent a murmur through the land, And happy voices in a harmony Taught every lisping breeze a melody.
A nest of cabins, where the smoke upcurled A breathing incense to the other world.
A land of languor from the sun of noon, That fainted slowly to the pallid moon, Till stars, thick-scattered in the garden-land Of Heaven by the great Jehovah's hand, Had blossomed into light to look upon The dusky warrior with his arrow drawn, As skulking from the covert of the night With serpent cunning and a fiend's delight, With murderous spirit, and a yell of hate The voice of Hell might tremble to translate: When the fond mother's tender lullaby Went quavering in shrieks all suddenly, And baby-lips were dabbled with the stain Of crimson at the bosom of the slain, And peaceful homes and fortunes ruined--lost In smoldering embers of the holocaust.
Yet on and on, through years of gloom and strife, Our country struggled into stronger life; Till colonies, like footprints in the sand, Marked Freedom's pathway winding through the land-- And not the footprints to be swept away Before the storm we hatched in Boston Bay,-- But footprints where the path of war begun That led to Bunker Hill and Lexington,-- For he who "dared to lead where others dared To follow" found the promise there declared Of Liberty, in blood of Freedom's host Baptized to Father, Son, and Holy Ghost! Oh, there were times when every patriot breast Was riotous with sentiments expressed In tones that swelled in volume till the sound Of lusty war itself was well-nigh drowned.
Oh, those were times when happy eyes with tears Brimmed o'er as all the misty doubts and fears Were washed away, and Hope with gracious mien, Reigned from her throne again a sovereign queen.
Until at last, upon a day like this When flowers were blushing at the summer's kiss, And when the sky was cloudless as the face Of some sweet infant in its angel grace,-- There came a sound of music, thrown afloat Upon the balmy air--a clanging note Reiterated from the brazen throat Of Independence Bell: A sound so sweet, The clamoring throngs of people in the streets Were stilled as at the solemn voice of prayer, And heads were bowed, and lips were moving there That made no sound--until the spell had passed, And then, as when all sudden comes the blast Of some tornado, came the cheer on cheer Of every eager voice, while far and near The echoing bells upon the atmosphere Set glorious rumors floating, till the ear Of every listening patriot tingled clear, And thrilled with joy and jubilee to hear.
I 'Stir all your echoes up, O Independence Bell, And pour from your inverted cup The song we love so well.
'Lift high your happy voice, And swing your iron tongue Till syllables of praise rejoice That never yet were sung.
'Ring in the gleaming dawn Of Freedom--Toll the knell Of Tyranny, and then ring on, O Independence Bell.
-- 'Ring on, and drown the moan, Above the patriot slain, Till sorrow's voice shall catch the tone And join the glad refrain.
'Ring out the wounds of wrong And rankle in the breast; Your music like a slumber-song Will lull revenge to rest.
'Ring out from Occident To Orient, and peal From continent to continent The mighty joy you feel.
'Ring! Independence Bell! Ring on till worlds to be Shall listen to the tale you tell Of love and Liberty!' IV O Liberty--the dearest word A bleeding country ever heard,-- We lay our hopes upon thy shrine And offer up our lives for thine.
You gave us many happy years Of peace and plenty ere the tears A mourning country wept were dried Above the graves of those who died Upon thy threshold.
And again When newer wars were bred, and men Went marching in the cannon's breath And died for thee and loved the death, While, high above them, gleaming bright, The dear old flag remained in sight, And lighted up their dying eyes With smiles that brightened paradise.
O Liberty, it is thy power To gladden us in every hour Of gloom, and lead us by thy hand As little children through a land Of bud and blossom; while the days Are filled with sunshine, and thy praise Is warbled in the roundelays Of joyous birds, and in the song Of waters, murmuring along The paths of peace, whose flowery fringe Has roses finding deeper tinge Of crimson, looking on themselves Reflected--leaning from the shelves Of cliff and crag and mossy mound Of emerald splendor shadow-drowned.
-- We hail thy presence, as you come With bugle blast and rolling drum, And booming guns and shouts of glee Commingled in a symphony That thrills the worlds that throng to see The glory of thy pageantry.
0And with thy praise, we breathe a prayer That God who leaves you in our care May favor us from this day on With thy dear presence--till the dawn Of Heaven, breaking on thy face, Lights up thy first abiding place.
Written by Emanuel Xavier | Create an image from this poem

WARS and RUMORS OF WARS

 “Ye shall hear of wars and rumors of wars;
see that ye not be troubles;
all these things must come to pass, but the end is not yet”
-Matthew 24:6

1.
I escape the horrors of war with a towel and a room Offering myself to Palestinian and Jewish boys as a ‘piece’ to the Middle East when I should be concerned with the untimely deaths of dark-skinned babies and the brutal murders of light-skinned fathers 2.
I’ve been more consumed with how to make the cover of local *** rags than how to open the minds of angry little boys trotting loaded guns Helpless in finding words that will stop the blood from spilling like secrets into soil where great prophets are buried 3.
I return to the same spaces where I once dealt drugs a celebrated author gliding past velvet ropes while my club kid friends are mostly dead from an overdose or HIV-related symptoms Marilyn wears the crown of thorns while 4 out of the 5 weapons used to kill Columbine students had been sold by the same police force that came to their rescue Not all terrorists have features too foreign to be recognized in the mirror Our mistakes are our responsibility 4.
The skyline outside my window is the only thing that has changed Men still rape women and blame them for their weaknesses Children are still molested by the perversion of Catholic guilt My ex-boyfriend still takes comfort in the other white powder- the one used solely to destroy himself and those around him Not the one used to ignite and create carnage or mailbox fear 5.
It is said when skin is cut, and then pressed together, it seals but what about acid-burned skulls engraved with the word ‘******’, a foot bone with flesh and other crushed body parts 6.
It was a gay priest that read last rites to firefighters as towers collapsed It was a gay pilot that crashed a plane into Pennsylvania fields It was a gay couple that was responsible for the tribute of light in memory of the fallen Taliban leaders would bury them to their necks and tumble walls to crush their heads Catholic leaders simply condemn them as perverts having offered nothing but sin ***** blood is just rosaries scattered on tile 7.
Heroes do not always get heaven 8.
We all have wings … some of us just don’t know why
Written by Alan Seeger | Create an image from this poem

Do You Remember Once . .

 Do you remember once, in Paris of glad faces, 
The night we wandered off under the third moon's rays 
And, leaving far behind bright streets and busy places, 
Stood where the Seine flowed down between its quiet quais? 


The city's voice was hushed; the placid, lustrous waters 
Mirrored the walls across where orange windows burned.
Out of the starry south provoking rumors brought us Far promise of the spring already northward turned.
And breast drew near to breast, and round its soft desire My arm uncertain stole and clung there unrepelled.
I thought that nevermore my heart would hover nigher To the last flower of bliss that Nature's garden held.
There, in your beauty's sweet abandonment to pleasure, The mute, half-open lips and tender, wondering eyes, I saw embodied first smile back on me the treasure Long sought across the seas and back of summer skies.
Dear face, when courted Death shall claim my limbs and find them Laid in some desert place, alone or where the tides Of war's tumultuous waves on the wet sands behind them Leave rifts of gasping life when their red flood subsides, Out of the past's remote delirious abysses Shine forth once more as then you shone, -- beloved head, Laid back in ecstasy between our blinding kisses, Transfigured with the bliss of being so coveted.
And my sick arms will part, and though hot fever sear it, My mouth will curve again with the old, tender flame.
And darkness will come down, still finding in my spirit The dream of your brief love, and on my lips your name.
II You loved me on that moonlit night long since.
You were my queen and I the charming prince Elected from a world of mortal men.
You loved me once.
.
.
.
What pity was it, then, You loved not Love.
.
.
.
Deep in the emerald west, Like a returning caravel caressed By breezes that load all the ambient airs With clinging fragrance of the bales it bears From harbors where the caravans come down, I see over the roof-tops of the town The new moon back again, but shall not see The joy that once it had in store for me, Nor know again the voice upon the stair, The little studio in the candle-glare, And all that makes in word and touch and glance The bliss of the first nights of a romance When will to love and be beloved casts out The want to question or the will to doubt.
You loved me once.
.
.
.
Under the western seas The pale moon settles and the Pleiades.
The firelight sinks; outside the night-winds moan -- The hour advances, and I sleep alone.
III Farewell, dear heart, enough of vain despairing! If I have erred I plead but one excuse -- The jewel were a lesser joy in wearing That cost a lesser agony to lose.
I had not bid for beautifuller hours Had I not found the door so near unsealed, Nor hoped, had you not filled my arms with flowers, For that one flower that bloomed too far afield.
If I have wept, it was because, forsaken, I felt perhaps more poignantly than some The blank eternity from which we waken And all the blank eternity to come.
And I betrayed how sweet a thing and tender (In the regret with which my lip was curled) Seemed in its tragic, momentary splendor My transit through the beauty of the world.
Written by Joseph Brodsky | Create an image from this poem

Elegy

About a year has passed.
I've returned to the place of the battle to its birds that have learned their unfolding of wings from a subtle lift of a surprised eyebrow or perhaps from a razor blade - wings now the shade of early twilight now of state bad blood.
Now the place is abuzz with trading in your ankles's remanants bronzes of sunburnt breastplates dying laughter bruises rumors of fresh reserves memories of high treason laundered banners with imprints of the many who since have risen.
All's overgrown with people.
A ruin's a rather stubborn architectural style.
And the hearts's distinction from a pitch-black cavern isn't that great; not great enough to fear that we may collide again like blind eggs somewhere.
At sunrise when nobody stares at one's face I often set out on foot to a monument cast in molten lengthy bad dreams.
And it says on the plinth "commander in chief.
" But it reads "in grief " or "in brief " or "in going under.
" 1985 translated by the author.


Written by Allen Ginsberg | Create an image from this poem

Refrain

 The air is dark, the night is sad,
I lie sleepless and I groan.
Nobody cares when a man goes mad: He is sorry, God is glad.
Shadow changes into bone.
Every shadow has a name; When I think of mine I moan, I hear rumors of such fame.
Not for pride, but only shame, Shadow changes into bone.
When I blush I weep for joy, And laughter drops from me like a stone: The aging laughter of the boy To see the ageless dead so coy.
Shadow changes into bone.
Written by Edgar Lee Masters | Create an image from this poem

Elsa Wertman

 I was a peasant girl from Germany,
Blue-eyed, rosy, happy and strong.
And the first place I worked was at Thomas Greene's.
On a summer's day when she was away He stole into the kitchen and took me Right in his arms and kissed me on my throat, I turning my head.
Then neither of us Seemed to know what happened.
And I cried for what would become of me.
And cried and cried as my secret began to show.
One day Mrs.
Greene said she understood, And would make no trouble for me, And, being childless, would adopt it.
(He had given her a farm to be still.
) So she hid in the house and sent out rumors, As if it were going to happen to her.
And all went well and the child was born -- They were so kind to me.
Later I married Gus Wertman, and years passed.
But -- at political rallies when sitters-by thought I was crying At the eloquence of Hamilton Greene -- That was not it.
No! I wanted to say: That's my son! That's my son!
Written by Sylvia Plath | Create an image from this poem

Full Fathom Five

 Old man, you surface seldom.
Then you come in with the tide's coming When seas wash cold, foam- Capped: white hair, white beard, far-flung, A dragnet, rising, falling, as waves Crest and trough.
Miles long Extend the radial sheaves Of your spread hair, in which wrinkling skeins Knotted, caught, survives The old myth of orgins Unimaginable.
You float near As kneeled ice-mountains Of the north, to be steered clear Of, not fathomed.
All obscurity Starts with a danger: Your dangers are many.
I Cannot look much but your form suffers Some strange injury And seems to die: so vapors Ravel to clearness on the dawn sea.
The muddy rumors Of your burial move me To half-believe: your reappearance Proves rumors shallow, For the archaic trenched lines Of your grained face shed time in runnels: Ages beat like rains On the unbeaten channels Of the ocean.
Such sage humor and Durance are whirlpools To make away with the ground- Work of the earth and the sky's ridgepole.
Waist down, you may wind One labyrinthine tangle To root deep among knuckles, shinbones, Skulls.
Inscrutable, Below shoulders not once Seen by any man who kept his head, You defy questions; You defy godhood.
I walk dry on your kingdom's border Exiled to no good.
Your shelled bed I remember.
Father, this thick air is murderous.
I would breathe water.
Written by Paul Laurence Dunbar | Create an image from this poem

TO THE SOUTH

Heart of the Southland, heed me pleading now,
Who bearest, unashamed, upon my brow
The long kiss of the loving tropic sun,
And yet, whose veins with thy red current run.
Borne on the bitter winds from every hand,
Strange tales are flying over all the land,
And Condemnation, with his pinions foul,
Glooms in the place where broods the midnight owl.
What art thou, that the world should point at thee,
And vaunt and chide the weakness that they see?
There was a time they were not wont to chide;
Where is thy old, uncompromising pride?
Blood-washed, thou shouldst lift up thine honored head,
White with the sorrow for thy loyal dead[Pg 217]
Who lie on every plain, on every hill,
And whose high spirit walks the Southland still:
Whose infancy our mother's hands have nursed.
Thy manhood, gone to battle unaccursed,
Our fathers left to till th' reluctant field,
To rape the soil for what she would not yield;
Wooing for aye, the cold unam'rous sod,
Whose growth for them still meant a master's rod;
Tearing her bosom for the wealth that gave
The strength that made the toiler still a slave.
Too long we hear the deep impassioned cry
That echoes vainly to the heedless sky;
Too long, too long, the Macedonian call
Falls fainting far beyond the outward wall,
Within whose sweep, beneath the shadowing trees,
A slumbering nation takes its dangerous ease;
Too long the rumors of thy hatred go
For those who loved thee and thy children so.
Thou must arise forthwith, and strong, thou must
Throw off the smirching of this baser dust,
Lay by the practice of this later creed,
And be thine honest self again indeed.
There was a time when even slavery's chain
Held in some joys to alternate with pain,
Some little light to give the night relief,
Some little smiles to take the place of grief.
There was a time when, jocund as the day,
The toiler hoed his row and sung his lay,
Found something gleeful in the very air,
And solace for his toiling everywhere.
Now all is changed, within the rude stockade,
A bondsman whom the greed of men has made
Almost too brutish to deplore his plight,
Toils hopeless on from joyless morn till night.[Pg 218]
For him no more the cabin's quiet rest,
The homely joys that gave to labor zest;
No more for him the merry banjo's sound,
Nor trip of lightsome dances footing round.
For him no more the lamp shall glow at eve,
Nor chubby children pluck him by the sleeve;
No more for him the master's eyes be bright,—
He has nor freedom's nor a slave's delight.
What, was it all for naught, those awful years
That drenched a groaning land with blood and tears?
Was it to leave this sly convenient hell,
That brother fighting his own brother fell?
When that great struggle held the world in awe,
And all the nations blanched at what they saw,
Did Sanctioned Slavery bow its conquered head
That this unsanctioned crime might rise instead?
Is it for this we all have felt the flame,—
This newer bondage and this deeper shame?
Nay, not for this, a nation's heroes bled,
And North and South with tears beheld their dead.
Oh, Mother South, hast thou forgot thy ways,
Forgot the glory of thine ancient days,
Forgot the honor that once made thee great,
And stooped to this unhallowed estate?
It cannot last, thou wilt come forth in might,
A warrior queen full armored for the fight;
And thou wilt take, e'en with thy spear in rest,
Thy dusky children to thy saving breast.
Till then, no more, no more the gladsome song,
Strike only deeper chords, the notes of wrong;
Till then, the sigh, the tear, the oath, the moan,
Till thou, oh, South, and thine, come to thine own.[Pg 219]
Written by Denise Levertov | Create an image from this poem

A Tree Telling of Orpheus

 White dawn.
Stillness.
When the rippling began I took it for sea-wind, coming to our valley with rumors of salt, of treeless horizons.
But the white fog didn't stir; the leaves of my brothers remained outstretched, unmoving.
Yet the rippling drew nearer – and then my own outermost branches began to tingle, almost as if fire had been lit below them, too close, and their twig-tips were drying and curling.
Yet I was not afraid, only deeply alert.
I was the first to see him, for I grew out on the pasture slope, beyond the forest.
He was a man, it seemed: the two moving stems, the short trunk, the two arm-branches, flexible, each with five leafless twigs at their ends, and the head that's crowned by brown or golden grass, bearing a face not like the beaked face of a bird, more like a flower's.
He carried a burden made of some cut branch bent while it was green, strands of a vine tight-stretched across it.
From this, when he touched it, and from his voice which unlike the wind's voice had no need of our leaves and branches to complete its sound, came the ripple.
But it was now no longer a ripple (he had come near and stopped in my first shadow) it was a wave that bathed me as if rain rose from below and around me instead of falling.
And what I felt was no longer a dry tingling: I seemed to be singing as he sang, I seemed to know what the lark knows; all my sap was mounting towards the sun that by now had risen, the mist was rising, the grass was drying, yet my roots felt music moisten them deep under earth.
He came still closer, leaned on my trunk: the bark thrilled like a leaf still-folded.
Music! There was no twig of me not trembling with joy and fear.
Then as he sang it was no longer sounds only that made the music: he spoke, and as no tree listens I listened, and language came into my roots out of the earth, into my bark out of the air, into the pores of my greenest shoots gently as dew and there was no word he sang but I knew its meaning.
He told me of journeys, of where sun and moon go while we stand in dark, of an earth-journey he dreamed he would take some day deeper than roots .
.
.
He told of the dreams of man, wars, passions, griefs, and I, a tree, understood words – ah, it seemed my thick bark would split like a sapling's that grew too fast in the spring when a late frost wounds it.
Fire he sang, that trees fear, and I, a tree, rejoiced in its flames.
New buds broke forth from me though it was full summer.
As though his lyre (now I knew its name) were both frost and fire, its chords flamed up to the crown of me.

Book: Shattered Sighs