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Written by Edwin Arlington Robinson | Create an image from this poem

Late Summer

 (ALCAICS)


Confused, he found her lavishing feminine 
Gold upon clay, and found her inscrutable; 
And yet she smiled. Why, then, should horrors 
Be as they were, without end, her playthings? 

And why were dead years hungrily telling her 
Lies of the dead, who told them again to her? 
If now she knew, there might be kindness 
Clamoring yet where a faith lay stifled. 

A little faith in him, and the ruinous 
Past would be for time to annihilate,
And wash out, like a tide that washes 
Out of the sand what a child has drawn there. 

God, what a shining handful of happiness, 
Made out of days and out of eternities, 
Were now the pulsing end of patience—
Could he but have what a ghost had stolen! 

What was a man before him, or ten of them, 
While he was here alive who could answer them, 
And in their teeth fling confirmations 
Harder than agates against an egg-shell?

But now the man was dead, and would come again 
Never, though she might honor ineffably 
The flimsy wraith of him she conjured 
Out of a dream with his wand of absence. 

And if the truth were now but a mummery,
Meriting pride’s implacable irony, 
So much the worse for pride. Moreover, 
Save her or fail, there was conscience always. 

Meanwhile, a few misgivings of innocence, 
Imploring to be sheltered and credited,
Were not amiss when she revealed them. 
Whether she struggled or not, he saw them. 

Also, he saw that while she was hearing him 
Her eyes had more and more of the past in them; 
And while he told what cautious honor
Told him was all he had best be sure of, 

He wondered once or twice, inadvertently, 
Where shifting winds were driving his argosies, 
Long anchored and as long unladen, 
Over the foam for the golden chances.

“If men were not for killing so carelessly, 
And women were for wiser endurances,” 
He said, “we might have yet a world here 
Fitter for Truth to be seen abroad in; 

“If Truth were not so strange in her nakedness,
And we were less forbidden to look at it, 
We might not have to look.” He stared then 
Down at the sand where the tide threw forward 

Its cold, unconquered lines, that unceasingly 
Foamed against hope, and fell. He was calm enough,
Although he knew he might be silenced 
Out of all calm; and the night was coming. 

“I climb for you the peak of his infamy 
That you may choose your fall if you cling to it. 
No more for me unless you say more.
All you have left of a dream defends you: 

“The truth may be as evil an augury 
As it was needful now for the two of us. 
We cannot have the dead between us. 
Tell me to go, and I go.”—She pondered:

“What you believe is right for the two of us 
Makes it as right that you are not one of us. 
If this be needful truth you tell me, 
Spare me, and let me have lies hereafter.” 

She gazed away where shadows were covering
The whole cold ocean’s healing indifference. 
No ship was coming. When the darkness 
Fell, she was there, and alone, still gazing.


Written by Edwin Arlington Robinson | Create an image from this poem

Octaves

 I 

We thrill too strangely at the master's touch;
We shrink too sadly from the larger self
Which for its own completeness agitates
And undetermines us; we do not feel -- 
We dare not feel it yet -- the splendid shame
Of uncreated failure; we forget,
The while we groan, that God's accomplishment
Is always and unfailingly at hand. 

II 

Tumultuously void of a clean scheme
Whereon to build, whereof to formulate,
The legion life that riots in mankind
Goes ever plunging upward, up and down,
Most like some crazy regiment at arms,
Undisciplined of aught but Ignorance,
And ever led resourcelessly along
To brainless carnage by drunk trumpeters. 

III 

To me the groaning of world-worshippers
Rings like a lonely music played in hell
By one with art enough to cleave the walls
Of heaven with his cadence, but without
The wisdom or the will to comprehend
The strangeness of his own perversity,
And all without the courage to deny
The profit and the pride of his defeat. 

IV 

While we are drilled in error, we are lost
Alike to truth and usefulness. We think
We are great warriors now, and we can brag
Like Titans; but the world is growing young,
And we, the fools of time, are growing with it: -- 
We do not fight to-day, we only die;
We are too proud of death, and too ashamed
Of God, to know enough to be alive. 

V 

There is one battle-field whereon we fall
Triumphant and unconquered; but, alas!
We are too fleshly fearful of ourselves
To fight there till our days are whirled and blurred
By sorrow, and the ministering wheels
Of anguish take us eastward, where the clouds
Of human gloom are lost against the gleam
That shines on Thought's impenetrable mail. 

VI 

When we shall hear no more the cradle-songs
Of ages -- when the timeless hymns of Love
Defeat them and outsound them -- we shall know
The rapture of that large release which all
Right science comprehends; and we shall read,
With unoppressed and unoffended eyes,
That record of All-Soul whereon God writes
In everlasting runes the truth of Him. 

VII 

The guerdon of new childhood is repose: -- 
Once he has read the primer of right thought,
A man may claim between two smithy strokes
Beatitude enough to realize
God's parallel completeness in the vague
And incommensurable excellence
That equitably uncreates itself
And makes a whirlwind of the Universe. 

VIII 

There is no loneliness: -- no matter where
We go, nor whence we come, nor what good friends
Forsake us in the seeming, we are all
At one with a complete companionship;
And though forlornly joyless be the ways
We travel, the compensate spirit-gleams
Of Wisdom shaft the darkness here and there,
Like scattered lamps in unfrequented streets. 

IX 

When one that you and I had all but sworn
To be the purest thing God ever made
Bewilders us until at last it seems
An angel has come back restigmatized, -- 
Faith wavers, and we wonder what there is
On earth to make us faithful any more,
But never are quite wise enough to know
The wisdom that is in that wonderment. 

X 

Where does a dead man go? -- The dead man dies;
But the free life that would no longer feed
On fagots of outburned and shattered flesh
Wakes to a thrilled invisible advance,
Unchained (or fettered else) of memory;
And when the dead man goes it seems to me
'T were better for us all to do away
With weeping, and be glad that he is gone. 

XI 

So through the dusk of dead, blank-legended,
And unremunerative years we search
To get where life begins, and still we groan
Because we do not find the living spark
Where no spark ever was; and thus we die,
Still searching, like poor old astronomers
Who totter off to bed and go to sleep,
To dream of untriangulated stars. 

XII 

With conscious eyes not yet sincere enough
To pierce the glimmered cloud that fluctuates
Between me and the glorifying light
That screens itself with knowledge, I discern
The searching rays of wisdom that reach through
The mist of shame's infirm credulity,
And infinitely wonder if hard words
Like mine have any message for the dead. 

XIII 

I grant you friendship is a royal thing,
But none shall ever know that royalty
For what it is till he has realized
His best friend in himself. 'T is then, perforce,
That man's unfettered faith indemnifies
Of its own conscious freedom the old shame,
And love's revealed infinitude supplants
Of its own wealth and wisdom the old scorn. 

XIV 

Though the sick beast infect us, we are fraught
Forever with indissoluble Truth,
Wherein redress reveals itself divine,
Transitional, transcendent. Grief and loss,
Disease and desolation, are the dreams
Of wasted excellence; and every dream
Has in it something of an ageless fact
That flouts deformity and laughs at years. 

XV 

We lack the courage to be where we are: -- 
We love too much to travel on old roads,
To triumph on old fields; we love too much
To consecrate the magic of dead things,
And yieldingly to linger by long walls
Of ruin, where the ruinous moonlight
That sheds a lying glory on old stones
Befriends us with a wizard's enmity. 

XVI 

Something as one with eyes that look below
The battle-smoke to glimpse the foeman's charge,
We through the dust of downward years may scan
The onslaught that awaits this idiot world
Where blood pays blood for nothing, and where life
Pays life to madness, till at last the ports
Of gilded helplessness be battered through
By the still crash of salvatory steel. 

XVII 

To you that sit with Sorrow like chained slaves,
And wonder if the night will ever come,
I would say this: The night will never come,
And sorrow is not always. But my words
Are not enough; your eyes are not enough;
The soul itself must insulate the Real,
Or ever you do cherish in this life -- 
In this life or in any life -- repose. 

XVIII 

Like a white wall whereon forever breaks
Unsatisfied the tumult of green seas,
Man's unconjectured godliness rebukes
With its imperial silence the lost waves
Of insufficient grief. This mortal surge
That beats against us now is nothing else
Than plangent ignorance. Truth neither shakes
Nor wavers; but the world shakes, and we shriek. 

XIX 

Nor jewelled phrase nor mere mellifluous rhyme
Reverberates aright, or ever shall,
One cadence of that infinite plain-song
Which is itself all music. Stronger notes
Than any that have ever touched the world
Must ring to tell it -- ring like hammer-blows,
Right-echoed of a chime primordial,
On anvils, in the gleaming of God's forge. 

XX 

The prophet of dead words defeats himself:
Whoever would acknowledge and include
The foregleam and the glory of the real,
Must work with something else than pen and ink
And painful preparation: he must work
With unseen implements that have no names,
And he must win withal, to do that work,
Good fortitude, clean wisdom, and strong skill. 

XXI 

To curse the chilled insistence of the dawn
Because the free gleam lingers; to defraud
The constant opportunity that lives
Unchallenged in all sorrow; to forget
For this large prodigality of gold
That larger generosity of thought, -- 
These are the fleshly clogs of human greed,
The fundamental blunders of mankind. 

XXII 

Forebodings are the fiends of Recreance;
The master of the moment, the clean seer
Of ages, too securely scans what is,
Ever to be appalled at what is not;
He sees beyond the groaning borough lines
Of Hell, God's highways gleaming, and he knows
That Love's complete communion is the end
Of anguish to the liberated man. 

XXIII 

Here by the windy docks I stand alone,
But yet companioned. There the vessel goes,
And there my friend goes with it; but the wake
That melts and ebbs between that friend and me
Love's earnest is of Life's all-purposeful
And all-triumphant sailing, when the ships
Of Wisdom loose their fretful chains and swing
Forever from the crumbled wharves of Time.
Written by Sylvia Plath | Create an image from this poem

Black Rook In Rainy Weather

 On the stiff twig up there
Hunches a wet black rook
Arranging and rearranging its feathers in the rain.
I do not expect a miracle
Or an accident

To set the sight on fire
In my eye, nor seek
Any more in the desultory weather some design,
But let spotted leaves fall as they fall,
Without ceremony, or portent.

Although, I admit, I desire,
Occasionally, some backtalk
From the mute sky, I can't honestly complain:
A certain minor light may still
Lean incandescent

Out of kitchen table or chair
As if a celestial burning took
Possession of the most obtuse objects now and then --
Thus hallowing an interval
Otherwise inconsequent

By bestowing largesse, honor,
One might say love. At any rate, I now walk
Wary (for it could happen
Even in this dull, ruinous landscape); skeptical,
Yet politic; ignorant

Of whatever angel may choose to flare
Suddenly at my elbow. I only know that a rook
Ordering its black feathers can so shine
As to seize my senses, haul
My eyelids up, and grant

A brief respite from fear
Of total neutrality. With luck,
Trekking stubborn through this season
Of fatigue, I shall
Patch together a content

Of sorts. Miracles occur,
If you care to call those spasmodic
Tricks of radiance miracles. The wait's begun again,
The long wait for the angel,
For that rare, random descent.
Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song. 
 Ah, salt and sterile as her kisses were, 
 The wild sea winds her and the green gulfs bear 
Hither and thither, and vex and work her wrong, 
 Blind gods that cannot spare. 

Thou sawest, in thine old singing season, brother, 
 Secrets and sorrows unbeheld of us: 
 Fierce loves, and lovely leaf-buds poisonous, 
Bare to thy subtler eye, but for none other 
 Blowing by night in some unbreathed-in clime; 
 The hidden harvest of luxurious time, 
Sin without shape, and pleasure without speech; 
 And where strange dreams in a tumultuous sleep 
 Make the shut eyes of stricken spirits weep; 
And with each face thou sawest the shadow on each, 
 Seeing as men sow men reap. 

O sleepless heart and sombre soul unsleeping, 
 That were athirst for sleep and no more life 
 And no more love, for peace and no more strife! 
Now the dim gods of death have in their keeping 
 Spirit and body and all the springs of song, 
 Is it well now where love can do no wrong, 
Where stingless pleasure has no foam or fang 
 Behind the unopening closure of her lips? 
 Is it not well where soul from body slips 
And flesh from bone divides without a pang 
 As dew from flower-bell drips? 

It is enough; the end and the beginning 
 Are one thing to thee, who art past the end. 
 O hand unclasp'd of unbeholden friend, 
For thee no fruits to pluck, no palms for winning, 
 No triumph and no labour and no lust, 
 Only dead yew-leaves and a little dust. 
O quiet eyes wherein the light saith naught, 
 Whereto the day is dumb, nor any night 
 With obscure finger silences your sight, 
Nor in your speech the sudden soul speaks thought, 
 Sleep, and have sleep for light. 

Now all strange hours and all strange loves are over, 
 Dreams and desires and sombre songs and sweet, 
 Hast thou found place at the great knees and feet 
Of some pale Titan-woman like a lover, 
 Such as thy vision here solicited, 
 Under the shadow of her fair vast head, 
The deep division of prodigious breasts, 
 The solemn slope of mighty limbs asleep, 
 The weight of awful tresses that still keep 
The savour and shade of old-world pine-forests 
 Where the wet hill-winds weep? 

Hast thou found any likeness for thy vision? 
 O gardener of strange flowers, what bud, what bloom, 
 Hast thou found sown, what gather'd in the gloom? 
What of despair, of rapture, of derision, 
 What of life is there, what of ill or good? 
 Are the fruits gray like dust or bright like blood? 
Does the dim ground grow any seed of ours, 
 The faint fields quicken any terrene root, 
 In low lands where the sun and moon are mute 
And all the stars keep silence? Are there flowers 
 At all, or any fruit? 

Alas, but though my flying song flies after, 
 O sweet strange elder singer, thy more fleet 
 Singing, and footprints of thy fleeter feet, 
Some dim derision of mysterious laughter 
 From the blind tongueless warders of the dead, 
 Some gainless glimpse of Proserpine's veil'd head, 
Some little sound of unregarded tears 
 Wept by effaced unprofitable eyes, 
 And from pale mouths some cadence of dead sighs-- 
These only, these the hearkening spirit hears, 
 Sees only such things rise. 

Thou art far too far for wings of words to follow, 
 Far too far off for thought or any prayer. 
 What ails us with thee, who art wind and air? 
What ails us gazing where all seen is hollow? 
 Yet with some fancy, yet with some desire, 
 Dreams pursue death as winds a flying fire, 
Our dreams pursue our dead and do not find. 
 Still, and more swift than they, the thin flame flies, 
 The low light fails us in elusive skies, 
Still the foil'd earnest ear is deaf, and blind 
 Are still the eluded eyes. 

Not thee, O never thee, in all time's changes, 
 Not thee, but this the sound of thy sad soul, 
 The shadow of thy swift spirit, this shut scroll 
I lay my hand on, and not death estranges 
 My spirit from communion of thy song-- 
 These memories and these melodies that throng 
Veil'd porches of a Muse funereal-- 
 These I salute, these touch, these clasp and fold 
 As though a hand were in my hand to hold, 
Or through mine ears a mourning musical 
 Of many mourners roll'd. 

I among these, I also, in such station 
 As when the pyre was charr'd, and piled the sods. 
 And offering to the dead made, and their gods, 
The old mourners had, standing to make libation, 
 I stand, and to the Gods and to the dead 
 Do reverence without prayer or praise, and shed 
Offering to these unknown, the gods of gloom, 
 And what of honey and spice my seed-lands bear, 
 And what I may of fruits in this chill'd air, 
And lay, Orestes-like, across the tomb 
 A curl of sever'd hair. 

But by no hand nor any treason stricken, 
 Not like the low-lying head of Him, the King, 
 The flame that made of Troy a ruinous thing, 
Thou liest and on this dust no tears could quicken. 
 There fall no tears like theirs that all men hear 
 Fall tear by sweet imperishable tear 
Down the opening leaves of holy poets' pages. 
 Thee not Orestes, not Electra mourns; 
 But bending us-ward with memorial urns 
The most high Muses that fulfil all ages 
 Weep, and our God's heart yearns. 

For, sparing of his sacred strength, not often 
 Among us darkling here the lord of light 
 Makes manifest his music and his might 
In hearts that open and in lips that soften 
 With the soft flame and heat of songs that shine. 
 Thy lips indeed he touch'd with bitter wine, 
And nourish'd them indeed with bitter bread; 
 Yet surely from his hand thy soul's food came, 
 The fire that scarr'd thy spirit at his flame 
Was lighted, and thine hungering heart he fed 
 Who feeds our hearts with fame. 

Therefore he too now at thy soul's sunsetting, 
 God of all suns and songs, he too bends down 
 To mix his laurel with thy cypress crown, 
And save thy dust from blame and from forgetting. 
 Therefore he too, seeing all thou wert and art, 
 Compassionate, with sad and sacred heart, 
Mourns thee of many his children the last dead, 
 And hollows with strange tears and alien sighs 
 Thine unmelodious mouth and sunless eyes, 
And over thine irrevocable head 
 Sheds light from the under skies. 

And one weeps with him in the ways Lethean, 
 And stains with tears her changing bosom chill; 
 That obscure Venus of the hollow hill, 
That thing transform'd which was the Cytherean, 
 With lips that lost their Grecian laugh divine 
 Long since, and face no more call'd Erycine-- 
A ghost, a bitter and luxurious god. 
 Thee also with fair flesh and singing spell 
 Did she, a sad and second prey, compel 
Into the footless places once more trod, 
 And shadows hot from hell. 

And now no sacred staff shall break in blossom, 
 No choral salutation lure to light 
 A spirit sick with perfume and sweet night 
And love's tired eyes and hands and barren bosom. 
 There is no help for these things; none to mend, 
 And none to mar; not all our songs, O friend, 
Will make death clear or make life durable. 
 Howbeit with rose and ivy and wild vine 
 And with wild notes about this dust of thine 
At least I fill the place where white dreams dwell 
 And wreathe an unseen shrine. 

Sleep; and if life was bitter to thee, pardon, 
 If sweet, give thanks; thou hast no more to live; 
 And to give thanks is good, and to forgive. 
Out of the mystic and the mournful garden 
 Where all day through thine hands in barren braid 
 Wove the sick flowers of secrecy and shade, 
Green buds of sorrow and sin, and remnants gray, 
 Sweet-smelling, pale with poison, sanguine-hearted, 
 Passions that sprang from sleep and thoughts that started, 
Shall death not bring us all as thee one day 
 Among the days departed? 

For thee, O now a silent soul, my brother, 
 Take at my hands this garland, and farewell. 
 Thin is the leaf, and chill the wintry smell, 
And chill the solemn earth, a fatal mother, 
 With sadder than the Niobean womb, 
 And in the hollow of her breasts a tomb. 
Content thee, howsoe'er, whose days are done; 
 There lies not any troublous thing before, 
 Nor sight nor sound to war against thee more, 
For whom all winds are quiet as the sun, 
 All waters as the shore.
Written by Robert Frost | Create an image from this poem

The Grindstone

 Having a wheel and four legs of its own
Has never availed the cumbersome grindstone
To get it anywhere that I can see.
These hands have helped it go, and even race;
Not all the motion, though, they ever lent,
Not all tke miles it may have thought it went,
Have got it one step from the starting place.
It stands beside the same old apple tree.
The shadow of the apple tree is thin
Upon it now its feet as fast in snow.
All other farm machinery's gone in,
And some of it on no more legs and wheel
Than the grindstone can boast to stand or go.
(I'm thinking chiefly of the wheelbarrow.)
For months it hasn't known the taste of steel
Washed down with rusty water in a tin..
But standing outdoors hungry, in the cold,
Except in towns at night is not a sin.
And> anyway, it's standing in the yard
Under a ruinous live apple tree
Has nothing any more to do with me,
Except that I remember how of old
One summer day, all day I drove it hard,
And someone mounted on it rode it hard
And he and I between us ground a blade.
I gave it the preliminary spin
And poured on water (tears it might have been);
And when it almost gaily jumped and flowed,
A Father-Time-like man got on and rode,
Armed with a scythe and spectacles that glowed.
He turned on will-power to increase the load
And slow me down -- and I abruptly slowed,
Like coming to a sudden railroad station.
I changed from hand to hand in desperation.
I wondered what machine of ages gone
This represented an improvement on.
For all I knew it may have sharpened spears
And arrowheads itself. Much use.for years
Had gradually worn it an oblate
Spheroid that kicked and struggled in its gait,
Appearing to return me hate for hate;
(But I forgive it now as easily
As any other boyhood enemy
Whose pride has failed to get him anywhere).
I wondered who it was the man thought ground
-The one who held the wheel back or the one
Who gave his life to keep it going round?
· I wondered if he really thought it fair
For him to have the say when we were done.
Such were the bitter thoughts to which I turned.
Not for myself was I so much concerned
Oh no --Although, of course, I could have found
A better way to pass the afternoon
Than grinding discord out of a grindstone,
And beating insects at their gritty tune.
Nor was I for the man so much concerned.
Once when the grindstone almost jumped its bearing
It looked as if he might be badly thrown
And wounded on his blade. So far from caring,
I laughed inside, and only cranked the faster
(It ran as if it wasn't greased but glued);
I'd welcome any moderate disaster
That might be calculated to postpone
What evidently nothing could conclude.
The thing that made me more and more afraid
Was that we'd ground it sharp and hadn't known,
And now were only wasting precious blade.
And when he raised it dripping once and tried
The creepy edge of it with wary touch
And viewed it over his glasses funny-eyed,
Only disinterestedly to decide
It needed a turn more, I could have cried
Wasn't there a danger of a turn too much?
Mightn't we make it worse instead of better?
I was for leaving something to the whettot.
What if it wasn't all it should be? I'd
Be satisfied if he'd be satisfied.


Written by Aleister Crowley | Create an image from this poem

Happy Dust

 For Margot


Snow that fallest from heaven, bear me aloft on thy wings
To the domes of the star-girdled Seven, the abode of
ineffable things,
Quintessence of joy and of strength, that, abolishing
future and past,
Mak'st the Present an infinite length, my soul all-One
with the Vast,
The Lone, the Unnameable God, that is ice of His
measureless cold,
Without being or form or abode, without motion or
matter, the fold
Where the shepherded Universe sleeps, with nor sense
nor delusion nor dream,
No spirit that wantons or weeps, no thought in its silence
supreme.
I sit, and am utterly still; in mine eyes is my fathomless
lust
Ablaze to annihilate Will, to crumble my being to dust,
To calcine the dust to an ash, to burn up the ash to an air,
To abolish the air with a flash of the final, the fulminant
flare.
All this I have done, and dissolved the primordial germ
of my thought;
I have rolled myself up, and revolved the wheel of my
being to Naught.
Is there even the memory left? That I was, that I am?
It is lost.
As I utter the Word, I am cleft by the last swift spear of
the frost.
Snow! I am nothing at last; I sit, and am utterly still;
They are perished, the phantoms, and past; they were
born of my weariness-will
When I craved, craved being and form, when the con-
sciousness-cloud was a mist
Precurser of stupor and storm, when I and my shadow
had kissed,
And brought into life all the shapes that confused the
clear space with their marks,
Vain spectres whose vapour escapes, a whirlwind of
ruinous sparks,
No substance have any of these; I have dreamed them in
sickness of lust,
Delirium born of disease-ah, whence was the master,
the "must"
Imposed on the All? is it true, then, that
something in me
Is subject to fate? Are there two, after all,
that can be?
I have brought all that is to an end; for myself am suffic-
ient and sole.
Do I trick myself now? Shall I rend once again this
homologous Whole?
I have stripped every garment from space; I have
strangled the secre of Time,
All being is fled from my face, with Motion's inhibited
rime.
Stiller and stiller I sit, till even Infinity fades;
'Tis an idol-'tis weakness of wit that breeds, in inanity,
shades!
Yet the fullness of Naught I become, the deepest and
steadiest Naught,
Contains in its nature the sum of the functions of being
and thought.
Still as I sit, and destroy all possible trace of the past,
All germ of the future, nor joy nor knowledge alive at the
last,
It is vain, for the Silence is dowered with a nature, the
seed of a name:
Necessity, fearfully flowered with the blossom of possible
Aim.
I am Necessity? Scry Necessity mother of Fate!
And Fate determines me "I"; and I have the Will to create.
Vast is the sphere, but it turns on itself like the pettiest
star.
And I am the looby that learns that all things equally are.
Inscrutable Nothing, the Gods, the cosmos of Fire and
of Mist.
Suns,atoms, the clouds and the clouds ineluctably dare
to exist-
I have made the Voyage of Thought, the Voyage of Vision,
I swam
To the heart of the Ocean of Naught from the source of
the Spring of I am:
I know myself wholly the brother alike of the All and the
One;
I know that all things are each other, that their sum and
their substance is None;
But the knowledge itself can excel, its fulness hath broken
its bond;
All's Truth, and all's falsehood as well, and-what of the
region beyond?
So, still though I sit, as for ever, I stab to the heart of my
spine;
I destroy the last seed of endeavour to seal up my soul
in the shrine
Of Silence, Eternity, Peace; I abandon the Here and the
Now;
I cease from the effort to cease; I absolve the dead I from
its Vow,
I am wholly content to be dust, whether that be a mote
or a star,
To live and to love and to lust, acknowledge what seem
for what are,
Not to care what I am, if I be, whence I came, whither go,
how I thrive,
If my spirit be bound or be free, save as Nature contrive.
What I am, that I am, 'tis enough. I am part of a glorious
game.
Am I cast for madness or love? I am cast to esteem them
the same.
Am I only a dream in the sleep of some butterfly?
Phantom of fright
Conceived, who knows how, or how deep, in the measure-
less womb of the night?
I imagine impossible thought, metaphysical voids that
beget
Ideas intagible wrought to things less conceivable yet.
It may be. Little I reck -but, assume the existence of
earth.
Am I born to be hanged by the neck, a curse from the
hour of my birth?
Am I born to abolish man's guilt? His horrible heritage,
awe? 
Or a seed in his wantoness spilt by a jester? I care not
a straw,
For I understand Do what thou wilt; and that is the whole
of the Law.
Written by Jackie Kay | Create an image from this poem

That Distance Apart

 I am only nineteen
My whole life is changing

Tonight I see her
Shuttered eyes in my dreams

I cannot pretend she's never been
My stitches pull and threaten to snap

My own body a witness
Leaking blood to sheets milk to shirts

My stretch marks
Record that birth

Though I feel like somebody is dying

I stand up in my bed
And wail like a banshee

II
On the second night
I shall suffocate her with a feather pillow

Bury her under a weeping willow
Or take her far out to sea

And watch her tiny six pound body
Sink to shells and re shape herself

So much better than her body
Encased in glass like a museum piece

Or I shall stab myself
Cut my wrists steal some sleeping pills

Better than this-mummified
Preserved as a warning

III
On the third night I toss
I did not go through those months

For you to die on me now
On the third night I lie

Willing life into her
Breathing air all the way down through the corridor

To the glass cot
I push my nipples through

Feel the ferocity of her lips

IV
Here
Landed in a place I recognize

My eyes in the mirror
Hard marbles glinting

Murderous light
My breasts sag my stomach

Still soft as a baby's
My voice deep and old as ammonite

I am a stranger visiting
Myself occasionally

An empty ruinous house
Cobwebs dust and broken stairs

Inside woodworm
Outside the weeds grow tall

As she must be now

V
She, my little foreigner
No longer familiar with my womb

Kicking her language of living
Somewhere past stalking her first words

She is six years old today
I am twenty-five; we are only

That distance apart yet
Time has fossilised

Prehistoric time is easier
I can imagine dinosaurs

More vivid than my daughter
Dinosaurs do not hurt my eyes

Nor make me old so terribly old
We are land sliced and torn.
Written by William Butler Yeats | Create an image from this poem

Crazy Jane On God

 That lover of a night
Came when he would,
Went in the dawning light
Whether I would or no;
Men come, men go;
All things remain in God.

Banners choke the sky;
Men-at-arms tread;
Armoured horses neigh
In the narrow pass:
All things remain in God.

Before their eyes a house
That from childhood stood
Uninhabited, ruinous,
Suddenly lit up
From door to top:
All things remain in God.

I had wild Jack for a lover;
Though like a road
That men pass over
My body makes no moan
But sings on:
All things remain in God.
Written by Geoffrey Hill | Create an image from this poem

Requiem for the Plantagenet Kings

 For whom the possessed sea littered, on both shores,
Ruinous arms; being fired, and for good,
To sound the constitution of just wards,
Men, in their eloquent fashion, understood.

Relieved of soul, the dropping-back of dust,
Their usage, pride, admitted within doors;
At home, under caved chantries, set in trust,
With well-dressed alabaster and proved spurs
They lie; they lie; secure in the decay
Of blood, blood-marks, crowns hacked and coveted,
Before the scouring fires of trial-day
Alight on men; before sleeked groin, gored head,
Budge through the clay and gravel, and the sea
Across daubed rock evacuates its dead.
Written by Edwin Arlington Robinson | Create an image from this poem

An Island

 Take it away, and swallow it yourself. 
Ha! Look you, there’s a rat. 
Last night there were a dozen on that shelf, 
And two of them were living in my hat. 
Look! Now he goes, but he’ll come back—
Ha? But he will, I say … 
Il reviendra-z-à Pâques, 
Ou à la Trinité …
Be very sure that he’ll return again; 
For said the Lord: Imprimis, we have rats,
And having rats, we have rain.— 
So on the seventh day 
He rested, and made Pain. 
—Man, if you love the Lord, and if the Lord 
Love liars, I will have you at your word
And swallow it. Voilà. Bah! 

Where do I say it is 
That I have lain so long? 
Where do I count myself among the dead, 
As once above the living and the strong?
And what is this that comes and goes, 
Fades and swells and overflows, 
Like music underneath and overhead? 
What is it in me now that rings and roars 
Like fever-laden wine?
What ruinous tavern-shine 
Is this that lights me far from worlds and wars 
And women that were mine? 
Where do I say it is 
That Time has made my bed?
What lowering outland hostelry is this 
For one the stars have disinherited? 

An island, I have said: 
A peak, where fiery dreams and far desires 
Are rained on, like old fires:
A vermin region by the stars abhorred, 
Where falls the flaming word 
By which I consecrate with unsuccess 
An acreage of God’s forgetfulness, 
Left here above the foam and long ago
Made right for my duress; 
Where soon the sea, 
My foaming and long-clamoring enemy, 
Will have within the cryptic, old embrace 
Of her triumphant arms—a memory.
Why then, the place? 
What forage of the sky or of the shore 
Will make it any more, 
To me, than my award of what was left 
Of number, time, and space?

And what is on me now that I should heed 
The durance or the silence or the scorn? 
I was the gardener who had the seed 
Which holds within its heart the food and fire 
That gives to man a glimpse of his desire;
And I have tilled, indeed, 
Much land, where men may say that I have planted 
Unsparingly my corn— 
For a world harvest-haunted 
And for a world unborn.

Meanwhile, am I to view, as at a play, 
Through smoke the funeral flames of yesterday 
And think them far away? 
Am I to doubt and yet be given to know 
That where my demon guides me, there I go?
An island? Be it so. 
For islands, after all is said and done, 
Tell but a wilder game that was begun, 
When Fate, the mistress of iniquities, 
The mad Queen-spinner of all discrepancies,
Beguiled the dyers of the dawn that day, 
And even in such a curst and sodden way 
Made my three colors one. 
—So be it, and the way be as of old: 
So be the weary truth again retold
Of great kings overthrown 
Because they would be kings, and lastly kings alone. 
Fling to each dog his bone. 

Flags that are vanished, flags that are soiled and furled, 
Say what will be the word when I am gone:
What learned little acrid archive men 
Will burrow to find me out and burrow again,— 
But all for naught, unless 
To find there was another Island.… Yes, 
There are too many islands in this world,
There are too many rats, and there is too much rain. 
So three things are made plain 
Between the sea and sky: 
Three separate parts of one thing, which is Pain … 
Bah, what a way to die!—
To leave my Queen still spinning there on high, 
Still wondering, I dare say, 
To see me in this way … 
Madame à sa tour monte 
Si haut qu’elle peut monter—
Like one of our Commissioners… ai! ai!
Prometheus and the women have to cry, 
But no, not I … 
Faugh, what a way to die! 

But who are these that come and go
Before me, shaking laurel as they pass? 
Laurel, to make me know 
For certain what they mean: 
That now my Fate, my Queen, 
Having found that she, by way of right reward,
Will after madness go remembering, 
And laurel be as grass,— 
Remembers the one thing 
That she has left to bring. 
The floor about me now is like a sward
Grown royally. Now it is like a sea 
That heaves with laurel heavily, 
Surrendering an outworn enmity 
For what has come to be. 

But not for you, returning with your curled
And haggish lips. And why are you alone? 
Why do you stay when all the rest are gone? 
Why do you bring those treacherous eyes that reek 
With venom and hate the while you seek 
To make me understand?—
Laurel from every land, 
Laurel, but not the world?

Fury, or perjured Fate, or whatsoever, 
Tell me the bloodshot word that is your name 
And I will pledge remembrance of the same
That shall be crossed out never; 
Whereby posterity 
May know, being told, that you have come to me, 
You and your tongueless train without a sound, 
With covetous hands and eyes and laurel all around,
Foreshowing your endeavor 
To mirror me the demon of my days, 
To make me doubt him, loathe him, face to face. 
Bowed with unwilling glory from the quest 
That was ordained and manifest,
You shake it off and wish me joy of it? 
Laurel from every place,
Laurel, but not the rest?
Such are the words in you that I divine, 
Such are the words of men.
So be it, and what then? 
Poor, tottering counterfeit, 
Are you a thing to tell me what is mine? 

Grant we the demon sees 
An inch beyond the line,
What comes of mine and thine? 
A thousand here and there may shriek and freeze, 
Or they may starve in fine. 
The Old Physician has a crimson cure 
For such as these,
And ages after ages will endure 
The minims of it that are victories. 
The wreath may go from brow to brow, 
The state may flourish, flame, and cease; 
But through the fury and the flood somehow
The demons are acquainted and at ease, 
And somewhat hard to please. 
Mine, I believe, is laughing at me now 
In his primordial way, 
Quite as he laughed of old at Hannibal,
Or rather at Alexander, let us say. 
Therefore, be what you may, 
Time has no further need 
Of you, or of your breed. 
My demon, irretrievably astray,
Has ruined the last chorus of a play 
That will, so he avers, be played again some day; 
And you, poor glowering ghost, 
Have staggered under laurel here to boast 
Above me, dying, while you lean
In triumph awkward and unclean, 
About some words of his that you have read? 
Thing, do I not know them all? 
He tells me how the storied leaves that fall 
Are tramped on, being dead?
They are sometimes: with a storm foul enough 
They are seized alive and they are blown far off 
To mould on islands.—What else have you read? 
He tells me that great kings look very small 
When they are put to bed;
And this being said, 
He tells me that the battles I have won 
Are not my own, 
But his—howbeit fame will yet atone 
For all defect, and sheave the mystery:
The follies and the slaughters I have done 
Are mine alone, 
And so far History. 
So be the tale again retold 
And leaf by clinging leaf unrolled
Where I have written in the dawn, 
With ink that fades anon, 
Like Cæsar’s, and the way be as of old. 

Ho, is it you? I thought you were a ghost. 
Is it time for you to poison me again?
Well, here’s our friend the rain,— 
Mironton, mironton, mirontaine...
Man, I could murder you almost, 
You with your pills and toast. 
Take it away and eat it, and shoot rats.
Ha! there he comes. Your rat will never fail, 
My punctual assassin, to prevail— 
While he has power to crawl, 
Or teeth to gnaw withal— 
Where kings are caged. Why has a king no cats?
You say that I’ll achieve it if I try? 
Swallow it?—No, not I … 
God, what a way to die!

Book: Radiant Verses: A Journey Through Inspiring Poetry