Written by
Derek Walcott |
A wind is ruffling the tawny pelt
Of Africa, Kikuyu, quick as flies,
Batten upon the bloodstreams of the veldt.
Corpses are scattered through a paradise.
Only the worm, colonel of carrion, cries:
"Waste no compassion on these separate dead!"
Statistics justify and scholars seize
The salients of colonial policy.
What is that to the white child hacked in bed?
To savages, expendable as Jews?
Threshed out by beaters, the long rushes break
In a white dust of ibises whose cries
Have wheeled since civilizations dawn
>From the parched river or beast-teeming plain.
The violence of beast on beast is read
As natural law, but upright man
Seeks his divinity by inflicting pain.
Delirious as these worried beasts, his wars
Dance to the tightened carcass of a drum,
While he calls courage still that native dread
Of the white peace contracted by the dead.
Again brutish necessity wipes its hands
Upon the napkin of a dirty cause, again
A waste of our compassion, as with Spain,
The gorilla wrestles with the superman.
I who am poisoned with the blood of both,
Where shall I turn, divided to the vein?
I who have cursed
The drunken officer of British rule, how choose
Between this Africa and the English tongue I love?
Betray them both, or give back what they give?
How can I face such slaughter and be cool?
How can I turn from Africa and live?
|
Written by
Vladimir Mayakovsky |
Thoughts, go your way home.
Embrace,
depths of the soul and the sea.
In my view,
it is
stupid
to be
always serene.
My cabin is the worst
of all cabins -
All night above me
Thuds a smithy of feet.
All night,
stirring the ceiling’s calm,
dancers stampede
to a moaning motif:
“Marquita,
Marquita,
Marquita my darling,
why won’t you,
Marquita,
why won’t you love me …”
But why
Should marquita love me?!
I have
no francs to spare.
And Marquita
(at the slightest wink!)
for a hundred francs
she’d be brought to your room.
The sum’s not large -
just live for show -
No,
you highbrow,
ruffling your matted hair,
you would thrust upon her
a sewing machine,
in stitches
scribbling
the silk of verse.
Proletarians
arrive at communism
from below -
by the low way of mines,
sickles,
and pitchforks -
But I,
from poetry’s skies,
plunge into communism,
because
without it
I feel no love.
Whether
I’m self-exiled
or sent to mamma -
the steel of words corrodes,
the brass of the brass tarnishes.
Why,
beneath foreign rains,
must I soak,
rot,
and rust?
Here I recline,
having gone oversea,
in my idleness
barely moving
my machine parts.
I myself
feel like a Soviet
factory,
manufacturing happiness.
I object
to being torn up,
like a flower of the fields,
after a long day’s work.
I want
the Gosplan to sweat
in debate,
assignning me
goals a year ahead.
I want
a commissar
with a decree
to lean over the thought of the age.
I want
the heart to earn
its love wage
at a specialist’s rate.
I want
the factory committee
to lock
My lips
when the work is done.
I want
the pen to be on a par
with the bayonet;
and Stalin
to deliver his Politbureau
reports
about verse in the making
as he would about pig iron
and the smelting of steel.
“That’s how it is,
the way it goes …
We’ve attained
the topmost level,
climbing from the workers’ bunks:
in the Union
of Republics
the understanding of verse
now tops
the prewar norm …”
Transcribed: by Mitch Abidor.
|
Written by
Jack Prelutsky |
Last night I dreamed of chickens,
there were chickens everywhere,
they were standing on my stomach,
they were nesting in my hair,
they were pecking at my pillow,
they were hopping on my head,
they were ruffling up their feathers
as they raced about my bed.
They were on the chairs and tables,
they were on the chandeliers,
they were roosting in the corners,
they were clucking in my ears,
there were chickens, chickens, chickens
for as far as I could see...
when I woke today, I noticed
there were eggs on top of me.
|
Written by
G K Chesterton |
The wind blew out from Bergen, from the dawning to the day
There was a wreck of trees, a fall of towers, a score of miles away
And drifted like a livid leaf I go before the tide
Spewed out of house and stable, beggared of flag and bride
The heavens are bowed about my head, raging like seraph wars
With rains that might put out the sun, and rid the sky of stars
Rains like the fall of ruined seas from secret worlds above
The roaring of the rains of God, none but the lonely love
Feast in my halls, O Foemen! O eat and drink and drain!
You never loved the sun in heaven, as I have loved the rain!
The tide of battle changes, so may all battle be
I stole my lady bride from them; they stole her back from me
As I wrenched her from her red roofed halls, I rose and saw arise
More lovely than the living flowers, the hatred in her eyes
She never loved me, never wept, never was less divine
And sunset never knew us, her world was never mine
Was it all for nothing that she stood, imperial in duresse
Silence itself made softer with the sweeping of her dress
O you who drain the cup of life! O You who wear the crown!
You never loved a woman's smile as I have loved her frown!
The wind blew out from Bergen to the dawning of the day
They ride and race with fifty spears to break and bar my way
I shall not die alone, alone, but kin to all the powers
As merry as the ancient sun, and fighting like the flowers!
How white their steel! How bright their eyes! I love each laughing knave
Cry high and bid him welcome to the banquet of the brave
Yea, I will bless them as they bend, and love them where they lie
When upon their skulls the sword I swing falls shattering from the sky
That hour when death is like a light, and blood is as a rose -
You never loved your friends, my friends, as I will love my foes!
Know you what you shall lose this night, what rich uncounted loans
What heavy gold of tales untold you bury with my bones
My loves in deep dim meadows, my ships that rode at ease
Ruffling the purple plumage of strange and secret seas
To see this fair earth as it stands, to me alone was given
The blow that breaks my brow tonight shall break the dome of heaven
The skies I saw, the trees I saw, after, no eye shall see
Tonight I die the death of God - the stars shall die with me!
One sound shall sunder all the spears, and break the trumpet's breath -
You never laughed in all your life, as I shall laugh in death!
|
Written by
Seamus Heaney |
And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightening of flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully-grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park or capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open
|
Written by
Robert Herrick |
You are a Tulip seen to-day,
But, Dearest, of so short a stay,
That where you grew, scarce man can say.
You are a lovely July-flower;
Yet one rude wind, or ruffling shower,
Will force you hence, and in an hour.
You are a sparkling Rose i'th' bud,
Yet lost, ere that chaste flesh and blood
Can show where you or grew or stood.
You are a full-spread fair-set Vine,
And can with tendrils love entwine;
Yet dried, ere you distil your wine.
You are like Balm, enclosed well
In amber, or some crystal shell;
Yet lost ere you transfuse your smell.
You are a dainty Violet;
Yet wither'd, ere you can be set
Within the virgins coronet.
You are the Queen all flowers among;
But die you must, fair maid, ere long,
As he, the maker of this song.
|
Written by
Robert Southey |
Author Note: Divers Princes and Noblemen being assembled in a beautiful and fair
Palace, which was situate upon the river Rhine, they beheld a boat or
small barge make toward the shore, drawn by a Swan in a silver chain,
the one end fastened about her neck, the other to the vessel; and in it
an unknown soldier, a man of a comely personage and graceful presence,
who stept upon the shore; which done, the boat guided by the Swan left
him, and floated down the river. This man fell afterward in league with
a fair gentlewoman, married her, and by her had many children. After
some years, the same Swan came with the same barge into the same place;
the soldier entering into it, was carried thence the way he came, left
wife, children and family, and was never seen amongst them after.
Now who can judge this to be other than one of those spirits that are
named Incubi? says Thomas Heywood. I have adopted his story, but not his
solution, making the unknown soldier not an evil spirit, but one who had
purchased happiness of a malevolent being, by the promised sacrifice of
his first-born child.
.................
Bright on the mountain's heathy slope
The day's last splendors shine
And rich with many a radiant hue
Gleam gayly on the Rhine.
And many a one from Waldhurst's walls
Along the river stroll'd,
As ruffling o'er the pleasant stream
The evening gales came cold.
So as they stray'd a swan they saw
Sail stately up and strong,
And by a silver chain she drew
A little boat along,
Whose streamer to the gentle breeze
Long floating fluttered light,
Beneath whose crimson canopy
There lay reclin'd a knight.
With arching crest and swelling breast
On sail'd the stately swan
And lightly up the parting tide
The little boat came on.
And onward to the shore they drew
And leapt to land the knight,
And down the stream the swan-drawn boat
Fell soon beyond the sight.
Was never a Maid in Waldhurst's walls
Might match with Margaret,
Her cheek was fair, her eyes were dark,
Her silken locks like jet.
And many a rich and noble youth
Had strove to win the fair,
But never a rich or noble youth
Could rival Rudiger.
At every tilt and turney he
Still bore away the prize,
For knightly feats superior still
And knightly courtesies.
His gallant feats, his looks, his love,
Soon won the willing fair,
And soon did Margaret become
The wife of Rudiger.
Like morning dreams of happiness
Fast roll'd the months away,
For he was kind and she was kind
And who so blest as they?
Yet Rudiger would sometimes sit
Absorb'd in silent thought
And his dark downward eye would seem
With anxious meaning fraught;
But soon he rais'd his looks again
And smil'd his cares eway,
And mid the hall of gaiety
Was none like him so gay.
And onward roll'd the waining months,
The hour appointed came,
And Margaret her Rudiger
Hail'd with a father's name.
But silently did Rudiger
The little infant see,
And darkly on the babe he gaz'd
And very sad was he.
And when to bless the little babe
The holy Father came,
To cleanse the stains of sin away
In Christ's redeeming name,
Then did the cheek of Rudiger
Assume a death-pale hue,
And on his clammy forehead stood
The cold convulsive dew;
And faltering in his speech he bade
The Priest the rites delay,
Till he could, to right health restor'd,
Enjoy the festive day.
When o'er the many-tinted sky
He saw the day decline,
He called upon his Margaret
To walk beside the Rhine.
"And we will take the little babe,
"For soft the breeze that blows,
"And the wild murmurs of the stream
"Will lull him to repose."
So forth together did they go,
The evening breeze was mild,
And Rudiger upon his arm
Did pillow the sweet child.
And many a one from Waldhurst's walls
Along the banks did roam,
But soon the evening wind came cold,
And all betook them home.
Yet Rudiger in silent mood
Along the banks would roam,
Nor aught could Margaret prevail
To turn his footsteps home.
"Oh turn thee--turn thee Rudiger,
"The rising mists behold,
"The evening wind is damp and chill,
"The little babe is cold!"
"Now hush thee--hush thee Margaret,
"The mists will do no harm,
"And from the wind the little babe
"Lies sheltered on my arm."
"Oh turn thee--turn thee Rudiger,
"Why onward wilt thou roam?
"The moon is up, the night is cold,
"And we are far from home."
He answered not, for now he saw
A Swan come sailing strong,
And by a silver chain she drew
A little boat along.
To shore they came, and to the boat
Fast leapt he with the child,
And in leapt Margaret--breathless now
And pale with fear and wild.
With arching crest and swelling breast
On sail'd the stately swan,
And lightly down the rapid tide
The little boat went on.
The full-orb'd moon that beam'd around
Pale splendor thro' the night,
Cast through the crimson canopy
A dim-discoloured light.
And swiftly down the hurrying stream
In silence still they sail,
And the long streamer fluttering fast
Flapp'd to the heavy gale.
And he was mute in sullen thought
And she was mute with fear,
Nor sound but of the parting tide
Broke on the listening ear.
The little babe began to cry
And waked his mother's care,
"Now give to me the little babe
"For God's sake, Rudiger!"
"Now hush thee, hush thee Margaret!
"Nor my poor heart distress--
"I do but pay perforce the price
"Of former happiness.
"And hush thee too my little babe,
"Thy cries so feeble cease:
"Lie still, lie still;--a little while
"And thou shalt be at peace."
So as he spake to land they drew,
And swift he stept on shore,
And him behind did Margaret
Close follow evermore.
It was a place all desolate,
Nor house nor tree was there,
And there a rocky mountain rose
Barren, and bleak, and bare.
And at its base a cavern yawn'd,
No eye its depth might view,
For in the moon-beam shining round
That darkness darker grew.
Cold Horror crept thro' Margaret's blood,
Her heart it paus'd with fear,
When Rudiger approach'd the cave
And cried, "lo I am here!"
A deep sepulchral sound the cave
Return'd "lo I am here!"
And black from out the cavern gloom
Two giant arms appear.
And Rudiger approach'd and held
The little infant nigh;
Then Margaret shriek'd, and gather'd then
New powers from agony.
And round the baby fast and firm
Her trembling arms she folds,
And with a strong convulsive grasp
The little infant holds.
"Now help me, Jesus!" loud she cries.
And loud on God she calls;
Then from the grasp of Rudiger
The little infant falls.
And now he shriek'd, for now his frame
The huge black arms clasp'd round,
And dragg'd the wretched Rudiger
Adown the dark profound.
|
Written by
James Tate |
I sit on the tracks,
a hundred feet from
earth, fifty from the
water. Gerald is
inching toward me
as grim, slow, and
determined as a
season, because he
has no trade and wants
none. It's been nine months
since I last listened
to his fate, but I
know what he will say:
he's the fire hydrant
of the underdog.
When he reaches my
point above the creek,
he sits down without
salutation, and
spits profoundly out
past the edge, and peeks
for meaning in the
ripple it brings. He
scowls. He speaks: when you
walk down any street
you see nothing but
coagulations
of **** and vomit,
and I'm sick of it.
I suggest suicide;
he prefers murder,
and spits again for
the sake of all the
great devout losers.
A conductor's horn
concerto breaks the
air, and we, two doomed
pennies on the track,
shove off and somersault
like anesthetized
fleas, ruffling the
ideal locomotive
poised on the water
with our light, dry bodies.
Gerald shouts
terrifically as
he sails downstream like
a young man with a
destination. I
swim toward shore as
fast as my boots will
allow; as always,
neglecting to drown.
|
Written by
Anne Kingsmill Finch |
When such a day, blesst the Arcadian plaine,
Warm without Sun, and shady without rain,
Fann'd by an air, that scarsly bent the flowers,
Or wav'd the woodbines, on the summer bowers,
The Nymphs disorder'd beauty cou'd not fear,
Nor ruffling winds uncurl'd the Shepheards hair,
On the fresh grasse, they trod their measures light,
And a long Evening made, from noon, to night.
Come then my Dafnis, from those cares descend
Which better may the winter season spend.
Come, and the pleasures of the feilds, survey,
And throo' the groves, with your Ardelia stray.
Reading the softest Poetry, refuse,
To veiw the subjects of each rural muse;
Nor lett the busy compasses go round,
When faery Cercles better mark the ground.
Rich Colours on the Vellum cease to lay,
When ev'ry lawne much nobler can display,
When on the daz'ling poppy may be seen
A glowing red, exceeding your carmine;
And for the blew that o're the Sea is borne,
A brighter rises in our standing corn.
Come then, my Dafnis, and the feilds survey,
And throo' the groves, with your Ardelia stray.
Come, and lett Sansons World, no more engage,
Altho' he gives a Kingdom in a page;
O're all the Vniverse his lines may goe,
And not a clime, like temp'rate brittan show,
Come then, my Dafnis, and her feilds survey,
And throo' the groves, with your Ardelia stray.
Nor plead that you're immur'd, and cannot yield,
That mighty Bastions keep you from the feild,
Think not tho' lodg'd in Mons, or in Namur,
You're from my dangerous attacks secure.
No, Louis shall his falling Conquests fear,
When by succeeding Courriers he shall hear
Appollo, and the Muses, are drawn down,
To storm each fort, and take in ev'ry Town.
Vauban, the Orphean Lyre, to mind shall call,
That drew the stones to the old Theban Wall,
And make no doubt, if itt against him play,
They, from his works, will fly as fast away,
Which to prevent, he shall to peace persuade,
Of strong, confederate Syllables, affraid.
Come then, my Dafnis, and the fields survey,
And throo' the Groves, with your Ardelia stray.
Come, and attend, how as we walk along,
Each chearfull bird, shall treat us with a song,
Nott such as Fopps compose, where witt, nor art,
Nor plainer Nature, ever bear a part;
The Cristall springs, shall murmure as we passe,
But not like Courtiers, sinking to disgrace;
Nor, shall the louder Rivers, in their fall,
Like unpaid Saylers, or hoarse Pleaders brawle;
But all shall form a concert to delight,
And all to peace, and all to love envite.
Come then, my Dafnis, and the feilds survey,
And throo' the Groves, with your Ardelia stray.
As Baucis and Philemon spent their lives,
Of husbands he, the happyest she, of wives,
When throo' the painted meads, their way they sought,
Harmlesse in act, and unperplext in thought,
Lett us my Dafnis, rural joys persue,
And Courts, or Camps, not ev'n in fancy view.
So, lett us throo' the Groves, my Dafnis stray,
And so, the pleasures of the feilds, survey.
|
Written by
Anne Kingsmill Finch |
While Monarchs in stern Battle strove
For proud Imperial Sway;
Abandon'd to his milder Love,
Within a silent peaceful Grove,
Alcidor careless lay.
Some term'd it cold, unmanly Fear;
Some, Nicety of Sense,
That Drums and Trumpets cou'd not hear,
The sullying Blasts of Powder bear,
Or with foul Camps dispense.
A patient Martyr to their Scorn,
And each ill-fashion'd Jest;
The Youth, who but for Love was born,
Remain'd, and thought it vast Return,
To reign in Cloria's Breast.
But oh! a ruffling Soldier came
In all the Pomp of War:
The Gazettes long had spoke his Fame;
Now Hautboys his Approach proclaim,
And draw in Crouds from far.
Cloria unhappily wou'd gaze;
And as he nearer drew,
The Man of Feather and of Lace
Stopp'd short, and with profound Amaze
Took all her Charms to view.
A Bow, which from Campaigns he brought,
And to his Holsters low,
Herself, and the Spectators taught,
That Her the fairest Nymph he thought,
Of all that form'd the Row.
Next day, ere Phoebus cou'd be seen,
Or any Gate unbarr'd;
At hers, upon th' adjoining Green,
From Ranks, with waving Flags between,
Were soften'd Trumpets heard.
The Noon do's following Treats provide,
In the Pavilion's Shade;
The Neighborhood, and all beside,
That will attend the amorous Pride,
Are welcom'd with the Maid.
Poor Alcidor! thy Hopes are cross'd,
Go perish on the Ground;
Thy Sighs by stronger Notes are toss'd,
Drove back, or in the Passage lost;
Rich Wines thy Tears have drown'd.
In Women's Hearts, the softest Things
Which Nature cou'd devise,
Are yet some harsh, and jarring Strings,
That, when loud Fame, or Profit rings,
Will answer to the Noise.
Poor Alcidor! go Fight or Dye;
Let thy fond Notions cease:
Man was not made in Shades to lie,
Or his full Bliss, at ease, enjoy,
To Live, or Love in peace.
|