Written by
Gil Scott-Heron |
You will not be able to stay home, brother
You will not be able to plug in, turn on and cop out
You will not be able to lose yourself on skag
And skip out for beer during commercials
Because the revolution will not be televised
The revolution will not be televised
The revolution will not be brought to you by Xerox
In 4 parts without commercial interruptions
The revolution will not show you pictures of Nixon
Blowing a bugle and leading a charge by John Mitchell
General Abrams and Spiro Agnew to eat hog maws
Confiscated from a Harlem sanctuary
The revolution will not be televised
The revolution will not be brought to you by the
Schaefer Award Theater and will not star Natalie Woods
And Steve McQueen or Bullwinkle and Julia
The revolution will not give your mouth sex appeal
The revolution will not get rid of the nubs
The revolution will not make you look five pounds thinner
Because the revolution will not be televised, Brother
There will be no pictures of you and Willie May
Pushing that shopping cart down the block on the dead run
Or trying to slide that color TV into a stolen ambulance
NBC will not be able predict the winner at 8:32
Or report from 29 districts
The revolution will not be televised
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of pigs shooting down
Brothers on the instant replay
There will be no pictures of Whitney Young
Being run out of Harlem on a rail with a brand new process
There will be no slow motion or still life of Roy Wilkens
Strolling through Watts in a red, black and green
Liberation jumpsuit that he had been saving
For just the proper occasion
Green Acres, The Beverly Hillbillies and Hooter ville Junction
Will no longer be so damned relevant
And women will not care if Dick finally gets down with Jane
On search for tomorrow because black people
Will be in the street looking for a brighter day
The revolution will not be televised
There will be no highlights on the eleven o'clock news
And no pictures of hairy armed women liberationists
And Jackie Onassis blowing her nose
The theme song will not be written by Jim Webb
Francis Scott Key, nor sung by Glen Campbell, Tom Jones
Johnny Cash, Englebert Humperdink or the Rare Earth
The revolution will not be televised
The revolution will not be right back after a message
About a white tornado, white lightning, or white people
You will not have to worry about a dove in your bedroom
The tiger in your tank or the giant in your toilet bowl
The revolution will not go better with Coke
The revolution will not fight the germs that may cause bad breath
The revolution will put you in the driver's seat
The revolution will not be televised, will not be televised
Will not be televised, will not be televised
The revolution will be no re-run brothers
The revolution will be live
|
Written by
William Topaz McGonagall |
The mountains and glens of Aberfoyle are beautiful to sight,
Likewise the rivers and lakes are sparkling and bright;
And its woods were frequented by the Lady of the Lake,
And on its Lakes many a sail in her boat she did take.
The scenery there will fill the tourist with joy,
Because 'tis there once lived the bold Rob Roy,
Who spent many happy days with his Helen there,
By chasing the deer in the woods so fair.
The little vale of Aberfoyle and its beautiful river
Is a sight, once seen, forget it you'll never;
And romantic ranges of rock on either side
Form a magnificent background far and wide.
And the numerous lochs there abound with trout
Which can be had for the taking out,
Especially from the Lochs Chon and Ard,
There the angler can make a catch which will his toil reward.
And between the two lochs the Glasgow Water Works are near,
Which convey water of Loch Katrine in copious streams clear
To the inhabitants of the Great Metropolis of the West,
And for such pure water they should think themselves blest.
The oak and birch woods there are beautiful to view,
Also the Ochil hills which are blue in hue,
Likewise the Lake of Menteith can be seen far eastward,
Also Stirling Castle, which long ago the English beseiged very hard.
Then away to Aberfoyle, Rob Roy's country,
And gaze on the magnificent scenery.
A region of rivers and mountains towering majestically
Which is lovely and fascinating to see.
But no words can describe the beautiful scenery.
Aberfoyle must be visited in order to see,
So that the mind may apprehend its beauties around,
Which will charm the hearts of the visitors I'll be bound.
As for the clachan of aberfoyle, little remains but a hotel,
Which for accomodation which will suit the traveller very well.
And the bedding thereis clean and good,
And good cooks there to cook the food.
Then away to the mountains and lakes of bonnie Aberfoyle,
Ye hard-working sons and daughters of daily toil;
And traverse its heathery mountains and viewits lakes so clear,
When the face of Nature's green in the spring of the year.
|
Written by
Barry Tebb |
Alone in Sutton with Fynbos my orange cat
A long weekend of wind and rain drowning
The tumultuous flurry of mid-February blossom
A surfeit of letters to work through, a mountain
Of files to sort, some irritation at the thought
Of travelling to Kentish Town alone when
My mind was flooded with the mellifluous voice
Of Heath-Stubbs on tape reading ‘The Divided Ways’
In memory of Sidney Keyes.
“He has gone down into the dark cellar
To talk with the bright faced Spirit with silver hair
But I shall never know what word was spoken there.
”
The best reader of the century, if not the best poet.
Resonant, mesmeric, his verse the anti-type of mine,
Classical, not personal, Apollonian not Dionysian
And most unconfessional but nonetheless a poet
Deserving honour in his eighty-fifth year.
Thirty people crowded into a room
With stacked chairs like a Sunday School
A table of pamphlets looked over but not bought
A lacquered screen holding court, a century’s junk.
An ivory dial telephone, a bowl of early daffodils
To focus on.
I was the first to read, speaking of James Simmons’ death,
My anguish at the year long silence from his last letter
To the Christmas card in Gaelic Nollaig Shona -
With the message “Jimmy’s doing better than expected.
”
The difficulty I had in finding his publisher’s address -
Salmon Press, Cliffs of Moher, County Clare -
Then a soft sad Irish woman’s voice explained
“Jimmy’s had a massive stroke, phone Janice
At The Poet’s House.
”
I looked at the letter I would never end or send.
“Your poems have a strength and honesty so rare.
The ability to render character as deftly as a painter.
Your being out-of-fashion shows just how bad things are
Your poetry so easy to enjoy and difficult to forget.
Like Yeats.
‘The Dawning of the Day’ so sad
And eloquent and memorable: I read it aloud
And felt the hairs on the back of my neck prickle
An unflinching bitter rhetoric straight out
Hence the neglect.
Your poem about Harrison.
“He has to feel the Odeons sell
Tickets to damned souls, that Dante’s Hell
Is in that red-plush darkness.
”
Echoed in Roy Fisher's letter, “Once Harrison and I
Were best mates until fame went to his head.
”
James, your ‘Love Leads Me into Danger’
Set off my own despair but restored me
Just as quickly with your sense of beauty’s muted dance.
“passing Dalway’s Bawn
where the chestnuts are, the first trees to go rusty,
old admirals drowned in their own gold braid.
”
The scattered alliterations mimic so exquisitely
The random pattern of fallen conkers,
The sense of innocence not wholly clear
The guilt never entirely spent.
‘The Road to Clonbarra’, a poem for the homecoming
After a wedding, the breathlessness of new beginning.
Your own self questioning, “My fourth and last chance marriage,”
Your passionate confessions of failure and plea for absolution
“His thunder storms were in the late night bars.
Home was too hard too dry and far the stars.
”
You were so urgent to hear my thoughts on your book
And once too often you were out of luck,
Heath-Stubbs nodded his old sad head.
“Simmons was my friend.
I’d no idea he was dead.
”
Before I could finish the poem John Rety interrupted
“Can you hurry? There’s others waiting for their turn!”
I muttered to my self, but kept my temper, just.
.
.
Eventually Heath-Stubbs began - poet, teacher, wit, raconteur and man
Of letters - littering his poems with references
To three kinds of Arabic genie
The class system of ancient Egypt
The pub architecture of the Edwardian era.
From the back row I strained to see his face.
The craggy jaw, the mane of long white hair.
The bowl of daffodils I’d focused on before.
He spoke but could not read and
Like me had no single poem by heart.
In his stead a man and woman read:
I could forgive the man’s inability to pronounce ‘Dionysian’
But when he read ‘hover’ as ‘haver’
My temper began to frazzle
The woman simpered and ruined every line
As if by design, I took some amitryptilene
And let my mind float free.
‘For Barry, instead of a Christmas card, this elegy
I wrote last week.
Fond wishes.
Jeremy.
.
’
“So often, David, I still meet
Your benefactor from the time:
her speedwell-blue eyes, blue like yours,
with recollection, while we talk
through leaf-fall, with its mosaic
mottling the toad-spotted wet street.
”
I looked at Heath-Stubbs’ face, his sightless eyes,
And in a second understood what Gascoyne meant
“Now the light of a prism has flashed like a bird down the dark-blue,
At the end of which mountains of shadow pile up beyond sight
Oh radiant prism
A wing has been torn and its feathers drift scattered by flight.
”
|
Written by
Barry Tebb |
It brings to mind Swift leaving a fortune to Dublin
‘For the founding of a lunatic asylum - no place needs it more’.
The breathing beauty of the moors and cheap accommodation
Drew me but the total barbarity of the town stopped me from
Writing a single line: from the hideous facade of its railway
Station - Betjeman must have been drunk or mad to praise it -
To that lump of stone on Castle Hill - her savage spirit broods.
I remember trying to teach there, at Bradley, where the head
Was some kind of ex-P.
T.
teacher, who thought poetry something
You did to children and his workaholic jackass deputy, obsessed
With practical science and lesson preparation and team teaching
And everything on, above and beneath the earth except ‘The Education
Of the Poetic Spirit’ and without that and as an example of what
Pound meant about how a country treats its poets "is a measure
Of its civilisation".
I once had a holiday job in a mill and the
Nightwatchman’s killer alsatian had more civilisation than
Huddersfield’s Deputy Direction of Education.
For a while I was granted temporary asylum at Royds Hall -
At least some of the staff there had socialism if not art -
But soon it was spoilt for everyone when Jenks came to head
English, sweating for his OU degree and making us all suffer,
The kids hating his sarcasm and the staff his vaulting ambition
And I was the only one not afraid of him.
His Achilles’ heel was
Culture - he was a yob through and through - and the Head said to me
"I’ve had enough of him throwing his weight around, if it comes
To a showdown I’ll back you against him any day" but he got
The degree and the job and the dollars - my old T.
C.
took him
But that was typical, after Roy Rich went came a fat appointee
Who had written nothing and knew nothing but knew everyone on
The appointing committee.
Everyday I was in Huddersfield I thought I was in hell and
Sartre was right and so was Jonson - "Hell’s a grammar school
To this" - too (Peter Porter I salute you!) and always I dreamed
Of Leeds and my beautiful gifted ten-year olds and Sheila, my
Genius-child-poet and a head who left me alone to teach poetry
And painting day in, day out and Dave Clark and Diane and I,
In the staffroom discussing phenomenology and daseinanalysis
Applied to Dewey’s theory of education and the essence of the
Forms in Plato and Plotinus and plaiting a rose in Sheila’s
Hair and Johns, the civilised HMI, asking for a copy of my poems
And Horovitz putting me in ‘Children of Albion’ and ‘The
Statesman’ giving me good reviews.
Decades later, in Byram Arcade, I am staring at the facade of
‘The Poetry Business’ and its proprietors sitting on the steps
Outside, trying to look civilised and their letter, "Your poetry
Is good but its not our kind" and I wondered what their kind was
And besides they’re not my kind of editor and I’m back in Leeds
With a letter from Seamus Heaney - thank you, Nobel Laureate, for
Liking ‘My Perfect Rose’ and yes, you’re right about my wanting
To get those New Generation Poets into my classroom at Wyther
Park and show them a thing or two and a phone call from
Horovitz who is my kind of editor still, after thirty years,
His mellifluous voice with its blend of an Oxford accent and
American High Camp, so warm and full of knowledge and above all
PASSIONATE ABOUT POETRY and I remember someone saying,
"If Oxford is the soul of England, Huddersfield is its arsehole".
|
Written by
Elizabeth Bishop |
I
A washing hangs upon the line,
but it's not mine.
None of the things that I can see
belong to me.
The neighbors got a radio with an aerial;
we got a little portable.
They got a lot of closet space;
we got a suitcase.
I say, "Le Roy, just how much are we owing?
Something I can't comprehend,
the more we got the more we spend.
.
.
.
"
He only answers, "Let's get going.
"
Le Roy, you're earning too much money now.
I sit and look at our backyard
and find it very hard.
What have we got for all his dollars and cents?
--A pile of bottles by the fence.
He's faithful and he's kind
but he sure has an inquiring mind.
He's seen a lot; he's bound to see the rest,
and if I protest
Le Roy answers with a frown,
"Darling, when I earns I spends.
The world is wide; it still extends.
.
.
.
I'm going to get a job in the next town.
"
Le Roy, you're earning too much money now.
II
The time has come to call a halt;
and so it ends.
He's gone off with his other friends.
He needn't try to make amends,
this occasion's all his fault.
Through rain and dark I see his face
across the street at Flossie's place.
He's drinking in the warm pink glow
to th' accompaniment of the piccolo.
*
The time has come to call a halt.
I met him walking with Varella
and hit him twice with my umbrella.
Perhaps that occasion was my fault,
but the time has come to call a halt.
Go drink your wine and go get tight.
Let the piccolo play.
I'm sick of all your fussing anyway.
Now I'm pursuing my own way.
I'm leaving on the bus tonight.
Far down the highway wet and black
I'll ride and ride and not come back.
I'm going to go and take the bus
and find someone monogamous.
The time has come to call a halt.
I've borrowed fifteen dollars fare
and it will take me anywhere.
For this occasion's all his fault.
The time has come to call a halt.
*Jukebox
III
Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.
Lullaby.
Let mations rage,
let nations fall.
The shadow of the crib makes an enormous cage
upon the wall.
Lullaby.
Sleep on and on,
war's over soon.
Drop the silly, harmless toy,
pick up the moon.
Lullaby.
If they should say
you have no sense,
don't you mind them; it won't make
much difference.
Lullaby.
Adult and child
sink to their rest.
At sea the big ship sinks and dies,
lead in its breast.
IV
What's that shining in the leaves,
the shadowy leaves,
like tears when somebody grieves,
shining, shining in the leaves?
Is it dew or is it tears,
dew or tears,
hanging there for years and years
like a heavy dew of tears?
Then that dew begins to fall,
roll down and fall,
Maybe it's not tears at all.
See it, see it roll and fall.
Hear it falling on the ground,
hear, all around.
That is not a tearful sound,
beating, beating on the ground.
See it lying there like seeds,
like black seeds.
see it taking root like weeds,
faster, faster than the weeds,
all the shining seeds take root,
conspiring root,
and what curious flower or fruit
will grow from that conspiring root?
fruit or flower? It is a face.
Yes, a face.
In that dark and dreary place
each seed grows into a face.
Like an army in a dream
the faces seem,
darker, darker, like a dream.
They're too real to be a dream.
|
Written by
Edgar Lee Masters |
If the learned Supreme Court of Illinois
Got at the secret of every case
As well as it does a case of rape
It would be the greatest court in the world.
A jury, of neighbors mostly, with "Butch" Weldy
As foreman, found me guilty in ten minutes
And two ballots on a case like this:
Richard Bandle and I had trouble over a fence,
And my wife and Mrs.
Bandle quarreled
As to whether Ipava was a finer town than Table Grove.
I awoke one morning with the love of God
Brimming over my heart, so I went to see Richard
To settle the fence in the spirit of Jesus Christ.
I knocked on the door, and his wife opened;
She smiled and asked me in.
I entered --
She slammed the door and began to scream,
"Take your hands off, you low down varlet!"
Just then her husband entered.
I waved my hands, choked up with words.
He went for his gun, and I ran out.
But neither the Supreme Court nor my wife
Believed a word she said.
|
Written by
William Dunbar |
LONDON, thou art of townes A per se.
Soveraign of cities, seemliest in sight,
Of high renoun, riches and royaltie;
Of lordis, barons, and many a goodly knyght;
Of most delectable lusty ladies bright;
Of famous prelatis, in habitis clericall;
Of merchauntis full of substaunce and of myght:
London, thou art the flour of Cities all.
Gladdith anon, thou lusty Troynovaunt,
Citie that some tyme cleped was New Troy;
In all the erth, imperiall as thou stant,
Pryncesse of townes, of pleasure and of joy,
A richer restith under no Christen roy;
For manly power, with craftis naturall,
Fourmeth none fairer sith the flode of Noy:
London, thou art the flour of Cities all.
Gemme of all joy, jasper of jocunditie,
Most myghty carbuncle of vertue and valour;
Strong Troy in vigour and in strenuytie;
Of royall cities rose and geraflour;
Empress of townes, exalt in honour;
In beawtie beryng the crone imperiall;
Swete paradise precelling in pleasure;
London, thou art the flour of Cities all.
Above all ryvers thy Ryver hath renowne,
Whose beryall stremys, pleasaunt and preclare,
Under thy lusty wallys renneth down,
Where many a swan doth swymme with wyngis fair;
Where many a barge doth saile and row with are;
Where many a ship doth rest with top-royall.
O, towne of townes! patrone and not compare,
London, thou art the flour of Cities all.
Upon thy lusty Brigge of pylers white
Been merchauntis full royall to behold;
Upon thy stretis goeth many a semely knyght
In velvet gownes and in cheynes of gold.
By Julyus Cesar thy Tour founded of old
May be the hous of Mars victoryall,
Whose artillary with tonge may not be told:
London, thou art the flour of Cities all.
Strong be thy wallis that about thee standis;
Wise be the people that within thee dwellis;
Fresh is thy ryver with his lusty strandis;
Blith be thy chirches, wele sownyng be thy bellis;
Rich be thy merchauntis in substaunce that excellis;
Fair be their wives, right lovesom, white and small;
Clere be thy virgyns, lusty under kellis:
London, thou art the flour of Cities all.
Thy famous Maire, by pryncely governaunce,
With sword of justice thee ruleth prudently.
No Lord of Parys, Venyce, or Floraunce
In dignitye or honour goeth to hym nigh.
He is exampler, loode-ster, and guye;
Principall patrone and rose orygynalle,
Above all Maires as maister most worthy:
London, thou art the flour of Cities all.
|
Written by
William Topaz McGonagall |
'Twas in the year of 1746, and in April the 14th day,
That Prince Charles Stuart and his army marched on without delay,
And on the 14th of April they encamped on Culloden Moor,
But the army felt hungry, and no food could they procure.
And the calls of hunger could not brook delay,
So they resolved to have food, come what may;
They, poor men, were hungry and in sore distress,
And many of them, as well as officers, slipped off to Inverness.
The Prince gave orders to bring provisions to the field,
Because he knew without food his men would soon yield
To the pangs of hunger, besides make them feel discontent,
So some of them began to search the neighbourhood for refreshment.
And others, from exhaustion, lay down on the ground,
And soon in the arms of Morpheus they were sleeping sound;
While the Prince and some of his officers began to search for food,
And got some bread and whisky, which they thought very good.
The Highland army was drawn up in three lines in grand array,
All eager for the fray in April the 16th day,
Consisting of the Athole Brigade, who made a grand display
On the field of Culloden on that ever-memorable day.
Likewise the Camerons, Stewarts, and Macintoshes, Maclachlans and Macleans,
And John Roy Stewart's regiment, united into one, these are their names;
Besides the Macleods, Chisholms, Macdonalds of Clanranald and Glengarry,
Also the noble chieftain Keppoch, all eager the English to harry.
The second line of the Highland army formed in column on the right,
Consisting of the Gordons, under Lord Lewis Gordon, ready for the fight;
Besides the French Royal Scots, the Irish Piquets or Brigade,
Also Lord Kilmamock's Foot Guards, and a grand show they made.
Lord John Drummond's regiment and Glenbucket's were flanked on the right
By Fitz-James's Dragoons and Lord Elcho's Horse Guards, a magnificent sight;
And on the left by the Perth squadron under Lord Strathallan,
A fine body of men, and resolved to fight to a man.
And there was Pitsligo, and the Prince's body guards under Lord Balmerino,
And the third line was commanded by General Stapleton, a noble hero;
Besides, Lord Ogilvie was in command of the third line or reserve,
Consisting of the Duke of Perth's regiment and Lord Ogilvy's-- men of firm nerve.
The Prince took his station on a very small eminence,
Surrounded by a troop of Fitz-James's horse for his defence,
Where he had a complete view of the whole field of battle,
Where he could see the front line and hear the cannons rattle.
Both armies were about the distance of a mile from each other,
All ready to commence the fight, brother against brother,
Each expecting that the other would advance
To break a sword in combat, or shiver a lance.
To encourage his men the Duke of Cumberland rode along the line,
Addressing himself hurriedly to every regiment, which was really sublime;
Telling his men to use their bayonets, and allow the Highlanders to mingle with them,
And look terror to the rebel foe, and have courage, my men.
Then Colonel Belford of the Duke's army opened fire from the front line,
After the Highlanders had been firing for a short time;
The Duke ordered Colonel Belford to continue the cannonade,
To induce the Highlanders to advance, because they seemed afraid.
And with a cannon-ball the Prince's horse was shot above the knee,
So that Charles had to change him for another immediately;
And one of his servants who led the horse was killed on the spot,
Which by Prince Charles Stuart was never forgot.
'Tis said in history, before the battle began
The Macdonalds claimed the right as their due of leading the van,
And because they wouldn't be allowed, with anger their hearts did burn,
Because Bruce conferred that honour upon the Macdonalds at the Battle of Bannockburn.
And galled beyond endurance by the fire of the English that day,
Which caused the Highlanders to cry aloud to be led forward without delay,
Until at last the brave Clan Macintosh rushed forward without dismay,
While with grape-shot from a side battery hundreds were swept away.
Then the Athole Highlanders and the Camerons rushed in sword in hand,
And broke through Barrel's and Monro's regiments, a sight most grand;
After breaking through these two regiments they gave up the contest,
Until at last they had to retreat after doing their best.
Then, stung to the quick, the brave Keppoch, who was abandoned by his clan,
Boldly advanced with his drawn sword in hand, the brave man.
But, alas! he was wounded by a musket-shot, which he manfully bore,
And in the fight he received another shot, and fell to rise no more.
Nothing could be more disastrous to the Prince that day,
Owing to the Macdonalds refusing to join in the deadly fray;
Because if they had all shown their wonted courage that day,
The proud Duke of Cumberland's army would have been forced to run away.
And, owing to the misconduct of the Macdonalds, the Highlanders had to yield,
And General O'Sullivan laid hold of Charles's horse, and led him off the field,
As the whole army was now in full retreat,
And with the deepest concern the Prince lamented his sore defeat.
Prince Charles Stuart, of fame and renown,
You might have worn Scotland's crown,
If the Macdonalds and Glengarry at Culloden had proved true;
But, being too ambitious for honour, that they didn't do,
Which, I am sorry to say, proved most disastrous to you,
Looking to the trials and struggles you passed through.
|
Written by
William Dunbar |
London, thou art of town{.
e}s A per se.
Soveraign of cities, semeliest in sight,
Of high renoun, riches, and royaltie;
Of lordis, barons, and many goodly knyght;
Of most delectable lusty ladies bright;
Of famous prelatis in habitis clericall;
Of merchauntis full of substaunce and myght:
London, thou art the flour of Cities all.
Gladdith anon, thou lusty Troy Novaunt,
Citie that some tyme cleped was New Troy,
In all the erth, imperiall as thou stant,
Pryncesse of townes, of pleasure, and of joy,
A richer restith under no Christen roy;
For manly power, with craftis naturall,
Fourmeth none fairer sith the flode of Noy:
London, thou art the flour of Cities all.
Gemme of all joy, jasper of jocunditie,
Most myghty carbuncle of vertue and valour;
Strong Troy in vigour and in strenuytie;
Of royall cities rose and geraflour;
Empresse of town{.
e}s, exalt in honour;
In beawtie beryng the crone imperiall;
Swete paradise precelling in pleasure:
London, thow art the floure of Cities all.
Above all ryvers thy Ryver hath renowne,
Whose beryall stremys, pleasaunt and preclare,
Under thy lusty wallys renneth down,
Where many a swanne doth swymme with wyngis fare;
Where many a barge doth saile, and row with are,
Where many a ship doth rest with toppe-royall.
O! towne of townes, patrone and not-compare:
London, thou art the floure of Cities all.
Upon thy lusty Brigge of pylers white
Been merchauntis full royall to behold;
Upon thy stretis goth many a semely knyght
In velvet gownes and cheyn{.
e}s of fyne gold.
By Julyus Cesar thy Tour founded of old
May be the hous of Mars victoryall,
Whos artillary with tonge may not be told:
London, thou art the flour of Cities all.
Strong be thy wallis that about the standis;
Wise be the people that within the dwellis;
Fresh is thy ryver with his lusty strandis;
Blith be thy chirches, wele sownyng be thy bellis;
Riche be thy merchauntis in substaunce that excellis;
Fair be thy wives, right lovesom, white and small;
Clere be thy virgyns, lusty under kellis:
London, thow art the flour of Cities all.
Thy famous Maire, by pryncely governaunce,
With swerd of justice the rulith prudently.
No Lord of Parys, Venyce, or Floraunce
In dignytie or honoure goeth to hym nye.
He is exampler, lood{.
e}-ster, and guye;
Principall patrone and roose orygynalle,
Above all Maires as maister moost worthy:
London, thou art the flour of Cities all.
|
Written by
Robert William Service |
A Life Tragedy
A pistol shot rings round and round the world;
In pitiful defeat a warrior lies.
A last defiance to dark Death is hurled,
A last wild challenge shocks the sunlit skies.
Alone he falls, with wide, wan, woeful eyes:
Eyes that could smile at death -- could not face shame.
Alone, alone he paced his narrow room,
In the bright sunshine of that Paris day;
Saw in his thought the awful hand of doom;
Saw in his dream his glory pass away;
Tried in his heart, his weary heart, to pray:
"O God! who made me, give me strength to face
The spectre of this bitter, black disgrace.
"
* * * * *
The burn brawls darkly down the shaggy glen;
The bee-kissed heather blooms around the door;
He sees himself a barefoot boy again,
Bending o'er page of legendary lore.
He hears the pibroch, grips the red claymore,
Runs with the Fiery Cross, a clansman true,
Sworn kinsman of Rob Roy and Roderick Dhu.
Eating his heart out with a wild desire,
One day, behind his counter trim and neat,
He hears a sound that sets his brain afire --
The Highlanders are marching down the street.
Oh, how the pipes shrill out, the mad drums beat!
"On to the gates of Hell, my Gordons gay!"
He flings his hated yardstick away.
He sees the sullen pass, high-crowned with snow,
Where Afghans cower with eyes of gleaming hate.
He hurls himself against the hidden foe.
They try to rally -- ah, too late, too late!
Again, defenseless, with fierce eyes that wait
For death, he stands, like baited bull at bay,
And flouts the Boers, that mad Majuba day.
He sees again the murderous Soudan,
Blood-slaked and rapine-swept.
He seems to stand
Upon the gory plain of Omdurman.
Then Magersfontein, and supreme command
Over his Highlanders.
To shake his hand
A King is proud, and princes call him friend.
And glory crowns his life -- and now the end,
The awful end.
His eyes are dark with doom;
He hears the shrapnel shrieking overhead;
He sees the ravaged ranks, the flame-stabbed gloom.
Oh, to have fallen! -- the battle-field his bed,
With Wauchope and his glorious brother-dead.
Why was he saved for this, for this? And now
He raises the revolver to his brow.
* * * * *
In many a Highland home, framed with rude art,
You'll find his portrait, rough-hewn, stern and square;
It's graven in the Fuyam fellah's heart;
The Ghurka reads it at his evening prayer;
The raw lands know it, where the fierce suns glare;
The Dervish fears it.
Honor to his name
Who holds aloft the shield of England's fame.
Mourn for our hero, men of Northern race!
We do not know his sin; we only know
His sword was keen.
He laughed death in the face,
And struck, for Empire's sake, a giant blow.
His arm was strong.
Ah! well they learnt, the foe
The echo of his deeds is ringing yet --
Will ring for aye.
All else .
.
.
let us forget.
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