Written by
Rg Gregory |
(roundel: variation of the rondeau
consisting of three stanzas of three
lines each, linked together with but
two rhymes and a refrain at the end
of the first and third group)
1.
the blind rose
today's fullness is tomorrow's gone
(the next day after no one knows)
last year's dream now feeds upon
what blindly grows
imagine if you like a rose
on which no likely sun has shone
a darkness chokes it (just suppose)
the die though's cast - a marathon
of hopes endeavours then bestows
dawn's right to spill its colours on
what blindly grows
2.
squeaking
there are so few words left now to grow
green on - my vocabulary's stumped
for a hard-edged phrase to let you know
my truth's not been gazumped
love itself of course is blandly thumped
each time it suits you to imagine no
fruits are guilty for their being scrumped
if you can't be honest with me - better go
if dumped is what you wish then i'll be dumped
excuse me if i go on squeaking though
my truth's not been gazumped
3.
ease of mind
the world spins - today i have migraine
the peace i seek is never less than ill
striving's no answer to the bumptious pain
that is love's overspill
wanting warmth encourages the chill
relaxation breeds its bitter strain
the worst of all crimes is - i love you still
hope itself by nature is inane
i squat in a box dismembered from such will
to let me find the ease of mind again
that is love's overspill
4.
a roundel for ptolemy
the earth is not the system's centre- so ok
heliocentric - well our sun's a midget
spawning galaxies blow our minds away
space then equal to a digit
the mightiest telescope's a widget
science at best hard guessing gone astray
no genius stretch beyond a second's fidget
ptolemy discarded yet may have his say
infinity takes a hologram to bridge it
each shard of us contains the cosmos -
space then equal to a digit
5.
reflection
everything you do is my reflection
the hurts you cause are my pain inside out
blame's no matter for a close inspection
your guilt turns mine about
love itself is many hands of doubt
it cannot be without it breeds rejection
its silences result in one big shout
i am left with nothing but dejection
what's gold in me has nowhere to get out
love's pride is fatal to correction
my guilt turns yours about
6.
the round
the round understands the fluidity of order
how the thing lit up and the shadow can't compete
how the centre is that version of the border
the moment makes complete
notice each face around a space at times replete
with insights given to no one else as warder
but not condemned when those insights retreat
impermanence is eternity's recorder -
with an intricate sense of pattern power can't delete
the round honours those cracks in the divine disorder
the moment makes complete
7.
the actor
acting is not the true self's dissipation
but not its preening either - outside the role
it honours it best fights shy of reputation -
being what prometheus stole
it is a distant spark of that first live coal
a conscious glimpse of human desperation
rekindled as a longing to console
the waning spirit or the shattered dedication
actors are allies of the delphic hole
for good or ill they echo human expectation
being what prometheus stole
8.
roundels in honour of the round
(i)
when energy was born it asked this question
which way dear parents do i go from here
mum fluttered indifferently (i blame exhaustion)
dad pointed with his sexual gear
so energy thrust straight ahead and fostered fear
at once its dreaded source became a bastion
too holy to be doubted - mum flipped a gear
she sought revenge on dad for his lewd suggestion
taking too long of course - things went nuclear
the scale of the damage was too much to ingest when
dad pointed with his sexual gear
(ii)
she sat with her flowing skirt spread out on the earth
and tore the garment into strips from toe to waist
laying them to point around the wide world's girth
my way the truth flows best
dad laughed his head off at the pointless waste
and energy itself was seized by powerful mirth
perhaps mum's petalled skirt was not well placed
in time mishandled plenty breeds its dearth
dad's roisterous one-way-ism was disgraced
energy began to sense what mum was worth
her way the truth flows best
|
Written by
Dorothy Parker |
She's passing fair; but so demure is she,
So quiet is her gown, so smooth her hair,
That few there are who note her and agree
She's passing fair.
Yet when was ever beauty held more rare
Than simple heart and maiden modesty?
What fostered charms with virtue could compare?
Alas, no lover ever stops to see;
The best that she is offered is the air.
Yet- if the passing mark is minus D-
She's passing fair.
|
Written by
John Berryman |
He does not live here but it is the god.
A priest tools in a top his motorbike.
You do not enter.
Us the landscape circles hard abroad,
sunned, stone.
Like calls, too low, to like.
One submachine-gun cleared the Durga Temple.
It is very dark here in this groping forth
Gulp rhubarb for a guilty heart,
rhubarb for a free, if the world's sway
waives customs anywhere that far
Look on, without pure dismay.
Unable to account for itself.
The slave-girl folded her fan & turned on my air-condtioner.
The lemonade-machine made lemonade.
I made love, lolled,
my roundel lowered.
I ache less.
I purr.
—Mr Bones, you too advancer with your song,
muching of which are wrong.
|
Written by
Algernon Charles Swinburne |
A roundel is wrought as a ring or a starbright sphere,
With craft of delight and with cunning of sound unsought,
That the heart of the hearer may smile if to pleasure his ear
A roundel is wrought.
Its jewel of music is carven of all or of aught--
Love, laughter, or mourning--remembrance of rapture or fear--
That fancy may fashion to hang in the ear of thought.
As a bird's quick song runs round, and the hearts in us hear
Pause answer to pause, and again the same strain caught,
So moves the device whence, round as a pearl or tear,
A roundel is wrought.
|
Written by
Algernon Charles Swinburne |
Death, from thy rigour a voice appealed,
And men still hear what the sweet cry saith,
Crying aloud in thine ears fast sealed,
Death.
As a voice in a vision that vanisheth,
Through the grave's gate barred and the portal steeled
The sound of the wail of it travelleth.
Wailing aloud from a heart unhealed,
It woke response of melodious breath
From lips now too by thy kiss congealed,
Death
II.
Ages ago, from the lips of a sad glad poet
Whose soul was a wild dove lost in the whirling snow,
The soft keen plaint of his pain took voice to show it
Ages ago.
So clear, so deep, the divine drear accents flow,
No soul that listens may choose but thrill to know it,
Pierced and wrung by the passionate music's throe.
For us there murmurs a nearer voice below it,
Known once of ears that never again shall know,
Now mute as the mouth which felt death's wave o'erflow it
Ages ago.
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